Early Los Angeles Historical Buildings (1900 - 1925)
Historical Photos of Early Los Angeles |
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(1900)* - Exterior front view of the Victorian style H.J. Whitley residence (previously the Hurd Residence) at 6594 Hollywood Blvd. at Wilcox Avenue. A streetcar, labeled Santa Monica, is on the street in front of the house. Also a couple are sitting in an open-air automobile, and the woman wears a lap robe. |
Historical Notes In 1887, James McLaughlin obtained a franchise to build a steam dummy line connecting to the 2nd Street Cable Railroad at Diamond (Beverly Boulevard) and Texas (Belmont Avenue) Streets. The line would extend north along Texas to Temple and then westward to the Los Angeles City Limits at Hoover Street and beyond. The end of the line was at Prospect Avenue (later Hollywood Blvd.) and Wilcox. It was here that McLaughlin built himself a rather imposing “McMansion” on the northwest corner of that intersection. #*^^ In 1890 the Cahuenga Valley RR was sold to E. Hurd and S.E. Mattison who extended the line westward along Prospect Avenue to Laurel Canyon, opening it to residential development. ##*^ In addition to selling his railroad, McLaughlin sold his beautiful mansion on the norhwest corner of Prospect (later Hollywood) and Wilcox to Eli C. Hurd, a wealthy Colorado miner. |
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(ca. 1900)* - Exterior front view of the two-story Victorian Hollywood residence of H.J. Whitley who purchased it from E. C. Hurd one year earlier. Hurd was a member of the Cahuenga Valley Water Company in Hollywood. The beautiful mansion on the northwest corner of Pospect (later Hollywood) and Wilcox was originally built by James McLaughlin who also built the Cahuenga Valley RR. |
Historical Notes E. C. Hurd made his fortune from the mines of Colorado and invested it in a prime Hollywood tract. In 1890, he and S.E. Mattison bought the Cahuenga Valley RR from James McLaughlin.*** In the mid-1880s, H.J. Whitley arrived in Southern California. He was well known as a land developer and many tried to follow on his coattails. As president and major shareholder of the Los Angeles Pacific Boulevard and Development Company, he orchestrated the building of the Hollywood Hotel, the opening of the Ocean View Tract and construction of a Bank which were located on the corners of Hollywood Boulevard and Highland.^* |
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(ca. 1905)^ - View showing the northwest corner of Prospect (later Hollywood Blvd.) and Wilcox. In the foreground is a well-tended garden consisting of small pine trees, yucca trees, and patches of lawn. In the background at left, is the large Victorian mansion of banker H.J. Whitley. The two-story home consists of a covered balcony and cylindrical section with a rounded rooftop. In the extreme background at center, a group of large homes can also be seen. The Hollywood Hills stand in the background. Click HERE to see more Early Views of Hollywood (1850 - 1920). |
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Los Angeles County Courthouse
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(1900)* - Close-up view of the Los Angeles County Courthouse in 1900, taken from across Broadway near Rivers Bros. |
Historical Notes In 1891, the LA County Courthouse moved into it's new home, a beautiful new building constructed at the old site of Los Angeles High School where it stayed until 1932. Between 1861 and 1891 it was located in a large building on Temple Block sharing space with a theatre and marketplace.* |
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(ca. 1900)^^* - The Los Angeles County Courthouse from the corner of Temple Street and Broadway, facing south. Horse-drawn carriages are seen waiting at the curb. |
Historical Notes The County Courthouse building utilized an open-air elevator shaft that was added to the building before the turn of the last century. The circular shaft can be seen just to the left of the left palm tree. If you look closely, you can see the elevator car is between the first and second floors.**# |
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(ca. 1906)^ - View showing the LA County Courthouse and Jail looking west. The flat rooftops of high rise buildings fill the foreground while the gothic architecture of the courthouse stands to the left, its clock tower reading approximately ten minutes after nine o'clock and an American flag waving from its peak. |
Historical Notes The Court House was built from 1887-1891. It was damaged in the 1933 Long Beach earthquake, and declared unsafe for occupancy. Demolition started in 1935 (roof and two upper floors removed), and concluded 1936. Among the others, the photograph features the following buildings and structures: (John Anson) Bullard Block (1896-1926) can be seen between Main and Spring, Market and Court Streets; United States Hotel (1862-1939) is visible at left of upper Bullard on south-east corner of Main and Market Streets; Amestoy Building (1887-1958) is visible left of the U.S. Hotel, at north-east corner of Main and Market Streets.^ Additional information provided by the LA Conservancy: The numerals from one of the clock faces of the 1st County Court House were incorporated into one of the clock faces of the 2nd Court House, and were subsequently transferred to the east-facing upper clock of the 3rd Court House (opened 1959), north side of 1st Street between Grand Avenue and Hill Street, renamed the Stanley Mosk Court House. |
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(1906)^ - Birdseye view of Los Angeles looking northeast from the Third Street Hill. The Young Women's Christian Association (YWCA) Building is in the foreground at center. It is a large, light-colored building with several small rectangular windows on the side and two structures on the roof. There are also two men on the roof. The tall rectangular tower of City Hall with its pyramidal roof is at right, and the Hall of Records is being built near the LA County Courthouse in the distance at left. |
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(ca. 1906)* - View looking southeast at the intersection of Temple and Broadway, showing the LA County Courthouse side by side with the newly built Hall of Records. |
Historical Notes The LA County Courthouse was built in 1891 at the old site of Los Angeles High School. The building was demolished in 1932. The Hall of Records was built in 1906 to relieve overcrowding next door in the county’s red-sandstone courthouse. The new building consolidated most county offices under one lavishly ornamented roof—a showy headpiece that featured finials, pyramidal gables, and copper ribbing. The building was demolished in 1973. |
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College of Fine Arts
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(ca. 1900)* - View of Los Angeles College of Fine Arts, U.S.C. located at 200 S. Avenue 66 in the Garvanza district. Photograph shows a white three-story Moorish-style building with a stone foundation, and few windows. A large medallion with the school seal looms high on the right side of the building. |
Historical Notes In 1896 William Lees Judson (1842-1928), an English-born California landscape painter, was offered a professorship in drawing and painting at the University of Southern California. In 1897, he founded the Los Angeles College of Fine Arts at his home, located at 200 S. Avenue 66 in the Garvanza district. In 1901, Judson's art college became USC's College of Fine Arts, with Judson serving as dean from 1901 until his retirement in 1922. Under Judson's watch, the school flourished and gained a reputation as being among the largest, best equipped and most efficient in the West.* |
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(ca. 1900)^ - View of the College of Fine Arts building at the University of Southern California (U.S.C.), Garvanza, Los Angeles. |
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(1907)^ – View looking toward the Pacific Electric Bridge crossing the Arroyo Seco with the University of Southern California College of Fine Arts (Judson Art Institute) seen at right. |
Historical Notes On December 1910, a fire devoured the original three-story Moorish-style building and its dormitories, and though no one perished, many of Judson's artworks were destroyed. In 1911, a new two-story Shingle Style, Bungalow/Craftsman building designed by Robert Train and Robert Edmund Williams was built on the site, and classes resumed there until 1920, when USC moved the College of Fine Arts to its central campus site (Click HERE to see more in Early Views of USC).* |
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(2008)^* - View of the Judson Studios building located at 200 S. Avenue 66 in Highland Park, Northeast Los Angeles. The Bungalow/Craftsman building was built in 1911 and designed by Robert Train and Robert Edmund Williams. |
Historical Notes With USC vacating the space in 1920, the building became the headquarters for a group called the Arroyo Guild of Fellow Craftsmen. Later, it would become the home of Judson Studios, the family-operated stained glass business which had initially opened and operated from Mott Alley near the Old Plaza and Union Station.* In 1969, the Judson Studios building was designated Los Angeles Historic-Cultural Monument No. 62 (Click HERE to see complete listing). That same year it was added to the National Register of Historic Places. |
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LA Fire Houses
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(ca. 1900)* - This building housed Chemical Engine Co. No. 1 from 1892 to 1907, located at 137 S. Belmont (later changed to Loma), near W. First Street. Referred to as "The Hill", Chemical Co. No. 1 closed in 1907 and Hose Company No. 4 moved in and went into service at the same station. Two of the firemen pictured are identified as William Glenn and George Bright. |
Historical Notes In September of 1871, George M. Fall, the County Clerk for Los Angeles County organized Engine Company No. 1. This volunteer firefighting force disbanded in 1874 after the City Council refused to purchase horses to pull the fire engine and hose jumper-equipment that had previously been hand-drawn to fires. Soon after, many of the former members reorganized under the name of Thirty-Eights-No. 1. In May 1875, Engine Co. No. 2 was organized under the name Confidence Engine Company. In 1877, the first horses were bought for the fire department. In 1878, a third fire company was formed and was named Park Hose Co. No. 1. Five years later, in 1883, the East Los Angeles Hose Co. No. 2 was formed. And the final volunteer company, called Morris Vineyard Hose Co. No. 3, forming in the fall of 1883.* |
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(1900)* - Los Angeles Fire Department, Chemical Engine No. 2, located at 3401 S. Central Avenue, at the corner of 34th Street. Two firemen and a "fire dog" sit atop a horse-drawn engine, and another stands to its right |
Historical Notes All of the volunteer companies remained in service until February 1, 1886, when the present paid Los Angeles Fire Department came into existence. When it was officially formed, it had 4 fire stations, 2 steam fire engines, 2 hose reels, a hose wagon, a 65' aerial ladder truck, 31 paid firefighters, 24 reserve firefighters, and 11 horses to protect 30 square miles and a population of 50,000.* |
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(1914)^*# - View of Engine No. 14 in front of Engine House No. 14 (previously No. 2). |
Historical Notes From 1900 to 1902 the fire station at 3401 South Central Avenue housed Chemical Engine Company No. 2. From 1902 to 1919 Engine Company No. 14 was located there.^##* |
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(1911)^##*- Resting, but ready for Action! Two fireman sit on a horse-drawn fire ladder wagon as a boy walks by admiring the horses. |
Historical Notes Not seen here, however, Dalmatians were often used as a coach dog. These 60 lb dogs were used to guard the ladder wagon from theft and to keep the horses calm during the excitement of the fire. The fire-ladder wagon was loaded with attractive brass items that were easy pickings for boys looking for a souvenir.**# |
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(ca. 1910)^ - View of horse-drawn Engine No.14 running past the Engine House at 3401 S. Central Ave. |
Historical Notes On a cool day 50 MPH was easy for these horses when pulling the 6000 lb steamer pump. They would always use the best horses for the pump engine. Horses of the Morgan breed were most typically used. Often when the old fire engine horses were retired out to pasture, from blocks away they would hear the fire bell and run to the station house, ready to pull the wagon. The bell meant "get ready to be in harness". This was how loyal they were.**# |
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(ca. 1910)* - Hose Company No. 4 opened on February 22, 1900 and was originally located on Jefferson Street, between Thirty-Second and McClintock Streets. |
Historical Notes In 1906-07, Hose Co. No. 4 closed and moved to its new location (pictured) at 137 S. Loma Drive (previously Belmont), which had formerly been occupied by Chemical Engine Co. No. 2, known as "The Hill". In 1924, Hose Co. No. 4 closed, and Engine Co. No. 58 opened in this same building.* |
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State Normal School
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(ca. 1910)* - View of the State Normal School, located at Grand Avenue and 5th Street. Here, clusters of students can be seen on the balcony, going up the stairway, and scattered around the grounds. The building opened in 1881 and was removed in 1924. |
Historical Notes In 1880, with a population of 11,000, Los Angeles was a gaslit pueblo trying to convince the state to establish in Southern California a second State Normal School like the one already existing in San Jose, some 300 miles to the north. In March of the following year, the State Assembly approved the establishment of such a school. A group of enthusiastic citizens, over 200 of whom contributed between $2 and $500, purchased a site less than a mile from the business section. Soon the towering Victorian form of the school rose from an orange grove that, today, is the site of the Central Los Angeles Public Library.^ |
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(Early 1900s)* - Side view of the State Normal School, located at Grand Avenue and 5th Street. |
Historical Notes In March 1881, after heavy lobbying by Los Angeles residents, the California State Legislature authorized the creation of a southern branch of the California State Normal School (which later became San Jose State University) in downtown Los Angeles to train teachers for the growing population of Southern California. The State Normal School at Los Angeles opened on August 29, 1882, on what is now the site of the Central Library of the Los Angeles Public Library system. The new facility included an elementary school where teachers-in-training could practice their teaching technique on children. That elementary school is related to the present day version, UCLA Lab School. In 1887, the school became known as the Los Angeles State Normal School.^* |
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(Early 1900s)^ - Exterior view of the State Normal School. Residential homes sit on a cul-de-sac behind the school. |
Historical Notes Because the school sat impressively on the last knoll of Bunker Hill, aptly dubbed "Normal Hill", there were two ways to get to the main entrance: either taking the long and winding driveway located on the left side, or a long flight of stairs on the right (neither visible in this shot). The beautiful brick building had numerous tall windows all around, several chimneys, gabled dormers, a tower with a balcony and ornate grill, a set of stairs on either side leading to the main doors, and beautiful landscaping all around.* |
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(Early 1900s)* - Aerial view of the State Normal School, located at Grand Avenue and 5th Street. Because the school sat impressively on the last knoll of Bunker Hill, aptly dubbed "Normal Hill", there were two ways to get to the main entrance: either taking the long and winding driveway located on the left side, or a long flight of stairs on the right (partially covered by the trees), which was parallel to 5th Street. The large white building on the middle left is the Bible Institute, later to become the Church of the Open Door/Biola Institute, that was located on Hope Street; the Key West Rooms and Apartments is visible on the lower left. |
Historical Notes After the demolition of this structure (1924), 5th Street was straightened and the remainder of the site was eventually occupied by the L.A. Public Library.* |
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(ca. 1905)^^ - The four-story Victorian-style Normal School building can be seen at center overlooking a beautiful courtyard. The building features steep gables, pointed towers and ceilings, a circular tower at left, and a square tower at right. A few other much smaller buildings can be seen at right. Legible signs include: "State Normal School". |
Historical Notes By 1914 the little pueblo of Los Angeles had grown to a city of 350,000 and the school, whose enrollment far exceeded its capacity, moved to new quarters -- a Hollywood ranch off a dirt road which would later become Vermont Avenue. With a view toward expansion, Director Ernest Carroll Moore proposed in 1917 that the school become the first branch of the Berkeley-based University of California. Two years later on May 23, 1919, California Governor William D. Stephens signed the legislation that created the "Southern Branch" of the University of California -- no longer merely a teacher's college but an institution that offered two years of instruction in Letters and Science. Third- and fourth-year courses were soon added, the first class of 300 students was graduated in 1925, and by 1927 the Southern Branch had earned its new name: University of California at Los Angeles (the "at" became a comma in 1958). As the student population of the University continued to increase, the need for a new site became obvious and the search was soon under way for a permanent home for UCLA.^ |
Click HERE to see more Early Views of the Normal School and UCLA. |
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Olive Street School
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(ca. 1900)#^^^ - View of the Olive Street School, located between 4th and 5th, on Olive. This photo was taken near the end of construction. Notice the workman's ladder laying across the front steps. |
Historical Notes The Olive Street School was constructed at the turn of the century and was converted into a high school in 1909. An evening school was also opened there in 1908 for students that needed to work during the day. #^^^ |
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(ca. 1920)* - Exterior view of Olive Street School, located on the west side of Olive Street between 4th and 5th Streets. |
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A. L. Bath Building (also the Willoughby Hotel)
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(ca. 1900)^ – View showing the Hotel Willoughby (in the A.L. Bath Building) located on the southeast corner of 5th and Hill streets acrosss the street from Central Park (now Pershing Square). The Victorian-style high rise, which was owned by Mrs. E. Hollingsworth, is three stories tall and features a pointed spire at the top of its corner which reads A. L. Bath along the rim. Below "Willoughby Hotel" seems to have been written in the display windows to either side of the entrance, although it seems to be an edit added to the negative. A rider less horse-drawn carriage stands parked to the right side. |
Historical Notes Originally built in 1898 by A. L. Bath, (on property bought from A. Cottle in 1874), the 30-room Willoughby Hotel stood at the corner of 5th and Hill streets and was owned by Mrs. E. Hollingworth. It shared the Square with residences and two other large buildings, Hazard's Pavilion (1887) and St Paul's Episcopal Cathedral (1883).**# It turns out that the maiden name of A.L. Bath's mother was Willoughby. |
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(ca. 1913)^ - View lookikng east on 5th Street at its intersection with Hill Street showing the Willoughby Hotel on the southeast corner. Pershing Square is in the foreground. |
Historical Notes By the 1910s a Boos Bros cafeteria, the Portsmouth Hotel and the Lillie Hotel, among others, would join the Willoughby on the east side of Pershing square. **# The hotel would be in business only until 1917. |
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(1951)* - The A. L. Bath Building on the southeast corner of 5th and Hill Streets, formerly occupied by the Willoughby Hotel. Architect was Robert B. Young. |
Historical Notes By 1951 the former Willoughby had lost its tower (presumably to accommodate the new roof-top billboard), its scale overwhelmed by Milliron's 5th Street store behind it across Lindley Place. Street lamps have changed and buses replace trolleys. |
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(ca. 1950s)#^*- View showing the Bath Block (aka Hotel Willoughby) at 506 South Hill Street. Dr. Albert L. Gibson’s dental practice occupies the second floor of the former hotel. Billboard for Captain Jet television show atop building. |
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(1971)* - View looking at the southeast corner of Hill and 5th streets. A.L. Bath Building has a billboard on the roof with sign that reads: "a donut a cup of coffee and you... at Donut Chalet". The donut shop is on the first floor along with other restaurants. |
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First Methodist Episcopal Church
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(1902)^ – View looking at the First Methodist Episcopal Church located on the northeast corner of Sixth and Hill streets. The curved entryway on the corner consists of three arched doors. Five arched stained glass windows are directly over the entryway. A square tower to the right of the entryway rises to a spire. The roof has two main peaks -- one at left, the other at right. An octagonal tower is at left. A horse-drawn wagon is parked on the curb at left and a pedestrian is walking down the sidewalk at right. |
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(ca. 1900)* - View looking east on Sixth Street from Hill Street with the First Methodist Episcopal Church on the left (N/E corner). Three women and a man are in front of the church while another man is riding a bycicle. Streetcar tracks can also be seen on the unpaved road. |
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(1900)^ - Interior view of the First Methodist Church, John C. Austin is the architect. The view seems to be from an upper level of the church with the large chandelier hanging from the domed ceiling at center. Below flowers sit in front of the pulpit while the large organ pipes stand against the back wall. Daylight shines brightly from the large window at left. |
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(1906)* - View looking north on Hill Street with Central Park (Pershing Square) on the left. First Methodist Episcopal Church is on the right corner, on the N/E corner of 6th and Hill Streets. |
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(1906)* – Postcard View looking north on Hill Street showing a horse-drawn wagon with two men heading toward 6th Street. The First Methodist Episcopal Church can be seen on the N/E corner with streetcar in front of it. Across the street on the left is Central Park (Pershing Square after 1918). |
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(1909)^## – Panoramic view looking north on Hill Street from over 6th Street with the First Methodist Episcopal Church seen in the lower-right (S/E corner). Central Park (later Pershing Square) is across the street on the left. |
Historical Notes In 1923, the Church moved to 8th and Hope streets to accommodate the increasing numbers of parishioners. |
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Los Angeles Brewing Co. (aka Eastside Brewery)
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(ca. 1900)* - Exterior view of the Los Angeles Brewing Co. building, located at 1920-2026 East Main Street. Designed by architect John C. Austin. |
Historical Notes Los Angeles Brewing Company was designed by architect John C. Austin and built between 1898 and 1908. It was owned by George Zobelein, a former partner of Maier and Zobelein Brewery.* |
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(Early 1900s)**# - Postcard view showing the Los Angeles Brewery. |
Historical Notes In the years after the Civil War, waves of new immigrants and the national craze for German-style "beer gardens" created such a demand for malted spirits that beer replaced hard cider as America's most popular alcoholic drink. In response to that booming demand, the Los Angeles Brewing Co. opened in 1897 on the banks of the Los Angeles River, whose then cool and flowing waters were a key ingredient of the beer. Within two decades, the immigrant son of a German brew master would purchase the brewery and turn it into a local institution and the country's fifth-largest beer producer.*# |
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(Early 1900s)^ - View of a horse-drawn wagon carrying barrels of Eastside Brew. |
Historical Notes In 1907, Zobelein named his new beer "Eastside" since Los Angeles Brewing Company was located east of the Los Angeles River at the 1920-2026 block of Main Street. The bottling facility later became Eastside Brewery, which was eventually sold and was finally owned by Pabst Brewery.* |
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(ca. 1908)* - View of the Los Angeles Brewing Co. building. Writing above some of the windows along the right portion of the building reads: "Los Angeles [illegible] Brew House". |
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(1934)^ – Close-up view of the clock tower at the Eastside Brewery. |
Historical Notes The Zobelein family sold the Los Angeles Brewing Company and its Eastside brand to Wisconsin-based Pabst in 1948. Pabst, in a race with other national brewers to expand first to the West Coast, opened a new plant next door to the old Eastside brewery and began making its Pabst Blue Ribbon lager in 1953. Rival brewers Anheuser-Busch and Schlitz both followed in 1954 by opening large industrial breweries in Van Nuys. #^ |
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Chutes Amusement Park
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(Early 1900s)* - View of the Washington Gardens Chutes Amusement Park. The Chutes Water Slide stands at center between a roller coaster and the Chutes Theater. |
Historical Notes Chutes Park began as a trolley park in 1887. It was a 35-acre amusement park bounded by Grand Avenue on the west, Main Street on the east, Washington Boulevard on the north and 21st Street on the south. At various times it included rides, animal exhibits, a theater and a baseball park.^*^^ |
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(ca. 1901)**# - View of a water slide splashing down into the Chutes' lake. The beautiful ornate Chutes Theater stands on the right. |
Historical Notes Chutes Amusement Park also included, at various times, such exotic diversions as a seal pond, ostriches and the interestingly named House of Trouble and Cave of the Winds. By 1901, it also had a 4,000-seat theater (seen above) and a baseball park that seated 10,000.^*^^ |
Click HERE to see more in Early Southern California Amusement Parks |
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B.H. Nance’s Drug Store
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(Early 1900s)**# – View of B.H. Nance’s Drug Store on the corner of S. Main and W. 9th streets. A man is standing by the front entrance of the building while a young boy is seen sitting on the curb, leaning back against a pole. |
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Occidental Hotel
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(1900)^ - View of the Occidental Hotel located at 428 S. Hill Street. Thayer Decorating Co. is located on the street level. Architect, Robert B. Young. |
Historical Notes The Ezra Wilson Building, also known as the Occidental Hotel, was completed around 1898 at 428 South Hill Street. Though never one of the city’s landmark establishments, it was one of the earlier commercial buildings to venture into Pershing Square’s vicinity, at the onset of its rapid transition from residential district to downtown center. #* |
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(Early 1900s)* - Occidental Hotel seen at night with a crowd of people gathered at hotel entrance. Businesses on the lower floor now include Thayer Decorating and Western Realty and Investment. |
Historical Notes In the early 1900s, when purchased by hotelier A. Garrison von Ache, the building was turned into a 170-room hotel. It was a hybrid of the Occidental and the former Broadway Hotel whose entrance was from Broadway Street.^#* |
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(ca. 1910)* - Occidental Hotel seen from across the street with horse buggies and early automobiles in front. "E. Wilson" is on building just below the roof line. |
Historical Notes In 1914, the relatively humble building was dwarfed by the 11-story Hotel Clark, which rose on the adjacent plot on its north side. The Occidental Hotel was eventually acquired and demolished by its neighbor and replaced by a two-story annex in 1937. #* |
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(ca. 1910s)##^^ – Postcard view showing the free shuttle from La Grande Station to the Occidental Hotel. |
Historical Notes Back of postcard reads: "Occidental Hotel. Rates, $1.00 to $2.50. Through the "Block" from Hill Street, to Broadway. Main Entrance, 428 So. Hill Street Los Angeles." ##^^ |
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Los Angeles Orphanage
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(ca. 1900)* - The Los Angeles Orphanage at 917 South Boyle Avenue, southwest corner of Boyle Avenue at Stephenson Avenue (now Whittier Boulevard) in Boyle Heights. The orphanage is a five-story, brick, L-shaped building with dormer windows on the facade and a tower at the entrance that is flanked by newly-planted date palm trees. Steps lead to an arched entryway at the bottom of the tower. Several chimneys sit atop the roof. |
Historical Notes The girl's orphange and school was established in 1856 by six Sisters of Charity nuns from Emmitsburg, Maryland, the motherhouse in the United States. They selected a house with vineyard and orchard belonging to B. D. Wilson for $8,000. This gave the orphanage an income from wine grapes and a supply of fresh fruits and vegetables. The 917 South Boyle Avenue site opened in 1890 on twelve acres and remained open until the it was condemned in 1953 and the orphanage moved to Rosemead.* |
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(ca. 1900s)^ - View of the Los Angeles Orphan Asylum in Boyle Heights in the early 1900s. |
Historical Notes For over sixty years the facility served thousands of orphaned children in Los Angeles. Concerns over structural integrity came about in the early 1930s when construction crews blasting the hillside next to the asylum for the extension of Sixth Street weakened the massive structure's foundations. While the building was used for classes during the day, children and staff slept at the basement at St. Vincent's Hospital in the evenings. The damage to the building, as well as the notorious freeway construction projects that controversially carved through much of Boyle Heights, led the Daughters to abandon the site and move the facility to Rosemead in the San Gabriel Valley. From 1953, the facility has operated as Maryvale, but has been reconfigured as a residential home for girls from ages six to seventeen. There are also adjunct facilities in El Monte and Duarte.^# |
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San Pedro City Hall
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(1900)* - Los Angeles city clerk O.C. Abbott (left) and Ben Baker stand outside of the second location of the San Pedro City Hall, a rented building on Beacon between 4th and 5th streets. |
Historical Notes In 1906, the City of Los Angeles annexed the Harbor Gateway, a long narrow strip of land connecting the city to the coast, and in 1909, the city annexed San Pedro and the adjacent town of Wilmington. The odd shape is still seen in the map of the city.^* |
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Phineas Banning Residence (Wilmington)
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(ca. 1900)* - Tree-shaded residence of Phineas Banning in Wilmington. In front is a mule-drawn coach piled high with people. |
Historical Notes Phineas Banning (1830 – 1885) was an American businessman, financier, and entrepreneur. Known as "The Father of the Port of Los Angeles," he was one of the founders of the town of Wilmington, which was named for his birthplace. His drive and ambition laid the foundations for what would become one of the busiest ports in the world. Besides operating a freighting business, Banning operated a stage coach line between San Pedro and Wilmington, and later between Banning, California, which was named in his honor, and Yuma, Arizona. During the Civil War, he ceded land to the Union Army to build a fort at Wilmington, the Drum Barracks. He was appointed a Brigadier General of the First Brigade of the militia, and used the title of general for the rest of his life.^* |
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(1937)* - Exterior view of the Greek Revival style residence of Phineas Banning, located at 401 East M Street in Banning Park in Wilmington. |
Historical Notes Banning's chief residence, constructed in Wilmington in 1864, is open to the public as a museum devoted to the Victorian era in California.^* In 1963, the Banning House property, also known as Banning Park, was designated as Los Angeles Historic-Cultural Monument No. 25 (Click HERE to see complete listing). It is also California Historical Landmark No. 147 (Click HERE to see more in California Historical Landmarks in LA) as well as being federally listed on the National Register of Historic Places. |
Click HERE to see more in Early Views of San Pedro and Wilmington |
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National Soldier's Home (now Veterans Administration Hospital)
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(1901)* - President William McKinley can be seen near the entrance of the National Soldier's Home (now Veterans Administration Hospital) in Sawtelle (Los Angeles). This event marks the Dedication by President McKinley on May 9, 1901. |
Historical Notes The National Home for Disabled Volunteer Soldiers was established in 1887 on 300 acres of Rancho San Vicente y Santa Monica lands donated by Senator John P. Jones and Arcadia B. de Baker. The following year, the site grew by an additional 200 acres; in 1890, 20 acres more were appended for use as a veterans' cemetery. With more than 1,000 veterans in residence, a new hospital was erected in 1900. This hospital was replaced in 1927 by the Wadsworth Hospital.^* |
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Los Angeles High School
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(ca. 1901)* - The second building housing Los Angeles High School, located on north Hill Street between California and Bellevue. Oil derricks can be seen in the hills behind the school and to the left. |
Historical Notes The Los Angeles High School building seen above replaced the original one, built in 1872, at the former site of Central School on what was then known as Poundcake Hill, at the southeast corner of Fort Street (later Broadway). This second location atop a hill was completed in 1891 and LAHS moved in. It was an enormous, for then, building. The new high school was built on part of the site of the abandoned Fort Moore Hill Cemetery, the first Protestant cemetery in Los Angeles, which was spread over the slopes of the hill. Early buildings commissioned to house the Los Angeles High School were among the architectural jewels of the city, and were strategically placed at the summit of a hill, the easier to be pointed to with pride. One of the school's long standing mottos is "Always a hill, always a tower, always a timepiece". ^* |
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(ca. 1910)^ - Photograph of Los Angeles High School, overgrown with vines. At left, the vines stop on the clock tower just beneath the clock, whose hands are missing. At right, a lone automobile is parked along the sidewalk near a second, three-story building. |
Historical Notes In 1917, the school moved to its current location at 4650 Country Club Drive (now West Olympic Boulevard), which incidentally is not on a hill. The second high school, on Fort Moore Hill, eventually became a school for problem students. In 1949, the school was razed for the construction of the Hollywood Freeway. The headquarters of the Board of Education was later built on the property. Most of Fort Moore Hill itself was removed in 1949 for the construction of the freeway, which opened in December 1950. Also located on what remains of the hill is the Fort Moore Pioneer Memorial, which was opened to the public in 1958.^* |
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(1924)^ - View showing Los Angeles High School at its third location, built in 1917 and located at 4650 Country Club Drive (now Olympic Boulevard). The main building is three and a half stories, while the wings perpendicular to the street are two and a half stories, and the central tower is five or six stories. The street is empty except for three parked automobiles. |
Historical Notes Olympic Boulevard was originally named 10th Street for most of its length, except for a couple of shorter stretches, one of which was named Country Club Drive. In 1932, the entire length of the street, from East L.A. to Santa Monica, was renamed Olympic Boulevard for the Summer Olympics being held in Los Angeles that year.^* |
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(ca. 1925)^ - View of Los Angeles High School with streetcar in front, as seen from what appears to be an empty lot across the street. The four-story brick building of the high school is shown at a distance in three sections: the main section of the building runs the width of the image and does not extend past four stories. At the center of this, a section of tower houses the main entrance, capped at its four corners by minarets. It adds an extra story. The third section is pictured at the far right and extends perpendicularly from the main building. It is three stories tall. |
Historical Notes To honor the graduates and under-graduates of the school who took part in the World War, in 1922 the students voted to buy the acreage across the street, a plot of ground approximately 315 by 350 feet, to be used as a memorial park. In 1923, the land was purchased by the student body and alumni association of Los Angeles High School, and deeded to the City of Los Angeles in commemoration of twenty alumni who died in World War I. Six years later, the city gave the Los Angeles Public Library the right to establish a branch on the site. In 1930, a library opened in the park (LA Public Library - Memorial Branch). The students of Los Angeles High School commissioned a stained glass window with the names of the twenty alumni and an inscription stating hope for peace among nations. The window, designed by the renowned Judson Art Studio, was inspired by those in the Parliament Building. #^^^ |
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(1940)^* - South view of Los Angeles High School, with graduating class of 1940 in foreground, 4650 W. Olympic Boulevard. |
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(2006)^* - Los Angeles High School logo. Team Name: Romans Colors: Blue and White
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Click HERE to see more Early Views of Los Angeles High School in the 1800s |
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Angelus Hotel
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(1901)* - A corner view of two sides of the 7-story Angelus Hotel which has not yet opened, located on the southwest corner of Spring and Fourth streets. A banner on the right side reads: "The Angelus will open Dec. 15, 1901." Hotel architect, John Parkinson. |
Historical Notes The Angelus was built in 1901 by G.S. Holmes (also the proprietor of The Knutsford Hotel in Salt Lake City, Utah). Advertised then as the tallest building in Los Angeles, the hotel consisted of two, seven-story buildings joined by a central structure with a lobby, dining rooms, meeting rooms and other shared facilities, including a central court yard on top.^^*^ |
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(ca. 1902)* - View of the Angelus Hotel which is open for business. A sign with the name "Angelus" and containing a clock is located on the corner of the building. The street is filled with people and horses and carriages, and a streetcar coming from the left. |
Historical Notes According to The American Globe, Independent Illustrated Monthly of 1909, The Angelus was sold circa 1903 to the Loomis Brothers, who were experienced hoteliers. The Angelus had a Turkish-themed room in its early days, along with a bowling alley, billiards, a buffet and hair dressing parlor. Under the Loomis Brothers, the hotel later offered onsite "progressive tailoring" services by Eisner & Company.^^*^ |
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(ca. 1930)* - Angelus Hotel and Bank of Italy on the corner of Spring and 4th Streets. Also shows Dan Parker, United Cigars, cars and pedestrians. |
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(ca. 1930)* - View looking south on Spring from 4th Street, with the Bank of Italy and the Angelus Hotel at right. They were demolished in 1956 for a parking lot. Next to them is the Title Insurance Co. building. Pedestrians, automobiles and trolleys are seen. What stands out are the exterior fire escapes on the Angelus Hotel. |
Historical Notes Fire Escapes date back to the turn of the 20th century, when fire safety became a major concern and building owners were required by law to provide fire escape routes in their new property. The fire escape invention seemed to be a simple and cost-efficient way to address this requirement. As far as a patented fire escape, the first credited person for such an invention was Anna Connelly in 1887. She invented the exterior staircase, used specifically for a fire escape. Many companies saw advantages to using this system and decided to incorporate that patent into their own buildings. These exterior staircases were cheap to build and could be added to the existing construction very easily, without the need to restructure the walls.**^* |
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(1956)* - Photo caption reads: "The Angelus Hotel's days are numbered. The hostelry at Fourth and Spring Streets will be torn down and the space will be used for a parking lot." |
Historical Notes The Angelus Hotel building was razed May 7, 1956.* |
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Darmody and Schaeffer's Belmont Cafe
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(1901)* - Darmody and Schaeffer's Belmont Cafe, at the northwest corner of 5th and Main, on the site of the present Rosslyn Hotel. The photograph shows the view from the street. There is a signpost with "The Belmont", and a sign which advertises "oysters, steaks, tamales, & etc., first class family cafe." |
Historical Notes The Cafe was formerly the site of the home of John H. Jones, who lived there until 1900 in a house that was built in 1869.* |
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Children's Hospital
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(ca. 1902)* - Early view of Childrens Hospital, possibly located at 769 Castelar Street and the southwest corner of Alpine Street. Photograph shows a long, two-story building with a wrap around porch and second floor balcony; a wooden picket fence surrounds the building. Although the sidewalks have been paved, the wide roads are still hard-packed dirt. |
Historical Notes Childrens Hospital Society of Los Angeles was founded on April 1, 1901 by a small group of women who recognized the need for a hospital that could serve ill, crippled, and under-privileged children. The original hospital, which opened in 1902, was a modest two-story clapboard house located at 769 Castelar Street and the southwest corner of Alpine Street; it had nine beds and one volunteer doctor who treated fourteen patients that first year. By 1905, the hospital had expanded to accommodate 20 patients and converted the kitchen pantry into a "surgery suite"; by now, 229 children had received care. In 1913, Childrens Hospital relocated to a new location at Sunset and Vermont Avenue, opening a 100-bed facility. A year later, on February 7, 1914, a new Childrens Hospital was opened by President Woodrow Wilson, who presided over the ceremonies from The White House via telegraph. As the decades passed, new services were added, buildings went up and came down, and Childrens Hospital Los Angeles evolved to serve more children and those with the most complex medical needs. Today, CHLA is a national leader in pediatric care and research, serving over 300,000 patients annually at its four-acre facility, located at 4650 Sunset Boulevard.* |
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Rindge Residence
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(ca. 1902)* - Exterior of the large Renaissance revival/Romanesque revival Victorian mansion at 2263 S. Harvard Boulevard in the West Adams district of Los Angeles, built for and once owned by the Frederick H. Rindge family. |
Historical Notes In 1892 Frederick H. Rindge purchased the 13,300-acre Spanish land grant Rancho Topanga Malibu Sequit or "Malibu Rancho". He later expanded it to 17,000 acres as the Rindge Ranch, which encompasses present day Malibu, California.^* |
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(1910)^* – View showing the Frederick Rindge residence at 2263 S. Harvard Boulevard, south of what is now the 10 Freeway. |
Historical Notes Frederick Rindge was land holder (much of Malibu) founded the Conservative Life Insurance Company, and was a VP at Union Oil, and a director of the Los Angeles Edison Electric Company (later Southern California Edison Company). |
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(2008)^* - Frederick Hastings Rindge House at 2263 Harvard Boulevard, now a Los Angeles Historic-Cultural Monument. |
Historical Notes This estate, both a Los Angeles Historic-Cultural Landmark and on the National Register of Historic Places, was designed by Frederick Louis Roehrig and E.C. Shipley and built in 1902.^ |
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Nicola Bonfilio Residence
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(n.d.)* - Exterior view of a gothic revival style house once owned by Nicola Bonfilio, located at 2019 S. Figueroa St. |
Historical Notes Nicola Bonfilio lived in this Morgan & Walls-designed mansion at 2019 South Figueroa Street in L.A. from about 1903 until 1923, the year he died. Bonfilio was the director of the Bank of Italy (now Bank of America) and Merchants National Bank. He had married wealthy horse breeder Elizabeth Gates McGaughey (d. 1911), mother of Nellie McGaughey. Nellie went on to marry her mother's horse trainer, William Durfee. After living in this house, the Durfees bought the former West Adams estate of William Ramsay, built in 1908.^^** |
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Chandler Residence
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(1903)* - Exterior side view of the three-story Victorian home of Harry Chandler, publisher of the Los Angeles Times, located at 503 North Broadway. A dog can be seen lying on the sidewalk. |
Historical Notes In Los Angeles, while working in the fruit fields, Harry Chandler started a small delivery company that soon became responsible for also delivering many of the city's morning newspapers, which put him in contact with The Los Angeles Times publisher Harrison Gray Otis. Otis liked this entrepreneurial young man and hired him as the Times’ general manager. Harry’s first wife, Magdalena Schlador, had died in childbirth in 1892, leaving him with two small daughters, Franciska and Alice May. He went on to marry Otis’s daughter, Marian Otis. Upon Harrison Gray Otis’s death in 1917, Harry took over the reins as publisher of the Times. He and Marian had eight children. His oldest son, Norman Chandler, followed him as publisher of the Times.^* Chandler Boulevard, a major street in the San Fernando Valley, is named for Harry Chandler. |
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Dome Hotel and Apartments (aka Minnewaska Hotel)
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(ca. 1903)* - Sketch of the Minnewaska Hotel (later The Dome Hotel and Apartments), located on the southwest corner of 2nd Street and Grand Avenue. |
Historical Notes Built in 1903 as a four story, 133 room luxury hotel, the Minnewaska with its distinctive spiral dome became a landmark on the southwest corner of 2nd and Grand Ave. |
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(ca. 1905)* – View showing the Minnewaska Hotel with prominent dome, located at 201 South Grand Avenue at Second Street on Bunker Hill. |
Historical Notes Sold in 1905, the Minnewaska remained so named in the city directories until 1907, when she became, simply and more descriptively, the Dome.* |
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(1960)^ – View showing the Dome Hotel and Apartments (previously called the Minnewaska Hotel) located on the southwest corner of 2nd and Grand. The lot to the right is the future location of the Walt Disney Concert Hall. In the background through the haze and smog can be seen the the Richfield Oil Company Building which was demolished in 1969 to make way for the ARCO Towers. |
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(ca 1963)* – View of the southwest corner of Grand Ave and 2nd Street showing The Dome Aparments. Sign reads: “Newly Decorated, $50 Per Month & Up” |
Historical Notes Today, the Walt Disney Music Hall sits across the street from where “The Dome” once stood. |
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(1960s)* – Detailed view showing the façade of the Dome Apartments, located at 201 S. Grand Avenue. Note the fire escape ladders. |
Historical Notes When built, the LA Times described the building as follows: The outer walls are covered with heavy diagonals and on this surface is placed steel lath and two coats of cement plaster. The latter is tinted a delicate cream color, which gives the building a very pleasing exterior. The interior is arranged in flats of two and four rooms each, which are supplied with private baths, marble-topped wash stands, electric bells, steam heat, and such other modern conveniences as are usually found in the best apartment hotels.* |
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(1964)* – Profile view of “The Dome” shortly before a fire destroyed the building. |
Historical Notes On the morning of July 25, 1964, the Dome burst into flames. The building would be razed later that year to make room for a parking lot which existed until 2014 when construction began for the Broad Contemporary Art Museum (completed in 2015).* |
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Fischer Vaudeville Theatre
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(ca. 1905)^ - View of the Fischer Vaudeville Theater (now City Hall), north side of 1st Street, between Main Street and Spring Street. The theatre is about two-stories tall. Just above the first floor is the name "Fischer's Theatre" in lights. Above the roof is the name "Vaudeville, 10 & 20" in lights. The second floor has four windows with a decorative multifoils arch above them. The first floor has two doorways flanking the center booth. A set of stairs leading to the second floor can be seen to the right of the building. A lamppost on the sidewalk prominently displays the theater's name and current showing. Sign reads: "First Street bet. Main and Spring, E.A. Fischer, proprietor, Harry James, director, commencing Monday, Sep. 11, 'A Warm Reception', everything new!, new songs!, a screaming farce in one act, 3, new Vaudeville act, matinees, Tuesday, Thursday, Saturday, Sunday, prices 10¢, 20¢, reserved seats 25¢, better than the best!" |
Historical Notes This small theater was located, on one of the old downtown blocks which was leveled in the mid-1920s to make way for the new Los Angeles City Hall. It was a two story building, with almost the entire ground floor front taken up by the theater’s entrance lobby, and the highly decorated facade was topped by an electric sign reading “Vaudeville 10 & 20”. By 1912, the operators of Fischer’s Theater had taken over the former Los Angeles Theater on Spring Street, which had from 1903 to 1911 been the second Los Angeles home of the Orpheum Theater Circuit. The Spring Street Theater was then renamed Fischer’s Lyceum.^ Opened: Sometime prior to 1908. It's listed in the 1908 city directory as Fischer's. It's listed in the 1907-1908 Henry's Theatrical Guide as being managed by E.A. Fischer. Henry's notes that the house was at the time devoted to stock musical productions year round. Stage Specifications: Illumination in 1907 was both gas and electric. The proscenium was 24' wide with a height of 22'. Stage depth was 30' with a grid height of 45' and a wall to wall measurement of 50'. In the 1911 and 1912 directories it's the Princess. It's in the 1915 city directory as the Princess First St. Theatre. In the 1919 and 1923 directories it's listed as the Princess although by June 1922 it was called the Spanish Theatre offering both movies and stage shows. Seating: 800 Status: Demolished for the 1926 construction of City Hall. Fischer also opened the Chronophone Theatre in 1908, a venue later known as Horne's Big Show. We also had a Fischer's Theatre in Pasadena (later called the Oaks) about the same time. Fischer also took over the Lyceum Theatre around 1912. There were also several Fischer's theatres in San Francisco in this period.** |
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Orpheum - Lyceum Theatre (2nd Home of the Orpheum Circuit
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(ca. 1903)* - Exterior view of the old Orpheum Theater (later Lyceum Theatre) on Spring Street between 2nd and 3rd Streets. Underneath the building was the Rathskeller. |
Historical Notes Opened in 1888 as the Los Angeles Theatre. The theatre was built by William Hayes Perry and the building containing it was known as the Perry Building. In 1903 this interesting Richardsonian Romanesque building became the Orpheum - the second home of Orpheum Circuit vaudeville in Los Angeles. Previously they'd been at the Grand Opera House. The Orpheum moved on in June, 1911 to their new home at 630 S. Broadway (now the Palace Theatre).**^ |
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(1919)* - View of an early model car parked in front of the entrance to the Lyceum Theatre (previously Orpheum) on Spring Street. Signs in front read: "Biggest and Best Show in the City" and "America's Most Popular Family Theatre". |
Historical Notes In 1912 the building became known as Fischer's Lyceum, operated by the Mr. Fischer of Fischer's Theatre on 1st St. Later it was just known as the Lyceum Theatre. It was listed as the Lyceum in the 1916 city directory and onward.**^ |
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(1920)* - Exterior view of the Lyceum Theatre, the original Los Angeles Theater, which opened in 1888 and located at 227 South Spring Street. |
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(ca. 1930)* - Looking south down Spring Street near 3rd Street (left, with cluster of cars), showing various structures, including the Douglas Building (left of center) and the ornate Lyceum Theatre (right of center). |
Historical Notes Beneath the Lyceum Theatre is one of the original springs from which Spring Street derived its name.* |
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(1935)* - Side view of the Lyceum Theatre located at 227 S. Spring Street. Signboards in front of building read "Talking Pictures". |
Historical Notes By the early 30s the Lyceum Theatre was exclusively a movie theatre.**^ |
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(1941)* - Street view of the Lyceum Theatre, located at 227 South Spring Street. It was the second oldest showhouse built in the City. |
Historical Notes In 1941 the Lyceum closed and, later that year, was demolished. The site is now the L.A. Times parking garage.**^ |
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Burbank Theatre
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(1903)^ – Front view of the Burbank Theatre as seen from acroos the street. The theatre was located on the east side of Main Street between 5th and 6th streets. Two lampposts on the sidewalk prominently display the current theatre showing. Four people (including a woman with a baby stroller) are peering through the window at Carson's Antique and Curio Bazar (left). Three men stand near the street in front of the bar. Along the curb are two parked bicycles. |
Historical Notes The Burbank Theatre opened in 1893 as a project of dentist Dr. David Burbank (also the namesake of the city). The theatre had troubles and went through a succession of managers without any lasting success. **^ |
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(ca. 1905)* – View looking southeast toward the intersection of Main and 6th streets. The brick façade on the lower-left is the Burbank Theatre. The large building on the S/E corner is the Pacific Electric Building. |
Historical Notes In 1900, the theater was leased to Oliver Morosco and became known as Morosco's Burbank Theatre. Morosco was later involved in the Majestic Theatre on Broadway (which opened in 1908) and got a house named for himself when he opened the Morosco on Broadway (now the Globe) in 1913. **^ |
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(1910s)* - Five early model cars are seen parked in front of the Burbank Theatre located at 548 S. Main Street. |
Historical Notes In a 1919 ad the theatre was called Pelton's Burbank, featuring the New Burbank Musical Comedy Company. In the 1921 city directory it was called Gore's Burbank. It was a newsreel house in the 1930's, got a deco makeover in 1937 and by the 50s it was turned into the Burbank Burlesque Theatre. **^ |
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(ca. 1970)* - View showing the Burbank Burlesque Theatre with the Dreamland dance hall on the 2nd floor of the building. Note the design change to the facade. |
Historical Notes In 1937, the Burbank Theatre got a deco makeover and by the 1950s it was turned into the Burbank Burlesque Theatre. |
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(n.d.)* – View showing the back wall of the theatre with the early 1900s Morosco sign still in view. The sign reads “Morosco's Burbank Theatre, The Best Players and The Best Plays in America for the Money”. |
Historical Notes The Burbank Theatre was demolished in March, 1974. |
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Ville de Paris
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(ca. 1901)* - Exterior view of the Los Angeles branch of the San Francisco dry goods store, Ville de Paris, remodeled in 1901. The employees (men, women and young boys) pose in front of the store. Two electric lights hang down in front of the store windows. |
Historical Notes Founded in 1850 in San Francisco by the Verdier brothers, immigrants from France, the Los Angeles branch was opened in 1893. The store later became B. H. Dyas Co.* |
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(1904)* - Ville de Paris store front at South Broadway in the Homer Laughlin building. Horseless carriages are parked at the curb. |
Historical Notes The store later moved to W. 7th St. and eventually became B. H. Dyas Co. The Homer Laughlin Building became the Grand Central Market by 1959.* |
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Harris & Frank
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(1903)* - The building on Spring Street housing the men's clothing store of Harris & Frank; John Parkinson was the architect. |
Historical Notes Originally Lewin Hirshkowitz, Leopold Harris arrived in Los Angeles in 1854 by way of the Isthmus of Panama from Loebau, Prussia (later Poland). In 1870 Leopold Harris took over a Main Street stationary store which had been operated by Herman W. Hellman. By 1903, Leopold Harris’ two sons-in-law, Herman W. Frank and M.C. Adler, and his son, Harry L. Harris, were running the business, which was then known as Harris & Frank.^^#* |
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Lexington Hotel
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(ca. 1904)* – Panoramic view looking north on Main Street showing the Lexington Hotel at center. Some other identifiable buildings include: H. Raphael Co., Barker Bros., and Angelus Hotel to name a few. |
Historical Notes Located on Main Street between 4th and 5th Street, the Lexington Hotel was designed by Robert B. Young and built by contractor, O. T. Johnson.* |
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(1904)* - View of the Lexington Hotel on Main Street between 4th and 5th streets, butting the south wall of the first Rosslyn Hotel on the right.The signs indicate three businesses on the bottom floor: Wells Fargo & Company, Lexington Hotel entrance, and Holmes Book Co. |
Historical Notes In 1906, the Rosslyn expanded to include the six-story Lexington building. The result was a 280-room hotel. The Rosslyn would eventually build two larger structures just to the south (left) of the Lexington building.^#* |
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(1904)* – Blow-up detail view of previous image showing a horse-drawn carriage belonging to Excelsior Laundry service parked outside of the Holmes Book Co., a business located on the ground floor of the Lexington Hotel (entrance on far left). |
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Olvera Adobe
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(ca. 1904)* - View of Agustín Olvera adobe, located on the corner of Marchessault and Olvera streets, after it had been converted into office space for Murray & Ready. A man can be seen riding his bicycle on the unpaved road toward the left. The Plaza Substation may be seen behind the Olvera Adobe (with the stepped-gable end). It was built in 1903-04. |
Historical Notes Agustín Olvera arrived from Mexico in 1834 where he had been a Justice of the Peace, and held various offices in the Mexican administration. In 1842 he was granted Rancho Mission Viejo, and three years later, was also granted the 35,501-acre Rancho Cuyamaca. Olvera is noted for helping to bridge the gap between the governance of California by Mexico and the U.S.; helping sign the Treaty of Cahuenga, thus ending the war in California; was appointed to be Judge of the First Instance in 1849; was elected as the first county judge of the newly formed County of Los Angeles in 1850; and eventually entered private practice law. In 1877, the Los Angeles City Council changed the name of Wine Street to Olvera Street in his honor. Marchessault Street is named for French Canadian, Damien Marchessault, who served as mayor of Los Angeles from 1859-1860, and again from 1861-1865. During his term in office, the Plaza Church was rebuilt and the City Gas Company was organized. Marchessault committed suicide in the city council chamber in 1868, after becoming despondent over public criticism of the water system and over gambling debts.* |
Click HERE to see more in Early Plaza of Los Angeles |
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Van Nuys Mansion
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(ca. 1904)^ - Exterior view of the Van Nuys mansion in downtown Los Angeles, ca.1904. The massive building is on a hill at center. It is three stories high and has very steeply sloped roofs. A tall cylindrical tower can be seen on the corner of the building at right. In the foreground, the hill is covered with neatly trimmed grass, and a wide concrete walkway leads from the entrance to the home to the foreground at center. |
Historical Notes The house was later moved to Windsor Square on the northwest corner of Fourth Street and Lorraine Boulevard.^ |
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"The Castle" and "The Salt Box"
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(ca. 1904)* - Women in a horse-drawn carriage ride past the Victorian-style house known as "The Castle" located at 325 S. Bunker Hill Avenue during the La Fiesta de las Flores parade. |
Historical Notes The Castle was built in the late 1880s, possibly by developer Reuben M. Baker. The grand home had 20 rooms, a three-story staircase winding up the middle, and a magnificent stained glass front door.* The La Fiesta de las Flores Parade was first celebrated in 1894 as a means of attracting visitors to the city. La Fiesta activities were held over several days and included a parade, a grand ball, and a floral battle. Costumed Los Angeles residents participated in the parade by decorating any moving contraption they had.^^* |
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(ca. 1924)* - Looking across S. Bunker Hill Avenue towards the "Castle," located at 325. The curved Mansard roof on the tower (upper center) and the triangular crown of a front balcony (left of center) were removed after the 1933 Long Beach earthquake. On the far left is a glimpse of the residence that once belonged to the Thorpe family at 333. |
Historical Notes The Donegan Family lived in the residence from 1894-1902, and they were the ones who supposedly named it "The Castle." Eventually, the mansion was converted into a boarding house for multiple residents.* Bunker Hill Avenue was probably the most picturesque street in the neighborhood of the same name. The avenue was much more narrow than the other streets and was lined with some of the most impressive mansions on the Hill.* |
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(1966)* - The Bunker Hill residence, affectionately called "The Castle" is being painted by two artist at their easels. |
Historical Notes The Castle was designated LA Historic-Cultural Monument No. 27 (Click HERE to see complete listing). |
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(1965)^.^ - View showing the “Castle” (at center) and the ‘Salt Box’ (right) with the PacBell Telephone MicrowaveTower behind them in the distance. Photo courtesy of Lin Cariffe |
Historical Notes The 'Castle', in foreground, and the 'Salt Box', both built before 1890, were the only two buildings saved from the bulldozer when the entirety of Bunker Hill was leveled to make way for the future. |
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(1967)* - Front view showing a residence known as the "Salt Box," located at 339 S. Bunker Hill Avenue. The recently completed Union Bank Building (left), is evidence of the drastic changes underway in and around Bunker Hill. |
Historical Notes The Salt Box was was two doors down from a grand mansion that came to be known as the Castle. Since Rueben M. Baker owned the lots, he was probably responsible for the construction of all three houses. Baker resided at the Castle until 1894 and possibly rented out the Salt Box until selling it to Ada Frances Weyse and her husband Rudolph in 1892. In 1900, the house at 330 S Bunker Hill was home to two households. By 1910, the Salt Box had been divided up into seven separate units which housed families as well as single tenants. In 1920 there were ten units and by 1939 the house had been further divided into thirteen separate residences. Those who called the Salt Box their home came from all walks of life and included painters, nurses, waiters, and of course pensioners who could afford rents that were as little as $9.75 per month.* Built in the 1880s, the "Salt Box" was Los Angeles Historic-Cultural Monument No. 5. (Click HERE to see complete listing). |
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(1967)^*# – View showing The Castle and Salt Box houses with the Union Bank Building in the background and trucks and cars in foreground. |
Historical Notes At the end of 1968, the decision was finally reached to move the Castle and Salt Box to Highland Park in an area called Heritage Square in Highland Park. |
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(1968)* - "The Castle" and "The Saltbox," sit on blocks awaiting their removal from Bunker Hill. The Union Bank Building stands tall in the background. |
Historical Notes By 1968, all of the once proud Victorians of Bunker Hill Avenue had been demolished, except for the Castle and the Salt Box. The two structures that had been constructed at the same time had been spared. Once the CRA began pushing forward with their grand redevelopment plan in the mid-1950s, the writing was on the wall for the mansions in the neighborhood, and in an attempt to save a couple of the structures, the Salt Box was declared Historic Cultural Monument #5 in October in August 1962. Designation was soon bestowed upon the Castle which became HCM #27 in May 1964. The rest of the decade was spent trying to figure out a way to spare the two structures from the wrecking ball.* |
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(1969)* - "The Castle" and "The Saltbox," sit on blocks awaiting their removal to Montecito Heights. The 32-story Bunker Hill Tower, built in 1968, is seen in the background. Photo Date: January 10, 1969. |
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(1969)* - View of the last remaining residence on Bunker Hill. "The Castle" and "The Saltbox" are jacked up and ready for moving. The Dorothy Chandler Pavilion and Stanley Mosk County Courthouse can be seen behind them to the north. |
Historical Notes Both "The Castle" and "The Saltbox" were successfully relocated to Heritage Square in March 1969. Unfortunately, the area was not well protected, and both the Castle and the Salt Box were burned to the ground by vandals in October 1969.* |
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Nelson Flats
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(ca. 1910)^ - Exterior view of the Italianate and Moorish Revival style Nelson Flats, located at 515-519 East 4th Street. Note the similarities between these Moorish style arches and those found in the Bunker Hill home of the previous photo. |
Historical Notes At the turn of the 20th century, the eastern area of present-day Skid Row remained largely residential, despite a small but growing industrial presence. At the time, the 500 block of East 4th Street was occupied by apartment houses and smaller homes, with the exception of a candy factory and fire station which sat adjacent on the north side. In 1904, the owner of Nelson’s Candy Factory, A. L. Nelson, had the factory and shop space rebuilt on the ground floor of a new apartment building, christened as the Nelson Flats. Designed by A. L. Haley, the three-story structure was designed in a mix of Italianate and Moorish Revival styles that was popular at the time. Though primarily an architect of apartments and small residences, Haley’s best-known work today is likely the Higgins Building at Second and Main Streets. As the century progressed, many of the neighborhood’s apartment buildings gave way to warehouses as the eastern downtown districts became increasingly dominated by industry, aided by the city’s zoning ordinances. Though the Nelson Flats and several of its neighbors survived into the 1950s, they have long since disappeared, leaving behind nearly no traces of the area’s residential past. #* |
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Good Samaritan Hospital
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(ca. 1904)^ – Three early model automobiles and a bicycle are parked in front of the Mission Revival-style Good Samaritan Hospital on Seventh Street west of Figueroa Street. |
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Braly Building
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(ca. 1904)* - Architectural rendering of the Braly Building, designed by John Parkinson. This Beaux Arts office block was the first skyscraper in Los Angeles and was built in 1904 on the southeast corner of South Spring and West 4th Streets. |
Historical Notes At one time the Braly Building was the tallest building in Los Angeles. Architect John Parkinson designed the Beaux Arts office block, which was built in 1904.* |
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(ca. 1904)* - View is looking across Spring at 4th to Main St. The Braly Building is seen at center of photo. The Angelus Hotel on the right. |
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(1904)* - Exterior view of the Braly Building on the southeast corner of 4th and Spring Streets, later called the Union Trust Building, the Hiberman Building, and then the Continental Building. |
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(n.d.)*##^ - View showing The Braly Building (now Continental Building) located at 408South Spring Street. |
Historical Notes In 2002, the Continental Building (Braly Building) was dedicated as Los Angeles Historic-Cultural Monument No. 730 (Click HERE to see complete listing). |
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El Miradero
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(ca. 1904)* - View of El Miradero, the estate of Leslie C. Brand, as seen from the entrance gates of the property. |
Historical Notes Born in Missouri in 1859, Leslie Coombs Brand became the sole provider for his family at age 11. In 1886, Brand came to California to take advantage of its first boom period. #*#^ Brand was a major figure in the settlement and economic growth of the Glendale area. He had purchased land on the lower slopes of Mount Verdugo overlooking the city, and in 1904 built an imposing residence that became known as Brand Castle, also El Miradero (which today houses the Brand Library).^* |
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(1911)*^ – View showing the home of L. C. Brand, El Miradero, through the front arched entryway. Two bicycles rest on the stoned pillars supporting the archway. |
Historical Notes The photograph was taken by Miss Ethel Thompson, a nurse at the Burbank Hospital and sister to Dr. Elmer Thompson (Thompson Memorial Hospital, and the only doctor in Burbank at this time.) |
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(1904)^*# – West side view of the newly constructed ‘El Miradero’, home of Leslie C. Brand. |
Historical Notes Designed by Leslie C. Brand's brother-in-law Nathaniel Dryden, the mansion was completed in 1904 and is similar in style to that of the East Indian Pavilion built for the 1893 Columbian World Exposition held in Chicago. The architecture is considered Saracenic, with crenellated arches, bulbous domes and minars combining characteristics of Spanish, Moorish, and Indian styles.* |
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(ca. 1906)^*# – View of El Miradero Mansion standing between orange groves in the foreground and the Verdugo Hills in the background. |
Historical Notes Leslie C. Brand helped develop the city of Glendale. Together with Henry E. Huntington, he brought Pacific Electric to the town to develop it. The 'Brand Library' section of the Glendale Public Library is named in his honor. Brand Boulevard in Glendale is also named in his honor.^* |
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(ca. 1906)^##^ - View of exterior porch of El Miradero (Brand Mansion) enclosed with a scalloped arched arcade. The porch is furnished with wicker chairs and potted plants. |
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(ca. 1906)^*# – View looking South over Glendale and Griffith Park toward Los Angeles through one of the many arches of ‘El Miradero’. |
Historical Notes Just across the mostly dry Los Angeles River, Brand could see the Griffith Park Aerodrome's grass field, built in 1912. Just three years later he decided to build his own grass airstrip below his mansion. ^* |
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(1921)*^ - An aerial view of L. C. Brand's airfield in front of his home, El Miradero in Glendale. The airplanes took off downhill toward Kenneth Road. |
Historical Notes Brand established a grassy, well-manicured airfield in front of the mansion. The airfield consisted of a 1,200' rolled dirt runway, with a white hangar at one end and a putting green on the other. The hangar matched the architectural style of the mansion - with turrets atop each of the 4 corners.^*#^ |
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(ca. 1920s)^*#^ – View of millionaire Leslie C. Brand mowing the lawn in front of the Moorish-style hangar at his private Airfield. |
Historical Notes Brand built his first hangar in 1916 and put together a fleet of planes, and held fly-in parties. The only requirement was that guests had to arrive in their own planes and bring passengers.^* |
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(1921)^*# – Several airplanes and guests arriving at Brand's fly-in luncheon party on April 1, 1921. El Miradero Mansion is seen in the background. Click HERE to see more in Aviation in Early L.A. |
Historical Notes Brand Field was no longer depicted on a 1931 street map, but “Brand Park” was depicted, so the airfield may have ceased operation by that point.^*#^ |
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(ca. 1920s)* - Exterior view of El Miradero, the estate of Leslie C. Brand, located in Brand Park, high in the foothills overlooking Glendale and the San Fernando Valley. |
Historical Notes Brand is largely responsible for Glendale’s civic development: he organized utility companies, founded the Title Guarantee and Trust Company, sponsored local businesses, invested heavily in San Fernando Valley real estate, and built a private airstrip where he hosted the world’s first fly-in parties. #*#^ |
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(ca. 1920)* - View of El Miradero and estate grounds, once home to Leslie C. Brand. Three vehicles are seen parked next to one another where the driveway and path to the front door meet. Four people, three men and one woman, are standing next to the automobiles. |
Historical Notes It was stated in Brand's will that El Miradero would be bequeathed to the city upon his wife's death, on the condition that the property be used exclusively for a public park and library. Mrs. Mary Louise Brand retained rights of the residence from 1925, when Mr. Brand died, until her death in 1945.* |
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(ca. 1940s)^*# - Postcard view of the entrance to El Miradero, the estate of Leslie C. Brand, located in Brand Park. |
Historical Notes In 1956 the mansion became the Brand Library, the art and music branch of the Glendale Public Library. The address is 1601 West Mountain Street, Glendale.* |
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(2014)**#* – View looking up the stairway leading to the entrance of the Brand Library after its renovation. |
Historical Notes After an extensive $10 million renovation, the Brand Library & Art Center reopened on March 27, 2014. Brand Library and Art Center encompasses El Miradero, the Brand family mansion built in 1904; an art and music library; a recital hall; art galleries; and art studios.**#* |
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Hollywood Hotel
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(1903)* - View of the Hollywood Hotel at northwest corner of Prospect Ave. (later Hollywood Blvd.) and Highland Ave. showing a gathering of people, fronted by five identical open-air automobiles. Only the original portion of the hotel had been built at this time. Photo Date: April 26, 1903 |
Historical Notes The Hollywood Hotel opened in December 1902. It was built by early Hollywood developer H.J. Whitley, to support selling residential lots to potential buyers arriving from Los Angeles by the electric Balloon Route trolly of the Los Angeles Pacific Railroad. It was developed on property owned by Harrison Gray Otis, George Hoover, and Whitley. Located on the west side of Highland Avenue, the elegant wood structure with Mission Revival style stucco facades and broad verandas also fronted on unpaved Prospect Avenue, lined with California pepper trees. The hotel was sited among lemon groves then at the base of the Hollywood Hills, part of the Santa Monica Mountains in the area. Whitley was instrumental in improvements to Prospect Avenue, which in 1910 was renamed Hollywood Boulevard. Increasing business compelled the building of an additional 40-room wing onto the hotel in 1905.^* |
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(1905)^* - A closer view of the Hollywood Hotel. Guests can be seen standing on the front porch while horse-drawn wagons are parked in front of the hotel and along the curb of an unpaved Highland Avenue. |
Historical Notes Whitley surrounded the hotel with 3 acres of cultivated gardens. He operated the establishment as a country resort hotel as the developing community of Hollywood first established itself.^* |
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(1906)* - View of the Hollywood Hotel just after it was enlarged to cover the entire block. The original building can be seen on the right. |
Historical Notes In 1906 the heiress Almira Hershey, who was then living in a mansion on Bunker Hill in Downtown Los Angeles, took a horse and buggy ride to see the hotel that was being advertised in the Los Angeles Times. She was so impressed with the Hollywood Hotel she decided to buy it. She hired Margaret J. Anderson who had worked for her at the Darby and the Fremont Hotels, which Hershey owned, as the manager. Under Anderson's management, the hotel expanded to 250 rooms and became well known in the area, but the two women had a contentious relationship and Anderson left to move to the Beverly Hills Hotel in 1912.^* |
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(ca. 1910)* - Carriage drawn by six horses in front of the Hollywood Hotel. Thie is the year Prospect Avenue would become Hollywood Boulevard. |
Historical Notes Hollywood Boulevard was named Prospect Avenue from 1887 until 1910, when the town of Hollywood was annexed by the City of Los Angeles. After annexation, the street numbers changed from 100 Prospect Avenue, at Vermont Avenue, to 6400 Hollywood Boulevard.^* |
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(ca. 1920)^*# - View of the Hollywood Hotel circa 1920. Note how much the trees have grown over the last decade (see previous photo). |
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(1930s)#^^ – Postcard view of the Hollywood Hotel with early model car parked in front. |
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(ca. 1930s)^^ – Street level view looking at the front entrance of the Hollywood Hotel. The four-story hotel has a striped awning on the bottom floor, while a tower can be seen at left rising above the fourth floor. Several large windows with decorative wooden frames can be seen on the facade, along with a sign that bears the name of the hotel. Two men can be seen standing outside the hotel near the top of stairs leading down to a circular driveway. |
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(1936)^***^ – Night view looking west through the foliage of the Hollywood Hotel. Two cars are parked on the circular driveway in front of the hotel with the bright lights of the neighboring Grauman's Chinese Theatre seen in the distance. |
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(1936)^***^ - Night view looking northeast showing the entryway to the Hollywood Hotel with cars parked in the circular driveway. |
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(ca. 1937)* - The Hollywood Hotel, located on the northwest corner of Hollywood Boulevard and Highland Avenue. |
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(ca. 1937)^***^ – Close-up view showing two women standing under the archway in front of the Hollywood Hotel near the NW corner of Hollywood and Highland. |
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(1940)##^* – Postcard view showing the Hotel Hollywood fronting Hollywood Boulevard. The hilltop Japanese estate and gardens of brothers Charles and Adolph Bernheimer can be seen in the upper right corner. |
Historical Notes After WWII, the Bernheimer home was remodeled and converted into apartments. Soon thereafter, Thomas O. Glover purchased the property and began the restoration of what was to become the Yamashiro restaurant.* |
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(1940s)##** – View looking north on Highland Avenue at Hollywood Boulevard showing P.E. No. 5170 heading south. The Hollywood Hotel is seen on the northwest corner. |
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(1940s)^*# - Postcard view of the Hollywood Hotel on the northwest corner of Hollywood and Highland. The hotel’s florist shop fronts Highland and can be seen in the lower right. |
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(ca. 1956)#**# - Night view of the Hollywood Hotel which was razed shortly after this photo was taken. |
Historical Notes Though the Hollywood Hotel housed many of the great stars in its day, it was razed in August 1956 to make way for a $10 million development, with a twelve story office building (First Federal Savings and Loan Building), a shopping center and parking lots.^* |
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(1956)^#^* – View showing the demolition of the Hollywood Hotel, N/W corner of Highland and Hollywood, with only its florist shop left standing. Both the Chinese Theatre and the Roosevelt Hotel are seen in the background. |
Historical Notes In 2001, the Hollywood and Highland entertainment complex, which includes the Hollywood and Highland Center, the current home of the Academy Awards, was constructed on the site.^* |
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Paul de Longpré Residence
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(ca. 1905)* - Exterior view of the Mission Revival/Islamic style Hollywood residence once owned by artist Paul de Longpré. The home was located on the west side of Cahuenga Blvd. at Hollywood Blvd. |
Historical Notes Perhaps the most famous Hollywood transplant of the time was Paul de Longpre, a French horticultural painter who arrived in Los Angeles with his family in 1889. After de Longpre discovered his ideal flowers growing in Hollywood, he met Daeida Wilcox, who was so anxious to attract culture that she gave him her homesite, three lots on Cahuenga just north of Prospect (later Hollywood Blvd.), for his estate. The mansion and gardens Paul de Longpre built not only drew Hollywood society but served as a lure for new property buyers and tourists. So many visitors came to see “Le Roi des Fleurs” that the P.E. Railway added a trolley spur on Ivar Avenue to deposit them closer to the estate. ##** |
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(1907)* - Exterior view of the Hollywood residence and gardens owned by artist Paul de Longpré. The home was located on the west side of Cahuenga Blvd. at Hollywood Blvd. on property he obtained from Mrs. Wilcox Beveridge after he moved to Los Angeles in 1889. The French born artist desired the 65-foot-deep lots for a large flower garden. |
Historical Notes Tours of the house and gardens, along with prints of his floral paintings, supported the de Longpre family until the artist’s death in 1911. After his family returned to France, the house and gardens were demolished for their valuable real estate, and de Longpre’s paintings–romantic still-lifes of roses, orchids and the like–fell permanently out of fashion. ##** |
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(n.d.)* - Frontal view of the Mission Revival/Islamic style Hollywood residence and gardens owned by artist Paul de Longpré. |
Historical Notes The home was located on the west side of Cahuenga Blvd. at Hollywood Blvd. on property Longpré obtained from Mrs. Wilcox Beveridge after he moved to Los Angeles in 1889. The residence was a popular tourist destination for several years and was demolished in 1927.* |
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Arthur Letts Residence (Hollywood)
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(ca. 1905)* - Postcard view of the Tudor Revival Hollywood home and gardens of merchandiser Arthur Letts, located at 4931 Franklin Avenue, Hollywood. The residence was also known as the Holmby Mansion, the name loosely derived from Letts' hometown of Holdenby, England. |
Historical Notes Arthur Letts, Sr. was born in England. In 1882 he emigrated to Toronto, Canada, and found employment in a large dry goods store. When the Red River Rebellion broke out in the Northwest of Canada, he volunteered. He was awarded a silver medal and clasp for distinguished service, and a grant of land by the Canadian government. In the early 1890s he emigrated to the United States in Seattle, Washington and began retail employment in dry goods. Having little success, he then headed for L.A. in 1895. At the corner of Fourth and Broadway, then on the far southern edge of the downtown Los Angeles business district, the J. A. Williams & Co. Dry Goods Store had gone bankrupt. With the help of an influential friend, who was impressed with Letts’ knowledge of that type of business, a loan of $5000 was secured from the Los Angeles National Bank, and opened his business on February 24, 1896. He named the department store The Broadway.^* |
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(ca. 1905)^ – View showing the three-story Letts residence. The house is situated on a hill and features dormer windows, cant windows, stone masonry walls, a covered porch, several chimneys and window awnings. An immaculate courtyard adorned with well-manicured lawns and gardens precedes the house. |
Historical Notes Arthur Letts knew real estate was great for investment in fast-growing Los Angeles. And with his significant access to capital, it was just a matter of time before he made one of his most significant purchases. In 1919 heirs to the Wolfskill Ranch (Rancho San Jose de Buenos Aires) were ready to sell, but they wanted cash. The former ranch consisted of over 3,200 acres, with an approximate border of Pico Blvd. on the south, L.A. Country Club on the east, Sunset Blvd. on the north, and I-405 on the west. Purchased for $2 Million, Arthur turned over development to his son-in-law Harold Janss' company, Janss Investment Co. The area south of Wilshire contained land reserved for movie studios. The townsite of Westwood was laid out, which by 1927 contained 4,000 people.^#^# He later also developed the westside residential community of Holmby Hills, loosely derived from the name of his birthplace, a small village in England called Holdenby.^* Click HERE to see more in early views of UCLA and Westwood. |
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(ca. 1905)* - Exterior view of the Tudor Revival Hollywood home and gardens of the Broadway Department Store founder Arthur Letts. |
Historical Notes Arthur Letts was also the 'behind the scenes' financial founder and owner of Bullock's Department Store, and put John Bullock from his The Broadway to direct this store. After Letts' death, Bullock and a group of investors purchased the store from the estate.^* |
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(Early 1900s)* - A fountain in the garden of Arthur Letts' home, located at 4931 Franklin Avenue, Hollywood, in which crane statues are seen. The shrubs and trees are carefully manicured and set in a balanced design. |
Historical Notes The grounds of Los Feliz district, Hollywood estate Holmby House were formally laid out with wide variety of trees, shrubs, and flowers, and Letts’ cactus collection was known across the country. It was bound by Franklin Avenue, Vermont Avenue, Los Feliz Boulevard, and Laughlin Park. The gardens were open to the public for tours, with the Pacific Electric Railway stopping at it. It was his wish that the gardens be continued even after his death. Upon his death in May 1923, his wife, at the suggestion of son-in-law Harold Janss of Janss Investment Company (who lived at the back of the property), demolished the gardens and mansion in 1927 to subdivide and develop the land, and moved to a new residence in Holmby Hills. Henry E. Huntington purchased many of the rare specimen cacti for his Huntington Desert Garden at his estate and Huntington Library in San Marino.^* |
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(Early 1900s)* - View through the front entrance gates of the Tudor Revival Hollywood home and gardens of merchandiser and philanthropist Arthur Letts, located at 4931 Franklin Avenue. He was the founder of The Broadway Department Store and other ventures and later developed the westside residential community of Holmby Hills. |
Historical Notes In 1909, the estate was a stop on the Points of Interest for Hollywood tour, which also included Paul De Longpre's residence about a mile away. The Herald write-up in their Sunday magazine read: Arthur Letts' Mansion and Grounds - Immense country place. Large sunken gardens. A full acre of every known variety of cacti. Flowers in profusion. The largest coca plumosa drive in Southern California. Grounds open to visitors Thursdays.^#^# |
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Hollywood High School
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(1906)^* - View of Hollywood, looking south, showing Hollywood High School (at center), 1906, one year after it opened. Orchid Avenue is on the left while Orange Drive runs south, dog-legs at Hollywood, and then continues south again. Note the vast open land south of the school. |
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(ca. 1905)* - Original building of Hollywood High School designed by Burnham and Bliesner in the "Ionic architecture" style. With two stories and a basement, it accommodated 400 students. |
Historical Notes In September 1903, a two-room school was opened on the second floor of an empty storeroom at the Masonic Temple on Highland Avenue, north of Hollywood Boulevard (then Prospect Avenue). Hollywood was incorporated as a municipality in November 1903.*^ The original school building (above) opened in 1905 and consisted of the consolidated school districts of Hollywood City, Laurel, Coldwater, Lankershim, Los Feliz, Cahuenga, and The Pass. In 1910, Los Angeles and Hollywood consolidated and the high school was turned over to the L.A. Board of Education.* |
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(ca. 1905)* - Hollywood High School as seen from Highland Avenue (still a dirt road) shortly after the school was built in 1905. |
Historical Notes Hollywood High School was built on Sunset and Highland Avenue in 1905. In 1910, the school had its name changed to Hollywood Union High School. In 1924, the school changed its name again to Union High School. In 1940, the school had its name changed back to Hollywood High School and it was used for housing and feeding WWII soldiers.^ |
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(ca. 1905)^ - Exterior view Hollywood High School looking northwest, with the Hollywood Hills in the background. The three-story building has a tall portico supported by proto-ionic columns where inside is smaller portico supported by two Doric order columns. Both porticos have decorated pediments. "Hollywood Union High School" is displayed below the pediment of the large portico. The façade of the building is symmetric. Two lampposts flank the stairs leading to the front entrance. A flagpole stands on top of the dome-like roof above the porticos in the center of the building. The lawn around the building is well manicured. Newly planted palm trees line the dirt portion of the sidewalk. Rocks and a large boulder lay on the dirt road in the foreground. |
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(1916)^ - View of the campus of Hollywood High School, located north of Sunset and West of Highland Avenue. Overlooking a well-groomed courtyard are two clearly visible buildings. The left building is the original school building built in 1905. It has embossed letters that reads "Hollywood Union High School" directly above its portico. A flight of stairs leads up to the portico. On the side of the building, there is a fire escape ladder near the side entrance. Two bicycles are leaned up against the wall near the side entrance. The right building has embossed letters above its portico, which reads "Household and Fine Arts”. |
Historical Notes The Hollywood High School campus was established on its current site in 1904. The original Administration / Classroom Building was completed in 1905, and the first major campus expansion campaign concluded in 1913.*^#^ |
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(1920)* - A view of Hollywood High School campus, or quadrangle, looking northwest from Highland Ave. Cars are parked in front of fan palms that need to be trimmed. Yucca trees grow by the stairs leading to the entrance of the original 1905 building. "Hollywood Union High School" is chiseled over the entrance. |
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(1922)* - An aerial view of Hollywood High School from the southwest. There is practice of some kind on the athletic field. Palm trees line the campus on Sunset and Highland. The original 1905 building is on the bottom right. The Household & Fine Arts building is in the middle of the quadrangle and the gymnasium is to its left when facing Highland. |
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(ca. 1929)^^ - View of the Hollywood High School Memorial Auditorium located on the southwest corner of Highland and Hawthorn avenues. A long stretch of stairs can be seen in front of the auditorium, leading up to five front entrances separated by eight Romanesque columns. Seven windows can be seen above the five front entrances. The words, "Memorial Auditorium" can be seen above the windows, at the top of the building, engraved in capital letters. |
Historical Notes The Auditorium was originally constructed in 1924. It was formally dedicated at commencement exercises on June 25, 1924 and named the Memorial Auditorium to honor the Hollywood High School graduates who died in World War I. The Auditorium is the second of only two buildings on campus that survived the Long Beach Earthquake of 1933. The original building was a Beaux Arts design that included a flat roof, masonry walls, and a symmetrical façade.*^#^ |
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(2010)^#*^ - The Hollywood High School mural, painted by Eloy Torrez. |
Historical Notes In 1956 the original Beaux Arts façade was altered to be Mid-Century Modern in style. The façade was refinished in concrete and gunnite. In 2002 artist Elroy Torrez painted the mural "Portrait of Hollywood" on the east-facing (primary) façade that features prominent graduates throughout Hollywood High School’s history. In 2008, to commemorate the 2003 death of John Ritter, a fifty-foot portrait of the actor was added to the mural on the north façade.*^#^ Click HERE to see the complete list of Notable Alumni.^* |
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(1956)*##^ – Dashboard view looking east on Sunset Boulevard toward Highland Avenue with Hollywood High School at left. It appears we’re riding in a new Oldsmobile (‘56 or ‘57). |
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(1966)##^* - View showing Andy Warhol and two friends on steps of Hollywood High School. |
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Immaculate Heart College
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(ca. 1905)* - Exterior view of the original Moorish/Mission Revival style building on the campus of Immaculate Heart College, located at 5515 Franklin Avenue in Hollywood. A cow can be seen grazing in the field in the foreground. |
Historical Notes In 1903 the Sisters of the Immaculate Heart of Mary purchased fifteen-acres in Hollywood on which to develop a school. Two years later on April 24, 1905 a ground-breaking took place for the first campus building (shown here), which included classrooms for high school and elementary school students, boarding facilities, as well as living quarters for the nuns.* |
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(1905)^ - View of the Immaculate Heart College, a Catholic girls school on Franklin Avenue at the head of Western Avenue, showing newly planted trees and lawn. The dirt road in the foreground is lined with streetcar rails. |
Historical Notes The three-story mission-style building features multicurved parapets, arched windows, several arcades, and dormer windows. About a dozen young trees are planted in the well-maintained yard.^ |
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(ca. 1907)* - View of the original campus of Immaculate Heart College, located at 5515 Franklin Avenue in Hollywood, as it appears in the early years of Hollywood when there were few homes (foreground) and large open spaces for agriculture, seen throughout this image. |
Historical Notes During this period, Western Avenue changed from a rutted wagon road to a major artery, Los Feliz from a cow path to a boulevard, and the surrounding olive and orange groves yielded first to California bungalows, then to apartment structures and business and industrial complexes. The school was originally called Immaculate Heart College, even though it began as a high school. The College portion opened in the following decade.^ |
Click HERE to see more in Early Views of Hollywood (1850 - 1920) |
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Santa Fe Railroad Hospital
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(1905)^ – View showing the Santa Fe Railroad Hospital, opposite Hollenbeck Park, Boyle Heights. The Moorish-style building has multi-curved parapets, arched windows, semi-circular doorways, and a dome tower. |
Historical Notes The Santa Fe Railroad Hospital was built for railroad employees and was one of four employee hospitals run by the railroad Santa Fe Employees Hospital Association. It opened to great fanfare in 1904 and even had its own Jersey cows, chickens, and a garden to provide patients with the freshest milk, butter, eggs, poultry and vegetables. This original Moorish-style hospital building designed by Charles Whittlesey, known as the Santa Fe Coast Lines Hospital, was razed and rebuilt in 1924 in the current Mission Revival Style structure. In 1989 it was renamed the Linda Vista Community Hospital.^* |
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(2008)^* - Santa Fe Coast Lines Hospital, 610-30 St. Louis Street in Boyle Heights, Los Angeles. |
Historical Notes In 2011, the 4.2-acre Linda Vista Hospital complex was purchased by AMCAL Multi-Housing Inc. The structures, including the main hospital and former nurses dormitory, were renovated into the Linda Vista Senior Apartments and now provide a total of 97 apartments for fixed-income seniors plus a medical facility.^* In 2002, the Santa Fe Coast Lines Hospital was designated LA Historic Cultural Monument No. 713. |
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Powers Residence
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(ca. 1936)*##^ – View of the 1903-built Powers Residence located on Alvarado Terrace, south of Pico and east of Hoover. |
Historical Notes The Alvarado Terrace Historic District is within the original Spanish Pueblo of Los Angeles boundaries established in 1781. During the late 19th century, the land was owned by Doria Deighton Jones, the widow of a wholesale grocer. In 1897, the Los Angeles Golf Club (predecessor of the Los Angeles Country Club) leased the land and built a nine-hole golf course that came to be known as "Windmill Links," due to the use of an old windmill as the clubhouse. Jones subdivided the land into residential lots in 1902. The lots were sold for $10 each, with the caveat that the buyer was required to build a house costing at least $4,000. The area was promoted as a "second Chester Place," referring to the city's most prestigious street in the West Adams district. By 1906, the development was full.^* |
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(2008)^* - View of the Powers House located at 1345 Alvarado Terrace in the Historic Alvarado Terrace District. |
Historical Notes The Mission Revival Style home is located in the Alvarado Terrace Historic District, at 1345 Alvarado Terrace. In 1971, it was designated LA Historic Cultural Monument No. 86 (Click HERE to see complete listing). Six homes and a church in the district were designated as Los Angeles Historic-Cultural Monuments in 1971, and the entire district was listed in the National Register of Historic Places in 1984.^* |
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(ca. 1905)* - View of a two-story Mission Revival residence at 685 South Vermont Avenue. It later became the I. Magnin store parking lot. |
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Polytechnic High School
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(ca. 1905)#^* - View of a circular road (Bernard Court), with a house at left, and the Greek-revival style Los Angeles Polytechnic High School, at right in distance. |
Historical Notes Polytechnic High School opened in 1897 as a "commercial branch" of the only high school at that time in the city, the Los Angeles High School. As such, Polytechnic is the second oldest high school in the city. The school's original campus was located in downtown Los Angeles on South Beaudry Avenue, the present location of the Los Angeles Unified School District (LAUSD) Board of Education headquarters.^* |
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(ca. 1905)^* – View showing Los Angeles Polytechnic High School on Washington Boulevard. The building is between Hope Street and Flower Street. The principally three-story stone Greek-revival building has a grand portico entrance at the head of a broad set of stairs at right. The words, "Polytechnic High School" are etched into the building above the pillars at the front entrance. |
Historical Notes In 1905, Polytechnic moved to the corner of Washington Boulevard and Flower Street, in downtown Los Angeles. Polytechnic High School was the first school to offer studies in multiple class subjects, which is now modeled by many high schools, as "periods".^* |
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(ca. 1905)* - View of Polytechnic High School as seen from across the street. |
Historical Notes Polytechnic High School opened in 1897 as a "commercial branch" of the only high school at that time in the city, the Los Angeles High School. As such, Polytechnic is the second oldest high school in the city. The school's original campus was located in downtown Los Angeles on South Beaudry Avenue, the present location of the Los Angeles Unified School District (LAUSD) Board of Education headquarters. In 1905, Polytechnic moved to the corner of Washington Boulevard and Flower Street, in downtown Los Angeles. Polytechnic High School was the first school to offer studies in multiple class subjects, which is now modeled by many high schools, as "periods".^* |
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(ca. 1930)#^^ – Postcard view of the Neoclassical style campus buildings of Polytechnic High School, located on the corner of Washington Boulevard and Flower Street. |
Historical Notes In 1935, to honor the school's founder and first principal, John H. Francis was added to the school's name.* |
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(n.d.)^ - Photograph of an exterior view of Polytechnic High School. The three-story Greek-revival building can be seen at center with stairs leading to its front entrance. Pillars are visible in front, along with "Polytechnic High School" etched into the building above the pillars. The year "1905" can be seen in the decorative area above the etching. |
Historical Notes Fifty years after the campus on Washington and Flower was built, it was decided that the high school should be relocated to the San Fernando Valley. In 1957, the new John H. Francis Polytechnic High School campus was built in Sun Valley.* Since Poly's relocation, the former site has been the campus of Los Angeles Trade-Technical College.^* |
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Southwest Building
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(1905)* - The Los Angeles Chamber of Commerce, also known as the Southwest Building, located at 130 S. Broadway. The white building has numerous windows, columns, and balconies as well as ornamental detailing throughout. The Chamber of Commerce moved here in 1903 and stayed until January 31, 1925. Parked along the front are several bicycles, as well as a horse-drawn cart. |
Historical Notes The Los Angeles Chamber of Commerce's first meetings were held in the old board of trade building on First and Broadway, which has since been torn down. In 1890, the Chamber moved into the Mott Building at 131 S. Main Street, where it stayed for four years. In 1894, the organization moved to new quarters at the southeast corner of Broadway and 4th, in a building designed especially for its use, the then-new three-story Mason Building - which would serve as the L.A. Chamber of Commerce for twelve years. In 1903, it moved into the Southwest Building, located at 130 S. Broadway, and stayed there until January 31, 1925. In 1925 it moved to its brand new building at 1151 S. Broadway and 12th Street. It now makes its home at 350 S. Bixel and 6th streets. The Los Angeles Chamber of Commerce, founded in 1888, is Southern California's largest not-for-profit business federation, representing over 1,600 businesses. The Chamber's early focus promoted the region's abundance of opportunities in agriculture and international trade. In 1967, the Chamber changed its name to the Los Angeles Area Chamber of Commerce.* |
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(ca. 1920s)* - Front view of the Southwest Building which housed the Los Angeles Evening Herald. |
Historical Notes The Los Angeles Daily Herald was first published on October 2, 1873, by Charles A. Storke. The Herald was the first newspaper in Southern California to use the innovative steam press; the newspaper’s offices at 130 South Broadway were popular with the public because large windows on the ground floor allowed passersby to see the presses in motion. Beginning in the teens and guided by the Hearst-trained editors, Edwin R. Collins and John B.T. Campbell, the local coverage for which the Herald was known started to emphasize scandal, crime, and the emerging Hollywood scene. By the 1920s, editors Wes Barr and James H. Richardson were so well known for their investigative reporting that they became the prototypes for the morally ambiguous, chain-smoking reporters who figured in so many film noir movies of the 1930s. In 1922, the Herald officially joined the Hearst News empire, although several sources suggest that Hearst had secretly purchased the paper in 1911 when Collins and Campbell took the helm.^## |
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(1929)* - View of the Southwest Building as it appeared in 1929. A large sign reading EVENING HERALD can be seen on the right face of the building. |
Historical Notes In 1931, Hearst merged the Los Angeles Daily Herald with the Los Angeles Evening Express to form the Los Angeles Evening Express and Evening Herald, which was then the largest circulating evening newspaper west of the Mississippi.^## |
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Ebell Club
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(ca. 1905)^ - View of the first Ebell Club house on Broadway, south of Seventh Street. The one-story building has a portico in front and a flag flying from a pole on the peak of its roof. |
Historical Notes Ebell of Los Angeles was formed as a women's club in 1894, based on the principles and teachings of Adrian Ebell, a pioneer in women's education and organizing women's societies in the late 19th century. Harriet Williams Russell Strong was a founder of the club, serving as its president for three consecutive terms. The minutes of the first meeting of Ebell of Los Angeles identify its purpose "to interest women in the study of all branches of literature, art and science and the advancement of women in every branch of culture." The club adopted as its motto, "I will find a way or make one -- I serve." ^* |
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Edison Eelctric Company Steam Plant No. 1
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(ca. 1900)^ - View of Second Street looking east toward Boylston Street showing the Edison Electric Company Steam Plant No. 1. A man with a horse-drawn tanker wagon is making his way away from the camera along the unpaved road, with the Edison Electric power house behind a picket fence to his left. |
Historical Notes Between 1897 and 1906 the power house was in use as Edison Electric Company Steam Plant No. 1. This was Edison's first power plant located in the City of Los Angeles. |
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(ca. 1906)^ - View showing the 'old' Edison Electric Steam Plan No. 1 located on the northwest corner of 2nd and Boylston streets. The auxiliary buildings with clapboard veneers and smokestacks that once were attached to the corner brick building have been removed.The two-story brick utility building now stands next to a cleared lot in front of an unpaved road in which streetcar rails can be seen, surrounded by utility poles. |
Historical Notes At the time of this photo the brick building at the corner of 2nd and Boylston streets, once part of Edison Electric Steam Plant No. 1, was no longer being used as a power plant. It now was serving as an Edison Electrical Sub-Station. In 1909, Los Angeles Edsion Electric changed its name to Southern California Edison (SCE). |
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(1912)**# – View looking north on Boylston Street from above 2nd Street. The 'old' Edison Steam Plant No. 1, later converted to a Sub-Station, is on the N/W corner. A newer, more modern Sub-Station stands a couple hundred feet behind the old one at center of photo. The hill in the background is filled with apartment buildings and homes. Today this same hill is occupied by Belmont High School. |
Historical Notes Over the years the Boylston facility has been used by the West Side Lighting Company, Los Angeles Edison Electric, Southern California Edison, and the Los Angeles Department of Water and Power, which has occupied the site since 1940. Click HERE to see more in Early Boylston Street Yard. |
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Hotel Gray
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(ca. 1905)^ – View showing the Hotel Gray located on the northeast corner of Main and Third Streets. The hotel stands at center three-stories tall with striped cloth awnings on many windows. The building also includes a pharmacy, shoe store, men's clothing store, and confectionery. Electric lines for the streetcar line are visible. Several wagons are parked on the street. |
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Pacific Electric Building
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(1905)* - Framing of the Pacific Electric Building on Main and Sixth Streets. |
Historical Notes The Pacific Electric Building was designed by architect Thornton Fitzhugh. Though not the first modern building in Los Angeles, nor the tallest, its large footprint and ten-floor height made it the largest building in floor area west of Chicago for several decades.^* |
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(1905)* - External view of the Pacific Electric Railway Building on Main and 6th Streets soon after it was completed. Passengers are seen in line waiting to board the PE electric streetcars. |
Historical Notes The historic Pacific Electric Building (also known as the Huntington Building, after the Pacific Electric founder and developer Henry Huntington) opened on January 12, 1905 as the terminal for the Pacific Electric Red Car Lines running east and south of downtown Los Angeles, as well as the company's main headquarters building.^* |
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(ca. 1905)* - Interior view of the Pacific Electric Building, the main streetcar station located on Main and 6th streets. Two streetcars, one bound for Long Beach, the other for Pasadena, are seen surrounded by several conductors. The Palm Garden & Buffet, a small lunch counter managed by Eugen Mächtig, is visible on the left. Another business, perhaps a men's clothier, is also present in the building. One sign on the far left reads "Mt. Lowe", once a popular mountain destination for Pacific Electric customers. Click HERE to see more in Early Views of Mt. Lowe Railway. |
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(ca. 1906)^^## - View showing Pacific Electric’s 6th & Main Street Building with a streetcar turning onto its main concourse. |
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(ca. 1910)^ - Exterior view of the Pacific Electric Building on the corner of Sixth and Main streets. Several early model automobiles are visible along with pedestrians and a couple of horse-drawn wagons. |
Historical Notes Above the main floor terminal were five floors of offices and, on the top three floors, the Jonathan Club, one of the city's leading businessmen's clubs. The club moved to its own building on Figueroa Street in 1925.^* |
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(1910)**# - View of the Pacific Electric Building at 610 S. Main Street. Notice the man standing in the window watching the street below. The streetcar is bound for Edendale and the policeman has a little help although from a seated position. |
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(ca. 1943)^^## - A general view of Pacific Electric Railway Company's 6th Main elevated rail terminal. Car no. 995, a franchise car on the Santa Monica Air Line, is visible in the foreground, with car no. 1263 to Santa Ana further behind. |
Historical Notes In 2005, the Pacific Electric Building was converted by ICO Group into residential live/work lofts and is occupied by tenants. Several commercial tenants have filled the first floor spaces along 6th Street. The original Cole's space was renovated and divided to add another restaurant and bar. The building lobby currently displays a number of artifacts left over from its days as once an exceptionally active interurban rail terminal. "DANGER" warnings are set into the sidewalk at the Main Street location where trains once entered and left the building, remaining as evidence of its original grand purpose.^* |
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Bryson-Bonebrake Block
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(1905)^ - Photograph of the Bryson-Bonebrake Block on the corner of Second Street and Spring Street, Los Angeles, 1905. The eight-story building towers above the streets and other buildings nearby. The first two floors are constructed of stone masonry, while the top two floors are constructed of brick. The building has a circular, tower-like corner. A street banner announces, "Pasadena floral parade and chariot races, first prize $1000.00." The street is busy with pedestrian, bicycle, horse-drawn carriage, early model car and streetcar traffic. |
Historical Notes The Bryson-Bonebrake Block was one of the more important office buildings built during the 1880s building boom in Los Angeles, CA. It had six stories, with a typical Queen Anne Style variety of shapes, materials and ornamentation for which architect John Cather Newsom was famous.*##* At the turn of the century chariot races were held at the Pasadena Tournament of Roses at Tournament Park. In 1909 football was substituted for chariot racing as the midwinter attraction. The first game was played between Michigan (49) and Stanford (0). In the years that followed, the Rose Bowl game grew to become the "granddaddy" of all bowl games. Click HERE to see more in Early Views of Pasadena. |
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(Early 1900s)* - View of Spring Street looking north from Second. The Bryson-Bonebrake Block is seen on the northwest corner of Spring and Second streets. |
Historical Notes Two highly influential figures in 1880s Los Angeles, John Bryson, Sr., the 19th mayor, of LA and Major George H. Bonebrake, President of the Los Angeles National Bank and the State Loan and Trust Company, commissioned John Cather Newsom to erect this 126-room bank and office building. It's cost was projected to be $224,000, a staggering sum at the time. Bonebrake was one of the richest men in the city at the time, and he could afford making such an investment. He located the main headquarters of his bank in the Bryson-Bonebrake Block.*##* |
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(1934)^ - Only 46 years after its construction, demolition of the Bryson Block is underway. |
Historical Notes An annex building of the Los Angeles Times occupies the site today. |
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Silverwoods
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(ca. 1905)* - Corner view of Silverwoods at Broadway and 6th. Striped awnings cover the sidewalk. Signs read "F. B. Silverwood, hatter and furnisher", "Home of Silverwood's Office Boy", and "Silverwood's $3.00 hats". Kremer Hardware Co. is next door and the sign on the building in the background reads "Los Angeles Gas & Electric Fixture Mfg. Co." Streetcar electrical lines hover over the street. A street light is on the corner. |
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Hotel Baltimore
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(ca. 1905)* - Exterior of the original Hotel Baltimore located at 7th and Olive. The building was demolished for the construction of the Los Angeles Athletic Club. The new Hotel Baltimore was built at 5th and Los Angeles Streets. |
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Locke Hotel & Annex
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(1906)* - The Locke Hotel & Annex sit up on the hill while advertising placards are pasted all over the wall at street level. Adds for "Midsummer nights dream" at the Auditorium, "An American lord" at the Belasco Theater, "G.H. Baker" shoes stories, etc. |
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Engine House No. 18
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(ca. 1906)^##* - Engine Company 18 making a run past the Fire House at 2616 South Hobart Street. |
Historical Notes Built in 1904, Engine House No. 18 was designed in the Mission Revival style by noted architect John Parkinson, whose later works included Los Angeles City Hall, Union Station and Bullocks Wilshire.^* |
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(Early 1900s)^ - View of Engine House No.18 located at 2616 South Hobart Street, West Adams. |
Historical Notes In 1915, Engine House No. 18 was one of a dozen stations closed because of budget cutbacks resulting from the "two-platoon ordinance" passed by the Los Angeles City Council in 1915. The station re-opened in 1920 and remained an operating fire station until 1968.^##* Fire Station No. 18 was dedicated LA Historic-Cultural Monument No. 349 in 1988 (Click HERE to see complete listing). It is also listed on the National Register of Historic Places. The Exceptional Children’s Foundation purchased Engine House No. 18 in 2011 with the goal of converting the cultural landmark into a fine arts training center for adults with special needs and a community creative space for the residents of South Los Angeles. The new facility was scheduled to be opened in late 2013.^* |
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California Club (5th and Hill)
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(ca. 1905)^ - View showing the five-story California Club Building located on the northwest corner of Fifth and Hill streets. Awnings open over nearly every window in the building. Pedestrians and horse-drawn carriages fill the busy intersection while an early model automobile is parked at the curb on the right. Palm trees stand near an adjacent Victorian house. |
Historical Notes The California Club is a private social club that was incorporated on December 24, 1888. The first organizational meeting was held September 24, 1887, "in Justice Austin's courtroom," with N.C. Coleman as chairman and H.T. De Wilson as secretary. The club's first location was in the second-floor rooms over the Tally-Ho Stables on the northwest corner of First and Fort (Broadway) streets, where the Los Angeles County Law Library now stands. It moved to the Wilcox Building on the southeast corner of Second and Spring streets in 1895, occupying the two top floors, the fourth and fifth. The building was distinguished as the first in Los Angeles to have two elevators — one for the public and the other for members. The men's dining room, reading room, bar and lounge were on the top floor. On the floor below was the ladies' dining room. The club remained at the Wilcox Building for ten years. Increased membership impelled the club to seek a new location in the southward and westward direction of the expansion of the city. In 1904 the club's headquarters were moved to a new five-story building with a basement and a roof garden on the northwest corner of Fifth and Hill streets.*^ |
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(1908)^ - Looking west on 5th Street at its intersection with Hill Street where the California Club Building stands on the northwest corner. Behind it is the six-story Auditorium Building (built in 1906) on the corner of 5th and Olive streets). Pershing Square is visible on the left and the State Normal School, on the present site of the L.A. Central Library, is seen at the end of 5th Street in the background. |
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(1910s)* – View of California Club Building on the northwest corner of Hill and 5th Streets. A horse-drawn wagon and early model car is parked by he curb in front of the 5th Street side of the building. |
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(ca. 1917)* - View of the old California Club Building on the northwest corner of Hill and 5th streets. |
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(1928)^ - California Club Building, 5th & Hill Street. Examiner clipping attached to verso reads: "Historic California Club Building at Fifth and Hill Streets, which has been sold. Skyscraper is to be erected by Title Guarantee and Trust Company on the site." The larger signboard in the background belongs to the Auditorium Building (Fifth and Olive). |
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(1930)^*# - View of the California Club Building at the start of its demolition. Sign on face of building reads: WATCH IT GO! |
Historical Notes In 1930, the California Club moved into a new larger building located at 538 S. Flower Street. The building would then be demolished to make way for the construction of the Title Guarantee & Trust Building (1931). |
Click HERE to see the California Club Building (1930 - Present) |
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Auditorium Building (aka Temple, Clune's, and Philharmonic Auditorium)
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(1906)* - Construction of the Auditorium Building (later the Philharmonic Auditorium) and the Temple Baptist Church. View is from above showing the skeleton arches of the roof, March 27, 1906. Central Park (later Pershing Square) can be seen to the upper right of the photo across the street from the Auditorium Building. |
Historical Notes The six-story building, addressed, 427 W. 5th Street (5th and Olive) was funded by the Temple Baptist Church and some neighborhood businessmen, would be the first large reinforced concrete structure in Los Angeles and the biggest theatre west of Chicago. It would also be recognized as the first large space to have a balcony without supporting columns.**^ This building replaced an older building called Hazard's Pavilion and was dedicated in 1906.^^# |
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(ca. 1906)^^#^ - View of the Auditorium Building shortly after it was completed. There is a line of people on both sides of the building with a horse-drawn carriage parked in front. Across 5th Street, in front of the park, is a man on a horse. |
Historical Notes Opened in 1906 as the Temple Auditorium with a production of "Aida." It was a $350,000 project funded by the Temple Baptist Church and local businessmen. The building was built on the site of the 1887 Hazard's Pavilion.**^ |
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(1913)* - Panoramic view of Olive Street looking north from 6th Street toward snow-capped mountains. The Auditorium Building stands at center of photo across Pershing Square. At left is the Pacific Mutual Life Insurance Building with the columns. |
Historical Notes The eight story building had retail on the 5th Street side, a basement banquet hall, two 950 seat halls on the second floor, 118 office/studio spaces plus the main auditorium.**^ |
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(ca. 1914)**# - View looking east on 5th Street at the corner of 5th and Olive. The Clune's Auditorium is seen on the north side of 5th Street across from Pershing Square. A horse-drawn carriage is seen parked by the curb while a streetcar is in the middle of the road. Note the details on the ornate streetlight on the corner. Click HERE to see more in Early Los Angeles Streetlights. |
Historical Notes In 1914, the theatre was leased to pioneer showman Billy Clune and became the grandest movie palace west of New York. There was (still) church on Sundays, lots of concerts, and feature films with elaborate prologues.**^# |
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(1915)^*# - View looking west on 5th Street toward Olive. The tall building in center of photo is Clune's Auditorium. The California Club is at right and across the street is Central Park (Pershing Square). The State Normal School building with its pointed towers can be seen at the end of 5th Street at Grand Ave (Current location of the L.A. Central Library). |
Historical Notes Clune's Auditorium was much influenced by the design of Sullivan's Auditorium Theatre in Chicago. The eight story building had retail on the 5th Street side, a basement banquet hall, two 950 seat halls on the second floor, 118 office/studio spaces plus the main auditorium. The theatre was used on Sundays by the Temple Baptist Church.**^# |
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(ca. 1920)^ - View looking north on Olive Street at 5th Street. The Auditorium Building (also known as the Philharmonic Auditorium) is seen on the northeast corner of the intersection, across the street from Pershing Square. |
Historical Notes The building was known until 1920 as Clune's Auditorium and (sometimes) Clune's Theatre Beautiful. Even though its movie career was brief, given the size of the theatre, the impressive architecture and Clune's dazzling productions, this building ranks as the first true Los Angeles movie palace. Clune used a 20 piece orchestra and reserved the biggest pictures he could get for this venue.**^# |
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(ca. 1920s)* - Exterior view of the Olive-5th streets corner of the Philharmonic Auditorium Building. Auditorium was as also used by the Temple Baptist Church. The Los Angeles Philharmonic Orchestra would play in this Auditorium from 1920 until 1964 when it moved into the newly built Dorothy Chandler Pavilion. |
Historical Notes In 1920, the Los Angeles Philharmonic moved into this building in the orchestra's second year of existence. The Los Angeles Philharmonic was founded by William Andrews Clark Jr., a multi-millionaire and amateur musician, who established the city’s first permanent symphony orchestra in 1919. After playing its first season at Trinity Auditorium at Grand Ave and Ninth Street, the Los Angeles Philharmonic moved into the 5th Street and Olive Ave auditorium in 1920. The venue had previously been known as Clune's Auditorium but was renamed Philharmonic Auditorium after the move. The LA Philharmonic stayed here until 1964 when it moved into the Dorothy Chandler Pavilion.^* |
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(ca. 1920)* - View of the Auditorium Building on the northeast corner of 5th and Olive streets. The corner store on the ground floor has a sign that reads: “Henry J. Martin Prescriptions”. Above it is another sign attached to the face of the building: “Temple Baptist Church.” There is a very large overhang by the front entrance with a marquis that reads: “THE AUDITORIUM". |
Historical Notes Note how the overhead lines have been removed and streetlights upgraded when compared to previous photo. |
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(ca. 1920s)* - Interior view of the auditorium inside the Philharmonic Auditorium Building. |
Historical Notes Architects: Charles F. Whittlesey, Otto H. Neher and engineer E.R. Harris designed what was the first reinforced concrete building in Los Angeles and the largest theatre west of Chicago. It was structurally advanced for its time and used no columns to support the balcony.**^ |
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(ca. 1920)* - Interior of Philharmonic Auditorium located at Fifth Street and Olive Ave. View is from the rear balcony toward the stage. |
Historical Notes This is where the LA Philharmonic played until the Dorothy Chandler Pavilion opened in the mid-1960s. |
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(ca. 1920)* - View of the Philharmonic Auditorium interior as seen from the stage. |
Historical Notes The Philharmonic Auditorium was also used for Broadway shows produced by the Los Angeles Civic Light Opera for 27 seasons. After the LACLO and the LAPhil moved to the Music Center in 1964, the building was again known as Temple Baptist Church.**^ |
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Hotel Lankershim
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(1906)* - Two sides of the Hotel Lankershim are viewed from half a block away. The luxury hotel was located at 230 West 7th Street, on the SE corner of 7th and Broadway. The building above the first floor is in three separate but connected towers. Architect: Robert B. Young. |
Historical Notes The 9-story Hotel Lankershim was completed in 1905 as an imitation of the Hotel St. Francis in San Francisco--far superior to any other hotels in L.A. at the time. It had 200 servants, 250 rooms, and 160 baths. Before the hotel was begun in 1902, there was a vineyard. The 7th and Broadway site was the home and vineyard of Judge Wilson Hugh Gray.*#^^ Architect Robert B. Young also designed several other hotels including the Hollenbeck, the Lexington, and the Westminster.^^*# |
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(ca. 1910)* - Horse-drawn wagons, streetcars, autos, and pedestrians all share the road in front of the Hotel Lankershim at the intersection of 7th and Broadway. |
Historical Notes James Boon Lankershim was the son of Isaac Lankershim, a German-born Californian landowner who owned 60,000 acres in the San Fernando Valley. James joined his father's company, the San Fernando Farm Homestead Association, together with his brother in law, Isaac Newton Van Nuys, focusing on real estate while Van Nuys focused on wheat. In 1905, he built the Lankershim Hotel on the southeast corner of Broadway and 7th Street. He also built the San Fernando Building on the corner of 4th Avenue and Main Street, where his name is embedded in the tiles at the entrance.^* |
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(1925)* - A view of the intersection of 7th and Broadway. On the southeast corner is the three-tiered Hotel Lankershim, and on the street level of the same building is the Sun Drug Co. The lower level buildings shown in earlier pictures have been replaced by multi-story buildings, including the one across the street (left side of the picture) which became a bank. |
Historical Notes Seismic studies apparently finished the hotel before its 80th birthday. In the mid-1980s, the order was signed to bring down the top seven of its nine floors. No one had lived in them for years because they'd been deemed unsafe since the 1971 Sylmar quake.*#^^ |
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The Broadway Department Store (1st Building)
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(ca. 1906)* – View showing the original Broadway Department Store located on the corner of 4th and Broadway. A crowd of pedestrians are seen crossing the street as an early model car waits in the middle of the intersection. A second story window advertises Broadway's millinery department. Advertisements for products line the top of the display windows. |
Historical Notes Arthur Letts, founder of The Broadway, was born in the small town of Holdenby, Northamptonshire, England, in 1862, and went on to become one of the richest and most influential men in Southern California.*#^ Letts arrived in the Los Angeles, California area in 1896. At the corner of Fourth and Broadway, then on the far southern edge of the downtown Los Angeles business district, the J. A. Williams & Co. Dry Goods Store had gone bankrupt. With the help of an influential friend, who was impressed with Letts’ knowledge of that type of business, a loan of $5000 was secured from the Los Angeles National Bank, and opened his business on February 24, 1896. He named the department store The Broadway.^* |
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(1910)#^* - View showing The Broadway Department Store with throngs of people on the sidewalk. Horse-drawn wagons and carriages share the street with a trolley car and an early model auto. |
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(ca. 1910)^*# - View looking at the southwest corner of 4th and Broadway. The Broadway Department Store, complete with awnings stands at the corner. People are seen crossing the intersection in all direction. Note the odd shaped vehicle in the lower left. It is an all-electric car built by Baker Motor Vehicle Company. |
Historical Notes The Broadway outgrew the handsome building it occupied, and in 1913 revealed plans to demolish half of its structure and take over space in the adjacent Clark Hotel building, which fronted on Hill Street. In place of the old building would be erected a 9-story department store building “in a commercial adaptation of the Italian Renaissance style.” *#^ |
The Broadway Department Store (2nd Building)
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(1913)*#^ - Illustration of The Broadway used in the press, prior to its 1913 opening. |
Historical Notes The company stated at the time that “the earth will be ransacked for merchandise” to fill the 470,000 sq. ft. building. When the first half of the planned structure opened in February of 1914, the Los Angeles Times described it as an “imposing and harmonious structure.” *#^ |
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(1915)* - Exterior view of the new 9-story Broadway Department Store building, as seen on July 1915. |
Historical Notes In 1912, Arthur Letts, owner of the Broadway department store built the present building (seen above) at 4th and Broadway, which included 460,000 square feet of retail space. This big box was based on volume selling, which was made possible by its location at the hub of the regional electric railway transportation system. The Broadway was oriented to "budget-conscious" shoppers.*^## The Beaux Arts building with its restrained Italian Renaissance Revival ornamentation was the work of architects John Parkinson and Edwin Bergstrom. The two also collaborated on the Security Trust and Savings Bank and the Los Angeles Athletic Club. #^*# |
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(1922)* - View of The Broadway Department Store on the southwest corner of 4th and Broadway. Crowds of people are seen walking on the sidewalk as well as automobiles parked along the curbs. |
Historical Notes Arthur Letts was also a major real estate speculator. He owned a huge chunk of land in East Hollywood (where his mansion was located) and bought up the remnants of a large Mexican ranch in the foothills west of Beverly Hills in 1919. He created Westwood Village and Holmby Hills on part of this land in the late '20s.*^## |
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(ca. 1920s)* - A busy scene with pedestrians and city traffic in this view of Broadway and 5th looking north, showing the many retail stores that line the street. The Broadway Department Store with its new sign stands out in the background. Several trolleys have stopped in the middle of the road, cars line both sides of the street, and an overflow of pedestrians fill the sidewalks as far as the eye can see. Notice everyone wears hats - men, woman and children alike. |
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(1930)^ – View showing the Broadway Department Store building with American flags on all four corners. Photo by Dick Whittington. |
Historical Notes The Broadway became one of the dominant retailers in Southern California and the Southwest. In 1950, the company merged with Sacramento-based Hale Brothers to form Broadway-Hale Stores.^* |
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(1930)^ – Night view of The Broadway Department Store, southwest corner of Broadway and 4th Street. |
Historical Notes The Broadway bought out competitors in Los Angeles (B.H. Dyas, Milliron's, and Coulter's), San Diego (Marston's), and Phoenix (Korrick's). In later years The Broadway opened stores in Nevada (Las Vegas), New Mexico, and Colorado. In 1979, it was split into two divisions: The Broadway Southern California, based in Los Angeles; and Broadway Southwest, headquartered in Phoenix (for the non-California stores).^* |
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(1999)* - Renovated old Broadway Department Store building, now a state office building and renamed Junipero Serra Building, 4-1-99. |
Historical Notes In 1973 The Broadway closed this location and the building sat vacant for over twenty years, during which it faced extensive vandalism and damage from aborted remodel attempts. The State of California purchased the building in 1995 a part of Governor Pete Wilson's plan to move 3,500 state workers into the historic core of Downtown. In 1999 it reopened as the Junipero Serra Building, a modern 350,000- square-foot office building, occupied by 1,700 employees. It was the lowest-cost California State office building in three decades and received a Conservancy Preservation Award in 2000. |
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(2014)#^^* – Google street view showing the old Broadway Building (now Junipero Serra Building), S/W corner of 4th and Broadway. |
Historical Notes The Broadway's parent Carter Hawley Hale Stores ran into financial difficulties which resulted from poor management decisions and hostile takeover attempts. In 1996 the chain was acquired by Federated Department Stores and the majority of locations were converted to the Macy's nameplate. Several stores in affluent areas where Macy's already had locations were closed, refurbished and reopened as Bloomingdale's, while Federated sold many of the remaining stores to Sears. As of April 2011, Strategic Marks, LLC has obtained 'The Broadway' trademark and plans on re-introducing the famous department store name as part of a virtual mall, along with other nostalgic stores such as The Bon Marche, Joseph Magnin, Robinson's Department Store, Filene's, Abraham and Strauss and many others. The goal is to bring back the great department stores of the 20th century, with the hopes of re-opening the actual 'Brick and Mortar' stores throughout the US.^* |
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Lankershim Flats
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(ca. 1900s)* - View of the Lankershim Flats which occupied the corner of 7th and Broadway for many years. They were removed to make room for the building of a department store--Bullock's. |
Historical Notes The Lankershim Flats was James Boon Lankershim’s first hotel located at 7th and Broadway. He would sell the property and build his second hotel, the Lankershim Hotel, across the street. In 1906, the building would be demolished to make way for John Bullock’s seven-story department store. |
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Bullock's Downtown
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(ca. 1906)* - The early stages of construction of the seven-story Bullock's department store located on the northwest corner of Broadway and 7th Street. Workers can be seen at the base of the structure's frame and pedestrians are seen walking past. This Bullock's Building was constructed kitty-corner from the Hotel Lankershim. |
Historical Notes Bullock's was founded in 1907 at Seventh & Broadway in downtown Los Angeles by John G. Bullock, with the support of The Broadway Department Store owner Arthur Letts.^* |
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(1907)* - The Bullock's department store in the final stages of construction on the corner Broadway and 7th Street. Signs on the bottom floor announce "Bullock's opens about March 1st." A horse-drawn wagon is at the curb and some construction is still occurring in the street. The building includes a basement, a roof garden and a children's playground. |
Historical Notes The original Bullock’s Department Store was designed by the architectural firm of Parkinson and Bergstrom and opened in March 1907 at 639-657 South Broadway.^##^ |
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(1907)#*^# – Postcard view showing the Bullock’s Department Store at its grand opening. |
Historical Notes In 1907, John Gillespie Bullock and Percy Glen Winnet opened Bullock’s at the corner of 7th & Broadway Streets in downtown Los Angeles. The two had worked at The Broadway and convinced Arthur Letts, Sr, founder of The Broadway to back them in this new retail venture targeting the more up-scale customer. The store grew over the years as it acquired buildings on 7th Street between Hill and Broadway; one of the buildings was a competing department store. In 1923, John Bullock and P. G. Winnet bought out Arthur Lett’s interest. #*^# |
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(ca. 1908)^– Postcard view looking south on Broadway at night with the Bullock’s Department Store building in the background located at the northwest corner of Broadway and 7th Street. |
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(1910)* - Horse-drawn carriages and pedestrians share the road at the intersection of Broadway and 7th Street. Bullock's Department Store can be seen across the street. |
Historical Notes Bullock’s flagship store proved so successful that it expanded quarters in 1912. The company purchased adjacent buildings in 1917 and 1919 for a total of 460,000 square feet. By 1920 Bullock’s and Robinson’s functioned as anchors to an elite shopping precinct that was unprecedented in Los Angeles.^* |
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(ca. 1924)^ – View looking toward the northwest corner of Seventh Street and Broadway showing the newly expanded Bullocks Department Store. The sidewalks are crowded with pedestrians, while streetcars and automobiles can be seen in the road. |
Historical Notes Between 1923 and 1928, Bullock’s added an additional 400,000 square feet through the construction of three more additions while also purchasing two adjacent buildings.^* |
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(ca. 1928)^ - Crowds of pedestrians are crossing the street in front of the Bullock's department store. A policeman is directing traffic in the lower left of photo. |
Historical Notes In 1923, John G. Bullock and business partner P.G. Winnett bought out Arthur Letts' interest after his death and the companies became completely separated. In 1929 Bullock & Winnett opened a luxury branch on Wilshire Boulevard, named Bullock's Wilshire.^##^ |
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(1930s)*^# – Postcard view showing the collection of connected structures, all part of Bullock's, at the corner of Hill and 7th Streets. The corner building at 650 N. Hill Street is 10-storys tall and was begun in 1928. |
Historical Notes A seven story building anchored the corner of Broadway and 7th Streets. The Broadway and Hill buildings were connected by an alleyway known as St. Vincent's Court. The store caused controversy when it wanted to connect its structures above this passage, but ultimately prevailed.*#^ |
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(1951)^ - Corner of 7th and Broadway with Bullock's Department Store. A large crowd of pedestrians is in front of the store and crossing the street. Cars, including a convertible, are waiting for the pedestrians to pass in order to turn the corner. |
Historical Notes Bullock’s Downtown closed in 1986. The building is now the St. Vincent's Jewelry Center.* |
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(2014)#^^* – Google street view showing the old Bullock’s building, now the St. Vincent’s Jewelry Center, on the northwest corner of Broadway and 7th Street. |
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Hellman Building
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(ca. 1906)* - Exterior view of the H. W. Hellman Building, located on the northeast corner of 4th and Spring Streets. The Hotchkiss Theater appears to the left of the building on Spring Street. |
Historical Notes In 1903, Herman W. Hellman hired architect Alfred Rosenheim to design the Hellman Building named in his honor. The eight-story building in Downtown Los Angeles still stands today, on the corner of Fourth Street and Spring Street.^* |
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(ca. 1906)^ – Close-up view showing the H.W. Hellman Building on the northeast corner of 4th and Spring streets. Pedestrians are seen crossing the busy intersection. Also a streetcar shares the road with a horse-drawn carriage, bicycles, and early model autos. |
Historical Notes Herman W. Hellman was born on September 25, 1843 in Reckendorf, Bavaria. He emigrated to the United States with his brother Isaias W. Hellman, arriving in Los Angeles on May 14, 1859 as a sixteen-year-old. He started working as a courier from Wilmington to Los Angeles. In 1861, he worked for his uncle, Samuel Hellman, who had a store in Los Angeles. Shortly after, he opened his own store at Downey Block. He established a wholesale grocer's called Hellman, Haas, & Co. with Jacob Haas, the brother of Abraham Haas. They sold groceries in Southern California, Arizona, New Mexico and Texas. As his business prospered, he became one of the wealthiest men in Los Angeles by the 1880s. The company later became known as Baruch, Haas, & Co. In 1890, H. W. Hellman became Vice President and General Manager of The Farmers and Merchants Bank, a bank established by his brother. He was later demoted by his brother, who found his lending practices too lenient. He resigned in 1903, and became the President of the Merchants National Bank instead. He also became a co-founder of the Los Angeles Chamber of Commerce. Hellman also served as President of the Congregation B'nai B'rith, later known as the Wilshire Boulevard Temple.^* |
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(2008)^* - View showing the Hellman Building located on the N/E corner of Spring and 4th streets. |
Historical Notes In 2002, the Hellman Building was dedicated Los Angeles Historic-Cultural Monument No. 729 (Click HERE to see complete listing. |
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Farmers and Merchants Bank Building
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(ca. 1908)^ – View showing the Farmers and Merchants National Bank located on the southwest corner of Main and 4th streets. |
Historical Notes Built in 1905 on the site of the Hellman Residence, the bank was designed by the firm of Morgan and Walls.^* |
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(ca. 1910)^ - Exterior view of the Farmers and Merchants National Bank, on the corner of Main Street and Fourth Street. The two-story corner building has one entrance on each street. Both entrances feature a large arched doorway flanked by a pair of columns. Above the entrance is a wide pediment with fancy ornamental moldings. The building is reminiscent of Greek-revival style architecture. Legible signs include: "Farmers & Merchants National Bank, capital $1,500,000, surplus and profits $1,800,000, safe deposit and storage vaults, officers [...]". |
Historical Notes The Farmers and Merchants Bank’s two-story façade is reminiscent of a Roman temple. It is punctuated by an entrance framed with Corinthian columns topped by a large triangular pediment. |
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(ca. 1910)^ - View looking west down 4th street from the corner of 4th and Main streets. The Greek-like columned Farmers and Merchants Building stands at left on the southwest corner. The busy street is full of people and vehicles. Almost all of the people are dressed professionally and all of them are wearing hats. People can be seen conversing with each other, walking down the sidewalk, crossing the street, riding their bicycles, or driving their early automobiles. Streetcar rails run down the middle of the road and utility wires dangle overhead. |
Historical Notes The Farmer's and Merchants Bank was founded by 23 prominent Los Angeles businessmen, with an initial capital of $500,000. The three largest subscribers were Isaias W. Hellman ($100,000), former California Governor John G. Downey ($100,000), and Ozro W. Childs ($50,000) who in later years became the founders of the University of Southern California. Other investors included Charles Ducommun ($25,000), I.M. Hellman ($20,000) and Jose Mascarel ($10,000.)^* |
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(ca. 1917)^ - Panoramic view taken from the Westminster Hotel, looking down Main Street from 4th Street. The Farmers and Merchants Bank stands on the southwest corner at lower-right. |
Historical Notes The Farmers and Merchants Bank was the first incorporated bank in Los Angeles, founded in 1871 by John G Downey, the seventh governor of California and Isaias W. Hellman, a successful merchant, real estate speculator and banker, and brother of Hermann W. Hellman. Downey was named the first president. Isaias later served as president of the bank till his death in 1920.^* |
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(1923)* - Exterior view of Farmers and Merchants National Bank of Los Angeles, located at the southwest corner of 4th and Main streets. The streets are filled with people, streetcars, and automobiles. |
Historical Notes The bank's founder, I.W. Hellman, was a cautious lender, insisting that major borrowers have good character and provide good security. Its subsequent presidents, J.A. Graves (who had been Hellman's attorney) and Victor H. Rosetti, continued Hellman's conservative practices, with a large portion of the bank's capital constantly held in Treasury securities. As a result, the Bank survived every panic, from 1873 through the Great Depression.^* |
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(ca. 1936)^ - The Farmers and Merchants National Bank located at 401 S. Main Street. |
Historical Notes The one-branch downtown bank was eventually seen as not likely to continue to grow. In 1956, it merged with Security First National Bank, which became in later years Security Pacific National Bank, and ultimately was acquired by the Bank of America.^* |
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(1943)*##^ - View of the Farmers and Merchants Building on the southwest corner of 4th and Main Streets. The Rosslyn Hotel can be seen at the far left. |
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(ca. 1960s)* - Exterior view of Security Pacific Bank (formerly Farmers and Merchants National Bank of Los Angeles), as seen from the intersection of Main Street and 4th Street. |
Historical Notes In 1983, the Farmers & Merchants Bank Building was dedicated Los Angeles Historic-Cultural Monument No. 271 (Click HERE to see complete listing). |
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(2015)#^^* – Google street view showing the Farmers and Merchants Bank Building on the corner of Main and 4th streets. |
Historical Notes Designed in the Classical Revival style, the Farmers and Merchants Bank remains one of Southern California's finest examples of the early "temples of finance" which were popular at the turn of the century.^* |
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Norton Building (H. Jeyne Co.)
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(ca. 1906)* - View of the Southwest corner of 6th and Broadway, occupied by H. Jeyne Co. |
Historical Notes Up to 1906, this corner was considered too far south for a large business. This building was occupied by a saloon at the corner. In 1906, John H. Norton built the steel frame structure, and made it the strongest building, size considered, in Los Angeles. It was designed for heavy goods, and was occupied in its entirety by the H. Jeyne Co.* |
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YWCA (later Hotel Belmont)
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(ca. 1908)^ - View of the west side of Hill Street showing the Y.W.C.A. building. Several horse-drawn wagons, early model cars and trucks are parked along the curb. The Third Street Tunnel is just to the left of the 'Vegetarian Cafeteria'. Across Third Street can be seen one of the two Angels Flight cars stopped at the lower terminus. |
Historical Notes A colony of civic-minded women formed the LA-YWCA in 1893 in two rooms at 212 S. Broadway, then moved into the Schumacher Building at 107 S. Spring in 1894. They then shuttled off into the shelter of the old City Hall at 211 W. Second, and finally took over a whole floor of the Conservative Life building at the NE corner of Third and Hill in ’06. They were renting out a small building as their annex, on the same side of Hill, forty feet north of Third, and finally decided to erect their own sky-scraping headquarter building (seen above). They dropped the cornerstone in 1907 and moved in 1908. #^#* |
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(ca. 1917)^ - Front view of the Y.W.C.A. Building located at 251-255 Hill Street, just north of 3rd Street. |
Historical Notes The building’s basement held an auditorium for 500, a gymnasium, and a 30×50’ swimming pool. It was most noted for its gargantuan light well, which formed an open-air patio famous for its flower boxes filled with color-coordinated flora cascading to a fancy tile floor. 4,000 women, including 1,600 students engaged in the study of the domestic sciences, swam and ate and sewed and so on and all was fine and good until 1919, when the Y gals sold the building, deciding “to be nearer the shopping.” In 1926 they opened their grand Y-hotel at 939 S. Figueroa, moving their offices into this building (now the site of the Hotel Figueroa’s pool). The YWCA Building was purchased by the Union League Club of Los Angeles, where the Republican Women’s Club (the incipient CFRW) often met. It was sold in 1924 to Alexander Mayer who converted the building into the Hotel Belmont. #^#* |
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(1930)^ – View looking at the Hotel Belmont (previously the YWCA Building), 251 South Hill Street. |
Historical Notes In 1924, Alexander Mayer purchased the YWCA Building (Union League Building) for $400,000 and converted it into the Hotel Belmont. The summer of 1971 saw the Bunker Hill Redevelopment Project at the tail-end of its demolitions and the YWCA/Union League/Belmont, one of the last standing Stalwarts, tumbled under wreckers’ hammers. #^#* |
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Mason Opera House
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(ca. 1908)^ - Photograph of the exterior view of the Mason Opera House, located at 127 S. Broadway. The opera house stands about four stories tall with six buttresses providing structural support. There are five windows on the second, third and fourth floor. |
Historical Notes The Mason Opera House opened in 1903 and was the leading stop for dramatic stars in Los Angeles for decades. |
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(ca. 1910s)**# - Exterior view of the Mason Opera House with three early model cars parked by the front curb. |
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(1910)* - A view of a fountain inside the lobby of the Mason Opera House. |
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(ca. 1910)* - Full view of the ornately designed left box seating inside the Mason Opera House. |
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(1928)#^* - Panoramic view of a long line of people wait outside the Mason Theatre at 127 South Broadway in Los Angeles to see a stage production of the operetta Desert Song. Signs outside the theater announce an extra gala performance and the last two weeks of shows. The long line goes down the street, past Woolworth's, Spear's, and Lucky Seven Department Store. |
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(1956)* – View of the Mason Theatre, formerly Mason Opera House, shortly before it was torn down. Marquee reads: "Home of Mexican Films." |
Historical Notes In 1956, the then called Mason Theater building was demolished for a State of California office building. And now that building has been demolished as well.**^ |
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Walter P. Story Building
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(ca. 1910)*# - View looking north on Broadway from 7th Street. The Walter P. Story Building at 610 S. Broadway appears to be the tallest building on the east side of the street. |
Historical Notes In 1894, Nelson Story bought the property at 610 S. Broadway from J.B. Lankershim for $48,000. He and his son, Walter, would go on and build the Walter P. Story Building on this sight in 1909. It was one of the first skyscrapers in Los Angeles and still stands today as The New Story Building.^* |
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(ca. 1910)### – Postcard view showing the Walter P. Story Building located on the southeast corner of Sixth and Broadway. |
Historical Notes This 1909 Beaux Arts building was built by Walter Perry Story on a lot his father had purchased in 1894. Story Sr., a successful Montana cattleman and the first person to drive cattle along the Bozeman Trail from Texas to Montana, also financed one half of the building's million-dollar construction. Walter Story went on to become a successful businessman, civic leader, and Major General in the California National Guard. #^*# |
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(ca. 1910s)* - View of the Walter P. Story Building located on the southeast corner of Sixth Street and Broadway. |
Historical Notes The Beaux Arts style building was designed by Morgan, Walls and Clements, Architects.* |
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(ca. 1915)* - View showing an early model roadster parked in front of the main entrance to the Walter P. Story Building, located on the southeast corner of South Broadway and West 6th Street. |
Historical Notes Opened in 1910, the Walter P. Story building’s ground floor contained the largest plate glass windows west of Chicago. There were twelve of them and each cost $1000.* |
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(n.d.)##++ – View showing the Zigzag Moderne gates in front of the W.P. Story Building parking garage on the 6th Street side of the building. |
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(1930)^ - View of the Walter P. Story Building at 610 S. Broadway. A Silverwoods sign is attached to the building across the street. |
Historical Notes The first three stories and the basement of the building were initially designed for retail, and the upscale clothier Mullen and Bluett occupied the space from 1910 through the 1960s. Walter P. Story and his wife lived in the penthouse. #^*# |
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(ca. 1935)^*# – View looking at the southeast corner of 6th and Broadway showing the Mullen and Bluett store on the ground floor of the Walt P. Story Building. |
Historical Notes The ground floor and basement were occupied by the Mullen & Bluett clothing store. The clothing store, which occupied 28,000 sq. ft. of space, was a proud Los Angeles retailer. The Times writes that "every piece of furniture, all of the window decorations, cases and other fixtures" were made in Los Angeles.*^#* |
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(ca. 1935)^*# – Closer view of the entrance to Mullen and Bluett on the ground floor of the Walter P. Story Building. |
Historical Notes If you look at the side of the building today you can still see the outline of the Mullen & Bluett name on the side of the building. |
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(ca. 1950s)^ - The Walter P. Story Building as seen from ground level, on the southeast corner of Sixth Street and Broadway, facing eastward. The sign at the bottom of the building reads Mullen & Bluett, while the sign on the corner of the building reads HFC Loans. |
Historical Notes When Gen. Story died the building was sold at auction. It was purchased for $1,500,000 by Fisher-Cooper Realty Associates of New York City. At the time of the sale the building was still referred to as the "Walter P. Story Building." A story the following year about a renovation is the first to call the structure the "New Story Building." In the time since the building's ownership had been transferred to the "610 Broadway Co." and renamed. Looking closely behind the "New Story" type, you can still see the outline of the old name.*^#* |
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(2014)^* – Close-up view showing design details of the Beaux Arts Walter P. Story Building. |
Historical Notes The building now houses offices and jewelry businesses. The lobby, with its compact marble staircase, wide bannisters and two story newel posts, is clad in lightly-veined white marble, and features a Tiffany-style stained glass skylight. #^*# |
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Santa Anita Racetrack
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(1909)* - Exterior view of the first Santa Anita Racetrack, in 1909. Photograph shows the main building as well as several Pacific Electric trains and station in the forefront. |
Historical Notes The 'first' Santa Anita Racetrack was built on Elias Jackson ("Lucky") Baldwin's immense estate of "Rancho Santa Anita" and opened on December 7, 1907, but closed just two years later after horse racing was banned in California due to an anti-gambling bill that became law. In 1933, Hollywood director Hal Roach and San Francisco dentist Dr. Charles Strub formed the Los Angeles Turf Club and raised funds to build a new track. Designed in an Art Deco style by Gordon B. Kaufman, the "new" Santa Anita Park was opened on Tuesday, December 25, 1934 with an attendance of 30,077 visitors paying an admission price of .15 cents.* |
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(1909)* - Partial view of the first Santa Anita Racetrack, as it looked in February 1909. Eleven men can be seen standing in a row next to the track; several of them have binoculars hanging around their necks. Buildings, possibly stables, can be seen in the background. |
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San Pedro City Hall
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(ca. 1907)* - Exterior view of the San Pedro City Hall located on Beacon between Wall and 5th streets. A rail yard and the Los Angeles Harbor are visible in the background on the right. |
Historical Notes San Pedro was named for St. Peter of Alexandria, a Fourth Century bishop in Alexandria, Egypt. His feast day is November 24 on the local ecclesiastical calendar of Spain, the day on which Juan Rodriguez Cabrillo discovered the bay in 1542 which would be known as San Pedro. Santa Catalina Island, named after Catherine of Alexandria, was claimed for the Spanish Empire the next day, on her feast day, November 25. In 1602–1603, Sebastián Vizcaíno (1548–1624) officially surveyed and mapped the California coastline, including San Pedro Bay, for New Spain. The land was granted in 1784 by King Carlos III to Juan Jose Dominguez, a retired Spanish soldier who came to California with the Gaspar de Portolà expedition. Under United States control after 1848, when the United States defeated Mexico in the Mexican-American war, the harbor was greatly improved and expanded under the guidance of Phineas Banning and John Gately Downey, the seventh governor of California. In 1906, the City of Los Angeles annexed the Harbor Gateway, a long narrow strip of land connecting the city to the coast, and in 1909, the city annexed San Pedro and the adjacent town of Wilmington.^* |
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(ca. 1907)* - Another view of the San Pedro City Hall. It was designed by F.E. Allen of Pasadena, cost $40,000 to build and was located on Beacon between Wall and 5th streets. |
Historical Notes The Classical Revival style City Hall building was constructed in 1909, the year San Pedro was annexed by the City of Los Angeles. San Pedro's previous City Hall (it's second) was on the northwest corner of 11th Street and Palos Verdes Street. It was built in 1905 and served as City Hall for only 3 short years until the new building seen above was erected. The building is now the City Hall Market and the Alhambra Bar, 1039 S. Palos Verdes St.^**^ |
Click HERE to see more in Early Views of San Pedro and Wilmington |
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Pacific Mutual Building
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(1908)* - View of West 6th Street from Pershing Square in 1908, with the Pacific Mutual Building seen on Olive Street. |
Historical Notes The Pacific Mutual Building, located at 523 W. 6th Street, was built between 1908 and 1912. From 1916 to 1926 the building was modified and expanded to include: a north side addition, another 12-story structure, a garage building, and a west side addition. In essence, it became three interconnected buildings by 1926.* |
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(ca. 1908)* - A view of the original Pacific Mutual Building, the tallest on the northwest corner of Olive and 6th Streets across the street from Pershing Square. |
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(1913)* - Panoramic view of Olive Street looking north from 6th Street in 1913 toward snow-capped mountains. At left is the Pacific Mutual Life Insurance Building, and at right is Pershing Square. Beyond it is the Auditorium Building. Various other buildings are seen in this view taken from the Los Angeles Athletic Club building on 7th and Olive. |
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(ca. 1916)* - 6th Street looking west from Olive Street. At right is the Pacific Mutual Life Insurance Co. building. Pershing Square is at close right. In the distance is the Jonathan Club. A streetcar bears the destination of Bimini Baths. At left is a sign, "Edwards Wildey." |
Historical Notes A North Side addition was built in 1916 by William J. Dodd as seen above.* |
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(ca. 1925)* - View showing the construction of a twelve-story addition to the Pacific Mutual Building on Sixth Street |
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(ca. 1929)* - View looking southwest over Pershing Square showing the Pacific Mutual Building with new additon on the northwest corner of Olive and 6th streets. By 1926, it became three interconnected buildings. The new Biltmore Hotel can be seen on the right. |
Historical Notes A North Side addition was built in 1916 by William J. Dodd; a twelve-story structure was built in 1921 by William J. Dodd and his associate William Richards; the Garage Building was added in 1926 by Schultze and Weaver; and the West Side addition was erected in 1929 by Parkinson and Parkinson. The building underwent Moderne remodeling in 1936 by Parkinson and Parkinson.* |
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(1930)* - View looking northwest toward Pershing Square from the corner of 6th and Hill streets. The Pacific Mutual Building is seen in the distance on the left. The Biltmore Hotel is on the right. |
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(ca. 1930)*##^ - View looking west on 6th Street at Olive. Pedestrians are seen crossing Olive while streetcar and autos are moving along 6th Street. The Pacific Mutual Building is seen at right on the northwest corner of the intersection. |
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(1931)*- Close-up view of the Pacific Mutual Building with new clock on top of building. 6th Street is on the left and Olive Street on the right. |
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(ca. 1935)* - View showing the Pacific Mutual Building with its landmark clock and glowing sign that reads "Time to Insure". |
Historical Notes The Pacific Mutual Building, located at 523 W. 6th Street, are actually three interconnected buildings built between 1908 and 1929. The original structure was designed and built between 1908-1912 by John Parkinson and Edwin Bergstrom. It has undergone many changes since it was built. In 1974, the building underwent an extensive restoration by Wendell Mounce and Associates, with Bond and Steward, which brought it back to its Beaux Arts revival. And in 1985, the entire building was renovated again by the Westgroup, Inc.* The Pacific Mutual Building is listed as Historic-Cultural Monument No. 398. Click HERE to see complete listing. |
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Lake View Hotel (aka Park View Hotel)
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(ca. 1908)^ – View showing the Lake View Hotel (aka Park View Hotel) sitting on an embankment overlooking Westlake Park (later MacArthur Park). Other buildings, mostly homes, are visible beside the hotel. |
Historical Notes The three-story, 55-room hotel was built in 1908. It was located at 2216 West Sixth Street, overlooking Westlake Park.^#* |
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(1908)^*# - Postcard view showing a tour bus filled with people including young children on the bank of Westlake Park. Writing at bottom reads: "Seeing Los Angeles" - Feb. 24th - "Lakeview" above (referring to the Lake View Hotel, seen in upper-right). |
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Antler Hotel
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(ca. 1905)* - View of the Lagoon at Venice. Groups of people pay for a boat or a gondola ride on the canal. The Antler Hotel can be seen in the background to the left of the bridge over the canal. |
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(1913)^## – Half of a stereoscopic image showing a gondola with a gondolier in the rear rowing on the Venice Lagoon. The Antler Hotel stands in the background. |
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(ca. 1910s)* - Panoramic view showing a gondola being rowed across the canal towards the sign "Gondola" and another sign offering motor boat rides. On the left next to the water is the Hotel Antler. |
Historical Notes The canals converged on a large saltwater lagoon that later became a traffic circle. The bulk of the canals were filled in 1929 to create roads.^* |
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(ca. 1910)*##^ – Close-up view of the Antler Hotel showing its distinctive Moorish syle windows and arches. |
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(ca. 1920s)* - A gondola with several ladies on it, and a gondolier to steer, works its way across the Venice Lagoon. Behind them is the Hotel Antler. |
Historical Notes Today, the traffic circle at Pacific and Windward Avenues is located on top of what once was the Venice Lagoon.*^ |
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St. Mark's Hotel
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(1905)#^* - View of the corner of Ocean Front and Windward Avenue and the St. Mark's Hotel. |
Historical Notes Ground was broken for the St. Mark's Hotel on December 5,1904. It was one of Venice's original buildings and stood until 1964 when it was demolished.**** |
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(ca. 1906)* - A closer view of the St. Mark's Hotel on Windward Avenue in Venice. |
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(ca. 1908)* - A corner view of the exterior of a business building on Windward Avenue in Venice which includes the St. Mark's Hotel. |
Historical Notes In 1905, the founding year of Venice, Windward Avenue was two blocks long, stretching between the canal system and the pier, lined with hotels that featured hot salt water in every room.**** |
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(ca. 1906)^ - View of the Saint Mark's Hotel on Windward Avenue in Venice Beach. An outdoor corridor houses a street arcade. A man with a beard stands in the foreground near one of the many pillars and arches forming the corridor. |
Historical Notes The colonnade, made up of dozens of Corinthian columns supporting Venetian-style arcade buildings on Windward, Pacific, and Market avenues, still serves as the gateway to the city and is one of Venice's most recognizable landmarks. |
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Venice Aquarium
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(ca. 1908)* - A view of the front of the Aquarium, with flags flying all around the top of the building. It exhibited the finest collection of marine specimens on the Pacific coast. |
Historical Notes Venice of America was founded by tobacco millionaire Abbot Kinney in 1905 as a beach resort town, 14 miles west of Los Angeles. He and his partner Francis Ryan had bought two miles of oceanfront property south of Santa Monica in 1891. They built a resort town on the north end of the property called Ocean Park,^* |
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(ca. 1909)^ - Side view of the Venice Aquarium showing three men standing by the aquarium building. Note the ornate light fixture along the boardwalk. |
Historical Notes Kinney built a 1,200-foot long pleasure pier with an auditorium, ship restaurant, and dance hall, constructed a hot salt-water plunge, and built a block-long arcaded business street with Venetian architecture. Tourists, mostly arriving on the "Red Cars" of the Pacific Electric Railway from Los Angeles and Santa Monica, then rode Venice's miniature railroad and gondolas to tour the town.^* |
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(1909)^ - Exterior of the Venice Aquarium on the boardwalk at Venice Beach without the flags flying. |
Historical Notes The Venice Beach Aquarium exhibited the finest collection of marine specimens on the Pacific coast. It later became the official marine biological station for the University of Southern California. In 1920, along with the pier, the beautiful Venice Aquarium was destroyed by fire.* Attractions on the Kinney Pier became more amusement-oriented by 1910, when a Venice Scenic Railway, Aquarium, Virginia Reel, Whip, Racing Derby, and other rides and game booths were added.^* |
Click HERE to see more in Early Southern California Amusement Parks |
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Ocean Park Bath House
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(1905)^ - View of Moorish style Ocean Park Bath House, nearing completion. Round turrets rise from each of the corners as well as over the main entrance. Rows of arched or round windows line the exterior of the three-story building on the beach. Laborers are seen working near the entry. |
Historical Notes When it was built in 1905, the Ocean Park Bath House was one of the most elaborate structures on Santa Monica's beach. It was Moorish in style, 3 stories high with 5 domes. An ad from 1906 claimed it had the largest swimming pool in the US.*#*# |
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(ca. 1910)* - A postcard view of the bath house in Ocean Park. Only a few people are shown on the sand between the bathhouse and the ocean water. |
Historical Notes Looking more like a movie set, the Ocean Park Bath House was one of the most talked about buildings of its day-and a great draw for the beach area. The lavish indoor plunge (heated for those who didn’t take to cooler ocean swimming) was built by A.R. Fraser. |
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(ca. 1910)* - A view of the bath house set along the beach in Ocean Park. Hundreds of visitors are sitting or standing on the beach and in the rolling waves of ocean water. |
Click HERE to see more in Early Views of Santa Monica. |
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Ocean Park City Hall
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(1910)* - A view of the front of the two-story Ocean Park City Hall. In 1911 this became the Venice City Hall. Newly-planted trees are seen near the front sidewalk. | ( |
Historical Notes By 1925, Venice's politics became unmanageable. Its roads, water and sewage systems badly needed repair and expansion to keep up with its growing population. When it was proposed that Venice be annexed to Los Angeles, the board of trustees voted to hold an election. Those for annexation and those against were nearly evenly matched, but many Los Angeles residents, who moved to Venice to vote, turned the tide. Venice became part of Los Angeles in November 1925.^* |
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Play del Rey Motordrome
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(ca. 1910)* - Aerial view of the motordrome near Playa del Rey, Los Angeles. |
Historical Notes The Los Angeles Motordrome opened on April 8, 1910 near the present-day intersection of Culver and Jefferson boulevards in Playa del Rey. Promoters Fred Moskovics and Walter Hemple had taken notice of the success of automobile races involving now-legendary driver Barney Oldfield at Los Angeles tracks in the early 1900s, and hired velodrome designer Jack Prince to design a raised wooden track designed specifically for motorized racing. Construction on the one-mile round banked track began in Feb. 1910.
The Los Angeles Pacific Railway built a special spur to bring fans to the track, which held 12,000 spectators. Sportswriters immediately began referring to the structure as a "pie pan" due to its circular shape and banked track. The motordrome at Playa del Rey was the first of several that eventually would be built in the Los Angeles area, including wooden tracks in Beverly Hills, Culver City, and the Los Angeles Coliseum motordrome at Hooper Avenue and 35th Street. On the afternoon of Aug. 11, 1913, a fire broke out under the wooden track in Playa del Rey. Though it did not fully destroy it, the damage was severe enough that rebuilding it wasn't feasible. A Los Angeles Times news story detailing the fire blamed it on vagrants sleeping beneath the track who were careless with matches. Wooden tracks eventually died out as other surfaces such as asphalt began to be used for auto racing tracks in the late 1920s, replacing the more dangerous wooden structures.^^ |
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(ca. 1912)* - Spectators watch a man race his car in the "Dare Devil Race for Life" exhibit held on Windward Avenuenue in Venice. The small circular track of the motordrome has 65 degree walls. |
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Mount Washington Railway Incline
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(ca. 1910)* - The Los Angeles and Mount Washington Railway Incline Station is a confection stand and waiting room for passengers of the Railway. The Railway was located on the southwest corner of Avenue 43 and Marmion Way and was in operation from early 1909 until January 9, 1919. |
Historical Notes Mount Washington was founded in 1909 as a subdivision laid out by real estate developer Robert Marsh. Marsh built the Mount Washington Hotel at the summit of Mount Washington, and the Los Angeles and Mount Washington Railway Company was soon established as a funicular railway up the hill as an alternative to constructing roads up the area's steep hillsides. The railway operated until January 1919. The railway scaled the western slope of Mount Washington. For a nickel, passengers could disembark from a Yellow Car at the intersection of Marmion and Avenue 43 and ride the funicular to the top of Mount Washington. There, they could stay at a grand hotel or explore the vacant housing lots awaiting a home.^* The base station on Avenue 43 was declared Historic Monument No. 269 in 1983 (Click HERE to see complete listing). |
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(ca. 1915)^ - External view of Mount Washington Hotel that sits on top of the Mt. Washington Railway Incline. |
Historical Notes The Mount Washington Hotel building remains standing today, having been purchased by the Self-Realization Fellowship in 1925. It was declared Historic Monument No. 845 by the City of Los Angeles on August 16, 2006 (Click HERE to see complete listing).^* |
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Belasco Theater
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(ca. 1909)^ - Exterior view of the Belasco Theater, 337 South Main Street. Architect: A. M. Edelman. |
Historical Notes The Belasco Theatre was opened in 1901 by David Belasco. Initially it was devoted year round to productions by the Belasco stock company. In the 1915 city directory it's listed as the Republic Theatre. By 1919 it had been renamed the Follies. Belasco later re-surfaced with another theatre with his name on it when the new Belasco Theatre on S. Hill St. opened in 1926.**^ |
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(ca. 1920)* - Exterior view of the Follies Theater formerly known as the Belasco Theater. |
Originally the 337 South Main St. Theater was called the Belasco in 1901. It was renamed the Republic Theater in 1915 and then the Follies Theater in 1919. The theatre was demolished in 1974 after a long and happy career as a legit theatre, occasional movie venue and many years as a burlesque theatre.**^ |
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(n.d.)*#* - Hallway entrance to the Follies Theatre, 337 South Main St. |
Historical Notes As was the case with most of the older theatres, the Follies Theatre’s entrance was off the street, through a long hallway. Advertising displays were merely cardboard signs.*#* |
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(n.d.)*#* - Interior view of the Follies Theatre. All design attention and expense were focused on the elaborate Beaux Arts-style auditorium, which featured a proscenium flanked by protruding boxes. |
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Monnette House (previously Jeremy House)
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(1910)^#^# - Exterior view of the estate located at 951 S. Western Avenue and originally built for Alfred Jeremy. |
Historical Notes The house was built in 1905 for Alfred Jeremy, described by the local papers as a "Pittsburgh capitalist". It was designed in old mission style by architect Dennis & Farwell and built for about $10,000. The grounds surmounted a knoll from which a fine view of the surrounding country can be had--the ocean to the south and Hollywood and the mountains on the north. Mervin Jeremiah Monnette purchased the South Western Avenue home from Alfred Jeremy ca.1910 for $55,000. Monnette made his fortune in the early 1900s in the mines of Goldfield, Nevada. He later became president of the American National Bank, which he purchased, and VP of another, Citizens National Bank.^#^# |
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(1911)^#^# - View of the Monnette House on Western Avenue. Standing in front of the steps were most likely Mervin and Olive Monnette, while on the porch to the right was probably their niece Cora (who lived there in 1910). The plantings have grown, and a driveway across the front had been added to accommodate visitors who arrive by new-fangled auto. |
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International Bank Building
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(ca. 1907)* - View of the International Bank Building located on the corner of Spring St. and Temple across from the LA County Courthouse, on the right. The Temple Block can be seen in the background. |
Historical Notes The International Savings & Exchange Bank Building (also known as the International Savings Building), was built in the Spring Street Financial District of Los Angeles in 1907. Standing ten floors, it was designed in the Renaissance Revival and Italianate styles by architect H. Alban Reaves, who had previously designed several structures in New York, including what is now the south building of the historic Schuyler Arms.*^ |
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(1910)^^ - Exterior view of the International Bank Building on the southwest corner of Spring Street and Temple Street. The LA County Courthouse can be seen in the background and the Temple Block is on the left. |
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(ca. 1910)* - Temple Street at the junction of Spring and Main Streets. At left is the International Bank Building across the street from the Federal Building and Post Office. An early open car and a trolley car are seen on the street. |
Historical Notes The International Building stood at 226 North Spring Street, the intersection of Temple and Spring, (sometimes referred to as Temple Square) across from the Main Post Office and was featured in several postcards from the 1920s.*^ |
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(ca. 1926)^ - View looking west showing the International Building (right) standing next to the construction site of the new City Hall. In the background can be seen the (l to r): Hall of Records, County Courthouse, and Hall of Justice. |
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(1927)* - View looking northeast showing the new Los Angeles City Hall under construction. To the south of City Hall (left) stands the International Bank Building. Sign on side of building reads Bank of Italy (later Bank of America). |
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(1929)* - Old International Building, left, a landmark on Temple Street beside the new City Hall as seen in 1929. |
Historical Notes In 1928, the building was dwarfed by the new 30-story Los Angeles City Hall, and soon after calls for its demolition increased, resulting in its razing. But that didn't happen until sometime after 1954. The portion of Spring Street that its front entrance faced no longer exists.*^ |
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(1947)^ - Aerial view showing the Old International Building squeezed in between the Federal Courthouse and U.S. Post Office Building (completed in 1940) and City Hall (completed in 1928). |
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(1949)* - View of the Los Angeles Civic Center, showing the International Bank Building dwarfed by its two bookends, the Federal Courthouse and U.S. Post Office Building and City Hall. The Hall of Justice is seen on the right. |
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(1954)##^* - Closer view showing the International Bank Building bookended by the Federal Courthouse and U.S. Post Office Building on the left and City Hall on the right with the Goodyear Blimp flying overhead. |
Historical Notes The 1907-built International Bank Building would be razed in 1954, same year as the photo above. |
Hall of Records
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(1910)*#^# - Postcard view of the Hall of Records Building. The LA County Courthouse Building is seen to the right. |
Historical Notes The Hall of Records was built in 1906 and demolished in 1973. The LA County Courthouse was built in 1891 at the old site of Los Angeles High School. The building was demolished in 1936.* |
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(ca. 1935)* - The Hall of Records as framed by the arches of City Hall across Spring Street. |
Click HERE to see more Early Views of the Hall of Records |
New Hotel Broadway
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(1916)^*## - Postcard view of the New Hotel Broadway adjacent to Court Flight. Card reads: "The House of Hospitality, The Host with A Golden Smile" - George Wilson, Managing Director. |
Historical Notes Opened on September 24, 1905, the Court Flight was built by Attorney R. E. Blackburn of the McCarthy real estate firm and Samuel G Vandegrift, to serve the wealthy residents of Bunker Hill. The line was entirely double tracked, using a pair of thirty-inch gauge counterbalanced cars, and ran for a distance of 180 feet up a 42 per cent grade between Broadway and Court Streets, in the middle of the block between Temple and First Streets. A fire on October 20, 1943 damaged the line and put it out of commission.* |
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(Early 1900s)* - View of the New Hotel Broadway, located next to the Court Flight Cable Railway, at 205 North Broadway, opposite the Hall of Records and County Courthouse. |
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(Early 1900s)^ - Looking west from the Hall of Records (right) towards Bunker Hill. The Court Flight funicular is present in the center. There is also a partial view of the Hotel Broadway. |
Westmoore Hotel
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(1910)^ - Exterior view of the Westmoore Hotel located at 1000 W. Seventh Street. Tall palm trees flank the grand portico entrance to this three-story Greek revival building. Stairs lead to the front entrance and patio at left, while an unpaved Seventh Street runs in front of the building in the foreground. |
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(1910)**# - Postcard view of the Westmoore Hotel, located on the southwest corner of Seventh and Francisco streets. |
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(1957)^ - View showing the demolition of the Westmoore Hotel at 1000 W. Seventh Street. Francisco Street is on the left. The Harbor Freeway, built in 1953, is seen on the right. |
Historical Notes It appears that somewhere along the line there was an addition to the Westmoore Hotel with included a new structure between the Greek-style columns of the original building and the front property line at 7th Street. |
Old Shrine Auditorium (Al Malakah Temple)
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(1910)^*^# – Postcard view of the original Shrine Auditorium (Al Malaikah Temple). |
Historical Notes The original Shrine Auditorium was built in 1906 and served as the Shriner's Al Malaikah Temple until it burned in 1920 and was replaced by the current incarnation.* The Shriners, or Ancient Arabic Order of the Nobles of the Mystic Shrine (A.A.O.N.M.S.), were established in the U.S. in 1870 as an appendant body to Freemasonry.^* |
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(1910)* - Exterior view of the Old Shrine Auditorium on Jefferson Boulevard, built in 1906. |
Historical Notes The Al Malaikah Shriners built the original Shrine Auditorium to serve as a civic center as well as their home base and clubhouse. The building was designed by Frank D. Hudson and William Munsel who also designed the Museum of Science and Industry, the first museum built in the city's Exposition Park.^* |
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(1920)* - Another view of the Old Shrine Auditorium as seen from the corner of Royal and Jefferson. |
Historical Notes In 1920 a fire burnt the building down in just 45 minutes. With plans to add an attached expo hall, The Shriners began rebuilding almost immediately. In January 1926 the new Shrine Auditorium and Expo Hall opened and quickly became the center of entertainment in Los Angeles.^* |
Click HERE to see more on the New Shrine Auditorium built in 1926. |
Early Fire Stations
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(ca. 1910)* - View of a fire fighter maneuvering a horse-drawn fire engine, as two other firemen stand next to it; the station visible in the background is Engine Company No. 9. |
Historical Notes Engine Company No. 9, formed on November 27, 1899 and was located at 916 S. Santee Street until 1960 when It was relocated to 430 E. Seventh Street. It has operated from that location since then. Engine Company No. 23 and Squad #23 moved into the building formerly occupied by No. 9.* |
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(ca. 1910)^##* – View of firemen posing in front of Engine Company No. 9, located at 916 South Santee Street. |
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(ca. 1915)^##* - Group photo of Engine Company 23 and Truck Company 5 located at 225 E. 5th Street. |
Historical Notes Late in September, 1910, the new engine house for Co. 23 was finished and dedicated. It contained three stories, and on the ground floor, in addition to space for the new auto truck with 65-foot ladders (which had not arrived) it had ten stalls for horses--the reason for having quarters for horses when the equipment was to be motorized not being clear either at that time or now.^##* |
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(1915)**# - Interior view of Engine Company No. 23. Inscription on photo reads: WHEN EVENING SHADOWS HOVER OVER THE CITY AND THE FLAME'S RED TONGUES CREEP SKYWARD, ENGINE CO. NO. 23 PREPARES FOR A WILD RIDE THROUGH THE CROWDED STREETS OF LOS ANGELES. |
Historical Notes Fire Station No. 23 was built as an operating fire station, but it was also the Los Angeles Fire Department's headquarters until 1920 and the residence of every fire chief from 1910-1928. When it opened, it spawned a political firestorm due to the ornate interior and expensive imported materials, leading to its being called the "Taj Mahal" of firehouses. After 50 years of operation, the station was closed in 1960 as the department began replacing older stations with new facilities. Since the 1980s, Fire Station No. 23 has been a popular filming location. Motion pictures filmed at the station include the Ghostbusters movies, The Mask, Police Academy 2, Flatliners, Firehouse and National Security.^* |
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(ca. 1910)* - Sixteen fire fighters in full uniform stand in a single-file line in front of Engine Company No. 24, which is located at 204 S. Hewitt, near Second Street. Truck Co. No. 1 (pictured on right) was headquartered in the same building. |
Historical Notes Engine Company No. 24 and Water Tower 1 opened August 16, 1910. The 13,800 square foot site had an 11,140 square foot floor area. Cost of the land was $16,000 and the building cost was $30,464. This station moved to its new home at 9411 Wentworth Street in Sunland on July 10, 1969, and has operated from that location since.* |
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Newmark Building - Blanchard Music Hall
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(1910)^ - View of the H. Newmark Building located at 233 South Broadway. The five-story building, designed by A. M. Edelman, housed Blanchard Music Hall, J. W. Robinson Company, and Bartlett Music Company, dealers in Weber Pianos. |
Historical Notes The building went by the name of Blanchard Music Hall but was also known as the H. Newmark Building as it was built by and on the site of Harris Newmark's former residence. Harris Newmark emigrated to the United States in 1853 from Germany. He sailed from Europe to New York City to San Francisco, and finally settled in Los Angeles. The Newmark clan was one of the founding families of the Los Angeles area. Newmark developed several successful businesses, which employed most if not all of a near-inexhaustible list of Newmark family members. Newmark was chiefly a grocer and dry goods merchant, but he also dabbled in other fields. He even tried sheep farming, but he was preoccupied with the burgeoning real estate opportunities to be had in the Los Angeles area. Newmark bought and sold properties throughout southern California, and made a fortune in the process.^* |
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(ca. 1928)* - View showing the original Harris Newmark Block. A sign on the building reads, "Music-Art." On the street level is the Leader clothing store and Barnes Music Co. Street address on the clothing store is 235. |
Historical Notes The building had a large hall (Blanchard Music Hall) with a seating capacity of 800. It was used for chamber music concerts and other programs. There was another smaller hall seating 150 and a banquet hall for 300. There was also an "Assembly Hall" of unknown capacity. There was also space in the Music and Art Building for studios for 150 musicians and artists as well as a fourth floor art gallery. Blanchard Music Hall was named for Frederick W. Blanchard, who had been influential in the music business in Los Angeles and went on to become the first president of the Hollywood Bowl. The building went all the way through to Hill St. On the 1910 Baist Real Estate Survey map the Hill St. end of the skinny building is marked "Blanchard Hall Bldg." while the Broadway end is labeled "Newmark Bldg." |
Blanchard Music Hall - Newmark Building
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(1910)^ – View of the Hill Street entrance to the Blanchard Music Hall and art gallery, located on the east side of Hill Street between 2nd and 3rd streets. Note the ornate 6-lamp lamppost in front of the building. Click HERE to see more in Early Los Angeles Streetlights. |
Historical Notes Blanchard Hall contained the first art gallery west of Chicago. The building went all the way through to Broadway (previous photo). On the 1910 Baist Real Estate Survey map the Hill St. end of the skinny building is marked "Blanchard Hall Bldg." while the Broadway end is labeled "Newmark Bldg." |
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Grand Central Hotel
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(ca. 1910s)* - View showing the Grand Central Hotel, at 326 N. Main Street, with businesses on the ground floor such as Tokyo Co. Inc. and Kwong Chow Cafe. A man in a push cart is directly in front. To the left ia the 3-story Downey Building and further to the left (out of view) is the Baker Block. To the right is the 2-story Pico Building. |
Historical Notes The three-story Grand Central Hotel at 326 North Main Street was completed around 1877. Major construction came to its climax on the 300 blk of Main Street in the following year with the opening of the Baker Block, on the left. The slim, three-story building nestled between the Baker Block and Gand Central Hotel was developed by the ever active Governor Downey, and finished around 1878. +# |
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(ca. 1930s)* - Looking at the upper part of the doorway into the Grand Central Hotel, you can see a sign advertising transient-housekeeping rooms, the bottom half of a shoe repairing sign, a hanging globe with the number 326 (for 326 N. Main Street) on it and in the background the sign reading "furnished". |
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(ca. 1940)* - Looking northeast showing the buildings on the 300 block of North Main Street shortly before their demoliton. The Grand Central Hotel sits at center with large sign on side of building. |
Historical Notes Well into the 20th century, the old buildings on the 300 block of North Main Street were a vivid testament to Los Angeles’ early history, from its humble beginnings to its astonishing growth during the Reconstruction years. Behind the “Azteca” sign on the right side of the top photograph is the Bella Union Hotel, considered to be the city’s first hotel. Completed sometime during the 1840s, it was one of downtown’s greatest landmarks for several decades, and was later expanded to two, then three stories. The two-story building to its left is the Pico Building, built by Pio Pico in 1868 (two years before the Pico House). In 1871, the building became home to the Farmers & Merchants Bank, the first incorporated bank in the Los Angeles, directed by former California Governor John G. Downey. +# |
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(1940s)^*# - View of Maint Street north of Commercial Street showing (L to R): the slim Downey Building, Grand Central Hotel and Pico Building (original home of Farmers and Merchants Bank). |
Click HERE to see more in Early Views of the Historic 300 Block of N. Main Street |
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Avila Adobe
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(ca. 1910s)* - View of the Avila Adobe house on Olvera Street; a small car is parked along the front of the wooden porch next to one of the staircases. |
Historical Notes Don Francisco Avila, a wealthy cattle rancher and one-time Mayor of the pueblo of Los Angeles, built the Avila Adobe in 1818. The Avila Adobe, presently the oldest existing residence within the city limits, was one of the first town houses to share street frontage in the new Pueblo de Los Angeles.* |
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(1935)* - Avila Adobe as seen from a building across Olvera Street. In front of the house is a wooden cart, and a Mexican flag is by the entrance. It is located at 14-16-18 Olvera Street and was used by the Avila and Rimpau families. |
Historical Notes The above photo of the Avila Adobe house was taken just after Olvera Street was converted to a colorful Mexican marketplace - as made evident by the small vendor stands. The original porch was given a much-needed face-lift with the addition of a long veranda and steps and a short brick planter the length of the house.* |
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(ca. 1935)* - View of the sign in front of the Avila Adobe, the oldest existing residence within the city limits. |
Historical Notes In 1847, this adobe became the temporary headquarters for Commodore Robert Field Stockton and General Stephen Watts Kearny during the American occupation of Los Angeles.* Click HERE to see more in Early LA Plaza. |
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(1912)^* - The Knapp home at Owensmouth Avenue and Cohasset Street in Canoga Park. View looking north west. |
Historical Notes Knapp Park in West Hills is named for these same Knapps. The men of the Knapp family were stone builders and did much of the stone work at Orcutt Ranch, also located in West Hills on Roscoe Boulevard near Valley Circle Boulevard. |
Click HERE to see more Early Views of the San Fernando Valley |
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Vogel Block
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(ca. 1910)^ – View of the Vogel Block building, constructed in 1893, on the southwest corner of Seventh Street and Broadway. A cylindrical collection of windows extends out from the corner of the three-story building over the entrance, topped by a spired dome. The architecture is reminiscent of the Victorian style, and all of the box window are decoratively molded. Signs are displayed along the shop fronts that comprise the lower level along the sidewalk. The street is unpaved, and utility poles can be seen. |
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(ca. 1910)^ – View looking down Broadway at 7th Street. The Vogel Block building, with its onion-shaped roof, stands on the southwest corner. The large building with Rossiter sign, across Broadway to the left, is the Lankershim Hotel (built in 1905); the building in the extreme foreground at left is the Hotel Corona; the large white building with two flags on its top (in the close background at center) is the Hamburgers Department Store (south-west corner with 8th Street, where it had moved after leaving the Phillips Block). |
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(1910)^ - Close-up view of the southwest corner of Broadway and 7th Street showing the Vogel Block with its onion-shaped tower. Sign on the side of building reads: “Rooms by the Day or Week”. |
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(1921)^ - Birdseye view of Seventh Street looking west from Broadway, showing the Vogel Block on the corner at left. The three-story building is topped by a spired dome and covered with signs. Its windows have molding reminiscent of Victorian architecture. |
Historical Notes In 1921 the 1893-built Vogel Block would be demolished to make room for Loew's State Theatre (currently United Building). |
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Hyman Theatre (later Garrick Theatre)
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(1910)* - An evening crowd gathers under the marquee of the Hyman Theater at 802 S. Broadway, on the southwest corner of 8th and Broadway. A lone bicycle leans on the curb in front. One boy is seen leaning against an ornate 7-bulb streetlight. Click HERE to see more in Early Los Angeles Streetlights. |
Historical Notes The theater was built in 1910 by Los Angeles theatrical promoter Arthr S. Hyman. Within just one year, 1911, the theater became the Garrick, a motion picture theater. The original facade was by the Los Angeles architect firm, Train & Williams. In 1921 it was remodeled to a design by architect George Edwin Bergstrom. The building was replaced by the Tower Theatre in 1927.* |
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(ca. 1922)* - "Sassy Jane" billboard sits atop the Garrick Theatre on Broadway in downtown Los Angeles as pedestrians pass the marquee. |
Historical Notes In 1921, the Garrick Theater was remodeled to a design by architect George Edwin Bergstrom. The building was demolished in 1927 to make way for the Tower Theatre.* |
Tally's New Broadway Theatre (also Kinemacolor Theatre)
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(ca. 1911)^ - Tally's New Broadway Theater at 544 South Broadway. |
Historical Notes Opened on May 2, 1910 by Thomas L. Tally, the theatre was constructed in 30 days. In 1911 Tally's Broadway was known as the Kinemacolor Theatre while showing color films in the Kinemacolor process but then went back to the Tally's Broadway name.**^ |
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(ca. 1911)* - Interior view of Tally’s Theatre. Picture faces the curtained stage, with walls on the right and left lined with pipe organ pipes. |
Historical Notes An article in Moving Picture World for July 15, 1916 says " The chief feature of this house is the music. It has a splendid orchestra and a simply wonderful organ." In 1916 the admission prices were 10, 20 and 30 cents. The house manager at the time was Seymour Tally, son of Thomas. The article noted that the 30 cent price got you a wicker chair back in the elevated loge section.**^ |
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(1916)^*# - View of Tally's Theatre in 1916. The sign over the front entrance reads: "The World's Finest Theatre Pipe Organ". |
Historical Notes The building was demolished for a 1929 expansion of the May Co. department store (originally Hamburger's) just to the north. Just two doors south of Tally's was the Majestic Theatre. Across the street was the Mission and the still surviving Orpheum. The Mission was demolished for construction of the Orpheum.**^ |
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Orpheum Theatre (Today the Palace Theatre - 3rd Home of the Orpheum Circuit)
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(1911)* – View looking at the east side of Broadway between 6th and 7th streets showing the Orpheum Theatre #3. Further north on the left can be seen the Walter P. Story Building with "Mullen & Bluett Clothing Co." painted on its south face. |
Historical Notes The 3rd Orpheum in Los Angeles opened on June 26, 1911 with two-a-day vaudeville. Sophie Tucker was on the inaugural program. Many famous performers appeared on the stage here including Al Jolson, Sarah Bernhardt (1913), the Marx Brothers, W.C Fields and Will Rogers. There were four Orpheum theatres in downtown Los Angeles: ◆ 110 S. Main St. -- Grand Opera House was the home of Orpheum vaudeville from 1894 to 1903. ◆ 227 S. Spring St. -- The Los Angeles Theatre, later called The Lyceum, was known as the Orpheum from 1903 to 1911. ◆ 630 S. Broadway -- Now the Palace Theatre -- this was the Orpheum between 1911 and 1926. ◆ 842 S. Broadway -- Orpheum Theatre from 1926 to Today |
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(ca. 1910s)* - View showing several bicycles parked along the sidewalk at the entrance to the Orpheum Theatre located at 630 S. Broadway. |
Historical Notes Architects G. Albert Lansburgh and Robert Brown Young designed this French renaissance palazzo. Lansburgh would later design the 1926 Orpheum down the street. Sculpture on the striking brick and polychrome terra cotta facade is by Domingo Mora, whose son would later do the sculpture for the Million Dollar Theatre. The four figures on the facade represent the muses of vaudeville: music, song, dance and drama. The building was designed with fire safety in mind. There are 22 exits and one of the city's first sprinkler systems. |
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(1913)#^* - A night photo of the Orpheum Theater, advertising Vaudeville. Located at 630 S. Broadway. |
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(n.d.)* - The interior auditorium of the third Orpheum Theatre, looking across the balcony towards the box seats on the opposite wall. Another balcony is on the upper right and the stage on the left. |
Historical Notes The cheap seats in the upper balcony were actually benches. While terrific for vaudeville, the section is less desirable for film viewing and hasn't been used since the 1930s. Originally the entrance to the second balcony was from separate stairwells with no access to the rest of the theatre, typical of two balcony theatre construction at the time.**^ |
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(1933)* – View looking north on Broadway showing the 3rd Orpheum in Los Angeles, which opened June 26, 1911. |
Historical Notes On February 20, 1926 this theatre reopened as the Broadway Palace. The new Orpheum Theatre had opened down the street February 15, 1926. The Palace, as a film only operation, was still run by the Orpheum circuit into the summer of 1928. The Variety issue of August 18, 1928 had a little story titled "Orpheum Loses Lemon" noting it had been a big liability for the circuit since their new house had opened. The Palace was taken over by Harry Strere's Pacific Amusement Co., a firm that also operated the Rialto at the time. Sol Lesser, long involved with West Coast Theatres (soon to become Fox West Coast) was a minor stockholder in Pacific Amusement. By 1929, Fox West Coast was running the house, calling it the Fox Palace.**^ |
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(2007)**^ – View of the Palace Theatre located at 630 S. Broadway. Photo by Bill Counter. |
Historical Notes Today, the Palace is owned by the Delijani family. They also own the Los Angeles, State and Tower theatres. The theatre interests are operated by an entity known as the Broadway Theatre Group with Shahram Delijani heading the firm and Ed Baney as general manager. The Palace is currently available for theatrical productions, concerts, film shoots, and special events. |
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(2010s) - Photo-op in front of the Palace Theatre, originally the Orpheum Theatre. |
Historical Notes The theatre unveiled a $1 million restoration to celebrate its 100th birthday on June 26, 2011. The restoration work was begun in 2007 with cleaning and facade repair of both the Palace and the Tower.**^ Click HERE to see contemporary view. |
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Liberty Theatre
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(ca. 1911)#^*^ – Postcard view showing the Liberty Theatre located at 266 S. Main Street. |
Historical Notes Built in late 1910 and opened in 1911, the Liberty Theatre was designed by A. C. Martin (also designed the Million Dollar Theatre). The 540 seat theatre was constructed by the firm of P.J. Bolin and built for proprietors Kaiser, Sturm and Hughes.**^ |
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(1912)*^*# – Night view showing the well-lit entrance to the Liberty Theatre. |
Historical Notes The building is described at length in the Moving Picture World article: The front facade is of stucco and plaster-covered brick, the paneling and cornices outlined in small electric lights at night. The gold leaf statue crowning the cornice is ten feet in height, and, symbolizing liberty, holds aloft an electric torch. At the base of the statue in a laurel leaf gilded shield is the date of erection, 1910. Below this, on the crown of the shell-shaped lobby ceiling, is a second shield in gold leaf with the theater name 'Liberty.' The theatre is showing four first-run licensed films, and one illustrated song, except on Saturdays and Sundays, when two songs are used. The theater employs ten people. Girl ushers look after the seating arrangements. Five cents admission is charged to all parts of the house.**^ |
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(1929)**^** – View of the Liberty Theatre bookended by the Harris Hardware Company and the Gray Hotel. |
Historical Notes The Liberty Theatre at 266 S. Main Street closed by 1930. It is not to be confused with the Liberty Theatre at 136 S. Main Street which had the earlier names of Novelty Theatre and Chinese Theatre and operated into the 1950’s.^^^* |
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(2015)#^^* – Google street showing the northeast corner of 3rd and Main streets and what’s left of the original Liberty Theatre Building. |
Historical Notes The triangular building remaining at 3rd and Main (seen above) is what's left of the Liberty Theatre. The angled deco facade is obviously grafted on to a much older building. The building now houses a wholesale merchandise distributor. The current address of the building is 103 E. 3rd St. as it no longer has much frontage (or an entrance) on Main St. The City Planning Department lists the building as being constructed in 1910 with substantial remodeling in 1926.**^ |
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The Yamato
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(ca. 1910)^##^ – View of the Yamato Inc. store, located at 635-637 South Broadway in Downtown Los Angeles, showing furniture in the windows of the uppermost floor, vases in the second floor windows, and assorted goods on the ground floor. |
Historical Notes The Yamato, Inc., was a Japanese Bazaar that served tea and cake to customers, as early as 1908. One of its famous customers was female impersonator Julian Eltinge. In 1917, the three story building became Harry Fink & Co., an apparel store for women's clothing.^*^# |
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Five Points Building
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(ca. 1911)* - Five Points Building at 2601 Pasadena Avenue, Lincoln Heights, housing at this time a Ralphs Market. |
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Lindley Building
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(1912)^ - Exterior view of "The Lindley", a Victorian building on the corner of Sixth Street between Broadway and Hill Street. |
Historical Notes In 1887, Dr. Walter Lindley paid $1,825 for the property at 315 West Sixth Street in Los Angeles to open the first California Hospital. Known as Dr. Lindley’s Private Hospital, it had only 6-8 beds and served a carriage trade clientele. In 1898, Dr. Lindley conceived of a hospital owned and operated by physicians. He erected the first building especially designed for medical purposes in California at 1414 South Hope Street. California Hospital became known as the largest, best-equipped hospital west of Chicago entirely owned and operated by physicians and surgeons.^^^# |
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(ca. 1920)* - Exterior view of the Lindley Building, with remodeled facade circa 1920. |
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Locke Hotel
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(1912)* - Looking northwest across the intersection of 2nd and Hill Streets at the Locke Hotel at 139 S. Hill. 2nd Street runs up Bunker Hill to the left, Hill Street continues to the right toward the tunnels at 1st Street. The hotel & annex sit up on the hill while advertising placards are pasted all over the wall at street level. Ads for "Midsummer Nights Dream" at the Auditorium, "An American Lord" at the Belasco Theater, "G.H. Baker" shoes stories, can be seen. The Moore Cliff Hotel can be seen at the right edge just above the Five-Globe Llewellyn.*##^ |
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(1912)^ - View of a shop on the southeast corner of 7th Street and Grand Street. The two-story shop with clapboard veneer stands is riddled with signs. A cloth canopy extends from its right side, where more shops continue down the sidewalk. Sign on the window reads: “Busy Bee Lunch Room / Fish Halibut 15¢ / Dinner Roast Beef 15¢ Lamb Pot-Pie 15¢ Baked Beans 15¢ Braised Beef 15¢ Stewed Lamb 15¢ / Meals 15¢ and Up" |
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Los Angeles Athletic Club
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(ca. 1912)*^^ - The Los Angeles Athletic Club located on the northeast corner of 7th and Olive at 431 West 7th Street. |
Historical Notes In 1911, construction on a new club building began at Seventh and Olive Streets on the site of the former Hotel Baltimore. John Parkinson and Edwin Bergstrom were the architects. The Beaux Arts building stands twelve stories tall and features pressed brick with a trim of terra cotta. The Los Angeles Athletic Club opened its gym in 1912.***# |
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(2007)***# - Interior view of the Los Angeles Athletic Club's swimming pool. |
Historical Notes The Los Angeles Athletic Club building was notable at the time for being the first building in Southern California to have a swimming pool on an upper floor.^* |
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(ca. 1912)* - View looking east on 7th Street at Olive Street. The large building to the left is the Los Angeles Athletic Club. |
Historical Notes The Los Angeles Athletic Club (LAAC) was formed back in 1880, its first president being James B. Lankershim, its first headquarters in the Arcadia Building on Spring Street. For most of the decade it was the on the Downey Block, after which it relocated to South Spring Street, first at 226, then at 523 ½. Some of its earlier day members included Harrison Gray Otis, Harry Chandler, Eli Clark, Moses Sherman, Henry Huntington, Edward L. Doheny, Charles Canfield, Senator Stephen White, and Mayor Fred Eaton.***# In 1970, the LA Athletic Club Building was designated Los Angeles Historical-Cultural Monument No. 69 (Click HERE to see complete listing). |
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Water Department's Original Building
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(ca. 1912)** - Construction crews in cars and horse-drawn wagons in front of the City's first Water Department building located on the northwest corner of Marchessault and North Alameda streets (across from where Union Staion stands today). |
Historical Notes In 1868, the City of Los Angeles approved a franchise water agreement on a 30 year lease basis with the private Los Angeles City Water Company. In 1899, after the end of the lease, a $2.09 million bond measure for the purchase of LA City Water Co.’s system was approved by city voters by a margin of nearly eight to one. After over two years of litigation the City of Los Angeles finally regained control of its water system on February 13, 1902. A new department was created called the Los Angeles Water Department. Click HERE to see more in Water in Early L.A. |
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(1920s)**- View looking at the northwest corner of Marchessault and Alameda street showing the first home of the Los Angeles Water Department (later DWP). |
Historical Notes The two-story brick building which in 1902 was large enough to house the entire executive and clerical forces of the water works soon was outgrown and the municipal Water Department would move into larger quarters (440 S. Hill Street). As both the City and the utility continued to grow, the Water Department (later DWP) would move several more times until settling into their current home (GOB) in 1965, located at 111 N. Hope Street. Click HERE to see more in Construction of the GOB |
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(ca. 1924)* - Aerial view of the Los Angeles Plaza and surrounding area annotated to show the Water Department's original building. |
Click HERE to see more in Water Department's Original Office Building |
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El Pueblo Plaza Subtation
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(1913)#^** – View of the Los Angeles Railway (LARy) Plaza Substation (Eastside). The other side of the substation building fronts Olvera Street and is adjacent to the Avila Adobe. |
Historical Notes Built in 1903-1904, the Plaza Substation was the first and largest of fourteen substations that supplied electric power to the Los Angeles Railway Company’s yellow streetcars – the first mass transportation for Los Angeles. It was built by Henry Huntington, owner of the Los Angeles Railway Company. The trolleys operated from 1896 to 1960.+^ |
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(1913)#^** – Interior view of the Plaza Substation showing three motor-generator sets used to provide electricity for the Los Angeles Railway (LARy). |
Historical Notes In May 1903, Henry Huntington, owner of the Los Angeles Railway, announced plans to build a new substation near the old plaza. The Los Angeles Times reported: "Another mammoth electricity substation is to be constructed by the Los Angeles Railway Company. Its location will be on the Plaza, and its completion will mean a long step forward toward the perfection of a system that already is surpassed by few in this country." The substatin was operating by 1905. The substation is one of the two buildings in the Los Angeles Plaza Historic District that is itself separately listed in the National Register of Historic Places, having been so listed in September 1978 (The Avila Adobe is the other.).^* |
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(ca. 1924)* - Aerial view of the Los Angeles Plaza and surrounding area annotated to show location of the El Pueblo Plaza Substation. |
Historical Notes The substation is one of the two buildings in the Los Angeles Plaza Historic District that is itself separately listed in the National Register of Historic Places, having been so listed in September 1978 (The Avila Adobe is the other).^* |
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(2006)+^ - View showing the front of the El Pueblo Plaza Substation as it appears today. |
Historical Notes After being threatened with demolition in the 1970s, the Plaza Substation was added to the National Register of Historic Places in 1978. Plans now call for the building to become a museum on Los Angeles trolley cars.+^ |
Click HERE to see more Early Views of the Los Angeles Plaza |
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Beverly Hills Hotel
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(ca. 1912)* - Exterior view of the Beverly Hills Hotel across an unpaved Sunset Boulevard. Workers appear to be putting the finishing touches on the western wing, and the front lawn has yet to be landscaped. This Mission style complex was designed by architect Elmer Grey. |
Historical Notes In September, 1911, work began on the Beverly Hills Hotel. It was opened on May 12, 1912 by Margaret J. Anderson and her son, Stanley S. Anderson, who had been managing the Hollywood Hotel. The LA Times would call it a "monster hostelry" since it cost $300,000. At the time, lots in the area were selling for around $2,000 each.^* From 1928 to 1932, the hotel was owned by the Van Noy Railway News and Hotel Company. Its strict resident owner from 1954 until his death in 1979 was former Detroit real estate magnate Ben L. Silberstein, who took it over from Hernando Courtright, later hotelier at the Beverly Wilshire Hotel. Some of the hotel's owners have been celebrities: Irene Dunne, Loretta Young, and currently Sultan of Brunei.^* |
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(ca. 1914)^ – View showing the Beverly Hills Hotel from the end of its main driveway which is lined by small palm trees. |
Historical Notes Two years before Beverly Hills became an incorporated city, the Beverly Hills Hotel opened on May 12, 1912; the hotel initially included the main building and twenty-three separate bungalows in the Mediterranean Revival style, designed by Elmer Grey.* |
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(ca. 1918)^ – Close-up view of the entrance to the Beverly Hills Hotel, shown from the left edge of the building. The entrance is pictured in the background to the right, an open-air arcade leading to the front door of the large Spanish Colonial Revival building. |
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(ca. 1918)*^^ - View of the circular driveway in front of the Beverly Hills Hotel. Palm trees abound. |
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(ca. 1918)#+++ - Close-up view of the Beverly Hills Hotel with Pacific Electric station on Sunset Boulevard in the foreground. |
Historical Notes A one-trolley car system known as the “Dinky” conveyed guests from a Pacific Electric station at the southwest corner of Santa Monica Boulevard and Canon Drive up Rodeo Drive to the Hotel. |
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(ca. 1918)^ - View of the newly Will Rogers Memorial Park (then called Sunset Park) in front of the Beverly Hills Hotel, designed by Elmer Grey. Neither has mature landscaping at this time. Note the streetcar trolley at center-left. |
Historical Notes Will Rogers Park opened in 1915 as the first municipal park in the Beverly Hills, at that time called Sunset Park. In 1926, entertainer Will Rogers was appointed first "Honorary Mayor" of Beverly Hills and, in 1952, the City renamed the Park, Will Rogers Memorial Park.**^^ |
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(1921)* - Aerial view looking south from a vantage just above the Beverly Hills Hotel showing wide areas of open land in the background. |
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(ca. 1924)* - View of the grounds of the Beverly Hills Hotel with the Will Rogers Park, shown in the foreground. |
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(1924)* - Aerial view of the Beverly Hills Hotel and grounds, located at 9641 West Sunset Boulevard. Sunset Blvd. is at bottom of photo. Railroad tracks can be seen running parallel to Sunset. |
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(n.d)#+++ - View showing the front entrance to the Beverly Hills Hotel. |
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(1947)*++ – Dining room with a view at the Beverly Hills Hotel. Photo by Julius Shulman |
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(ca. 1980)* - Entrance to the Beverly Hills Hotel, at a point where a new wing was added in the 1940's. Palm trees decorate both sides of the road leading to the entrance of the hotel on Crescent Drive and Sunset Boulevard. Directly behind the hotel sits the huge mansion of late newspaper mogul William Randolph Hearst. |
In the 1940s, a new wing was added to the east side of the main building. Eighty years after it opened, the hotel closed for two and a half years for a complete restoration.* |
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(2012)#+++ – View showing the entrance to the Beverly Hills Hotel on its 100 year anniversary. Photo by Matt Sayles |
Historical Notes The hotel was named the first historic landmark in Beverly Hills on September 12, 2012.* Click HERE to see more in Early Views of Beverly Hills. |
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Magic Castle (aka 'Holly Chateau' or Rollin Lane Residence)
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(1909)^.^ - View looking northwest from a rooftop near the Hollywood Hotel showing the Rollin Lane house (aka Holly Chateau) under construction in the foothills just above Franklin Avenue. Orchid Avenue, with early model car on it, is seen at lower right. |
Historical Notes The Chateau-style residence was built in 1909 by banker, real estate developer and philanthropist, Rollin B. Lane. The house was designed by architects Lyman Farwell and Oliver Dennis and constructed as a near duplicate of the 1897 Kimberly Crest House and Gardens in Redlands, California that the architects had designed over a decade earlier. ^* |
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(ca. 1910s)^x^ - View showing the 'Holly Chateau' built by Rollin Lane in 1909. This house became the Magic Castle in 1963. |
Historical Notes Rollin Lane was a very successful lawyer, banker and real estate investor who helped build Hollywood through property development and participation on the historic Hollywood Board of Trade. He also invested heavily in the early development of the nearby San Fernando Valley and in California’s San Joaquin Valley. ^ |
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(1936)^x^ – View showing a man walking down the front stairs of the Lane residence (named Holly Chateau) built by Rollin B. Lane. Now home of the Academy of Magical Arts and the Magic Castle. |
Historical Notes Katherine Lane (Rollin's wife) was a college graduate, published author, teacher and lecturer who worked to improve the quality of life in Hollywood through various community service organizations, even serving a term as president of the Woman’s Club of Hollywood. Later, working with the Los Angeles Chamber of Commerce and supported by a small army of volunteers, she promoted the planting of the landmark palm trees that line Wilshire Blvd., as well as hundreds of Japanese cherry trees in and around Griffith Park. ^ |
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(Early 1900s)^x^ – Close-up view of the Victorian-style Rollin B. Lane residence (aka Holly Chateau) located at 7001 Franklin Avenue in Hollywood. |
Historical Notes The Lanes named their home “Holly Chateau” and for thirty years, it was one of the most recognized addresses in Hollywood and a popular location for the area’s social elite. Hundreds of newspaper articles attest to the elegant and elaborate luncheons, teas and musicales held for artists, orphans, community leaders or world travelers, or to raise funds for one of Katherine’s many civic projects. ^ |
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(ca. 1915)^*# – View looking north on Orange Drive showing the Rollin Lane residence (later Magic Castle) at the T-intersection with Franklin Avenue. The Bernheimer Estate and Gardens (built in 1914) is seen at the top of the hill in the background. |
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(ca. 1924)* - Aerial view looking north on Orange Drive toward Franklin Avenue. The Rollin B. Lane Estate (now Magic Castle) is seen on the north side of Franklin at the end of the T-intersection (center of photo). Hollywood Boulevard runs horizontal in the foreground. The white building at lower-left is the Garden Court Apartments. The building at the top of the hill behind the Lane Estate is the Japanese estate and gardens of brothers Charles and Adolph Bernheimer (Bernheimer Estate and Gardens). |
Historical Notes After the Lanes passed away in the 1940’s, the house was divided into a multi-family home. It then became a home for the elderly and was finally transformed into a maze of small apartments. By 1960, the fate of the building was uncertain. Then Milt Larsen met the owner, Thomas O. Glover. Milt was a writer on the NBC-TV show Truth or Consequences. His office was on the ninth floor of a Hollywood office building that overlooked the Lane residence. Milt’s late father, William W. Larsen Sr., was a renowned magician and had long dreamed of building an elegant private clubhouse for magicians. The Lane residence would become that club. In September 1961, Milt, his brother Bill (an accomplished magician, publisher of Genii Magazine and the Academy’s first President), Irene (Bill’s wife) and a crew of friends and volunteers began the task of returning this run-down apartment building to its glorious past. After months of scraping and sanding, the rich Victorian elegance began to resurface. The Magic Castle opened its doors on January 2, 1963. ^ |
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(1981)^*# – View looking up from Franklin Avenue showing the Victorian-style "French Chateau" building known as Magic Castle, with turrets and architectural detailing and ivy-covered retaining wall in foreground. |
Historical Notes The Magic Castle was declared Los Angeles Historic-Cultural Monument No. 406 in 1989. |
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(2007)^* - View showing the driveway entrance to the Magic Castle located at 7001 Franklin Avenue in Hollywood. |
Historical Notes Since 1963, the Magic Castle has been a nightclub for magicians and magic enthusiasts, as well as the clubhouse for the Academy of Magical Arts. It bills itself as "the most unusual private club in the world." |
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Glengarry Castle
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(ca. 1913)* - Exterior view of Glengarry Castle (also known as Schlosser Terrace) located on the eastern side of Argyle between Franklin Avenue and Dix Street in Hollywood. |
Historical Notes At the turn of the century, after striking it rich in the Nevada silver mines, Dr. Schlosser and his family moved to Hollywood, where the doctor built Glengarry, a copy of his wife's ancestral home in Inverness, Scotland. Soon this castle proved too small for his burgeoning social life and medical practice. So in 1912, he built Schloesser Terrace (Castle Sans Souci) on a three-acre plot at Argyle and Franklin avenues.*# The Glengarry Castle was demolished in 1959.* |
Castle Sans Souci
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(1913)* - Exterior view of Castle Sans Souci, the mansion of Dr. A. G. Castles, located across the street from Glengarry Castle. |
Historical Notes He was originally called Dr. Alfred Guido Rudolph Schloesser, but during World War I, due to anti-German sentiment, he changed it to Dr. A. G. Castles. He also changed the name of the residence from Schloesser Terrace to Castle Sans Souci in honor of the summer residence of Frederick II.* As an investment, the eccentric Dr. Castles, who always wore a frock coat, heavy makeup and top hat, tore down Sans Souci and built Castle Argyle Arms apartments in 1928, attracting a new breed of royalty: movie makers. Guests there over the next two decades were to include Clark Gable, Howard Hughes, Ronald Reagan and Cecil B. DeMille.*# |
Click HERE to see more in Early Views of Hollywood (1850 - 1920) |
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Fremont Hotel
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(ca. 1913)^ – View looking southeast from Fourth Street and Grand Avenue. Fourth Street runs vertically (at left) with Olive Street intersecting it horizontally (visible at left). In the lower right is the Rose Mansion, on the SE corner of Fourth and Grand. Beyond it is the distinctive multi-turreted roof of the Fremont Hotel, on the SW corner of 4th and Olive. |
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(n.d.)* - Postcard view of the Fremont Hotel on the southwest corner of 4th and Olive, showing the 6 story building, with corner turrets and balconies on one side for the 2nd and 3rd floors. Architect, John Austin. |
Historical Notes The Fremont Hotel, located in the Bunker Hill suburb, was built and designed by the architect John C. Austin and developed by Thomas Pascoe. The plans for building the hotel were developed in November 1901 and initially faced resistance from the next door Olive Street School establishment. It was designed by the architect in the Mission style, and had some 100 rooms. It opened on September 9, 1902 and was named after John C. Frémont. When newly built it was billed as "the newest and most elegantly appointed family hotel in Los Angeles.” The hotel also held dinners in tribute to Frémont. Frémont's widow, Jessie, was the first registered guest. She also designed and executed the hotel's crest. Frémont's motto, "Eternal vigilance is the price of safety" was adopted as the hotel's motto, paraphrased into "Eternal vigilance is the price of success in the hotel business". The hotel was demolished in 1955 by the Community Redevelopment Agency, and what remained was only the retaining wall next to the Olive Public School.^* |
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Los Angeles Trust and Savings Bank (later Pacific Southwest Bank)
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(ca. 1910)^* - View looking west on 6th Street from Spring Street. On the northwest corner stands the newly built Los Angeles Trust and Savings Bank. |
Historical Notes Constructed in 1910, the Los Angeles Trust and Savings Bank building stood on the northwest corner of Spring and 6th Streets. The building was designed by John Parkinson and G. Edwin Bergstrom, prolific architects who were responsible for numerous Spring Street financial buildings, including the Security Building and the Los Angeles Stock Exchange Building.^^* In 1922, Los Angeles Trust and Savings Bank changed its name to Pacific Southwest Bank.^^* |
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(1910s) - Postcard view showing the armor plate safe deposit and storage vaults of the Los Angeles Trust and Savings Bank. |
Historical Notes By 1910, when the Los Angeles Trust and Savings Bank was completed, Spring Street had become the city’s financial and banking center.^^* |
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(ca. 1924)* - Street view showing the Pacific Southwest Trust and Savings Bank located at 215 W. 6th Street, on the N/W corner of 6th and Spring streets. It was originally the Los Angeles Trust and Savings Bank Building (1910 – 1922). |
Historical Notes In 1922, Los Angeles Trust and Savings Bank changed its name to Pacific Southwest Trust and Savings Bank.^^* |
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(ca. 1924)* – View looking south on Spring Street showing the Pacific Southwest Bank on the N/E corner of 6th and Spring streets. To the right stands the Mercantile Arcade Building with the Leighton Coffee Shop at center. |
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(ca. 1924)* - Interior view of Pacific Southwest Trust and Savings Bank at 561 So. Spring Street, in downtown Los Angeles. Note the ornate ceiling. |
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(2008)^* - Pacific Southwest Bank (built 1910), the present day SB Manhattan Lofts (condominiums) — at 215 W. 6th Street, Downtown Los Angeles. |
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Merchants National Bank Building
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(1913)* - An exterior view of 2 sides of the Merchants National Bank building on the NE corner of So. Spring St. & W. 6th St. It is under construction and the exterior is 3/4 finished. There are 2 signs low on the building: one giving the name Raymond Stone Co. and the other (a little higher) R.A. Rowan Co. This was part of the Beaux Arts office block; architects were William Curlett & son. |
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(ca. 1920)^^ - View showing the Merchants National Bank located on the northeast corner of Spring and 6th streets. |
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(1926)* - Located on the northeast corner of Spring and 6th streets stands the Merchants National Bank Building. |
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(1920s)^^ – Close-up view of the Merchants National Bank showing four proto-ionic columns, each one situated between doors, providing support for the building. "Merchants National Bank" is engraved into the wall above the columns and just below the cornice and the bank's name is painted on the windows above the entrances. |
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Examiner Building (2nd location)
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(1914)^ – Aerial view looking southwest showing the Examiner Building under construction, sections of which are still lined with scaffolding. Main Street runs diagonally at lower-left. Hill Street runs diagonally from upper-left to right-center. 11th Street runs from lower-left to center-right. Broadway (between and parallel to Main and Hill) has yet to be paved and will run directly in front of the Examiner Building. |
Historical Notes In December 1903, William Randolf Hearst commenced publication of the Los Angeles Examiner, the latest in his chain of newspapers. The first home of the LA Examiner was in a building located at 509 S. Broadway (Click HERE to see more of LA Examiner's first building). But, in less than a decade, the first building proved to be too small for the growing newspaper. Hearst commissioned Julia Morgan, best known for her work on the San Simeon estate, and Los Angeles architects Henke and Dodd, to design a new, larger building to house the offices and production of the paper. Construction of the new Examiner Building at 1111 S. Broadway would begin in 1912 and not be completed until 1914.^* |
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(ca. 1914)^ - View looking at the nearly completed Examiner Building located on the southwest corner of Broadway and 11th Street. Many of the building’s second-story windows are open, and a ladder stretches from the second floor roof to the archways of the center section's third floor. A sign on the 11th Street side of the building (right side) reads "Temporary Entrance - All Departments." |
Historical Notes The Los Angeles Examiner Building was built between 1912 and 1914 and designed in Mission Revival and Spanish Colonial Revival styles, largely by San Francisco architect Julia Morgan. The building has a tile dome on each corner and towers flanking the entry. |
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(ca. 1916)^***^ - Postcard view showing the Examiner Building located on the southwest corner of Boadway and 11th Street. A streetcar is seen running south on Broadway. |
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(ca. 1923)^ – Panoramic view looking north on Hill St. at 12th St. showing the back side of the Examiner Building. An ornate 5-bulb streetlight stands on the northeast corner of 12th and Hill and behind it a series of billboards appear to surround the Mission Revival-Style building. |
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(1920s)+++ - View looking south on Broadway showing two streetcars of the LA Railway's "M Line" with the Examiner Building in the background on the S/W corner of Broadway and 11th Street. The Los Angeles Investment Co. and Western Auto Supply are at left, followed by the Paul G Hoffman Studebaker sales office. |
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(ca. 1925)* - Aerial view showing the Herald-Examiner Building located on the southwest corner of 11th and Broadway (1111 South Broadway). |
Historical Notes Over the years, the Hearst Corporation would acquire the Herald and the Express, merging the two in the 1930s. |
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(ca. 1926)* - Aerial view of the Examiner Builidng and its surrounding area. The main facade of the building has 7 arches on either sides of the main entrance, and a tower centered atop the middle of the building. The large building to the souh of the Examiner (N/W corner of Broadway and 12th) is the newly constructed Chamber of Commerce Building. |
Historical Notes In 1931, Hearst merged the Los Angeles Daily Herald with the Los Angeles Evening Express to form the Los Angeles Evening Express and Evening Herald, which was then the largest circulating evening newspaper west of the Mississippi.^## |
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(ca. 1939)^ - View looking north along South Broadway towards 11th Street. At left are the offices of the Herald-Examiner newspaper. The Western Pacific Building at 1031 South Broadway is seen one block north. |
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(1939)^ - View looking east on 11th Street at Hill Street showing the Examiner Building. Across the street is a coffee shop and the Aladdin Hotel for women only. Next door is Richfield Tires and Service Station. Photo by Dick Whittington |
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(1939)^ – Aerial view looking down toward South Broadway showing the beautiful Mission-Revival-Style Examiner Building. Photo by Dick Whittington |
Historical Notes At its peak in 1960, the Examiner had a circulation of 381,037. It attracted the top newspapermen and women of the day. The Examiner flourished in the 1940s under the leadership of City Editor James H. Richardson, who led his reporters to emphasize crime and Hollywood scandal coverage.^* In 1962 the morning Examiner (founded in 1903) merged with the evening Herald Express (founded approximately 1871) creating the Herald-Examiner newspaper.* The Herald-Examiner Building was designated historical landmark #178 on August 17, 1977 (Click HERE to see complete listing). |
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(1970)^*# - View showing a man standing on the curb looking toward the Herald-Examiner Building on the southwest corner of Broadway and 11th Street. |
Historical Notes On December 15, 1967, Herald Examiner employees began a strike that lasted almost a decade and resulted in at least $15 million in losses. At the time of the labor strike, the paper's circulation was about 721,000 daily and it had 2,000 employees. The strike ended in March 1977, with circulation having dropped to about 350,000 and the number of employees to 700. The paper never recovered from the strike. Many veteran reporters left and never returned. As circulation went into free-fall, advertisers were reluctant to buy space in it, causing revenue to fall even further. The unions campaigned effectively to its working-class readership, urging them to cancel subscriptions. Despite belated efforts to restore some of the paper's luster, the Herald Examiner went out of business November 2, 1989, leaving the Los Angeles Times as the sole city-wide daily newspaper. The San Fernando Valley-based Los Angeles Daily News and a sister San Gabriel Valley publication have tried to fill some of the gap.^* |
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(2021)* - The freshly refurbished Herald Examiner building at the corner of Broadway and 11th street in downtown Los Angeles.(Myung J. Chun / Los Angeles Times) |
Historical Notes Completed in 1914, the block-long, Mission Revival structure, with its ornate-to-the-point-of-baroque lobby, represents one of only a handful of L.A. buildings designed by the pioneering architect Julia Morgan — the first woman to be licensed to practice architecture in California. For more than two decades, it was employed primarily as a filming location. “It’s Always Sunny in Philadelphia” and “The Usual Suspects” were among the projects filmed at the site. In 2021, the Herald Examiner building came back from the brink. The building has reopened in a new guise: as a learning center for Arizona State University.* |
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(2021)* - Interior view of the building’s exquisite lobby. (Myung J. Chun / Los Angeles Times) |
Historical Notes Architects at Gensler did a thoughtful job of restoring and preserving the building’s iconic portions: the arched facade, the bright, tiled domes that cap the building, the ornate lobby, with the private elevator that once delivered Hearst to his suite. Other areas were revamped to suit contemporary needs.* |
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(2021)* - Tiled cupolas adorn the roof of the historic Herald Examiner Building located at Broadway and 11th Street in Los Angeles.(Al Seib / Los Angeles Times) |
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Trinity Auditorium
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(ca. 1914)^ - View of the Trinity Auditorium (later the Embassy Hotel and Auditorium) at 851 S. Grand Avenue. |
Historical Notes The Trinity Auditorium Building opened in 1914. The 9-story Beaux Arts style mixed use hotel, office building and auditorium was designed by architects: Thornton Fitzhugh, Frank G. Krucker and Harry C. Deckbar. The auditorium with a seating capacity of 1,600 to 2,500 featured balconies on three sides and a stained glass ceiling. When it was the Trinity Auditorium Building and being used as a church, three stories of the building were church offices and the hotel portion (325 rooms) was a hotel for men. The auditorium had a huge pipe organ. It was church on Sundays and the auditorium was rented to meetings, conventions, etc. during the week.**^ |
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(ca. 1914)^ - View showing the Trinity Auditorium, Northwest corner of 9th and Grand. The nine-story Italianate building can be seen with three arches delineating its entrance. A sign stands on the sidewalk in front, featuring a man's face, while two automobiles can be seen farther right, parked on the street. |
Historical Notes The L.A. Philharmonic played their first season here before moving to the Temple Theatre, which they re-christened the Philharmonic Auditorium. When the hotel became the Embassy Hotel, the auditorium was known as the Embassy Auditorium. The building was purchased by USC in the 1980s and used as a dorm and residential college for several years.**^ |
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Southern Pacific Depot (Central Station)
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(ca. 1914)^^ - Exterior view of the Southern Pacific depot, located at Central and Fifth, showing two automobiles parked by the front curb. A streetcar sits to the right of the depot. |
Historical Notes In 1914, the Southern Pacific Railroad replaced its Arcade Station (built in 1888) with the Central Station, a larger and more modern railroad passenger depot. The Union Pacific Railroad moved its Downtown Los Angeles passenger terminal to Central Station in 1924 after its original passenger depot just south of First Street on the east side of the Los Angeles River was destroyed by fire.^* |
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(ca. 1920s)^^ - Interior view of the Central Station lobby jam-packed with people. |
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(ca. 1930s)*^^ - The interior of Central Station is lit by the sun pouring through the large windows. |
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(1926)^ - View showing the Southern Pacific depot, located at Fifth Street and Alameda Street. Text above the entrance of the building reads "Southern Pacific" and "Central Station". A streetcar sits to the left of center, in front of the depot, while parked automobiles line the street in the right foreground. |
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(1937)^*^*^ - View showing the Southern Pacific, Union Pacific Central Station located at Central Avenue and 5th Street. |
Historical Notes The Central Station, along with the "La Grande" Santa Fe Railroad Passenger Depot (2nd St. and Santa Fe Ave.), was replaced in 1939 by Union Station and later demolished.^* |
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Robinson's Department Store
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(ca. 1915)**# – Postcard view showing the newly constructed J. W. Robinson Co.’s Store on the corner of 7th Street and Grand Avenue. The flipside of the postcard reads: “Where nine acres of floor space, perfectly lighted, equipped with the most modern fixtures and served by ten large passenger elevators, place the convenience and dispatch of the finest Dry Goods Store in America at the disposal of the public.” |
Historical Notes Robinson's Department Store started off life as the Boston Dry Goods Store in 1881 (Boston was a popular name for dry goods stores). It moved from 239 S. Broadway to this location on 7th Street and Grand in 1915 and designed by Noonan and Richards. It was modernized in 1934 by Edward L. Mayberry. Robinson's was acquired by May Department Stores in 1986 and it merged with the May Company in 1993. This store was closed in the early 1990s when Robinson's-MAY was created and moved into the May Company store at Citicorp Plaza. Robinsons-May was bought out by Macy's and this nameplate was retired.^* |
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(ca. 1915)* - Corrner view of J.W. Robinson's department store at 7th Street and Grand. |
Historical Notes When it opened in September of 1915, the seven-story building of beige pressed brick, trimmed in cream and polychrome terracotta, was described in the press as “a retail palace” with “all the conveniences and attractions of a great club and meeting place.” The distinctive building with its corner towers, deeply projecting cornices, and oculus windows featured 10 passenger elevators for vertical conveyance, and two roof gardens on either side of a seventh-floor dining room approached through a foyer “arranged as a palm room." *#^ |
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(1928)* - Another view of J.W. Robinson department store at 7th and Grand. The brick-faced building is seven stories with pergolas on the roof. Fire escapes descend periodically. Globular street lamps line the sidewalks and there is substantial pedestrian and automobile traffic on the street. |
Historical Notes When the Robinson's Department Store first opened, some voices raised criticism over its out-of-the-way location, but by the time it became established along Seventh Street, it helped to establish a high-class shopping district. Robinson’s prosperity at Seventh and Grand was such that a seven-story addition to the south was constructed in 1923, bringing the store’s square footage up to 624,000 sq. ft.*#^ |
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(1938)* - Seventh street entrance to the J.W. Robinson department store. A canopy covers the entrance. Two black Rolls-Royce automobiles are parked in front. Second-story windows are recessed and flanked by stylized columns. Friezes with classical Greek themes are above the entrance and display windows. |
Historical Notes In 1988, the Robinson's Department Store Building was designated LA Historic-Cultural Monument No. 357 (Click HERE to see complete listing). |
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Arroyo Seco Branch Library
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(1914)* - Exterior view of Arroyo Seco Branch Library at 6145 North Figueroa Street (was 6545 Pasadena Avenue, renamed North Figueroa Street). Note the tall columns that grace a rounded entranceway to the building. Designs may be seen on the building. |
Historical Notes On March 30, 1916, the first Los Angeles electric power pole was installed in front of the Arroyo Seco Branch Library on the corner of Piedmont street and Pasadena Ave (now North Figueroa Street). This event marked the start of the municipal electric distribution system that one day would be the largest city-owned electric utility in the Nation, LADWP.* |
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(ca. 1916)* - Exterior view of Arroyo Seco Branch Library at 6145 North Figueroa Street. Steps and a flagpole is at the very front of the property. The pole line to the right, on Piedmont St., includes the first power pole installed by the Los Angeles Bureau of Power and Light (later DWP). Click HERE to see more in LA's First Municipal Power Pole. |
Historical Notes The original Arroyo Seco Branch Library building was replaced by another library building in 1960 and then again in 2003. |
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(ca. 1920)* - View looking east out from the Arroyo Seco Public Library across North Figueroa Street. |
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Exposition Park
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(ca. 1900)* - Partial view of the racetrack at Exposition Park in the early 1900s. Photograph shows the grandstand with three open towers, an adjacent smaller structure, possibly a concession stand, and another unidentified structure on the extreme left. |
Historical Notes Originally, this piece of land served as an agricultural fairground from 1871 to 1911. Farmers sold their harvests on the grounds, while horses, dogs, camels, and later automobiles, competed along the racetrack (seen). In the late 1800s and early 1900s, the city's most influential families moved into the neighborhood but did not appreciate the racing and gambling that came with it. As a result, this racetrack was transformed into the now-famous Exposition Park Rose Garden.* November 6, 1913, marked the beginning of a two-week, city-wide celebration that opened Exposition Park and its facilities (also the LA Aqueduct). |
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(ca. 1930s)* - Jets of water converge in the center of the fountain in Exposition Park which is filled with lily pads. |
Historical Notes On November 6, 1913, Exposition Park was formally dedicated, and became the home to a state Exposition Building and the county Museum of History, Science and Art. Senator John Works dedicated the fountain as a commemoration of the Owens River/Los Angeles Aqueduct whose grand opening coincided with the opening of Exposition Park. As the Senator left the platform, a jet of water shot up 30 feet.* Click HERE to see the Opening Ceremonies of the LA Aqueduct. |
Click HERE to see the Commemorative of the Official Opening of the LA Aqueduct and Exposition Park. |
Natural History Museum
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(ca. 1915)* - A view of the Los Angeles Museum of History, Science, and Art and its grounds. A driveway in the foreground veers around the museum, a multi-storied, brick building with arms extending from a rotunda. |
Historical Notes The Natural History Museum of Los Angeles County opened in Exposition Park in 1913 as the Museum of History, Science, and Art. The moving force behind it was a museum association founded in 1910. Its distinctive main building, with fitted marble walls and domed and colonnaded rotunda, is on the National Register of Historic Places.^* |
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(ca. 1915)* - "History, Science and Art Upholding the World"; a bronze sculpture by Julia Bracken Wendt installed in 1914 in the rotunda of the L.A. Museum of History, Science, and Art. Three robed, female figures hold aloft an illuminated globe and stand in the exact center of the rotunda. |
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(ca. 1915)* - Sunken gardens, also called Rose Garden, at Exposition Park, formerly called Agricultural Park, with museum buildings in the background. This photo shows a view of the History, Science and Art Building. |
Historical Notes Exposition Park, originally named Agricultural Park, was developed in 1876 as a showground for agricultural and horticultural fairs. The property became state land in 1880, but during the 1890s it fell into private hands and became victim to deterioration. Late in the decade, USC law professor William M. Bowen and USC President George Finley Bovard garnered the commitments of city, state, and county to develop the land as a public educational, cultural and recreational center.* |
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(ca. 1925)^ – View showing the central fountain (aka "Los Angeles Aqueduct Fountain") in Exposition Park with the domed Natural History Museum in the background. A large main jet of water spouts from the center of the circular fountain while smaller spouts shoot inward to it, surrounded by plant growth. In the foreground, the fountain appears to extend into a lily-pond. |
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(ca. 1929)#^^ – Postcard view showing the Natural History Museum at the end of the Rose Gardens as seen from the other side of the “LA Aqueduct Fountain”. |
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(ca. 1915)* - View of the eastern entrance of the Los Angeles Natural History Museum. The Beaux Arts/Romanesque style building features three large stone arches, a large center dome with two smaller ones on either side, terracotta-tiled roof, fancy ornamental moldings and patterns above the portico entry, and several types of bricks and many different brick patterns forming the walls of this three-story building. Above the stone arches the words "Los Angeles County Historical and Art Museum" are etched into the facade. |
Historical Notes On November 6, 1913 the Museum of History, Science, and Art was formally dedicated and opened in Exposition Park. Additional wings of the museum opened in 1925, 1930, 1960, and 1976. In 1961, it was "divided" into the Los Angeles County Museum of History and Science, and the Los Angeles County Museum of Art (known as LACMA, since moved to new quarters on Wilshire Blvd). Years later, the museum was again renamed, becoming the Natural History Museum of Los Angeles County. It is the largest museum in the western United States, with a collection of nearly 33 million specimens and artifacts covering 4.5 billion years of history. The Natural History Museum, located at 900 Exposition Boulevard between Vermont and Figueroa, was added to the National Register of Historic Places in 1975.* |
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(ca. 1929)^ - View looking at the Sunken Gardens at Exposition Park as seen through the columned entrance of the Natural History Museum. In the distance stands the State Armory Building and to the right is the State Exposition Building. |
State Armory Building
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(1920)* - Sunken gardens, also called Rose Garden, at Exposition Park, formerly called Agricultural Park, with State Armory Building. This photo shows Pershing Day, Jan. 26, 1920, at the Sunken Gardens at Exposition Park. |
Historical Notes The Armory Building was designed in by State Architect J.W. Woollett for the California National Guard 160th Infantry. The seven and a half acre Rose Garden, also called Sunken Garden, evolved from the redevelopment of Agricultural Park, and was also completed in 1913.* |
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(1935)* - View of the Rose Garden, at Exposition Park, formerly called Agricultural Park, with State Armory Building in the background. The photo was taken from the steps of the County Museum of History Science and Art Building. |
Historical Notes Originally named Agricultural Park in 1876, the 160-acre site was developed and served as an agricultural and horticultural fairground until approximately 1910, at which point it was re-named Exposition Park. On November 6, 1913, Exposition Park was formally dedicated, and became the home to a state Exposition Building and the county Museum of History, Science and Art, and was slated to gain a National Guard Armory.* On November 6, 1913, a celebration was held as a joint dedication of both the opening of Exposition Park and the Los Angeles Aqueduct. Click HERE to see more in the Opening of the LA Aqueduct. |
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(ca. 1936)* - View of the State Armory Building in Exposition Park. The "LA Aqueduct Fountain" stands in the foreground and two gazebos are seen in the Rose Garden between the fountain and the State Armory Buidling. |
Historical Notes In 2003 the California Science Center's Board of Directors voted to rename the historic Armory Building as the Wallis Annenberg Building for Science Learning and Innovation due to contributions toward the renovation and re-invention of the building by architect Thomas Mayne, which reopened in 2004.^ |
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(ca. 1950)^ - Birdseye view of the Sunken Rose Garden as seen from the State Armory Building. In the background at center, the large dome and elaborate façade of the Natural History Museum are visible. |
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(ca. 1925)* - Steps up an embankment lead to the State Exposition building in Exposition Park in Los Angeles. Arched windows and columned entrances give a classical air to the single-story, brick building. A sign identifying the building is between the two left columned entrances. Cherubs and shields stand over each entrance and the arches are separated by medallions. |
Historical Notes The State Exposition Building, designed by William D. Coates, Jr., state architect, and N. Ellery, state engineer, opened in 1912 and housed simple, agriculturally based displays of natural resources and industrial products from across the state.* |
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Christian Science Church
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(ca. 1910)#^^# – View showing two women sitting in a horse-drawn buggy in front of the Christian Science Church located at 946 West Adams Boulevard. |
Historical Notes The Church of Christ, Scientist was founded in 1879 in Boston, Massachusetts, by Mary Baker Eddy, author of Science and Health with Key to the Scriptures, and founder of Christian Science. The church is widely known for its publications, especially The Christian Science Monitor, a weekly newspaper published internationally in print and online.^* |
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(ca. 1928)^^ - View looking south on Portland Street toward Adams Boulevard. The Second Church of Christ Scientist is seen on the other side of Adams Boulevard at the T-intersection. |
Historical Notes Built in 1910, the Beaux Arts/Italian-Renaissance style building was designed by Alfred Rosenheim (who also designed the Cameo Theater in 1910 and the Globe Theater in 1913, both on Broadway in downtown Los Angeles.^* Rosenheim is also responsible for other Los Angeles landmarks, including the nearby Britt Residence, Hamburger’s Department Store, Clune’s Broadway Theatre Building, and the Hellman Building, all of which are LA Historic-Cultural Monuments. Six-globe streetlights as seen above were installed in the West Adams district beginning in 1903. Click HERE to see more in Early Los Angeles Streetlights. |
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(ca. 1928)^* – Aerial view showing the Second Church of Christ Scientist on Adams Boulevard at the end of Portland Street. |
Historical Notes The North University Park and Exposition Park Walking Tour brochure describes the architecture of the church as follows: "this Italian Renaissance-style church, with its six magnificent Corinthian columns, evokes the grandeur of the Pantheon. Engineer Albert C. Martin constructed the church's huge copper-clad dome, then the world's largest poured concrete dome. Study the rich details of the exterior decorations, made of white terra cotta ornamentation." The columns are forty feet tall, and the dome, which is seventy feet in diameter, was constructed through a complex design of concrete girders and steel trusses. The church seats more than 1000.^* |
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(2008)^* – View showing the Second Church of Christ Scientist at 946 W. Adams Boulevard as it appeared in 2008. The church is fenced off and for sale. |
Historical Notes In 1968 the building was declared LA Historic-Cultural Monument No. 57 (Click HERE to see complete listing). It was also placed on the National Register of Historical Places in 1987. Today, the Art of Living Foundation, founded By H.H. Sri Sri Ravi Shankar in 1989, occupies the building. Guided tours are provided by appointment. |
Then and Now
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(1910 vs. 2022)* – The 1910-built Beaux Arts/Italian Renaissance style building was designed by famed architect Alfred Rosenheim as a Christian Science Church. It is located at 948 West Adams (at Portland Street) and currently serves as home to the Art of Living Foundation. |
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Bryson Apartments
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(ca. 1913)+#+ – View showing the 10-story Bryson Apartments located at 2701 Wilshire Boulevard. |
Historical Notes The Bryson opened in January 1913 as the newest thing in elegant Los Angeles apartment living. The Los Angeles Times proclaimed the Bryson by far the largest and finest apartment house on the Pacific Coast and on one of the most sightly corners in the fashionable Wilshire-Westlake district. The Bryson's ninety-six apartments featured mahogany woodwork, tile floors in the bath and kitchen, and a built-in cedar chest in each dressing room. Living rooms doubled as bedrooms, with hideaway wall beds in each unit. |
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(ca. 1920)* – Exterior view of the Bryson Apartments located on the N/W corner of Wilshire and Rampart boulevards. Note the lion sculptures at the entrance. |
Historical Notes Developer Hugh W. Bryson believed in constructing affordable large scale residential developments filled with beauty and taste. Born in Memphis, Tennessee, August 1, 1868, ambitious Bryson strove for excellence from a young age. After graduating from high school, he worked as clerk for a cotton brokers, working in banking, and selling real estate, before arriving in Los Angeles in 1902. Bryson joined leading contractor, F. O. Engstrum Co., and within a few years, married the owner’s daughter, Blanche. He was named a general manager and director of the company in 104, focusing on major projects. Recognizing the large migration of East Coast and Midwest residents to sunny LA, Bryson began financing and his own projects under his Concrete Appliances Company.^+^+ |
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(ca. 1920s)* – Close-up view showing the entrance to the Bryson Apartments. |
Historical Notes From the beginning, Bryson’s hyperbolic publicity played up the special quality of the building including its classical style entrance, gardens, and fountain. Conveniences and amenities included a ground floor power plant, elevators, staff residences, vacuum and telephone hook-ups in every suite, hot/cold water and steam heat for every apartment, along with maid service. The building contained all luxuries and comforts of a personal residence without maintenance, in a way, an early example of a condominium building. |
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(ca. 1920)* - Aerial view looking down at Lafayette Park (previously Sunset Park). Three large apartment buildings can be seen: lower left, Hershey Arms; center, The Bryson on the northwest corner of Wilshire and Rampart Boulevards; and right, Rampart Apartments on the southwest corner of 6th Street and Rampart Boulevard. |
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(1926)* – View of Lafayette Park, originally named Sunset Park, showing a small pond with footpath in the foreground, the lawn in the middle and the Bryson Apartments. in the background. The Rampart Apartments are seen to the left. |
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(2010s)^^^+ – View looking northwest showing the Bryson Apartments at Wilshire and Rampart. The First Congregational Church, 540 S. Commonwealth, is on the left. On the right can be seen the Rampart Apartments on the southwest corner of 6th Street and Rampart Boulevard. |
Historical Notes Actor Fred MacMurray owned the Bryson for many years, and the building has appeared in numerous films. A placard at the locked entry gate refers interested location scouts to the building's Hollywood agent. ^^^+ |
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(2015)#^^* - Google street view showing the Bryson Apartment Building, 2701 Wilshire Boulevard. |
Historical Notes The 1914 Beaux Arts style Bryson Apartment Hotel was designed by architects F. Noonan and C. H. Kysor. The building was listed on the National Register of Historic Places in 1983 and was designated Los Angeles Historic-Cultural Monument No. 653 in 1998. Click HERE to see complete listing. Since an award-winning restoration by the Los Angeles Housing Partnership in 2001, the Bryson has served as low-income housing. ^^^+ |
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Haggarty Mansion (aka Castle York)
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(ca. 1915)* - Exterior view of the J. J. Haggarty Mansion, otherwise known as Castle York, was located at 3330 W. Adams Blvd. in the fashionable West Adams section of Los Angeles. |
Historical Notes The J. J. Haggarty Mansion, otherwise known as Castle York, was located at 3330 W. Adams Blvd. in the fashionable West Adams section of Los Angeles. The Castle York, of Norman Gothic architecture, was built at a cost of $100,000. Frontage was of 125 feet on south side of Adams and extended back to a depth of 500 feet. Structure itself was 92x91 feet in size. A tower planned after one of the famous towers of Windsor castle, stood forty feet in height and twenty feet in diameter rising at the northwest corner of the building. A second tower, twelve feet in diameter and fifty feet high, at the northeast corner, was copied after a famous castle in Yorkshire.* |
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(1915)^.^ - View showing Castle York, built by JJ Haggarty, as seen from W. Adams Blvd. |
Historical Notes After arriving in the U.S. in 1887 from his native land of England, John Joseph Haggarty worked as a buyer for several gament department stores in Missouri and Minnesota. In 1902 the promise of Southern California appealed to him and Haggarty relocated to Los Angeles. He immediately became associated with Jacoby Brothers as buyer and manager of their garment department. In a little over three years, he built up a tremendous business in his particular line and saved enough money to go into business for himself on a small scale.^ |
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(1915)^.^ - Castle York as seen from the rear with sunken garden and fountain seen in foreground. |
Historical Notes Haggarty secured a building on Broadway, in the center of the Los Angeles business district, and there laid the foundation for one of the most successful businesses in the commercial history of the city. He called his store the New York Cloak and Suit House, an incorporated institution, in which he was President and chief stockholder. The business was started on a comparatively small investment, but within a short time it had leaped to a leading position in the business life of the city. He also purchased a controlling interest in another large house known as the Paris Cloak and Suit House. He would later open the high-end department store that would carry his name, J.J. Haggarty.^ |
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(n.d.)* - Interior view of the J.J. Haggarty residence also known as the "Castle”. |
Historical Notes The interior of J. J. Haggarty's Castle consisted of a living room, organ loft, dining room, billiard room, sixteen bedrooms, servants' quarters, kitchens, pantries and china closets, along with numerous porches, balconies, gardens, and barns.* |
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(ca. 1930s)* - Exterior view of the J.J. Haggarty residence (the "Castle") as it appeared circa 1930s, fronted by several palm trees. Location: 3330 W. Adams Boulevard. |
Historical Notes The Castle was located at the foot of Fourth Avenue, where the Holman United Methodist Church parking lot is now. It suffered a major fire in 1951. The main building was torn down in 1971. |
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Darby Hotel (Currently the Grace Apartment Hotel)
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(ca. 1920s)* - Exterior view of the Darby Hotel located on the south side of Adams east of Grand Ave. |
Historical Notes In 1909, altering the neighborhood permanently, real estate developer Wesley C. Clark, picked up his house at 234 Adams and trucked it one block to 340 W. Adams. Clark immediately redeveloped the vacated lot with a five-story, 70-foot-high apartment building named the Darby, after his mother's family, which stands today as the Grace Apartment Hotel.^ |
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(1920s)* - Standing behind the car is Ray I. Matthews. In the car is Charles Blodgett & 1 other person. They are in front of the Darby Hotel, built by Blodgett, a black contractor. Presently this building is known as the Grace Apartments |
Historical Notes The Darby's architect was John C. Austin. The "old family residence" at 234 W. Adams, owned by Wesley C. Clark, was moved to 340 W. Adams, where it remained until at least 1950. |
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(ca. 1930s) – The Darby Hotel, located at 234 West Adams Boulevard (near Grand). Photo Dick Whittington. |
Historical Notes While Wesley Clark's Hotel Darby was strictly genteel, its bulk and transient nature were harbingers of change in West Adams from a thoroughfare of expensive single-family residences to one of boarding establishments from which the affluent would have fled in force by the Depression.* |
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(2021)* – Contemporary view of the Grace Apartment Hotel located at 234 W. Adams. |
Historical Notes At some point between 1943 and 1950, the name changed to the Grace Apartment Hotel. The front has lost some windows but gained some ornamental detail.* |
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(2021)* – Close-up view of the Grace Apartment Hotel (originally Darby Hotel). |
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Barlow Sanatorium
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(1915)^ - Panoramic view of the Barlow Sanatorium in its early days, Elysian Park. The sanatorium is comprised of a dozen cottages at right. At center, several small single-story buildings are visible. To the far left, is the main 13-room infirmary building. Roads circle around the compound and allow access to the main road. Surrounding grasslands, lawns, and courtyards are well maintained. Utility poles line the main road. Thick forests of trees are visible in the hilly background. |
Historical Notes In 1902 Dr. Barlow founded The Barlow Sanatorium "to care for the indigent tuberculous of Los Angeles county; those who have been residents of the county for one year and who are in no condition for active work." He and his wife had spent many days driving around the Los Angeles area in their horse-drawn carriage until they discovered what looked like the ideal location. It was 25 acres of untouched meadowland set among the rolling hills next to the city-owned Elysian Park on Chavez Ravine Road. The site turned out to be more ideal for the purpose than was initially apparent. The configuration of the hills in the area is such that clean air always sweeps across Barlow's land, even when Los Angeles itself is plagued with smog - a fortunate climatic quirk that met the fresh air needs of the patients. Dr. Barlow purchased the 25 acres from J. B. Lankershim for $7,300. He convinced Lankershim to donate back $1,000 of the purchase price, received $1,300 from Alfred Solano, who with his wife (Marion Barlow's remarried mother) would become legendary supporters of the institution, and chipped in the balance of $5,000 himself. In addition to his practice and his sanitorium, Dr. Barlow was professor of clinical medicine at the Los Angeles Medical Department of the University of California and was dean of the school from 1908 to 1914. In 1906 he established the Barlow Medical Library at Los Angeles to aid people of limited means to obtain a medical education and in 1934 donated the property and volumes to the Los Angeles County Medical Society.*^^# |
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(ca. 1903)*^^# - View showing about a dozen people and one horse-drawn wagon in front of the thirteen room permanent cottage, designed to become Barlow's future infirmary for the more advanced cases. It was contributed by Mr. and Mrs. Alfred Solano. Later, a sixty-foot passage-way would connect it with the administration building. |
Historical Notes In 1903, the original hospital of the Barlow Sanatorium was a permanent cottage with 13 rooms, two baths and 12 patient beds. It was built with donations from Mr. and Mrs. Alfred Solano, and was consequently named the Solano Infirmary. In September 1925, the Solano Infirmary burned down. Thankfully, no one died. In 1927 Alfred's wife, Mrs. Ella Brooks Solano, provided for the creation of a new infirmary, the Ella Brooks Solano Infirmary, a building that is still in use as the main hospital today.^* |
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(ca. 1903)*^^# – View of the Administration Building, donated by Mrs. W. Jarvis Barlow. It was one of the first four structures that constituted the newly opened Barlow Sanitorium. |
Historical Notes Originally tuberculosis patients lived in tent cottages in order to be constantly exposed to free flowing air. As time went on permanent cottages were added to the campus by various donors. The style of these cottages reflected the popular trends of Los Angeles of the time. The architecture of the bungalows is in the California bungalow style. During World War I many servicemen contracted tuberculosis and were sent to the Barlow Sanatorium. Because of this the Los Angeles Chapter of the American Red Cross built and furnished four four-room cottages for military patients, some of which are still in use today.^* |
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(2009)^* – View of the Barlow Respiratory Hospital Guild House in Elysian Park at 2000 Stadium Way, near Dodger Stadium. |
Historical Notes The Guildhouse was originally the "Men’s Help" quarters, where the men working in the hospital would live. In 1975 the old building was converted into a gift and plant shop. This was funded by the Barlow Guild, a large group of ex-patients dedicated to philanthropy, and the Guildhouse opened in April of that year. Originally a tuberculosis sanatorium, Barlow Respiratory Hospital, today is a long-term acute care facility that specializes in respiratory diseases and also treats related secondary ailments. The hospital treats approximately 750 patients a year and sets the national benchmark in ventilator weaning at nearly 50%.^* In 1990, Barlow Sanitorium was deisgnated Los Angeles Historic-Cultural Monument No. 504 (Click HERE to see complete listing). |
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Southwest Museum
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(1914)#^** - View showing the Southwest Museum during the time of its construction. The Los Angeles Railway (LARy) W Line can be seen in the foreground. |
Historical Notes Perched on the hills of the Arroyo Seco, the Southwest Museum opened its doors to the public in 1914. It was Los Angeles’ first world-class museums that had an immense collection of Native-American and Pre-Columbian artifacts (collected by Charles Lummis during his travels throughout the Southwest and South America) that rivaled anything in the U.S. #^ |
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(1914)#^ - Aerial view of the Southwest Museum shortly after it opened. |
Historical Notes Charles Fletcher Lummis was an anthropologist, historian, journalist, and photographer who created the Southwest Society, which was the western branch of the Archaeological Institute of America. He gained the support of city leaders, and with the financial backing of attorney Joseph Scott and opened the Southwest Museum in 1907. The museum moved from Downtown Los Angeles to its current location in Mt. Washington in 1914, and has been there ever since.^* |
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(ca. 1915)* - The Southwest Museum, viewed through trees from the street below, sits on top of the hill at 234 Museum Drive on Mt. Washington. The main building is flanked by two towers. At the bottom of the hill is the Casa Adobe (not visible in this angle). |
Historical Notes The 1914 building was designed by architects Sumner P. Hunt and Silas Reese Burns. Later additions to the museum include the Caroline Boeing Poole Wing of Basketry (completed 1941), by architect Gordon B. Kaufmann, and the Braun Research Library (1971), by architect Glen E. Cook.^* |
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(1931)###^ – Postcard view showing early model cars parked next to the tunnel entrance of the Southwest Museum. |
Historical Notes Due to its steep incline and lack of a driveway, a Mayan-inspired entrance was constructed on Museum Drive, which made the Museum accessible via a tunnel and elevator. Set into the walls of the portal tunnel are dioramas illustrating various ways of Native American life. |
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(n.d.)* - Southwest Museum exterior showing the ornate Art Deco style tunnel entrance at the bottom of the hill. |
Historical Notes In January 2016, an exhibition of contemporary artwork opened in the building's tunnel entrance. |
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(2015)^* - View showing the Southwest Museum as it appears today. |
Historical Notes The museum occupies 17 acres overlooking Sycamore Grove on the northwest side of the Arroyo Seco Valley. It was dedicated as LA Historic-Cultural Monument No. 283 in 1984 and became part of the Autry National Center in 2004. The Southwest Museum was also added to the National Register of Historic Places on March 11, 2004. |
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(2019)^.^ - View of the Southwest Museum as as seen from the Gold Line train. Photo by Howard Gray |
Historical Notes The building is now owned by the Autry National Center and houses an archaeological research center, an extensive collection of local historical artifacts, and the Braun Research Library, which contains all of Lummis' writings. #^ |
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Majestic Theatre
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(ca. 1910s)* – View showing a bicycle parked by the curb in front of the Majestic Theatre located at 845 South Broadway. |
Historical Notes Opened on November 23, 1908 as Hamburger's Majestic with Oliver Morosco as lessee. Morosco was earlier the tenant of the Burbank Theatre on Main St. and in 1913 would move up the street to the Morosco Theatre, a building now known as the Globe. The opening attraction at the Majestic was a Shubert production of "The Land of Nod." Morosco liked the Majestic name as he had a half interest in a successful theatre called the Majestic in San Francisco. Architects Abraham M. Edelman and Leo W. Barnett of the firm Edelman & Barnett designed the building. Edelman also designed the Belasco/Follies on Main St. and the Empress Theatre, right behind it, on Spring. He was also involved in early phases of the Shrine Auditorium project. Structural engineering for the Majestic was by the firm of Mayberry & Parker. F.O. Engstrum was the contractor.^ |
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(ca. 1910s)* - Interior view of the Majestic Theater at 845 South Broadway with scaffolding under the auditorium ceiling and the top of the proscenium. A man is seen standing on the scaffolding while working on the ceiling. |
Historical Notes Dutch artist Antoon Molkenboer was responsible for the Majestic's proscenium mural as well as decorations elsewhere in the theatre and its basement cafe. Molkenboer's mural above the proscenium was titled "Cast of Characters" and portrayed sixteen figures in a scale larger than life.^ |
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(1913)* - View toward the Majestic facade and, adjacent to Hamburger's Department Store, Tally's New Broadway Theatre. In the lower right the Woodley Theatre is under construction. It opened in September 1913 and in 1920 got renamed the Mission. Note that the Majestic still didn't have a vertical sign. |
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(ca. 1916)* – View looking north on Broadway towards 8th Street showing the Majestic Theatre at left. Also seen is Tally's New Broadway Theatre just south of Hamburger's Department Store which located the SW corner of Broadway and 8th Street. |
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(1916)^.^ - View showing a crowd gathered for the April 17 opening of the Thomas Ince film "Civilization." |
Historical Notes Civilization is a 1916 American pacifist allegorical drama film produced by Thomas H. Ince, written by C. Gardner Sullivan and Edward Sloman, and directed by Ince, Reginald Barker and Raymond B. West. The story involves a submarine commander who refuses to fire at a civilian ocean liner supposedly carrying ammunition for his country's enemies. The film was a big-budget spectacle that was compared to both Birth of a Nation and the paintings of Jean-François Millet. The film was a popular success and was credited by the Democratic National Committee with helping to re-elect Woodrow Wilson as the U.S. President in 1916. The film was also one of the first to depict Jesus Christ as a character in a motion picture, leading some to criticize the depiction as in "poor taste." Civilization is sometimes viewed as one of the first anti-war films. In 1999, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".* |
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(ca. 1920)*^ - View looking southwest showing the Majestic Theatre at 845 S. Broadway. Tally's New Broadway Theatre is seen on the right. |
Historical Notes Originally leased by Oliver Morosco, the 1700-seat Majestic quickly became the preferred home-away-from-home to many national touring musical and dramatic productions from Broadway. Future silent film star Ramon Navarro’s first show biz job was as an usher there. In 1910, the Majestic was the local performance venue of choice for a versatile, LA-based stage performer named Lon Chaney, later dubbed “The Man of a Thousand Faces". * |
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(1920)* - An entrance view with posters advertising the Wilkes Stock Co. in "The Country Cousin" with Evelyn Varden and Edward Everett Horton. The production opened in January. Note the dentists’ offices on the 2nd floor. |
Historical Notes In April 1913, during the Majestic’s opening night of the Kolb and Dill show, managed by famous actor Lon Chaney, his wife, Cleva, attempted suicide, ingesting mercury dichloride and running onstage from the wings. She survived but was never able to sing again. The scandal forced Chaney out of live theater and into silent films. There he specialized in creating such fearsome characters as Quasimodo in The Hunchback of Notre Dame and the Phantom in The Phantom of the Opera. Chaney divorced Cleva; his son subsequently took on the name Lon Chaney, Jr. On the verge of making a successful transition into talking pictures, Lon Chaney died on August 26, 1930, of a bronchial hemorrhage. Meanwhile, the bad publicity resulting from Cleva’s suicide attempt knocked the Majestic out of favor with mainstream touring acts from Broadway. In 1926, the Majestic partnered with Orange Grove Theatre (later the Grand) in the presentation of risqué vaudeville and burlesque shows. Over the next half-dozen years, the theater was subjected to constant police raids for violation of the city’s Indecent Show ordinance. It was forced to close in 1931, when a police raid results in a number of patrons being trampled.. * |
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(1930)* – View of Broadway looking north from 9th Street with the Majestic Theatre seen at center. The newly opened Eastern Columbia Building is on the left. The Majestic is running "Top Speed" with Joe E. Brown, an August release. Just beyond, note that Tally''s Broadway is no gone. The The May Company was still working on the storefronts of the addition on the Tally's site. At the Orpheum Theatre (on the right) it's "Little Accident," a July release with Douglas Fairbanks, Jr. and Anita Page. |
Historical Notes In 1933, the Majestic was demolished to make way for a parking lot, which eventually becoame the three-story garage that stands on the site today. Click HERE for contemporary view. |
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Quinn's Superba Theatre
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(1915)*^^ - The dazzling facade of Quinn’s Superba Theater at night, 518 South Broadway. |
Historical Notes The theatre was opened on July 30, 1914 by pioneer theatreman John A. Quinn. Earlier (1909 or 1910) Quinn had moved from Arizona and leased the Ideal Theatre (134 S. Spring St.). This was followed by a partnership with G.H. McLain that acquired the Bijou (553 S. Main St.) and the Banner (456 S. Main St.). By the end of 1910 the partners had split with Quinn retaining the Banner. In 1911 Quinn took over the Garrick Theatre (former Hyman Theatre) at 8th & Broadway. In 1912 Quinn was running Tally's (833 S. Broadway) and was later involved on Broadway in the Rialto Theatre (1917).**^ |
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(ca. 1915)**^ - Close-up view of the Quinn's Superba Entrance, 518 South Broadway in Los Angeles. |
Historical Notes With the opening of the Superba, this block on Broadway then had a cluster of four major theatres: Quinn's Superba, Clune's Broadway, Pantages and Tally's New Broadway .**^ |
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(ca. 1915)* - Exterior view of the front of Quinn's Superba Theatre, with a view down the street where signs can be seen for the Pantages Vaudeville. |
Historical Notes Quinn’s Superba Theatre was located on the site where the Roxie Theatre is today on Broadway in Downtown Los Angeles. It was next to Clune's Broadway (later Cameo) and the Pantages.^^^* The Pantages Theatre (1910), Clune's Broadway (1910), and Quinn's Superba (1914), along with the 1911 Orpheum Theatre (now the Palace) and Tally's New Broadway (1910), put Broadway on the map as the new entertainment street in Los Angeles. |
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(1920)^* - A rainy night image looking south on Broadway between 5th and 6th streets. Across the street can be seen Quinn's Superba, Clune's, and the first Pantages Theater. |
Historical Notes The Superba Theater was later sold and converted to a coffee house before being razed in 1931 to make way for the Roxie, which was the last theater built on Broadway.*^^ |
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Pantages Theatre (1st Pantages)
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(ca. 1917)* – View showing the first Pantages Theatre, located at 534 S. Broadway in Downtown Los Angeles. Clune's Broadway Theatre is seen on the left. |
Historical Notes Designed by Morgan & Walls, this theater opened on September 26, 1910 as a vaudeville theatre for Alexander Pantages. After Pantages moved to his new theater at 7th and Hill streets in 1920, this theater was renamed Dalton's. Eight years later, it was renamed Arcade in honor of the popular Arcade Building. In the 1940s it was known as the Telenews and the Teleview. It has been closed since 1992.* |
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(1913)*^*# – Night view showing the Pantages Theatre all lit up with the Clune's Broadway Theatre on the left. |
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(ca. 1915)* - View looking at the east side of Broadway between 5th and 6th streets, showing the Quinn's Superba, Clune's, and the first Pantages Theater. |
Historical Notes The Pantages Theatre (1910), Clune's Broadway (1910), and Quinn's Superba (1914), along with the 1911 Orpheum Theatre (now the Palace) and Tally's New Broadway (1910), put Broadway on the map as the new entertainment street in Los Angeles. |
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(1916)*^*# - Night view of the Pantages Theatre at 534 N. Broadway. The building with the dentist office on the right is where the Arcade Building would be built in 1924. |
Historical Notes After Pantages Theatre moved to its new location at 7th and Hill streets in 1920, this theater was renamed Dalton's. Eight years later, it was renamed Arcade in honor of the popular Arcade Building. |
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(ca. 1924) – Postcard view looking north on Broadway from near 6th Street showing from right to left: the Arcade Building (built in 1924), Dalton’s Theatre (previously Pantages Theatre), Clune's Broadway Theatre, and Quinn's Superba Theatre. |
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(1983)* – View of the Arcade Theatre, formerly the 1st Pantages Theater. The marquee advertises Keno every night. Next door is the Strand Restaurant and the Marie Antoinette Diamond Company Credit Jewelers, in the Arcade Theater Building. Dr. Gibson Dentist is on the second floor. |
Historical Notes In 1928 theatre was given the name Arcade to capitalize on the popularity of the Arcade Building nearby. The current marquee is on the building dates from around 1935 when S. Charles Lee did a facade renovation. |
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Clune's Broadway Theatre (later Cameo Theatre)
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(ca. 1910)++^ – Sketch showing the Clunes Broadway Theatre located at 528 S. Broadway. Los Angeles Times, July 17, 1910. |
Historical Notes Architect: Alfred F. Rosenheim, a leading Los Angeles architect, who became the first president of the LA chapter of the American Institute of Architects. Among other projects, Rosenheim had done the Arrow Theatre (inside Hamburger's Department Store (1908) and later did the Morosco/Globe (1913). The theatre was built on a lot owned by Eva Fenyes, a Pasadena resident with fingers in a number of theatrical interests, including once having D.W. Griffith shoot a film on her estate. W. H. Clune (Billy) was a pioneer exhibitor and filmmaker. The Clune Studios in Hollywood at Melrose and Bronson still exists -- known today as the Raleigh Studios. ++^ |
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(1910)^^^* – View showing Clune’s Broadway Theatre shortly after it was completed with horse-drawn wagon parked in front. “For Rent” signs are still on the windows of one of the storefronts adjacent to the theater entrance and the upstairs offices. |
Historical Notes Opened as Clune’s Broadway Theatre October 10, 1910, it was an original nickelodeon theatre and is a rare example to survive today almost unaltered. Its operator William H. (Billy) Clune was an early pioneer film producer and exhibitor. Architect Alfred F. Rosenheim designed a Beaux-Arts interpretation of Italian Renaissance Revival style. Its original roof-top electric sign and ‘digital’ clock were Downtown landmarks for many years. In 1921 it was equipped with a Wurlitzer organ Style 185, Opus 397. In 1925 until 1926 it was operated by Universal Pictures chain and renamed Cameo Theatre. In the late-1920’s it was operated by H.L. Gumbiner (who soon was to build the Tower Theatre and Los Angeles Theatre further along South Broadway) who replaced the sign and clock with a large 24-sheet billboard. ^^^* |
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(ca. 1910s)++^ – Postcard view showing the interior of Clune’s Broadway Theatre. |
Historical Notes The interior of the building was specifically designed as a ‘picture playhouse’ and had decorations which featured marble, plaster, leaded glass and a profusion of electric lights. A 1912 ad for Clune's boasted "When one speaks of low-priced theater attractions the name CLUNE comes first to the mind because it is an uncontested fact that the CLUNE THEATERS in Los Angeles and Pasadena set the pace in these popular public attractions." ++^ |
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(1911)++^ - A photo of the Clune's projection booth from Moving Picture World in 1911. Note the open front switchboard on the booth's front wall. |
Historical Notes The Clune's Broadway had an orchestra of 10 pieces to accompany the films. |
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(ca. 1915)* - View looking at the east side of Broadway between 5th and 6th streets, showing the Quinn's Superba, Clune's Broadway, and the first Pantages Theatre. |
Historical Notes The 1910 Pantages Theatre, 1910 Clune's Broadway, and 1914 Quinn's Superba, along with the 1911 Orpheum Theatre (now the Palace) and 1910 Tally's New Broadway, put Broadway on the map as the new entertainment street in Los Angeles. |
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(1939)^ – View looking north on Broadway with the Cameo Theatre (previously Clune’s Broadway Theatre) seen on the right. Further north is the Roxie Theatre which was built in 1931 on the same site as Quinn's Superba Theatre. |
Historical Notes In 1925 until 1926 Clune’s Broadway Theatre was operated by Universal Pictures chain and renamed Cameo Theatre. The Clune’s Broadway Theatre's original roof-top electric sign and ‘digital’ clock were Downtown landmarks for many years. In 1921 the theatre was equipped with a Wurlitzer organ Style 185, Opus 397. In the late-1920’s it was operated by H.L. Gumbiner (who soon was to build the Tower Theatre and Los Angeles Theatre further along South Broadway) who replaced the sign and clock with a large 24-sheet billboard. ++^ |
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(1978)^*# - View showing the front of the Cameo Theatre, now open all night, at 528 S. Broadway. Photo by Tom Zimmerman. Click HERE to see contemporary view. |
Historical Notes Minor alterations were carried out by architect Simeon Charles Lee in 1949. In 1987 it was repainted and redecorated by the then owners Metropolitan Theatres. In its later years it was screening Kung-Fu and exploitation films and was closed in 1992. It was the longest continually operating movie theatre in California at that time. The front entrance has been converted into retail use, while the auditorium is used for storage. ^^^* In 1991, the Cameo Theatre (formerly the Clune's Broadway Theatre) was designated LA Historic-Cultural Monument No. 524. Click HERE to see complete listing. |
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Paramount-Famous-Lasky Corporation West Coast Studios
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(ca. 1916)* - Entrance to the Famous Players-Lasky Corporation West Coast Studios located at 5555 Melrose Avenue before Paramount was added. |
Historical Notes Paramount Pictures dates its existence from the 1912 founding date of the Famous Players Film Company. Founder Hungarian-born Adolph Zukor, who had been an early investor in nickelodeons, saw that movies appealed mainly to working-class immigrants. With partners Daniel Frohman and Charles Frohman he planned to offer feature-length films that would appeal to the middle class by featuring the leading theatrical players of the time (leading to the slogan "Famous Players in Famous Plays". By mid-1913, Famous Players had completed five films, and Zukor was on his way to success. In 1916, Zukor maneuvered a three-way merger of his Famous Players, the Lasky Company, and Paramount. The new company Lasky and Zukor founded, Famous Players-Lasky Corporation, grew quickly, with Lasky and his partners Goldwyn and DeMille running the production side, Hiram Abrams in charge of distribution, and Zukor making great plans. Famous Players-Lasky and its "Paramount Pictures" soon dominated the business.^* |
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(ca. 1930s)* - View of the Paramount-Famous-Lasky Corporation West Coast Studios building. |
Historical Notes Zukor signed and developed many of the leading early stars, including Mary Pickford, Marguerite Clark, Pauline Frederick, Douglas Fairbanks, Gloria Swanson, Rudolph Valentino, and Wallace Reid. With so many important players, Paramount was able to introduce "block booking", which meant that an exhibitor who wanted a particular star's films had to buy a year's worth of other Paramount productions. It was this system that gave Paramount a leading position in the 1920s and 1930s, but which led the government to pursue it on antitrust grounds for more than twenty years.^* |
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(1936)* - View looking west on Melrose Avenue showing the Paramount Studios corporate office building at center-left and one of the entrance gates in the foreground. |
Historical Notes Paramount films emphasized stars; in the 1920s there were Swanson, Valentino, and Clara Bow. By the 1930s, talkies brought in a range of powerful new draws: Miriam Hopkins, Marlene Dietrich, Mae West, W.C. Fields, Jeanette MacDonald, Claudette Colbert, the Marx Brothers (whose first two films were shot at Paramount's Astoria, New York, studio), Dorothy Lamour, Carole Lombard, Bing Crosby, band leader Shep Fields, famous Argentine tango singer Carlos Gardel, and Gary Cooper among them. In this period Paramount can truly be described as a movie factory, turning out sixty to seventy pictures a year. In 1933, Mae West would also add greatly to Paramount's success with her suggestive movies She Done Him Wrong and I'm No Angel. However, the sex appeal West gave in these movies would also lead to the enforcement of the Production Code, as the newly formed organization the Catholic Legion of Decency threatened a boycott if it was not enforced.^* |
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(1957)* - View of the ornate entrance to Paramount Studios in Hollywood. |
Historical Notes Paramount is the fifth oldest surviving film studio in the world behind Universal Studios, Nordisk Film, Pathé, and Gaumont Film Company. It is the last major film studio still headquartered in Hollywood.^* |
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Merritt Building
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(1916)#^* – View of the Merritt Building located at 8th and Broadway in downtown Los Angeles. |
Historical Notes Hulett C. Merritt, described by the Dec. 11, 1910 Los Angeles Herald as a "millionaire and financier" in an article about the planned Merritt Building in downtown Los Angeles. At the time, Merritt was pushing city leaders to waive building height restrictions from 180 feet to 233 feet. Merritt is reported as saying he would scrap plans for the Italian Renaissance-style monument to his family unless he was allowed the height variance, otherwise "its beauty will be marred and I want to build for the artistic value more than for any profit I may get out of it." Originally from Minnesota, Merritt had sold his interests in the Merritt - Rockefeller syndicate in 1891 for more than $81 million. When the Merritt Building opened in 1915 it looked quite nice. Merritt’s request to construct a 23-story edifice was turned down by the City Council. He scaled back his plans and ended up with a ten-story design that set a rendition of Minerva's Temple on top of a three-story base.*^#* |
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(1931)* - View of the northwest corner of 8th Street and Broadway showing the Merritt Building. The Pan American Bank of California is housed in the building with the Union Bank & Trust Co. in the tall building to the left on 8th St. |
Historical Notes The Merritt Building housed various retail stores on its ground floor and offices above, with the top floor set aside for Mr. Merritt himself.*^#* |
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(1930s)^x^ – Night view showing cars parked in front of the Merritt Building. Store sign advertises Maxwell House Coffee. |
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(ca. 1957)^ – View of the Merritt Building which houses Siltons, located on the northwest corner of 8th Street and Broadway in downtown Los Angeles. The clock on the building reads "Time to save" an ad for Coast Federal Savings. On the left side of the photo, a couple of billboards can be seen on the next building, including an ad for the Burbank Company, and one for a homeopathic pharmacy. The building was later occupied by Home Savings and Loan Office. |
Historical Notes In 1957, the Merritt Building would see a change. Home Savings & Loan Association had bought the building in December of 1956 and had plans for a redesign. They took out many of the building's lower windows and created an ornate entrance on Broadway. The view above is the building before the change. The new look was designed by artist Millard Sheets, the man responsible for the look of many Home Savings branches over the years (later Washington Mutuals).*^#* |
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(2006)*^#* - View of the Merritt Building from ground level across the street as it appears today (2006). |
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John's Pipe Shop
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(ca. 1916)*^ - View showing a man sitting on a horse-drawn carriage parked at the curb in front of John’s Pipe Shop at 524 S. Spring Street in the heart of downtown Los Angeles. In the back of the carriage is an oversized pipe with writing on its side advertising the shop. |
Historical Notes John’s Pipe Shop was open for decades, starting in 1908 and lasting well into the 1980’s. They had pipes made for them by European companies, one of which was Comoy’s. Their “Exclusive Brands” included Wilshire, Rosemore, Extra, Fairmont, Silvermont and Avalon. There were two shops, one at 524-524 1/2 S. Spring Street and the other at 6725 Hollywood Blvd. To further advertise his goods, “John” had a little cart in the shape of a meerschaum pipe, drawn by a diminutive pony, which paraded the streets of Los Angeles, frequently giving away samples of new tobacco, as well as cards containing the name and address of his shop.*^ |
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(1917)* - View of the southeast corner of New High and Ord streets, showing the fronts of S. Peluffo's stores, founded in 1894. This is the location of a former Sonora Town brothel. |
Historical Notes One store is on the ground floor of a two-story, brick building. The other store, a one-story, wooden structure, is next door. The storefront advertises California wines as well as imported and domestic groceries. The store's telephone number is prominently displayed. Early automobiles, one a Peluffo delivery car, and a truck are parked in front and pedestrians, customers and drivers are all posing for the camera. Two children, one on a tricycle and the other in a toy car, are playing while a watchful adult shops. Sacks and cartons of merchandise lie at the curb.* |
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Huntington Hotel (Pasadena)
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(ca. 1917)**# - Exterior view of the rear of the Huntington Hotel in Pasadena, showing the newly landscaped gardens. |
Historical Notes The Huntington Hotel was built in 1906 by General Wentworth, a Civil War veteran, and designed by Charles Frederick Whittlesey in Spanish Mission Revival-style. It opened in February 1907 as the Hotel Wentworth, but closed its doors after its first season. It was purchased by Henry E. Huntington in 1911 and reopened in 1914 as The Huntington Hotel after redesign by the architect Myron Hunt. The hotel remained under Huntington's management until 1918.^* |
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(ca. 1920)* - Exterior view of the Huntington Hotel in Pasadena. Guests are playing on the famous obstacle golf course in front of the hotel. |
Historical Notes California's first outdoor Olympic-size swimming pool was added in 1926, when the hotel, formerly a winter resort, began opening year-round. The hotel was later owned by Stephen W. Royce, who sold it to the Sheraton Corporation in 1954. It was subsequently renamed The Huntington Sheraton.^* |
Click HERE to see more in Early Views of Pasadena |
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Hollywood Fire/Police Station
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(1916)* - Exterior view of the L.A.F.D. Fire Department, Engine 27, and the L.A. Police station, sharing the same building at 1629 Cahuenga Avenue in Hollywood. |
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(1924)* - Police officers stand on the street outside of the Hollywood police station, Division 6, located at 1629 Cahuenga Avenue, just north of Selma Avenue. Neighboring businesses, a hotel (left) and a shoe shop (right), are also captured in the image. |
Click HERE to see more Early Views of Hollywood |
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Cahuenga Branch Library
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(ca. 1916)* - Exterior view of Cahuenga Branch of the Los Angeles Public Library, located at 4591 Santa Monica Boulevard. It opened in 1916 and was intended, at the time, to serve a community of workers in the then nearby orange and avocado groves and wheat fields. |
Historical Notes Cahuenga Branch is the third oldest branch library in the Los Angeles Public Library system. Located at 4591 Santa Monica Boulevard in the East Hollywood section of Los Angeles, it was built in 1916 with a grant from Andrew Carnegie. Architect C.H. Russell designed this Italian Renaissance style building. He was also associated with Norman F. Marsh in building the Venice canals.^* One of three surviving Carnegie libraries in Los Angeles, it has been designated as Historic-Cultural Monument No. 314 and listed in the National Register of Historic Places. Click HERE to see the complete list of LA Historical Cultural Monuments. |
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Metro-Goldwyn-Mayer Studios
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(1916)* - Exterior view of the Triangle at Metro-Goldwyn-Mayer Studios, located at 10202 Washington Boulevard in Culver City. A Richfield gasoline truck is seen in front of the columned building. |
Historical Notes In 1924, movie theater magnate Marcus Loew had a problem. He had bought Metro Pictures Corporation (founded in 1916) and Goldwyn Pictures (founded in 1917) to provide a steady supply of films for his large theater chain, Loew's Theatres. However, these purchases created a need for someone to oversee his new Hollywood operations, since longtime assistant Nicholas Schenck was needed in New York to oversee the theaters. Loew addressed the situation by buying Louis B. Mayer Pictures on April 16, 1924. Because of his decade-long success as a producer, Mayer was made a vice-president of Loew's and head of studio operations in California, with Harry Rapf and Irving Thalberg as heads of production. For decades MGM was listed on movie title cards as "Controlled by Loew's, Inc."^* Click HERE to see more Early Views of Metro-Goldwyn-Mayer Studios. |
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Bureau of Power and Light Distribution Station
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(1916)** - LA Bureau of Power and Light (now DWP) Distribution Station No. 2 - Electric power was distributed to residents in the Highland Park-Garvanza areas of Los Angeles in 1916 from this Distributing Station located at 225 N. Avenue 61. |
Historical Notes In 1916, the first electrical energy sold and distributed by the Los Angeles Bureau of Power and Light was obtained from the Pasadena municipal system. Things would change quickly, though. In 1917, the San Francisquito Canyon Power Plant No. 1 was completed. It harnessed the energy from water running down the recently completed LA Aqueduct and generated enough power to meet the needs of the fast growing City of Los Angeles. There was also enough excess power that now could be sold back to the City of Pasadena (Click HERE to see more in Electricity on the Aqueduct). The first operator at Distribution Station No. 2 was B. F. Goodwin. |
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(ca. 1920s)** - View of Distribution Station No. 2 after it was expanded. The sign on the front face of building now reads Municipal Power and Light. The Los Angeles Department of Water and Power went through six names changes since the Water Department was established in 1902. Click HERE to see Name Change Chronology of DWP. |
Historical Notes On April 21, 1962, Distribution Station No. 2 was designated Los Angeles Historical-Cultural Monument No. 558 (Click HERE to see complete listing). |
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San Francisquito Power Plant No. 1
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(1917)** - Opening of the San Francisquito Power Plant No. 1 on March 18, 1917. Construction of the plant began six years earlier in 1911. |
Historical Notes On March 18, 1917 the San Francisquito Power Plant No. 1, Unit 1 was placed in service and energy was delivered to Los Angeles over a newly constructed 115 kV transmission line. The 200 kilowatts generated by Unit 1 were the first commercial kilowatts generated by the Los Angeles Bureau of Power and Light. The LA Bureau of Power and Light now had a source of low cost electricity and more than enough power to meet the City's needs. It would sell its excess San Francisquito generated power to Pasadena over two newly constructed 34 kV lines between the two cities. By 1917, World War I had forced the price of fuel oil to rise making the new lower cost hydroelectric power extremely desirable. |
Click HERE to see more in Early Power Generation |
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Church of the Open Door (Bible Institute - Biola University)
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(1916)* - View looking east along 6th Street from Flower Street. Large structure on Hope Street is the Church of the Open Door/Bible Institute. |
Historical Notes Biola University was founded in 1908 as the Bible Institute Of Los Angeles by Lyman Stewart, president of the Union Oil Company of California (subsequently known as Unocal and later purchased by the Chevron Corporation), Thomas C. Horton, a Presbyterian minister and Christian author, and Augustus B. Prichard, also a Presbyterian minister.^* In 1912, the school appointed R. A. Torrey as dean, and in 1913 began construction on a new building at the corner of Sixth and Hope St., in downtown Los Angeles, which included a 3,500-seat auditorium, two large neon signs on top of the building proclaiming "Jesus Saves", and a set of eleven bells on which hymns were played three times each day.^* |
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(ca. 1920)^ - View of Hope Street looking south from the future site of the Los Angeles Central Library. The Church of the Open Door/Bible Institute is seen standing tall on the left. |
Historical Notes The Central Library was built between 1924 and 1926 on the site once occupied by the State Normal School (which evolved into UCLA). |
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(1924)##+ – Postcard view of the Bible Institute of Los Angeles looking north on Hope Street with the State Normal School (1831-1924) seen in the background. |
Historical Notes The State Normal School was demolished in 1924 to make room for the Los Angeles Central Library (completed in 1926). |
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(ca. 1926)* - Aerial view showing the area surrounding the newly completed Central Library. The Bible Institute stands at 555 S. Hope Street, adjacent to the library. |
Historical Notes Originaly financed by Union Oil magnate Lyman Stewart, the Bible Institute Church was to be strictly non-denominational, though Evangelical. Stewart also founded the Pacific Gospel Mission (now the Union Rescue Mission) in 1891.^* |
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(1926)^ - Exterior view of the Bible Institute as seen from the front of the Central Library's South entrance. The light-colored building has two bookend towers and a row of archways across its center. The name of the institute appears over the entryway. |
Historical Notes The Bible Institute building was designed by Walker & Vawter in Renaissance Revival style and had an auditorium that seated 3,500. It was flanked by two thirteen-story dormitories. A large 1935 neon sign which says, "Jesus Saves," sits at the top of the building. The building was constructed in 1915 and demolished in the late 1980s after the church moved to Glendora (1985).* |
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(1940s)##+ – Rooftop view looking northeast showing the Bible Institute from the corner of Hope and 6th streets. In the distance can be seen the Edison Building (top left) and City Hall (top center-right). Note the two radio towers on top of the Bible Institute building. |
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(1950)**# - View looking southeast showing the front of the The Bible Institute of Los Angeles (Church of the Open Door) on Hope Street as seen from the Central Library . |
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(1980)* - Exterior view of Church of the Open Door (The Bible Institute), at 555 South Hope Street, with Central Library (West entrance) and parking area (presently the Maguire Gardens) in the foreground. |
Historical Notes Despite efforts led by the late William Eugene Scott to prevent the building from being sold to developers and to have the building saved as a historic landmark, the building could not be saved because it was so damaged in the 1987 Whittier Narrows earthquake that it was declared unsafe and the cost of repairs deemed prohibitive. The historic "Jesus Saves" sign from the original building can now be seen atop the Los Angeles University Cathedral. It was relocated there by the late William Eugene Scott, the owner of the building at the time of earthquake, who took it with him when his church relocated following the earthquake.^* |
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(ca. 1917)*^*# - THE LATEST IN KITCHEN APPLIANCES. Westinghouse Electric range (with iron in upper corner and an electric timing device) at a home in Van Nuys.*^^^ |
Historical Notes In 1917, Westinghouse introduced its first all-electric kitchen range. It advertised its new ranges as follows: These are full size cooking ranges for domestic use, and have reached their high perfection in convenience and economy through many years of experimenting and experience. In addition to the cleanliness, safety, saving in food, and general desirability of cooking with electricity, they have the further advantage of saving a great deal of care, trouble and expense by the aid of the Westinghouse exclusive economical features of full automatic control by attached clock and thermostats.*#*^ |
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Breed Street Shul
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(1917)* - Talmud Torah Synagogue was located in a smaller wooden building about the size of a single story apartment house at 114 Rose Street in Boyle Heights. |
Historical Notes Congregation Talmud Torah Synagogue (also known as Breed Street Shul) is in the Boyle Heights section of Los Angeles. It was the largest Orthodox synagogue in the western United States from 1915 to 1951, and is listed in the National Register of Historic Places. The Congregation began in Downtown Los Angeles in 1904 but moved to Boyle Heights in 1913 as large numbers of Jews settled there. In 1915, a wood-framed building was dedicated for use as a school and chapel and became known as the "Breed Street Shul." The Jewish population grew from a few hundred in 1910 to 10,000 in 1930.^ |
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(ca. 1920s)* - Exterior view shows the entrance of the Talmud Torah Synagogue, located at 247 N. Breed St. in Boyle Heights. |
Historical Notes As the size of the Talmud Torah congregation grew, a new synagogue was built, designed by the architectural firm of Edelman and Barnett. The original wood structure was moved to the back of the lot to make room for the new brick structure which opened in 1923. The new synagogue was built from unreinforced masonry with veneer brick and cast stone embellishments on the facade. The facade includes alternating bands of dichromatic brickwork, "dense prickly foliage carving, other organic motifs and Stars of David in bas relief cast stone detail.^ |
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(2021)* - Breed Street Shul as it appears today, with barbed-wird fence surrounding it. |
Historical Notes The main brick building was vacated in the mid-1980s due to seismic retrofit requirements. Services were moved to the original wooden structure at the rear of the lot for several years, by 1996 services ceased at Breed Street Shul, and the buildings have been vacant since that time In 1988, the building was designated as Los Angeles Historic-Cultural Monument No. 359 (Click HERE to see complete listing). The building fell into disrepair in the 1990s, the City of Los Angeles foreclosed on the property after recording an assessment for barricading and protection. In 1998, Hillary Clinton visited the Shul as part of her Save America's Treasures campaign. In July 2000, the City quitclaimed the property to Breed Street Shul Project, Inc., a subsidiary of the Jewish Historical Society of Southern California. The organization plans to rehabilitate the buildings as a county museum, educational and cultural center. It was listed on the National Register of Historic Places in 2001..^ |
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(2021)* - Detailed view of the facade over main entrance of the Talmud Torah Synagogue, located at 247 N. Breed St. in Boyle Heights. |
Historical Notes The century-old Breed Street Shul in Boyle Heights is getting a new lease on life thanks to millions in dollars championed by California’s Jewish and Latino lawmakers to renovate the historic landmark. Nearly $15 million in state funding was announced on August 10th, 2021 to transform the historic, cultural monument into a multipurpose space and highlight the rich and diverse immigrant history of the Latino and Jewish communities in the Boyle Heights neighborhood.* |
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Ville de Paris Department Store (later B.H. Dyas Co.)
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(1917)* - Construction of the Ville de Paris department store at the corner of 7th and Olive. The store later became B. H. Dyas Co. |
Historical Notes Bernal H. Dyas was born in New York in 1883 and his family wound up in Los Angeles in 1907. In 1919 he purchased Los Angeles’s largest department store, Ville de Paris, at Seventh and Olive Streets and it became the home of the B. H. Dyas Company with 21,000 square feet of floor space.*#** |
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(1931)* - Exterior of B. H. Dyas Co. store at Seventh and Olive streets, the second and fifth floors of which have been remodeled. |
Historical Notes The Seventh and Olive street store, referred to as a “sportsman’s paradise” included a rifle range, handball court, and log cabins. At the time, B. H. Dyas Company was the largest west of Chicago. In 1928, Dyas opened a second store in Hollywood, however, the company could not survive the effects of the Depression.*#** |
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Rosslyn Hotel
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(1917)* - View looking north on Main Street near 6th Street. The Rosslyn Hotel with the large sign on roof is on the northwest corner of Fifth and Main Streets (451-459 South Main Street). |
Historical Notes In 1913 the Rosslyn Hotel constructed its new building at the northwest corner of 5th and Main Streets, a major expansion of the hotel from its earlier home on Main Street between 4th and 5th Streets. The Hotel Rosslyn has a history unique in all of the city of Los Angeles. Once the tallest building in LA, the 12-story Rosslyn boasted in it's large rooftop sign as being the "Fireproof Million Dollar Hotel." At that time, the area around Main Street was truly the center of Los Angeles. Through the teens and twenties, the financial, commercial, and entertainment center of Southern California was based in Downtown Los Angeles, and the Rosslyn Hotel was one of its premier destinations.**## |
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(ca 1923)* - Rendering as seen from the air of the Rosslyn Hotel and Annex, also showing neighboring buildings. |
Historical Notes In 1923, as a result of the prosperity enjoyed by the Rosslyn and the surrounding district, the Rosslyn Annex was built across 5th Street, and today is still called the Rosslyn Hotel. The two buildings were connected by an underground marble tunnel, portions of which survive to this day.**## |
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(ca. 1923)^*# - View looking north on Main Street showng the Rosslyn Hotel and Rosslyn Annex shortly after they were built on the intersection with 5th Street. |
Historical Notes The Hotel Rosslyn Annex was built in 1923 across the street from the original 800-room Rosslyn Hotel built in 1914. Designed as a twin, both were topped by mammoth glowing signs featuring the names surrounded by a heart, the shape acknowledging the Hart brothers who owned the hotels.^* |
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(1924)* - View looking west on 5th Street at Main Street showing both the Hotel Rosslyn and Hotel Rosslyn Annex with their massive roof-mounted signboards. |
Historical Notes Both buildings were designed by architect John Parkinson, who was one of the most prolific architects in Downtown Los Angeles, responsible for much of the area's finest architecture, including Union Station, Bullock's Wilshire, the Title Guarantee Building, the Continental Building, the Alexandria Hotel, the Los Angeles Athletic Club, Security Bank (now the Los Angeles Theatre Center), the Los Angeles Memorial Coliseum, and Los Angeles City Hall.**## |
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(1930)* - View of looking west on 5th Street at Main Street showing the Rosslyn Hotel and Annex on the west side of Main. |
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(1939)^ - View looking north on Main Street at 5th Street. The two Hotel Rosslyn buildings are on the southwest and northwest corners. Several of the legible signs read: United Cigars, "Money to Loan", All-American Lines Bus Depot, Turquoise Room, and Hotel Barclay. City Hall can be seen in the distance. |
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(1940s)^*^# - Close-up view showing the entrance to the Rosslyn Hotel as seen from across Main Street. |
Historical Notes The New Rosslyn went into decline and closed in 1959. It reopened in 1979 as two hotels, the Rosslyn on the south side, and the Frontier on the north side.^#* |
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Million Dollar Theatre (aka Grauman's Theatre)
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(1917)#^* – View showing the Million Dollar Theatre under construction on the corner of 3rd Street and Broadway. Photo Date: 9-7-17 |
Historical Notes The Million Dollar Theater at 307 S. Broadway in downtown Los Angeles is one of the first movie palaces built in the United States. It opened in February 1918. It is the northernmost of the collection of historical movie palaces in the Broadway Theater District and stands directly across from the landmark Bradbury Building.^* |
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(1918)* - Exterior view of a building on the corner of Third Street and Broadway was the home of Edison, Grauman's Theater - later to become the Million Dollar Theater - and the Owl Drug Company. Showing at the theater is a film with William S. Hart, "Shark Control," and a comedy by Sennet. |
Historical Notes The Million Dollar was the first movie house built by entrepreneur Sid Grauman. Grauman was later responsible for Grauman's Egyptian Theatre and Grauman's Chinese Theatre, both on Hollywood Boulevard, and was partly responsible for the entertainment district shifting from downtown Los Angeles to Hollywood in the mid-1920s.^* |
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(1918)* - View of the original marquee and main entrance of the Grauman's Theater (later Million Dollar Theater), located at 307 S. Broadway. |
Historical Notes Among the famous names who attended the opening night were: Jesse L. Lasky, Thomas Ince, Mack Sennett, Hal Roach, Cecil B. DeMille, D.W. Griffith, Mary Pickford, Douglas Fairbanks, Charlie Chaplin and Roscoe ‘Fatty’ Arbuckle.^* |
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(2012)^^** - View of the ornate Churrigueresque front entry facade of the Million Dollar Theater. The lavish exterior terra-cotta ornamentation by Joseph Mora includes bison heads, longhorn skulls and allegorical figures representing the arts. |
Historical Notes Sculptor Joseph Mora did the elaborate and surprising exterior Spanish Colonial Revival ornament, including bursts of lavish Churrigueresque decoration, multiple statues, longhorn skulls and other odd features. The auditorium architect was William L. Woollett, and the designer of the twelve-story tower was Los Angeles architect Albert C. Martin, Sr. (also designed the Liberty Theatre).^* |
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(ca. 1925)* - View of the Million Dollar Theater building. The marquee indicates that Charlie Chaplin's 1925 film Gold Rush is playing at the theater. |
Historical Notes For many years the office building housed the headquarters of the Metropolitan Water District of Southern California. After serving as the home of a Spanish-speaking church for some years, as of 2006 the Million Dollar theater was empty, although the office building had been recently renovated and converted to residential space. In February 2008, the theater re-opened, once again showing live Spanish theatre. It continues to draw large crowds, and there are plans to begin screening major motion picture premieres.^* |
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Herman Hellman Building (2nd and Spring)
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(1918)* - Exterior view of the Herman Hellman Building in 1918, located on the northeast corner of 2nd and Spring Streets. Coast Drug Company is on the first floor, along with several small shops. |
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Foy Residence
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(ca. 1918)^ - Close-up view of the Foy residence on the northwest corner of Figueroa Street and 7th Street. The two-story house features several cant windows, a covered porch, walls constructed of shingled wood, and two chimneys jutting above the inclined roof. Short trees cover the yard surrounded by a picket fence and taller trees are seen in the background. "651", the house's street address, is displayed on a placard on a post in front of the house. |
Historical Notes In 1872, Samuel Calvert Foy purchased the property from Los Angeles Mayor Thomas Foster for $1,000. Foy moved to Los Angeles in 1854 and operated a successful harness business at 217 Los Angeles Street, which was the oldest business establishment in the city at the time of his death. Foy also served as the city's Chief of Police for a time. He built the Foy House at the corner of Grasshopper (now Figueroa) and 7th Streets in either 1872 or 1873, and it was there that Foy and his wife, Lucinda Macy Foy, raised their son and four daughters. The house was reportedly "the first three-story building in the city." At the time the Foys built their house, the site was considered to be "way out in the country." Foy's daughter, Mary Foy, was the city's first woman librarian from 1880-1884, a leader in the California Women's suffrage movement, a leader of the Democratic Party, and the first woman to be a member of one of the major parties' national committees.^* Today, the Wilshire Grand Hotel is located at this site. |
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(1919)* - View looking toward the northwest corner of Figueroa and 7th streets showing the Samuel Calvert Foy property on December 20, 1919. The lot is being used to sell Christmas trees with a large sign reading: 5000 Oregon Christmas Trees Here Dec. 15. Another large sign reads: FOR SALE or LEASE. A small Standard Oil Company gas station is on the corner, next to a multi-globe street light. |
Historical Notes In December 1919, the Foy family sold the property for a consideration reported to be approximately $600,000. At the time of the property's sale in 1919, the new owner announced its plan to start construction immediately of a six- or seven-story structure on the site at a cost of $450,000. Though there are varying accounts as to the exact date, the Foy House was moved to its second site on 631-633 South Witmer Street, just north of Wilshire Boulevard and across from Good Samaritan Hospital.^* |
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(1960s)^ – View showing the historic Samuel Calvert Foy home at 631 S. Witmer Street (near the Good Samaritan Hospital). |
Historical Notes In December 1992, the house was moved to its third location at 1337 Carroll Avenue. The Foy House was the seventh house to be moved to Angelino Heights, the first and largest historic preservation zone in the City of Los Angeles. |
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(ca. 2012)#+ – View showing the 1872-built Foy House at its third location, in the Angelino Heights Historic Preservation Overlay Zone at 1337 Carroll Avenue. |
Historical Notes The current owner has faithfully reconstructed elements lost during the multiple moves, such as the exterior window canopy. The sky-blue paint on the porch ceiling is typical of Victorian homes; some say this treatment discourages birds from nesting by mimicking the sky. The Foy House is listed as Los Angeles Historic-Cultural Monument No. 7 (Click HERE to see complete listing). |
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Southern Pacific River Station
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(ca. 1919)^ - View showing the Southern Pacific River Station on San Fernando Road. The station was Los Angeles' first Southern Pacific station and was built in 1887. The Southern Pacific River Station was located at 1501 San Fernando Street. San Fernando Street was renamed North Spring Street sometime in the 1910s, and the new address for the River Station was 1500 North Spring Street. |
Historical Notes Though the River Station welcomed many of those drawn by the land boom of the mid-1880s, its location came to be seen as less than ideal. It was surrounded by the Southern Pacific's freight yards and, as the city's Anglo population shifted south of the historic plaza into the new central city, it was situated far from many passengers' ultimate destinations. Later depots, beginning with the Southern Pacific's Arcade Station, would be located to the south. #^ |
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St. Elmo Hotel
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(1920)* - St. Elmo Hotel was first named Lafayette Hotel and renamed the Cosmopolitan. Here the hotel is viewed from across the street, with a line of cars parked at the curb in front of the various ground floor businesses. |
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Bella Union Hotel
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(ca. 1920)* - View of a busy North Main Street in front of the Azteca Restaurant as seen from across the street. The restaurant is located on the street floor of the old Bella Union Hotel. A sign on the second floor reads: Office Room For Rent.
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Historical Notes Constructed in 1835, the Bella Union Hotel has a long, rich history. It served as the County Courthouse until October 1851, and in 1860 was the location of a champagne fete celebrating the connection of San Francisco and Los Angeles by telegraph.^ |
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(1939)* - Exterior view of the old Bella Union Hotel, located at 314 North Main Street. Taken on May 4, 1939, the hotel had become a shadow of its former self. |
Historical Notes The Bella Union Hotel is considered to be the first hotel in Los Angeles. The building no longer exist, however the site it stood on was designated California Historical Landmark No. 656 (Click HERE to see more in Califronia Historical Landmarks in LA). Below is what the hotel looked like in the 1860s. |
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(ca. 1867)* - The Bella Union at 314 N. Main St. later became the St. Charles Hotel. To the left is the original home of Farmers and Merchants Bank, later merged into Security Pacific Bank. Standing on the balcony is Mrs. Margarita Bandini Winston, owner of the hotel. |
Click HERE to see more in Early LA Buildings (1800s) |
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Federal Building and Post Office
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(ca. 1910)* - Photo of a sketch showing the Los Angeles Civic Center Federal Building and Post Office, northwest corner of Temple Street and Main Street (former site of the Downey Block). |
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(ca. 1910)* - View showing Temple Street at the junction of Spring and Main Streets. The newly constructed Federal Building and Post Office is seen at the northwest corner of Temple and North Main streets across the street from the International Bank Building. An early open car and a trolley car are seen on the street. |
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(ca. 1920)^ - Exterior view the old Federal Building and Post Office on the corner of Temple Street and Main Street. Pedestrians can be seen walking near the base of the structure, while several early automobiles are parked at right. Three streetcars can be seen in the foreground at center. Note the beautiful streetlights surrounding the building. |
Historical Notes Constructed between 1906 and 1910, the five-story Romanesque building housed the post office, U.S. District Court, and various federal agencies, but it soon proved inadequate. *^ |
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(1931)**# - Looking south on Main Street across Temple at the old Federal Building/Post Office and City Hall. Ornate 5-lamp streetlights can be seen in front of the Federal Building (Click HERE to see more in Early Streetlights of LA). |
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(1932)^*# - Postcard view of North Main Street as seen from the base of Los Angeles City Hall at Temple Street. The entire 300 block of N. Main Street, from Baker Block to the Ducommun Building, can be seen here. The old Federal Building and Post Office stands on the northwest corner. |
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(ca. 1930s)^ - A later view the old Federal Building and Post Office on the corner of Temple Street and Main Street. A portion of the new Hall of Justice (built 1928) can be seen at left. |
Historical Notes The population of Los Angeles grew rapidly in the early part of the twentieth century, and a larger building was needed to serve the courts and federal agencies. The Federal Building was razed in 1937 to clear the site for the existing U.S. District Courthouse.*^ |
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Automobile Club of Southern California
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(ca. 1920)* - Exterior view of the first location of the Automobile Club of Southern California, located at 1344 South Figueroa Street. One of the cars parked outside the entrance belongs to the Auto Club's Insurance Department. Pacific Electric train tracks are visible in the foreground. |
Historical Notes The Automobile Club of Southern California, one of the nation's first motor clubs dedicated to improving roads, proposing traffic laws, and improvement of overall driving conditions, was founded on December 13, 1900 in Los Angeles. The Auto Club was responsible for producing state road maps, as well as posting thousands of porcelain-to-steel traffic signs throughout the state to create a uniform signing system - which it continued to do until the task was taken over by the State of California in the mid-1950s.* |
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(1926)* - Figueroa Street looking northwest toward West Adams Boulevard. On the left is the Automobile Club of Southern California and St. Vincent Catholic Church. |
Historical Notes The building pictured here originally served as the Auto Club's main office. It was built between 1922-1923 by architects, Sumner P. Hunt, Silas R. Burns, and Roland E. Coate in the Spanish Colonial Revival style. Today, this building serves as the Los Angeles district office, but the administrative offices are now located in Costa Mesa.* |
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(1930)* - Exterior view of the Automobile Club of Southern California, located at 2601 S. Figueroa St. on the southwest corner of Adams and Figueroa. Three cars can be seen waiting for the traffic signal (located in the center of the intersection) to change. |
Historical Notes The Automobile Club of Southern California, one of the nation's first motor clubs dedicated to improving roads, proposing traffic laws, and improvement of overall driving conditions, was founded on December 13, 1900 in Los Angeles. The Auto Club was responsible for producing state road maps, as well as posting thousands of porcelain-to-steel traffic signs throughout the state to create a uniform signing system - which it continued to do until the task was taken over by the State of California in the mid-1950s.* The Automobile Club Building was designated LA Historic-Cultural Monument No. 72 (Click HERE to see complete listing). |
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USC
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(1920s)* - Exterior view of Bovard Hall, U.S.C.'s Administration building. Note the arch over the entrance and windows, the architectural designs on the building and carved statues on the tower. Students may be seen coming and going in front of the hall. |
Historical Notes George Finley Bovard Administration Building was dedicated the week of June 19, 1921. John Parkinson, architect. The building cost $620,000, the organ in the auditorium cost $35,000.*^# |
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(ca. 1920s)* - Interior view of Bovard Auditorium at U.S.C. Building was built in 1920-21, in neo-gothic elements of interior contrast with northern Italian Romanesque Revival style, designed by architects John and Donald Parkinson. |
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(ca. 1920s)* - Exterior view of the front entrance of Bovard Hall at U.S.C. Building contains Bovard Auditorium, seating 2000 persons, offices of administration and various headquarters of the Trojan's 24 schools and colleges. |
Click HERE to see more in Early Views of U.S.C. |
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Lanfranco Building
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(ca. 1920)* - Exterior view of the Lanfranco Building circa 1920. Stores include White Front Clothing Store, Hatchen Jewelry, New Sanitary Hat and Suit Cleaners, A. Mathieu French Delicacies, and K. & D. Furniture Co. On the second floor are the offices of Dr. Underwood, whose signs are totally in Spanish. |
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Finkle Building
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(ca. 1920)* - Finkle Building, 316 South Spring Street, Los Angeles, California about the year 1920. Stores include a hardware and supply store, Kirk's Military Shop, and a Kosher restaurant. |
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Hollenbeck Hotel
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(ca. 1920)* - The Hollenbeck is seen standing regally on the southwest corner of Spring and Second behind some trolley lines crossing in front and extending down the streets. Cars can be seen in the street and some people. A drug store now occupies the street level corner of the building. Hotel architect, Robert B. Young. |
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Temperance Temple
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(ca. 1920)* - View of the Temperance Temple of the Women's Christian Temperance Union (WCTU), located at 301 N. Broadway at Temple Street. |
Historical Notes The Women's Christian Temperance Union (WCTU) stands for the complete abstinence from alcohol, tobacco, and all harmful drugs and protection of the home. As the membership of the WCTU grew throughout the U.S, a call went out from May Gould, a resident of Los Angeles, to Frances Willard to organize a local group in Southern California. On September 20 and 21, 1883, the first State Convention was called and the WCTU of Southern California was organized at the First Presbyterian Church, 2nd and Fort (now Broadway) Streets, Los Angeles. This temple was dedicated in 1889 after money had been donated for its construction in 1886. The Frances E. Willard Home For Girls was housed on the 4th floor from its inception in 1919 until 1933, when the Long Beach Earthquake severely damaged the building. The County of Los Angeles took the site by eminent domain and constructed a power plant where the venerable Temperance Temple once stood in 1947. When the Temple was completely razed in 1950, its corner stone was presented to the WCTU.* |
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Garnier Block
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(ca. 1920)* - P. Garnier is chiseled in the stonework of the Garnier Block at 415 N. Los Angeles Street. The building was used by Chinese merchants at the time of this photograph. |
Historical Notes The Garnier Building was built in 1890, by Philippe Garnier, a French settler who arrived in Los Angeles in 1859 at the age of eighteen. Philippe Garnier and his brothers, Eugene, Abel, and Camille, owned the 4,400 acre Rancho Los Encinos in the San Fernando Valley where they raised sheep. Despite losing a considerable sum of money in the wool market crash in 1872, the Garniers were financially well off and remained influential in local commerce. Philippe Garnier served as a bank director on the Board of the Farmers and Merchants Bank from 1879 to 1891 and is believed to have constructed several other buildings in Los Angeles.^#^^ |
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(ca. 1920)* - Garnier Block, formerly known as the Plaza House had shops on the ground level and the Plaza Hotel on the second floor. A short distance to the right (out of view) sits the Old Plaza Firehouse. |
Historical Notes The Garnier Building was designed primarily for Chinese commercial tenants. It is the oldest building in Los Angeles exclusively and continuously inhabited by Chinese immigrants from the time of its construction in 1890 until the State took it over in 1953. The building was the headquarters of major Chinese American organizations and housed businesses, churches, and schools. It was an important structure in the original Los Angeles Chinatown.^#^^ |
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(ca. 1930s)* - View of Garnier Block with City Hall in the background. Photo by Herman Schultheis. |
Historical Notes The construction of the #101 Freeway (Hollywood Freeway) took away everything to the left of (south of) the Garnier Building, an area referred to as the Jennette Block. The Old Plaza Firehouse is to the right of the Garnier Building.* |
Click HERE to see more Early Views of the LA Plaza |
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Jennette Block
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(ca. 1920)* - Exterior view of the Jennette Block on the northwest corner of Los Angeles and Arcadia Streets, with the Hotel del Paris on the second floor. |
Historical Notes The Jennette Block sat adjacent (south of) the Garnier Block. It, along with part of the Garnier Block, was demolished to make room for the #101 Freeway.* The Jennette Block was built circa 1888 and the Garnier Building in 1890.* |
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Temple Block
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(ca. 1920)* - Temple Block, junction of Main, Spring and Temple streets; Spring Street at left, Main Street at right, Temple Street in foreground. Photograph shows a large commercial building with sign on top reading: "INTERNATIONAL STEAMSHIP AND RENTAL TICKET OFFICE" and another sign on the middle facing reading: "PAINLESS DENTISTRY". |
Historical Notes In 1827, Jonathan Temple moved to the Pueblo de Los Angeles, where he opened the pueblo's first store, a business he operated for almost thirty years. Temple was also one of Los Angeles’ first developers, constructing such landmarks as the original Temple Block and the Market House, which later served as city and county administrative headquarters, contained the county courthouse, and featured the first true theater in southern California. He also served as the first alcalde (or mayor) of Los Angeles after capture of the pueblo by the United States during the Mexican-American War and served on the first American-period common (city) council. Temple Street was developed by Johnathan Temple as a modest one-block dirt lane in the 1850s.^* Temple Block was razed to make room for the current City Hall, built in 1928. |
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Sunbeam Theatre (Highland Park)
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(ca. 1920)* - Exterior view of the Sunbeam Theater in Highland Park, with a sign advertising a promotion by Cy Perkins Country Store. The theater, located at 5722 N. Figueroa Street (previously Pasadena Avenue), was designed by A. Lawrence Valk. |
Historical Notes The Sunbeam Theatre was a 1296 seat theater built in 1914. It was purchased by the owners of the Highland Park Theater and closed to remove competition. After that it was re-purposed for a variety of businesses. In the late 1980s, part of it was utilized by the theater group Outback Theater. The space is still occasionally used for events.***^ |
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(ca. 1920)* - East side of Broadway between 2nd and 3rd Streets around 1920. On the left, Crocker Building, 212 S. Broadway; on the right, Copp Building, 218 S. Broadway. A number of automobiles are parked along the street in front of the various shops and stores. |
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(ca. 1920)* - Newell and Gammon Building, 131 South Broadway. Two men are sitting on a car's runner board. |
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Toonerville Trolley Sandwich Shop
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(1920)* - View of the Toonerville Trolley sandwich shop located at 1635 W. Manchester Avenue. Sign reads: 'Sandwich Special' and 'Free Coffee' |
Historical Notes In the 1920s, as the automobile was becoming the default way to get around Los Angeles, buildings and structures in the area became more unique, often resembling the merchandise or services they hawked. These “hey-you-can’t miss-me!” buildings (referred to as Novelty or Programmatic Architecture) were made to pull automobile drivers right off the road. Click HERE to see more examples of Programmatic Architecture. |
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Wrigley Residence (Catalina Island)
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(1919)**#^ – View of the Wrigley residence under construction on top of Mt. Ada, overlooking Avalon Bay. In the distance is Sugarloaf Point and a new casino located on the spot where “Big" Sugarloaf once stood. |
Historical Notes First built as the vacation home of William Wrigley Jr., Mt. Ada was constructed in 1919 and finished in 1922. Wrigley reportedly chose this particular location for its unsurpassed views of Avalon Bay with magnificent surroundings and because it received the first sunlight of the morning and the last sunlight of the late evening.**#^ |
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(ca. 1922)^ - Birdseye view of Avalon Bay with the William Wrigley house in the foreground. The house can be seen on a steep hill in the foreground at right and is a large, two-story building with dark grass all around. The hillside at left is sparsely covered with small, thick trees. The harbor can be seen in the background at left. A large steamship can be seen at a dock, while many smaller vessels are moored in the harbor. “Little” Sugarloaf rock can be seen in the background at center next to Avalon’s first Casino, right where “Big” Sugarloaf rock once stood. |
Historical Notes The Wrigley home was designed and built by David M. Renton, general manager of the Santa Catalina Island Company at the time. Renton, who was influential in the early development of Catalina Island, also managed construction of the Catalina Casino Ballroom and was known for the development of Craftsman-style homes in Pasadena, among many other local projects.**#^ |
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(1920s)* - View of William Wrigley's beautiful two-story, L-shaped home resting atop a grassy hill, overlooking Avalon and beyond. Small houses as well as various tourist-oriented businesses, office buildings and several larger apartment complexes are nestled in the hills. The first Catalina Casino, Sugarloaf Casino, and numerous small boats are visible at the edge of the bay on the right, surrounded by the sea on three sides. |
Historical Notes The home stood 350 feet above the ocean and provided expansive views of Avalon Bay, the town of Avalon itself, and the mainland off in the distance. The Wrigleys reportedly made two annual visits to Catalina Island in the summer and winter, with each visit lasting between four and ten weeks. Many distinguished guests of that time period enjoying visiting with the Wrigley family, including Herbert Hoover, Calvin Coolidge, and the Prince of Wales.**#^ |
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(n.d.)* - View showing the stairway leadig to William Wrigley's house on top of Mt. Ada (named after Mrs. Wrigley). The sprawling residence boasts numerous windows, each facing magnificent views of the island, several dormers, a number of balconies, and lush landscape. |
Historical Notes After Mr. Wrigley’s death in 1932, Mrs. Wrigley continued to visit their treasured home regularly until 1947 when she suffered a stroke. She died in 1958 and the property was then managed by the Santa Catalina Island Company and occasionally used for meetings and events by local organizations. In 1978, the property was donated to the University of Southern California and was used by the University as a conference center for the next several years.**#^ |
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(n.d.)**#^ - Postcard view of the Wrigley Residence on Mt. Ada, Catalina. Built between 1922-24 and designed by David M. Renton. |
Historical Notes In 1985, the home was leased to its present operators and became The Inn on Mt. Ada. The residence was carefully restored in an effort to bring the property up to current building standards and to provide the amenities of a luxurious inn. Many celebrities have stayed at the Inn including Barbara Streisand, Molly Ringwald, and Billy Zane. The most requested suite is the two-room Grand Suite which includes a private terrace. Mt. Ada is open to the public every December for the Catalina Island Museum’s Annual Open House. The home was placed on the National Register of Historic Places in 1985.**#^ |
Click HERE to see more in Early Views of Catalina |
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(ca. 1920)* - The Pico House, sometimes called "Old Pico House", built by Pio Pico in 1869-70. For a period in the 1920's it became the "National Hotel" and here we see a corner view of the building at the corner of N. Main & Plaza St., with a sign for "Plaza Employment Agency" on the right side of the building. A crowd of people are hanging around the corner, and a row of cars is parked up the left side, while 3 or 4 cars are seen on the right side. |
Historical Notes Pío Pico constructed the Pico House in 1869-70. The first three-story hotel built in Los Angeles, it had about eighty rooms, large windows, a grand staircase, and a small interior courtyard.^* The Pico House (Hotel) was designated as California Historical Landmark No. 159 (Click HERE to see California Historical Landmarks in LA). |
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(ca. 1971)*^*^ - View of the Pico House's interior courtyard shortly after it was restored. |
Click HERE to see more Early Views of the Pico House |
Hamburger's Department Store (later May Co.)
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(ca. 1920)* - Exterior view of Hamburger's ornately decorated department store located on the corner of Broadway and Eighth Street. Awnings cover the display windows on one side and cars are parked end to end at the curb. |
Historical Notes Originally designed by Alfred F. Rosenheim and opened in 1908, this Beaux Arts building was enlarged by Aleck Curlett in 1929 to accommodate more merchandise. The store was acquired from A. Hamburger & Sons Co. by David May in 1923 and renamed the May Company.* A. Hamburger and Sons was one of the first department stores to operate in Los Angeles. Originally known as A. Hamburger & Son's People's Store, the name later changed to Hamburger's Store. In 1908 the company relocated their store from Spring Street to a new building located at Broadway and Eighth Street.^^# |
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(1933)* - View of the May Co. Building (previously Hamburger's Department Store) located on the corner of Eighth and Hill streets. The building runs all the way from Hill to Broadway on the south side of 8th Street. |
Historical Notes May Department Stores acquired Hamburger's in 1923 and renamed it the May Company. Much later in the century, the May Company and Robinsons chains of department stores would affiliate under the name Robinsons-May; and this entity would be bought out by Macy's in 2005.^^# |
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(1951)* - Photo by Dick Whittington showing the exterior of the May Co. building located in downtown Los Angeles. |
Historical Notes More recently, the building has been known as the California Broadway Trade Center and houses dozens of individual retail stalls.* The building is now owned by the Afshani brothers who, it is rumored, are planning to bring a hotel, apartments, and revamped retail space to the one-million-square-foot site, which runs all the way between Broadway and Hill.*## In 1989, the Hamburger/May Co. Department Store Building was designated Los Angeles Historic-Cultural Monument No. 459 (Click HERE for complete listing). |
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(ca. 1917)#^*- View of the southeast corner of Temple Street and Broadway showing the County Court House and Hall of Records. |
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(ca. 1920)^ - View of the LA County Courthouse and Hall of Records standing side-by-side. |
Historical Notes The LA County Courthouse was built in 1891 at the old site of LA High School. The building was demolished in 1936. The Hall of Records was built in 1906 and demolished in 1973.* |
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(1928)* - View of the Los Angeles County Courthouse viewed through the colonnade of the recently completed City Hall. |
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Broadway Christian Church
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(ca. 1923)* - View looking at the Victorian-style Broadway Christian Church at 223 Broadway, located across the street from the County Courthouse just south of Temple Street. |
Historical Notes Dedicated in 1895, this building served as the Broadway Christian Church until 1925, at which time the congregation relocated and built a Spanish-style church at 3405 W. Pico Blvd. in Los Angeles. Many years later, the Pico-Arlington Christian Church became the Ethiopian Christian Church. B. F. Coulter was an ordained minister and founded the Broadway Christian Church. He was also one of the earliest merchants in Los Angeles having started Coulter's Dry Goods in 1878. |
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Hotel Ford
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(1921)* - The northwest corner of Olive and 7th Streets on December 28, 1921. This is the future site of the Bank of Italy Building. In this photo it is Hotel Ford, with a dentist's office above. It is also known as the United States Hotel. The Knickerbocker Building is at right. |
Bank of Italy Building (Today, Giannini Place)
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(1922)* – View showing the newly constructed Bank of Italy at 649 South Olive Street. The building is a neoclassical base supporting office block, a rusticated base, with 3-story monumental colonnades. Date built: 1922. Architects: Morgan, Walls & Clements. |
Historical Notes The 12-story building was completed in 1922 and dedicated in 1923. It was built as the Los Angeles headquarters of the Bank of Italy, a forerunner to Bank of America founded by Amadeo Giannini. Designed by architectural firm Morgan, Walls & Clements, the Neoclassical architectural style building has Doric columns, ornate golden ceiling and marble floors. The bronze front doors are surrounded by terra cotta sculptures of American coins.
The Bank of Italy was founded in San Francisco, in 1904 by Amadeo Giannini. It grew by a branch banking strategy to become the Bank of America, the world's largest commercial bank with 493 branches in California and assets of $5 billion in 1945. It was also the first state-wide branch banking system. The Bank of Italy merged with the smaller Bank of America, Los Angeles in the 1928. In 1930, Giannini changed the name "Bank of Italy" to "Bank of America." As Chairman of the new, larger Bank of America, Giannini expanded the bank throughout his tenure, which ended with his death in 1949.^* |
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(1920s)* – View looking at the NW corner of 7th and Olive streets showing the Bank of Italy, once the site of the Hotel Ford. |
Historical Notes When the Bank of Italy Building opened in 1922 it had a massive vault that included space for 12,000 safe-deposit boxes. The main vault door weighed 50 tons. Bank of Italy, already the largest bank in the West by 1923, also encouraged deposits from a group that most banks at the time overlooked — women and children. It became Bank of America in 1930. The building, now known as Giannini Place, was remodeled in 1968, and declared LA Historic Cultural Monument No. 354 on April 16, 1988. Click HERE for contemporary view. |
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Loew's State Theater
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(1921)* - View looking at the southwest corner of Broadway and 7th Street showing the construction of Loew's State Theater. Workers can be seen sitting on different floors taking a break. |
Historical Notes Loew's State Theatre, located at 703 S. Broadway was constructed in 1921 on the site of the Vogel Block (1893-1920). It opened the same year and had a seating capacity of 2,450. The theater offered both film and vaudeville when it opened. Designed by Charles Weeks and William Day, the 12-story Loew's State is said to be the largest brick-clad structure in Los Angeles.^* It was the 200th theatre built by Marcus Loew and was the most completely equipped on the coast. The theatre was housed in a twelve-story building costing $2,500,000. The theatre proper cost $1,500,000. It was built by Woods Brothers, Weeks and Day, and was under the direction of Ackerman and Harris, Western managers for Loew in San Francisco.**^ |
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(1921)* - Pedestrians walk by the marquee at the Loew's State Theater on the corner of 7th and Broadway as it advertises Mae Murray in "Broadway Rose". On the ground floor is The Owl Drug Co. Various businesses occupy the other floors. A horse and buggy is stopped at the intersection next to a streetcar. |
Historical Notes Loew's State Theatre was built as the west coast showcase for the product of the Loew's subsidiary Metro Pictures. The opening was on November 12, 1921 at one of downtown's busiest intersections, 7th and Broadway. Loew's State once used entrances on both streets. The 7th St. entrance was closed in 1936. The opening attraction was MGM's "Liliom." Marcus Loew was in attendance with a bevy of stars. Wonderfully successful as a vaudeville/movie house, it featured elaborate stage shows by Fanchon and Marco with leading performers. Judy Garland sang here when she was still one of the Gumm Sisters.**^ |
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(ca. 1924)^ – View of the Loew's State Building (Loew's State Theatre) at the southwest corner of Seventh Street and Broadway. Many streetcars can be seen operating here as thousands crowd into the theatre. |
Historical Notes In 1924 Marcus Loew engineered the merger of Metro with the Goldwyn Co. (which Sam Goldwyn had departed from in a 1922 power struggle) and the Louis B. Mayer group -- resulting in Metro-Goldwyn Pictures. By 1925, Mayer's name was also part of the company name, thus becoming MGM.**^ |
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(1926)**^ - View from above of 7th & Broadway, downtown's busiest intersection. Loew's State Theater is playing "Syncopating Sue" starring Corinne Griffith. |
Historical Notes MGM's prestige product was well suited to the type of theatres operated by the Loew's Corporation. Although at its height in the late 1920's, the circuit totaled only about 160 theatres, they were typically lavish first runs in major cities.**^ |
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(1922)* - Exterior view of Loew's State Theatre building. The streets are crowded with pedestrians crossing and standing along the sidewalks. Marquee reads: Now- Flapper week-Doris May in "Gay and Devilish." Occupants of the building also includes a dentist, Headquarters for Moore for Senator campaign, Star Shoe Co. and the Owl Drug Co. |
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(1938)*##^ – View showing the marquee at Loew’s State Theater, Broadway and 7th Street. Now Playing: Sonja Henie and Don Ameche in “Happy Landing”, also “City Girl”. |
Historical Notes The theater is noted for the seated Buddha located in a niche above the proscenium arch. The exterior has an elaborate "silver platter" chased ornamentation above the ground story. In 1998, Metropolitan Theaters stopped showing movies at the State and leased the space to the Universal Church. As of 2008, the State was being operated as a Spanish-language church.^* |
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Van de Kamp's Bakery Shop
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(1921)* - Exterior view of Van de Kamp's Bakery Shop on Western and Beverly Boulevard. This is the 1st of the windmill bakery shops which had first been a movie set and was purchased for use as a novel bakery. |
Historical Notes Van de Kamp's Holland Dutch Bakeries was a bakery founded in 1915 and headquartered in the Van de Kamp Bakery Building in Los Angeles. The company's trademark blue windmills featured on their grocery store signs and atop their chain of famous restaurants that were known throughout the region.^* |
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(1921)* - Interior of Van De Kamp's first restaurant unit, on Spring Street in Los Angeles, in 1921. A few diners are seated on barstools at the counters, while restaurant staff smile for the camera. |
Historical Notes The bakery was sold by the Van de Kamp family and acquired by General Baking Co. in 1956. The company was sold to private investors in 1979, and closed in bankruptcy in 1990. Former Los Angeles County District Attorney John Van de Kamp is a grandson of the baker's founder. The family also founded Lawry's Restaurants and the Tam O'Shanter Inn.^* |
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Tam O'Shanter Inn (originally Montgomery's Country Inn then Montogomery's Chanticleer Inn)
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(ca. 1924)**# - View of the Montgomery's Chanticleer Inn (later Tam O'Shanter Inn) located at 2980 Los Feliz Blvd. |
Historical Notes Montgomery’s Country Inn was built in 1922 by Joe Montgomery partnering with Lawrence Frank and Walter Van de Kamp, founders of Van de Kamp's Holland Dutch Bakeries who also went on to found the Lawry's restaurant chain. They commissioned Harry Oliver to design the building. He constructed the Storybook Style building aided by movie studio carpenters.^* By 1924, it was known as Montgomery’s Chanticleer Inn, with its quaint tower and small store that sold pretzels, potato chips and the odd mixture of Navajo, Chinese and Italian curios.**# |
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(ca. 1924)^***^ - View showing the Tam O'Shanter Inn, previously Montgomery's Chanticleer Inn. |
Historical Notes When Montgomery's Chanticleer Inn failed to thrive, a fellow Rotarian of one of the partners suggested that the restaurant would attract more customers if it adapted a Scottish theme and the name Tam O’Shanter.**# |
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(1920s)* - A waitress stands in front of the thatched roof Tam O'Shanter Inn. A sign at extreme right reads "Good Food." At left, a counter area is visible, and in the middle, a door leading to indoor dining. Two umbrellas and tables have been placed outside for outdoor dining. |
Historical Notes The exterior of the Tam O’Shanter has been remodeled many times since, but the initial design seen in the above picture shows the fairy-tale influence; tree trunk and branch columns, topsy-turvy roof lines, knotted wood, wrought iron flourishes and homely chimneys. Owner Lawrence L. Frank, once explained that “every piece of wood which was used in [building the tam] was thrown into fire first with the result that we never had to paint it and it got more beautiful as the years went by.” #** |
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(1930s)#** - View of a man sitting at the outdoor counter of the Tam O'Shanter Inn. |
Historical Notes This was Walt Disney’s favorite restaurant. He dined here nearly every week during the 1930s, 40s and 50s. #** |
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(1930)##^* – View looking toward the southeast corner of Los Feliz Boulevard and Boyce Avenue showing the Tam O’ Shanter, advertising Malted Milk for 15 cents. Full car service can be seen at center-left, next to the umbrella. |
Historical Notes The Tam O’ Shanter soon became one of the nation’s first drive-ins with special wooden trays that enabled guests to dine in their cars. They called it 'Car Service de luxe'. |
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(1930s)+## – View showing four people enjoying a tray-served meal inside their car at Tam O’ Shanter. |
Historical Notes From a 1933 advertisement of the newly remodelled Tam o’ Shanter and its drive-in service: “We are happy to welcome you to our remodeled Tam o’ Shanter Inn. Important among the changes made, is the re-establishment of Car Service de luxe – a feature which we originated eight years ago. Ingenious tables installed in your car, enable you to sit and eat in the comfort and privace of your own automobile…” Click HERE to see more Early LA Drive-in Restaurants. |
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(2015)#^^* - Google Street View showing the Tam O'Shanter Restaurant located at 2980 Los Feliz Boulevard. |
Historical Notes The restaurant was remodeled in 1968 and renamed the "Great Scot", but has since been brought back to the its original name "The Tam O'Shanter Inn". The restaurant's decor still features English and Scottish medieval weapons, kilts, and family Coat of Arms and Medieval Family Crests.^* Opened in June 1922 by the founders of Van de Kamp's Dutch Bakeries and is still around today, making it Los Angeles’ oldest restaurant that has remained in the same location under the same ownership and management. |
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Hal E. Roach Studios
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(1921)* - Hal Roach (1892-1992) steps out of his car, which is parked outside his Hal E. Roach Studios, located at 8822 Washington Boulevard in Culver City. |
Historical Notes Harold Eugene "Hal" Roach, Sr. was an American film and television producer, director, and actor from the 1910s to the 1990s, best known today for producing the Laurel and Hardy and Our Gang (later known as The Little Rascals) film comedy series. After an adventurous youth that took him to Alaska, Hal Roach arrived in Hollywood in 1912 and began working as an extra in silent films. Upon coming into an inheritance, he began producing short film comedies in 1915 with his friend Harold Lloyd, who portrayed a character known as Lonesome Luke.^* |
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(1920s)^* – Postcard view showing a line of cars parked in front of the Hal Roach Studios office buildings. |
Historical Notes Unable to expand his studios in downtown Los Angeles because of zoning, Roach purchased what became the Hal Roach Studios from Harry Culver in Culver City. During the 1920s and 1930s, he employed Lloyd (his top money-maker until his departure in 1923), Will Rogers, Max Davidson, the Our Gang kids, Charley Chase, Harry Langdon, Thelma Todd, ZaSu Pitts, Lupe Vélez, Patsy Kelly and, most famously, Laurel and Hardy. During the 1920s Roach's biggest rival was producer Mack Sennett. In 1925, Roach hired away Sennett's supervising director, F. Richard Jones.^* |
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(1926)* - Aerial view of the area surrounding Hal Roach Studios, located in the upper left--the second-to-the-largest building with a flat roof, behind which are the outdoor sets, 8822 Washington Blvd. at the corner of Washington and National in Culver City. Most of the Laurel & Hardy movies, the Our Gang shorts, and many Harold Lloyd comedies were made at the studio, |
Historical Notes The 14.5 acre studio once known as "The Lot of Fun", containing 55 buildings, was torn down in 1963. They were replaced by light industrial buildings, businesses, and an automobile dealership. Today, Culver City's "Landmark Street" runs down what was the middle of the old studio lot, with the two original sound stages having been located on the north side of Landmark Street, and the backlot/city street sets had been located at the eastern end of Landmark Street. A plaque sits in a small park across from the studio's location, placed there by The Sons of the Desert, an international fraternal organization devoted to the lives and films of comedians Stan Laurel and Oliver Hardy.^* |
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(1931)* - Oliver Hardy and Stan Laurel stand next to a Studebaker in front of Hal E. Roach Studios. |
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San Pedro PE Depot
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(1921)* - Exterior view of the Pacific Electric Railway station in San Pedro. |
Historical Notes PE's two-story San Pedro depot was opened in 1920, and succumbed to the wrecking ball in 1961. The new 6th Station on the Port of Los Angeles Waterfront Red Car Line is located just east of the former PE station site, adjacent to the entrance of the Maritime Museum.*^^* |
Click HERE to see more in Early Views of San Pedro and Wilmington |
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Eagle Rock City Hall
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(1922)* - Eagle Rock City Hall, probably at time of completion in 1922 because the grounds are not yet landscaped. |
Historical Notes The arrival of Owens Valley water via the Los Angeles Aqueduct and the concurrent depletion of the young city's wells ultimately led the city fathers to agree to annexation by Los Angeles in 1923. Eagle Rock is one of the few cities incorporated by Los Angeles to still have its original pre-annexation City Hall (2035 Colorado Blvd.) and Library (2225 Colorado Blvd.) still standing. Click HERE to see Contemporary View. |
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(1923)* – Eagle Rock City Hall, showing detail of facade and front entrance. It was built in 1922 and was designed by architect William Lee Woollett. |
Historical Notes Click HERE to see Early Views of Eagle Rock |
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Angelus Temple
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(ca. 1922)* - Exterior view of the bible school and residence of Aimee Semple McPherson, founder of the Foursquare Church, located at Park Avenue and Lemoyne in Echo Park, adjacent to the Angelus Temple. |
Historical Notes Aimee Semple McPherson was a Canadian-American Los Angeles–based evangelist and media celebrity in the 1920s and 1930s. She founded the Foursquare Church which worshipped at the Angelus Temple adjacent to the bible school seen above.^* |
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(1920s)**# – Night time view of Angelus Temple located at 1100 Glendale Boulevard in Echo Park. |
Historical Notes Angelus Temple was the central house of worship of the International Church of the Foursquare Gospel. It was constructed in 1922 and dedicated on January 1, 1923. Located opposite Echo Park Lake, the temple had an original seating capacity of 5,300, huge for a church then and now, but suited well for the crowds McPherson attracted as an evangelical sensation of the 1920s and 1930s.^* |
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(1930)^*^# - Evangelist Aimee Semple McPherson leading a song during Foursquare Gospel church service at the Angelus Temple. |
Historical Notes In her time she was the most publicized Christian evangelist, surpassing Billy Sunday and her other predecessors. She conducted public faith-healing demonstrations before large crowds, allegedly healing tens of thousands of people. McPherson's articulation of the United States as a nation founded and sustained by divine inspiration continues to be echoed by many pastors in churches today. News coverage sensationalized misfortunes with family and church members; particularly inflaming accusations she had fabricated her reported kidnapping, turning it into a national spectacle. McPherson's preaching style, extensive charity work and ecumenical contributions were a major influence in revitalization of American Evangelical Christianity in the 20th century.^* |
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(1935)^*# - View showing the Angelus Temple located on the northeast corner of Glendale Boulevard and Park Avenue. Echo Park is seen on the right. Sign over the doorway reads ‘Rheba Crawford’. |
Historical Notes Rheba Crawford Splivalo, known as the "Angel of Broadway," was appointed associate pastor of Angelus Temple in 1935. In 1937, she was involved in a long and contentious slander suit as the result of her ouster from the temple. McPherson had circulated rumors that Crawford was not as “pure as the wind-driven snow” as she portrayed and had characterized her as something of a slut, which her enemies grabbed on to and used. This didn’t prevent Reba Crawford from taking to the airwaves with a weekly commentary on the political goings-on around L.A. City Hall and Sacramento as well as filing a $1 million suit for slander, which was later settled.^ |
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(ca. 1934)* - Exterior view of Angelus Temple located at Glendale Boulevard and Park Avenue in Echo Park. The marquee reads: "Continuous Revival." The radio towers for the church's radio station, KFSG, are visible on the roof. |
Historical Notes McPherson has been noted as a pioneer in the use of modern media, especially radio, and was the second woman to be granted a broadcast license. She used radio to draw on the growing appeal of popular entertainment in North America and incorporated other forms into her weekly sermons at Angelus Temple.^* |
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(1940s)#^^ – Postcard view of the Angelus Temple just as services are being let out. |
Historical Notes The Angelus Temple was the largest construction of its time in North America, rising "125 feet from the main floor". A panorama of clouds, which was the work of artist Anne Henneke, adorns the ceiling, and the temple has eight stained glass windows depicting the life of Jesus Christ, created by artist George Haskins.^* |
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(n.d.)**# – Postcard view showing men sitting on benches at Echo Park. Across the street (Park Avenue) stands Angelus Temple, left, and bible school and residence of Aimee Semple McPherson on the right. |
Historical Notes Angelus Temple underwent renovations in 1972, while still retaining its original interior and exterior appearance. The lighted cross atop the temple's dome is a longstanding landmark. The entire temple was designated a National Historic Landmark in 1992.^* |
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Rose Bowl
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(1921)#*^ - The Pasadena Rose Bowl under construction in the Arroyo Seco dry riverbed. |
Historical Notes The game now known as the Rose Bowl Game was played at Tournament Park until 1922. The Pasadena Tournament of Roses Association, the game's organizer, realized that the temporary stands were inadequate for a crowd of more than 40,000, and sought to build a better, permanent stadium. The stadium was designed by architect Myron Hunt in 1921. His design was influenced by the Yale Bowl in New Haven, Connecticut, which was built in 1914. ^* |
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(1922)^^++ – View showing the Rose Bowl seats being assembled in the early stages of the stadium’s construction. |
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(1922)* - After crowds out-grew Pasadena's Tournament Park, architect Myron Hunt drew up plans for the construction of the Rose Bowl stadium in 1920. On January 1, 1923, USC beat Penn State, 14-3, in the first Rose Bowl game. |
Historical Notes The Rose Bowl was under construction from 1921 to 1922. The nearby Los Angeles Memorial Coliseum also was under construction during this time and would be completed in May 1923 shortly after the Rose Bowl was completed. The first game was a regular season contest on October 28, 1922 when Cal defeated USC 12–0. This was the only loss for USC and California finished the season undefeated. California declined the invitation to the 1923 Rose Bowl game and USC went in their place. The stadium was dedicated officially on January 1, 1923 when USC defeated Penn State 14–3.^* |
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(1923)#^* - Panoramic view of the 1923 Rose Bowl Game between Penn State University and the University of Southern California at the Rose Bowl Stadium in Pasadena. The stands are almost filled, with the exception of some of the higher areas on the far side of the stadium. Small groups of what appear to be military men are seated on chairs on the track surrounding the field. The game is in progress, with the two teams in the middle of a series near midfield. There are men positioned at several places along the near sideline with photographic cameras, and one man near midfield has a motion picture camera. There is a very tall flag pole on the far right with a large American flag. A large number of automobiles are parked on the far right, beyond the open part of the stadium, where there are also a couple hundred people watching the game over the stadium fence. |
Historical Notes January 1, 1923 was the first time that the Rose Bowl Game was held at the Rose Bowl Stadium. The game featured Penn State University and the University of Southern California, with the score ending at USC 14 to PSU 3. #^* The name of the stadium was alternatively "Tournament of Roses Stadium" or "Tournament of Roses Bowl", until being settled as "Rose Bowl" before the 1923 Rose Bowl game.^* Click HERE to see more in Early Views of USC. |
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(1925)* - Aerial view of the Rose Bowl on New Years Day, January 1, 1925. The stadium is almost full, yet crowds of people are still walking in. The football score that day was: Notre Dame, 27 vs Stanford, 10. |
Historical Notes Originally built as a horseshoe, the stadium was expanded several times over the years. The southern stands were completed in 1928, making the stadium a complete bowl.^* |
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(ca. 1928)* - Aerial view of the Rose Bowl after the southern stands were constructed making it a complete bowl. Though the stadium appears to be filled to capacity, people are still trickling in, and row upon row of automobiles can be seen neatly parked in the lots. View also shows the residential homes surrounding the stadium, as well as the mountains in the background. |
Historical Notes The Rose Bowl game grew to become the "granddaddy" of all bowl games, because of its stature as the oldest of all the bowl games. The Rose Bowl stadium is a National Historic Landmark, and was added to the National Register of Historic Places on February 27, 1987.* |
Click HERE to see more Early Views of Pasadena |
Los Angeles Memorial Coliseum
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(1922)* - Aerial view showing the early stages of the Coliseum's construction. The arches and east entranceway are already in place. |
Historical Notes The Coliseum was commissioned in 1921 as a memorial to veterans of World War 1 (rededicated to veterans of all wars in 1968). The official ground breaking ceremony took place on December 21, 1921 with work being completed in just over 16 months, on May 1, 1923. Designed by John and Donald Parkinson, the original bowl's initial construction costs were $954,873.^* |
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(1923)* - Aerial views shows the progress of the construction work on the Coliseum. The stadium itself is almost complete with the surrounding area still needing work. |
Historical Notes The Coliseum was constructed on land within Exposition Park which orignially was call Agricultural Park. Dating back to 1872, farmers once sold their harvests on the grounds, while horses, dogs, camels, and later automobiles, competed along a racetrack. In 1913, it was renamed Exposition Park when four tenants moved in: California Museum of Science and Industry (Exposition Building), National Armory, Domed National History Museum and the Sunken Garden (later called Rose Garden). Click HERE to see more of Agricultural Park. |
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(1923)**# - Aerial view looking north showing an almost completed Coliseum. The next step is the landscaping. Figueroa Street, running left to right, is seen at top. |
Historical Notes When the Coliseum opened in 1923, it was the largest stadium in Los Angeles with a capacity of 75,144..^* |
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(1923)^*#* – View showing the 1st football game at the LA Memorial Coliseum, USC vs. Pomona. |
Historical Notes The Los Angeles Memorial Coliseum opened June of 1923; some 5 months later, on October 6th, the first football game was played in the stadium, with the University of Southern California defeating Pomona College 23-7 before a crowd of 12,836.^*#* |
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(ca. 1930)#*** - Postcard view of the Memorial Coliseum after its expansion in preparation for the 1932 Olympics. Note: The Olympic torch has yet to be installed. |
Historical Notes In 1930, with the Olympics due in two years, the stadium was extended upward to seventy-nine rows with two tiers of tunnels, expanding the seating to 101,574. The now-signature torch was added. For a time it was known as Olympic Stadium. The Olympic cauldron torch which burned through both Games remains above the peristyle at the east end of the stadium as a reminder of this, as do the Olympic rings symbols over one of the main entrances.^* |
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(ca. 1930)* - View of the front end of the Coliseum stadium at Exposition Park before the Olympic torch was added. |
Historical Notes The now-signature torch was added for the Olympics during the 1930 renovation. It is still being lit during the fourth quarters of USC football games.^* |
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(1932)**# - Final score: USC 13 - Notre Dame 0: USC shut out Notre Dame on its way to a second consecutive consensus national title, matching Notre Dame's feat in 1929 and 1930. |
Historical Notes From 1928-1932, USC and Notre Dame combined to win the national title five straight years, with USC winning in 1928, 1931 and 1932, and Notre Dame winning in 1929 and 1930.^* In addition to serving as the home field for the USC Trojans since 1923, countless historic events have taken place inside these venerable walls during nine decades of celebrated history. It is the only facility in the world to play host to two Olympiads (X and XXIII), two Super Bowls (I and VII), one World Series (1959), a Papal Mass and visits by three U.S. Presidents: John F. Kennedy, Richard M. Nixon and Ronald Reagan.^*#* Click HERE to see more in Early Views of USC. |
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(1932)* - Aerial view of Los Angeles, looking north, with the Coliseum in the foreground. Note: the Olympic torch is now in place. Downtown LA can be seen in the background with City Hall appearing to be the tallest building. |
Historical Notes Prior to the late 1950s the Charter of the City of Los Angeles did not permit any portion of any building other than a purely decorative tower to be more than 150 feet. Therefore, from its completion in 1928 until 1964, the City Hall was the tallest building in Los Angeles, and shared the skyline with only a few structures having decorative towers, including the Richfield Tower and the Eastern Columbia Building.^* |
Click HERE to see more Early Views of the Los Angeles Memorial Coliseum during the Olympics |
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California Bank (1st and Vermont)
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(1922)^ - View of the California Bank branch office on the southwest corner of Vermont and First Street. Two poles stand in front of the bank with their streetcar wires weaving overhead. The bank has an arched entrance and tall, arched windows where two people lean on the right. Automobiles sit parked in front of Jones Goodie Shop on the far left. |
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Hollywood Bowl
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(1922)* - Hollywood Bowl at first Symphony Under the Stars, July 11, 1922. This was the "Bowl's" official opening and was on the site of a natural amphitheater formerly known as the Daisy Dell. It has undergone several upgrades to improve seating as well as acoustics. |
Historical Notes On July 11, 1922, with the audience seated on simple wooden benches placed on the natural hillsides of Bolton Canyon, conductor Alfred Hertz and the Los Angeles Philharmonic inaugurated the first season of music under the stars at the Hollywood Bowl. The Bowl was very close to its natural state, with only makeshift wooden benches for the audience, and eventually a simple awning over the stage.^* |
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(1920s)^ - View looking toward the stage from an upper row of seats. The stage of the Hollywood Bowl is shown at center, bordered on each side by columns. Curved rows of bleacher-like seats sit to the left of the camera, while in front of it are rows of box seats. A group of several people stands in the front rows of the center and right sections of seats. |
Historical Notes The Hollywood Bowl has been the summer home of the Los Angeles Philharmonic, since its official opening in 1922.^* In 1922 the admission price was 25 cents. |
Click HERE to see more Early Views of the Hollywood Bowl |
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(1922)* - Exterior view of the Masonic Temple located at 6840 Hollywood Boulevard, between Highland and La Brea. The building was built in 1922 and designed by Architects Austin, Field & Fry in a Greek Revival design with six tall pillars decorating the front entrance of the building. Note the two ornate 5-bulb streetlights in front of the building. Click HERE to see more in Early L.A. Street Lights. |
Historical Notes In 1921, the Hollywood lodge of the Masons relocated from their existing lodge on the current site of the Kodak Theatre. The construction of the new three-story building was led by lodge master, Charles E. Toberman, who was responsible for the Hollywood Bowl, Grauman's Chinese Theatre, the Roosevelt Hotel and the Max Factor Building. When the new temple opened, it was one of the most substantial structures in Hollywood. It had a billiard room, pipe organ, ladies parlor, ballroom and lodge rooms. One writer described the building as "unsurpassed for beauty, attractiveness and richness of equipment. The architect, John C. Austin also worked on the Shrine Auditorium, Griffith Observatory and Los Angeles City Hall.^* |
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(1955)**^# – View looking south on Orchid Avenue toward Hollywood Boulevard. The Hollywood Masonic Temple is seen on the south side of Hollywood Boulevard at the end of the T-intersection. |
Historical Notes Orchid Avenue at Hollywood Boulevard "disappeared" during the construction of the Hollywood Highland complex in the late 90s. The other half of the street still exists and can be accessed off of Franklin Ave, the next street north of Hollywood Blvd.^* In 1984, the Hollywood Masonic Temple (now known as the El Capitan Entertainment Centre) was desiganted LA Historic-Cultural Monument No. 277 (Click HERE to see complete listing). It was also listed in the National Register of Historic Places in 1985. |
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(1922)* - Millspaugh Hall at the Los Angeles State Normal School on Vermont Avenue (later to become UCLA). Students can be seen sitting in the shade of a Eucalyptus tree. |
Historical Notes The cornerstone for Millspaugh Hall was laid on November 18, 1913; in September 1914, the school began its sessions in the new building. Millspaugh Hall was the center of student and administrative activity and occasionally an outdoor assembly area. The University of California, Southern Branch would eventually come to be known as the University of California, Los Angeles - or UCLA for short.* |
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(ca. 1925)* - Millspaugh Hall, an ivy-covered Beaux-Arts style building with a flared polygonal dome, was the Administration building of the University of California, Southern Branch, located at 855 N. Vermont Ave. |
Historical Notes UCLA's first Commencement was in 1920 and was held in Millspaugh Hall of what was then the Los Angeles State Normal School on Vermont Avenue. The institution conferred its first bachelor's degree in education in 1923, and its first bachelor of arts degree in 1925. The Class of 1928 was graduated in ceremonies held in the Hollywood Bowl, the site of UCLA Commencements for several years, even following the move from the Vermont Avenue campus to Westwood in 1929.^** |
Click HERE to see more in Early Views of UCLA |
Egyptian Theatre
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(1922)^ - View looking east on Hollywood Boulevard at McCadden Place showing the newly opened Grauman's Egyptian Theater. |
Historical Notes The Egyptian Theatre was built by showman Sid Grauman and real estate developer Charles E. Toberman, who subsequently built the nearby El Capitan Theatre and Chinese Theatre on Hollywood Boulevard. Grauman had previously opened one of the United States' first movie palaces, the Million Dollar Theatre, on Broadway in Downtown Los Angeles in 1918. The Egyptian Theatre cost $800,000 to build and took eighteen months to construct.* McCadden Place was named after developer and subdivider W. C. McCadden. |
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(1922)^*^# - The Grauman's Egyptian Theatre on opening night. The film was Douglas Fairbanks' "Robin Hood," which was the first-ever Hollywood premiere. |
Historical Notes The Egyptian Theatre was the venue for the first-ever Hollywood premiere, Robin Hood, starring Douglas Fairbanks, on Wednesday, October 18, 1922. As the film reportedly cost over $1 million to produce, the admission price to the premiere was $5.00. One could reserve a seat up to two weeks in advance for the daily performances. Evening admission was 75¢, $1.00 or $1.50. The film was not shown in any other Los Angeles theater during that year.* The address 6712 Hollywood Boulevard, now the site of the Egyptian Theatre, was once the address of Gilbert F. Stevenson and his wife. In 1903, Stevenson, the Secretary and General Manager of the Western Masons Mutual Life Insurance Association, moved from downtown Los Angeles to a five acre lemon ranch on the corner of Prospect (now Hollywood Boulevard) and Dakota (now McCadden Place) Avenues.^#** |
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(ca. 1923)* - A view of the courtyard of Grauman's Egyptian Theatre with statues of an Egyptian king, Indian elephants. Billboard advertising for Douglas Fairbanks "The Thief of Bagdad." |
Historical Notes King Tutankhamen’s tomb was discovered in Egypt on November 26, 1922 and an Egyptian craze swept the nation. |
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(1922)* - Looking toward the stage across the seats in the auditorium, you can see the delicately carved arches around the stage as well as the ornate ceiling above it. |
Historical Notes Architects Meyer & Holler designed the Egyptian Theatre. The Milwaukee Building Company built it. |
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(1924)* - Interior view of the Egyptian Theatre as seen from the stage. |
Historical Notes The original seating capacity of the theatre was close to 2,071 in a 115 by 125 foot auditorium. |
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(1924)* - View of the Grauman's Egyptian Theatre in 1924. Railroad tracks can be seen on Hollywood Boulevard in front of the theatre. |
Historical Notes The courtyard of the Egyptian is 45 feet wide and 150 feet long. The store fronts along the east side of the courtyard were described as having an "Oriental motif" and apparently sold imports. On the west side, the Pig ‘n Whistle restaurant, which opened on July 22, 1927 and operated until the late 1940s, had a side entrance onto the Egyptian Theatre courtyard. A small tiled area featuring the "pig ‘n whistle" motif still exists in the courtyard on the west wall near the fountain.^#** |
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(1932)*^#* – Postcard view of the front entrance to the Egyptian Theatre on Hollywood Boulevard. Now Playing: “Back Street” starring Irene Dunne and John Boles. |
Historical Notes In 1927, Grauman opened a second movie theater further west on Hollywood Boulevard. In keeping with the public fascination in that era with international themes, he named his new theater the Chinese Theatre. Its popularity eventually rivaled and surpassed the Egyptian because of its numerous celebrity handprints, footprints and signatures in the cement of its forecourt.* |
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(1942)* - View showing the entrance to the Egyptian Theatre with the Pig 'N Whistle Café seen on the right. The marquee reads: Twin Beds with George Brent, Joan Bennet, and Mischa Auer; and In This Our Life with Bette Davis, Olivia de Havilland, and Dennis Morgan. |
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(1966)#**^ – View looking southwest on Hollywood Boulevard from Las Palmas Avenue during the holiday season. The Egyptian Theatre is seen on the south side of the Boulevard with the Hollywood Inn (previously Hotel Christie and Drake Hotel) in the distance. |
Historical Notes As Hollywood declined in the 1980s and early 1990s, the Egyptian Theatre eventually fell into disrepair. In 1996, the city of Los Angeles sold the theatre to the American Cinematheque for a nominal one dollar with the provision that the landmark building be restored to its original grandeur and re-opened as a movie theatre. The Cinematheque committed to raising the funds to pay for the restoration and to using the renovated theatre as home for its programs of public film exhibition.^* |
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(2014)#^^* – Google street view showing the Egyptian Theatre located at 6712 Hollywood Boulevard. |
Historical Notes The Egyptian Theatre was re-opened to the public on December 4, 1998, after a $12.8 million renovation. The original theatre seated 1760 patrons in a single auditorium. In the restored Egyptian the building has been reconfigured to add a second screening theatre. The main theatre now accommodates 616 patrons and is named after Los Angeles philanthropist Lloyd E. Rigler. The smaller, 77-seat theatre is named for Hollywood director Steven Spielberg.^* |
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(2020)^.^ - Grauman's Egyptian Theatre – Photo by Howie Gray |
Then and Now
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(1924)* vs. (2014)* - Egyptian Theatre |
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Guaranty Building
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(ca. 1923)* – View showing the 12-story Guaranty Building designed by John C. Austin and Frederick Ashley, located on the northeast corner of Hollywood Boulevard and Ivar Avenue. |
Historical Notes The northeast corner of Ivar and Hollywood Blvd. has always occupied a special place in the social and economic history of Hollywood. Part of the original Hollywood ranch owned by Horace and Daeida Wilcox, the corner became the first permanent site of the First Methodist Church of Hollywood in 1910. The Guaranty Building and Loan Association paid the church $2000 per front foot for the site in 1923, and proceeded to erect the twelve story Guaranty Building, one of the first height-limit buildings on Hollywood Blvd. The owner and builder of the Guaranty Building was one of Hollywood's most prominent citizens. Gilbert Bessemyer was born in Hollywood on his father’s ranch in 1885. Gilbert, after attending public schools and the Normal School of Los Angeles, entered banking. By 1912 he was a director of the Hollywood National Bank and Citizens Savings bank. These were acquired by Security Trust and Savings (Security Pacific today). In 1919, and Beesemyer and a partner organized the Central Commercial Savings Bank (later known as the Bank of Hollywood). Beesemyer commissioned John C. Austin and Frederick Ashley to build the Guaranty Building. Classical Beaux Arts Buildings were popular from 1900 on for those businesses who wished to project a conservative image, primarily financial institutions.+^^ |
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(1939)^^ - Looking west on Hollywood Boulevard toward Cahuenga Boulevard. The 12-story Guaranty Building is the tallest in view. Sardi's Restaurant is at lower center-right. |
Historical Notes The complicated financial transactions of the film industry and a burgeoning real estate market had created a need for a number of financial services. Guaranty Savings took its place with other giants: Bank of America, Security Trust, and First Federal of Hollywood, among others. These and their smaller affiliates handled the investments of film moguls and citizens alike.+^^ |
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(2008)^* – View of the Guaranty Building, located at 6331 Hollywood Boulevard in Hollywood. |
Historical Notes The Guaranty Building was added to the National Register of Historic Places in 1979. It is currently owned by the Church of Scientology.^* |
Vista Theatre (originally Bard's Theatre)
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(1923)* – View showing the opening of Bard’s Hollywood Theatre (later Vista Theatre), located at 4473 Sunset Drive in East Hollywood. Featuring Baby Peggy in "Tips". |
Historical Notes Bard’s Hollywood Theatre opened on October 16, 1923 with Baby Peggy in “Tips” plus vaudeville acts on stage. After the famous impresario Sid Grauman opened the Grauman's Egyptian Theatre in 1922, there appeared several movie palaces done in the Egyptian Revival Style in Los Angeles, Bard's Hollywood being one of the first; this wave of interest in Egyptian antiquities corresponded with the discovery of the tomb of King Tutankhamen in November 1922 by Howard Carter and the Earl of Carnarvon in the Valley of the Tombs near Luxor; their expedition electrified the world having recovered over 5000 relics, many composed of gold and alabaster; the theatre's exterior, done in the Spanish Colonial Revival Style, clashed notably with its Egyptian interior. *##* |
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(ca. 1938)* - Nighttime view of the Vista Theatre (previously Bard's Hollywood Theatre) with its new neon marquee. |
Historical Notes By the late 1920s, Bard's Hollywood Theatre became known as the "Vista." A new neon marquee was erected in 1938 for $1,000. *##* The Vista also features a variety of hand and foot prints in cement that commemorate some of the cast and crew members of films screened at the theatre. |
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(1930)* – View looking east showing the junction of Hollywood and Sunset. The marquee of the Vista Theater is visible at top center. |
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(1951)* - View showing the Vista Theatre in East Hollywood, 4473 Sunset Drive. Note the architectural design details (Spanish Colonial Revival Style) on the face of the building. Architect: Lewis A. Smith. |
Historical Notes Alongside its elegant facade, the interior with its Egyptian designs is the true stunner at this old single screen palace. The original seating capacity in the auditorium held space for 838 seats. The owners later removed every other row to allow for increased legroom, reducing the number of seats to 400.^* |
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(1955)^v^ - A shot of the Vista Theatre from inside Stan's Drive-in Restaurant seen in "The Crooked Web" (Columbia, 1955). Thanks to Jonathan Raines for the screenshot. |
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(1980s)* - View showing a lone bicycle rider passing by the Vista Theatre. Now Playing: Postman and Body Heat. |
Historical Notes The Vista got a new screen in the early 1980s during the time it was owned by Landmark Theatres; at this time the theatre reverted to showing revival films. Landmark dropped the lease on the Vista in 1985. *##* |
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(1980)* - A crowd of people stand at the entranceway awaiting the grand reopening of the Egyptian revival style Vista Theater, featuring the 1934 version of "Cleopatra." Silent-film star Mary MacLaren (1896-1985) helped re-open the Vista. Baby Peggy came back: In 1923 she opened the theater. |
Historical Notes Standing at the "five corners" intersection of Hollywood Blvd, Sunset Blvd, Sunset Drive, Virgil Ave and Hillhurst Ave, the Vista is listed as being in Los Feliz, but some locals will tell you "even the Los Feliz Theatre isn't in Los Feliz!" They say its East Hollywood, and in fact, old pictures of the theatre show the words "VISTA, EAST HOLLYWOOD" in neon on the rooftop sign and on the marquee. In a manner reminiscent of Grauman's Chinese Theatre, the theater's forecourt features cement handprints and footprints of notable film figures. However, the handprints and footprints at the Vista Theatre tend to include more icons of independent and cult films such as Spike Jonze, John C. Reilly and Martin Landau, among many others.^* Click HERE for contemporary view of the Vista Theatre. |
Click HERE to see more in Early Views of Hollywood (1920 +) |
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Beverly Theater (Beverly Hills)
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(1925)* – View showing the newly built Beverly Hills Theater located at 206 N. Beverly Drive. Its grand opening was May 18th, 1925. |
Historical Notes Designed by L.A. Smith in a style inspired by The Tomb of Second Mughal Emperor Humayun, Delhi 1880's. This was the first vaudeville and movie theater in Beverly Hills. It was built for Beverly Hills real estate mogul Daniel Quinlan.* There was retail on the ground floor and two studios on the 2nd floor. The south storefront was occupied by Daniel Quinlan's real estate office. The Quinlan family owned the building until 1936 when it got traded for property behind the Beverly Hills hotel. ++# |
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(1920s)**^# – View showing the Beverly Theater designed in the Indo-Chinese style and topped with an onion tower. |
Historical Notes The theater was initially operated by West Coast Theatres as the West Coast Beverly. When the chain became Fox West Coast in 1929 the theatre was called the Fox Beverly. It stayed in the circuit until the late 50s and had a whole series of other operators: Amusement Corp. of America, Statewide, Loew's (as Loew's Beverly) and General Cinema. ++# |
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(1940)* - Auditorium and stage area of the Beverly Theater. Carved elephants decorate the bottom of pillars on either side of the stage, and this motif is continued on the stage curtain. |
Historical Notes The Beverly Theater had a huge Wurlitzer Orchestral pipe organ. When it opened the theater also had an eight-piece orchestra as part of the house staff. ++# |
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(1970s)* - Aerial view of Beverly Hills with the domed Beverly Theater in the foreground at the intersection of Beverly Drive and Wilshire Boulevard. |
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(1974)**^# – Front view of the Beverly Hills Theater with a double feature showing "MASH" and "HAROLD & MAUDE". |
Historical Notes In the mid-1970’s, Beverly Hills had a number of theaters. But with the noise & traffic generated by such films as “Tommy”, “Woodstock”, and others, local citizens began to complain. Responding to these local complaints, General Cinemas closed the theater in 1977. ^^^* |
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(1978)* - Evening view of the Moorish style structure, located at 206 N. Beverly Drive in Beverly Hills, originally known as the Beverly Theater; a Christmas garland hangs from above. |
Historical Notes In 1977, after decades of serving as a movie house, the building was closed. The interior was gutted and redesigned to accommodate commercial use; it was occupied by Fiorucci, a boutique and later an Israeli bank.* |
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(1978)* - Close-up view showing the dome of the old Beverly Theatre, at time of photo a bank. |
Historical Notes After many years of housing a bank, the Beverly Theater was sadly demolished in August of 2005 to make way for new development. ^^^* The onion dome ... brings to mind Beverly Hills' temporary original name, "Morocco". Click HERE to see more in Early Views of Beverly Hills. |
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Farmers and Merchants National Bank
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(1923)* - Exterior view of Farmers and Merchants National Bank of Los Angeles, located at the southwest corner of 4th and Main Streets. Note the architectural designs on the building. |
Historical Notes Designed in the Classical Revival style, the Farmers and Merchants Bank remains one of Southern California's finest examples of the early "temples of finance" which were popular at the turn of the century. Its two-story facade, reminiscent of a Roman temple, is punctuated by an entrance framed with Corinthian columns topped by a large triangular pediment. Built in 1905, the bank was designed by the firm of Morgan and Walls. The Farmers and Merchants Bank was the first incorporated bank in Los Angeles, founded in 1871 by 23 prominent Los Angeles businessmen, with an initial capital of $500,000. The three largest subscribers were Isaias W. Hellman ($100,000), former California Governor John G. Downey ($100,000), and Ozro W. Childs ($50,000) who in later years became the founders of the University of Southern California. Other investors included Charles Ducommun ($25,000), I.M. Hellman ($20,000) and Jose Mascarel ($10,000.) Downey was named the first president. Isaias later served as president of the bank till his death in 1920.^* Click HERE to see more Early Views of the Farmers and Merchants Bank. |
Biltmore Hotel
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(1923)* - People sit in Pershing Square while across the street flag decorated banners hang from the still unfinished Biltmore Hotel. The view at the corner of 5th and Olive shows building materials on the 5th St. side of the hotel. |
Historical Notes The Los Angeles Biltmore Hotel opened in 1923. With it's 1,500 guest rooms, it was the largest hotel west of Chicago.^* |
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(ca. 1923)* - View of the three towers of the Biltmore Hotel at 515 South Olive Street, as seen from the center plaza of Pershing Square. |
Historical Notes The architectural firm Schultze & Weaver designed the Biltmore's exterior in a synthesis of the Spanish-Italian Renaissance Revival, Mediterranean Revival, and Beaux Arts styles, meant as an homage to the Castilian heritage of Los Angeles. The "Biltmore Angel" is heavily incorporated into the design—as a symbol of the city as well as the Biltmore itself. With a thick steel and concrete frame, the structure takes up half a city block and rises over 11 stories.^* |
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(1920s)* - People, fountain, trees and bushes of Pershing Square are in the foreground, while the Biltmore Hotel and Biltmore Garage are in the background across Olive Street. |
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(ca. 1930s)^***^ – View showing the two-story tall Biltmore ballroom (Biltmore Bowl), home to eight Oscar ceremonies. |
Historical Notes Originally called the Sala de Oro and later renamed the Biltmore Bowl, the ballroom was a vast and sumptuous space two stories tall and played host to eight Oscar ceremonies in the 30s and early 40s. In the 1950s, it suffered a devastating fire and was not rebuilt. In its place, the hotel built two smaller ballrooms.^***^ |
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(1937)^.^ – 9th Annual Awards of Merit Presentation Dinner, Academy of Motion Picture Arts and Sciences, Biltmore Hotel. This photo hangs in the Biltmore Hotel. |
Historical Notes The Los Angeles Biltmore is known for being an early home to the Academy Award Ceremony for the Oscars. The Academy of Motion Picture Arts and Sciences was founded at a luncheon banquet in the Crystal Ballroom in May 1927, when guests such as Louis B. Mayer met to discuss plans for the new organization and presenting achievement awards to colleagues in their industry. Legend has it that MGM art director Cedric Gibbons, who was in attendance, immediately grabbed a linen Biltmore napkin and sketched the design for the Oscar statue on it. Eight Oscar ceremonies were held in the Biltmore Bowl during the Academy's early years of 1931, 1935–39, and 1941-42. In 1977 Bob Hope hosted the Academy's 50th Anniversary banquet in the same room.^* |
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(ca. 1930)^*# - View of Biltmore Hotel on the corner of 5th Street and Olive.
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(1940s)* - View of the lower eastern facade and entrance of the Biltmore Hotel, located at 515 South Olive Street. Buntings and a banner welcome visiting groups. |
Historical Notes In 1969 the Biltmore Hotel was designated a Los Angeles Historic-Cultural Monument No. 60 by the City of Los Angeles. Click HERE to see the LA Historic-Cultural Monument List. As of 2009, the Los Angeles Biltmore is operated as part of the Millennium & Copthorne Hotels chain as the Millennium Biltmore Hotel. From its original 1500 guestrooms it now has 683, due to room reorganization.^* |
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(1950)* – View showing the Biltmore Hotel with a line of trees along the Olive Street side of Pershing Square. |
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(1970s)##^* – View looking west from the corner of 5th and Hill streets showing the Biltmore Hotel with Crocker-Citizens Bank Building and Arco Towers behind it. Thrifty is on the N/W corner. |
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(ca. 2011)**# – View looking southwest showing Pershing Square as it appears today with the Biltmore Hotel on the right and the downtown skyline in the background. |
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(2017)^.^ – Close-up view showing the detail design on the Biltmore Hotel with the Bank Tower in the background. |
Biltmore Theatre
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(ca. 1924)* - Looking east on 5th Street and Grand Avenue, the Biltmore Hotel and Biltmore Theater are seen on the right. A marquee halfway down the block reads "Biltmore Presents [illegible]". The corner dirt lot (seen on the bottom right) would eventually become part of Central Library. |
Historical Notes Constructed in 1924, the Biltmore Theater was designed by renowned New York hotel architects Leonard Schultze and S. Fullerton Weaver who also designed the Biltmore Hotel. The theatre was connected to the hotel via an arcade and also had the entrance on 5th St.**^ |
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(1924)^***^ – Banners decorate the front of the Biltmore Theater at its grand opening. |
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(1924)* - The crowd at the Biltmore for the grand opening of the new theater with Ziegfeld's smash musical "Sally". |
Historical Notes The Biltmore Theater opened on March 3, 1924 with a Ziegfeld production of "Sally" starring Leon Errol. The musical was written by Jerome Kern, Clifford Grey and Guy Bolton. The theatre was under Erlanger circuit management. Will Rogers was the emcee and tickets were $10.00.**^ |
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(ca. 1924)* - View from the balcony of the painted theater curtain of the 1,654-seat Biltmore Theater. |
Historical Notes The Biltmore Theater was a major venue for Broadway shows playing in Los Angeles for decades. The Biltmore was still part of the Erlanger circuit during the 30s and 40s. |
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(1964)^^^ – View looking east on 5th Street toward Grand Ave showing the Biltmore Theatre in the process of being demolished. Note the beautiful street light in the foreground. It’s known as dual-lamp UM-1906 electrolier which were installed as early as the 1920s. |
Historical Notes The Biltmore Theater was demolished in 1964 and the site was used as a parking lot until the 1980s when a tower addition to the hotel was built. |
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Masonic Temple (Highland Park)
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(ca. 1923)* - Masonic Temple on North Figueroa Street and Avenue 56 in Highland Park, which has a sign announcing Hall's Dry Goods and Men's Furnishing Goods Store will soon occupy the first floor. The brick building is located on the southwest corner of the intersection. |
Historical Notes Completed in 1923, the 'Commercial/Renaissance Revival' style building served as Lodge 382 of the Free and Accepted Masons for sixty years. The original structure included retail shops on the ground floor with the lodge and banquet hall on the second floor. In 1983, the Masons were forced to vacate the structure when they were unable to afford the cost of retrofitting the building to meet seismic safety requirements.^* |
Venice High School
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(ca. 1924)* - The pool in front of the Venice High School contains a statue with 2 figures, a man kneeling and a woman standing above and behind him, done by sculptor, Harry Winebrenner. |
Historical Notes Venice Union Polytechnic High School, as it was originally called, was established in 1911 with classes being held in an old lagoon bathhouse; at the time, it boasted of 52 students and 8 faculty members. In 1913, a 29-acre site was purchased and in September of 1924, the school moved to its current location at 13000 Venice Boulevard. A year later, in 1925, the school was annexed to the city of Los Angeles and its name officially changed to Venice High School.* |
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(ca. 1924)* - A closer view of the pool in front of the Venice High School. Actress Myrna Loy (at that time she was a student--Myrna Williams) posed for the statue. |
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(1933)^*^# – View showing Venice High School following the 1933 Long Beach earthquake. |
Historical Notes On March 10, 1933, the Long Beach Earthquake critically damaged the school, and it was subsequently torn down. As a result, for a period of two years classes had to be held in hastily constructed tents until a replacement school was built. On January 22, 1935 ground was broken for the new modern buildings that still stand today.* |
Rancho Cienega O' Paso de la Tijera (also known as Baldwin Ranch)
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(1924)* - Panoramic view of Rancho Cienega O' Paso de la Tijera (also known as Baldwin Ranch) located on the 2400 block of S. Crenshaw Boulevard in the Baldwin Hills area, looking east. The taller white building to the left of center is the Sanchez Adobe (not to be confused with the other Sanchez Adobe in Montebello) and is generally assumed to be the oldest building in Los Angeles. |
Historical Notes Rancho La Cienega O' Paso de la Tijera was a series of adjoining adobe structures located on the eastern side of the Baldwin Hills in an area determined to be approximately 4,481 acres. The unusual title of the Rancho is actually two names combined: "La Cienega" ("The Swamp"), refers to the marshes in the area between Baldwin Hills and Beverly Hills; the latter half of the name "Paso de la Tijera" ("Pass of the Scissors"), was a name used by the early Spanish to describe the pass through the nearby hills that resembled an open pair of scissors.* |
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(ca. 1924)^ - Casa de Sanchez, ca. 1924. At this time, the house was already 130 years old. |
Historical Notes This two story structure may have been built in the early 1790s, making it older than Avila Adobe, maybe older than Mission San Gabriel, older even, perhaps, than the 1795 Gage Mansion in Bell Gardens, currently considered the oldest structure in Los Angeles County. Like Mission San Fernando, the Sanchez Adobe wasn't previously part of Los Angeles but it's an integral part of it now, and was perhaps great-great-great-grandfathered in as the city's oldest building amid growth and annexation.^*^* |
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(1924)* - View of Rancho Cienega O' Paso de la Tijera shows two adobes, a single-story on the left, and the Casa de Sanchez on the right; another smaller building is visible in the background between the adobes. |
Historical Notes The Rancho La Cienega O' Paso de la Tijera area remained unclaimed for many years following the first Spanish settlements in California. Squatters from the pueblo considering these lands public and built the La Tijera adobe as early as 1790 or 1795 for the purpose of raising cattle on surrounding land. In 1843, Manuel Michaeltorrena (then Mexican Governor of Alta California) formally granted Rancho La Cienega O' Paso de la Tijera to Vicente Sánchez.* |
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(1924)* - View of Rancho Cienega O' Paso de la Tijera shows two adobes, both single-story, with what appears to be a wooden well in the area between them. |
Historical Notes In 1875, Tomas Sanchez (Vincente's grandson) sold Rancho La Cienega o Paso de la Tijera to Francis Pliney Fisk (F.P.F) Temple (brother of John Temple of Temple Block and Temple St.), Arthur J. Hutchinson, Henry Ledyard and Daniel Freeman. However, Temple experienced financial difficulties and in 1875 Elias J. (Lucky) Baldwin acquired the rancho, giving his name to the hills that dominated the western section of the rancho and thereafter known as the Baldwin Hills. Baldwin used the ranch primarily as a sheep pasture but it was not profitable. When Baldwin died 1909, his daughter Anita M. Baldwin realized that there was oil on the estate, and by 1916 drilling had begun.^* |
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(ca. 1935)^ - Exterior view of the remodeled adobe home of Tomas Sanchez on the Rancho Cienega de la Tiejera in Baldwin Hills. |
Historical Notes In more recent years, a portion of Rancho La Cienega O' Paso de la Tijera became the center of Sunset Fields public golf links located at 3725 Don Felipe Drive, off Crenshaw Boulevard. In 1959, Bernadette Fathers sold the property to Park View Women's Club.* Rancho La Cienega O' Paso de la Tijera (Sanchez Ranch) was declared Los Angeles Historic-Cultural Monument No. 487 on May 1, 1990 (Click HERE to see complete listing). |
Sphinx Realty Company
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(ca. 1920s)#***# – View looking north on Fairfax Ave showing a man walking in front of the Sphinx Realty Company. The building was located at 537 North Fairfax Avenue, across the street from Fairfax High School. Camel-shaped sign on the left reads: 50 ft. Kings Road - $2150. Triangular-shaped sign on right reads: Well Located Lot - $1895. |
Historical Notes In the 1920s, as the automobile was becoming the default way to get around the Southland, buildings and structures in the area became more unique. These “hey-you-can’t miss-me!” buildings (referred to as Novelty or Programmatic Architecture) were made to pull automobile drivers right off the road. Click HERE to see more examples of Programmatic Architecture. |
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(1920)* - Exterior view of the Sphinx Realty Company, in the shape of a sphinx, located at 537 North Fairfax Avenue, surrounded by signs listing these properties for sale: Beautiful five bedroom home, $6,750; Six room corner stucco near here, $7,200; Seven room stucco, $7,650; Corner near here, $2,500. |
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(1920)* - View showing two men standing in front of the Sphinx Realty Company sales building located on Fairfax Avenue. The office was located across the street from where Fairfax High School stands today. Click HERE to see more examples of Programmatic Architecture. |
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Fairfax High School
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(1927)* - Aerial view looking southeast showing Fairfax High School located on the southeast corner of Fairfax and Melrose Avenues. The Sphinx Reality Office (previous photo) was located at 537 N. Fairfax Avenue which is across the street from the track in the above photo. |
Historical Notes Originally, the land around Fairfax “was a swampy area or cienaga, the home of the duck and the mudhen - a veritable hunters’ paradise during the wet season of the year. As land became more valuable, the old cienega was drained and filled and a region suitable for residence created. Because of its swampy condition, the Board of Education was enabled to buy the twenty-eight acres on which this high school stands at a very low figure. When the time came to build our school, through a friend we were able to secure gratis thirty eight thousand loads of dirt. This raised the frontage on Melrose twenty - two inches, and so we are kept out of the water most of the time. Thus we have passed by slow transition from the jungle home of the lords of the forest to the more sheltered home of the Lords of Fairfax.” Written by the first Principal of Fairfax, R.G. Van Cleve - 1963 Yearbook. #*#* |
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(1931)* - Aerial view of Fairfax High School looking southwest. The tree-lined street running diagonally at top right is Fairfax Avenue. Melrose Ave runs east to west in the foreground. The school's "Rotunda" and auditorium can be seen at center of photo. |
Historical Notes In 1924, Fairfax High School, named for Lord Fairfax of Colonial America, opened its doors. Rae G. Van Cleve, the first principal, wished to make Fairfax very “American and Democratic.” The Fairfax family (direct descendants of Lord Fairfax) in Virginia gave permission to use the coat of arms (Rampant Lion) and the motto “Fare Fax” (“Say and Do”). The student body chose to name “Colonials.” In keeping with the Colonial backgrounds, Student Body officers bore colonial titles. The first boys’ and girls’ groups were called Lords and Ladies, and the student body president was called The Lord High Commissioner. Fairfax was initially designed to be an Agricultural & Mechanical school emphasizing “practical” skills. With 28 Acres of campus, school programs included landscape gardening, forestry, architecture, agronomy and an arboretum. The Domestic Science unit supervised the cafeteria so that the “girls” would get practice as well as the theory of cooking and serving “food”. #*#* |
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(1926)#*#* - View of what appears to be two lily ponds in front of the Fairfax High School Rotunda and Auditorium. Both the Rotunda and Auditorium are the only two original buildings still standing today.
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Historical Notes Because the buildings were not earthquake-safe, the last year of the original campus was 1966. Brick by brick, the old structures came down, and completely new earthquake-safe building arose. New additions included a four-story administration and classroom facility, a physical education plant, an industrial arts complex and cafeteria. Students and faculty moved into the new building in 1968. Because of the unique beauty of the Rotunda and the Auditorium, a public campaign was successful in saving them, and the Auditorium was reinforced for seismic safety. Subsequently, the Fairfax Hall of Fame was established in the Rotunda. #*#* |
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(1931)* - Interior view of the auditorium at Fairfax High School. |
Historical Notes The auditorium was dedicated in 1926 and later named the DeWitt Swan Auditorium, in honor of the first Boys’ Vice Principal. The first annual in 1926 bore the dedication, “Enter to learn; go forth to serve.” In 1927, the summer graduating class dedicated the sunken gardens and the fountain that was located in front of the old building. The same year, a Fine Arts building and a gymnasium were added to the campus. By the time, Fairfax High School (containing grades 7-12) was an established, prestigious element in the Fairfax Community. #^#* |
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(ca. 1931)^ - Students standing outside the Moorish style archway of the entrance to the Fairfax High School auditorium. “Never say die, say do” - The Fairfax Motto, “Fare Fac”, was the subject of a 1930 contest for the best slogan and motto depicting its meaning. More than 150 entries were submitted. The winning motto: “Noble in speech, honorable in deed”. “Let your words be wise and your actions likewise”.
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Historical Notes When the United States entered the war, hundreds of Fairfax students and alumni joined the military. The 1946 Colonial Yearbook was dedicated to those men and women, 96 of whom lost their lives. During the war years, Fairfax students sold $90,000 in war bonds, conducted numerous recycling material drives. Also in 1946, a Fairfax drama featured Ricardo Montalban and Jim Hardy, once a Lord High Commissioner starred at football. He continued his career at USC ad professionally with Rams, Chicago Cardinals and Detroit Lions. #*#* Click HERE for a list of Fairfax High School Notable Alumni. |
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(1929)#*#* – The Fairfax Varsity Baseball Team of 1929. Yearbook referred to the team as "Heavyweight Baseball". |
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(1929)#*#* – The Fairfax Varsity Basketball Team of 1929, at the time referred to as "Heavyweight Basketball". |
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(2006)^* - Fairfax High School as it appears today, with Rotunda in the background. Photo by Gary Minnaert |
Historical Notes Fairfax was the foreign language magnet school in the 1960s and 1970s, offering Hebrew, German, Chinese and Latin, among other languages. The Fairfax Magnet Center for Visual Arts opened in 1981 and remains the only visual arts magnet in the Los Angeles Unified School District. In 1984, Dr. Virginia Uribe, an LAUSD teacher and counselor for 42 years, founded LAUSD’s Project 10 program, the first dropout prevention program specifically for lesbian, gay, bisexual and transgender (LGBT) students in the United States. Organized by a group of local theater artists, the first Melrose Trading Post was held in 1998 in the school's parking lot. Regarded as most successful on-going fund-raising activity in the LAUSD, the flea market evolved into the Greenway Arts Alliance, the Friends of Fairfax and the Institute for the Arts at Fairfax High School, all which are of immense benefit to the school and students. In Fall 2008, Fairfax High School was reconfigured from a comprehensive high school into a complex of five new small learning communities (SLCs) and the existing Fairfax Magnet Center for Visual Arts.^* |
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The coat of arms of Thomas Fairfax, 6th Baron Fairfax of Cameron (1693–1781), which became the emblem of the County of Fairfax, Virginia, USA.^* |
Historical Notes There is a connection between Fairfax High School, Gilmore Gas Co., and Thomas Fairfax - a 'Lion'. Fairfax High School and Gilmore's first oil well are located in proximaty to each other and to Fairfax Avenue. It turns out that both Gilmore's logo and Fairfax's mascot is a 'Lion' - which is more than a coincidence. |
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Fairfax High School's Mascot is a lion (left). Gilmore Oil Company's logo was also a lion. |
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(1935)#^* – Night view of the Gilmore Service Station located at 7870 Beverly Boulevard, one block east of Fairfax Avenue. Note the lion on top of the illuminated Gilmore sign. |
Historical Notes A.F. Gilmore and his son, Earl Bell (E.B.) turned their Gilmore Oil Company into the largest distributor of petroleum products in the Western U.S. E. B. Gilmore appears to have invented the self-serve gas station. He created a “gas-a-teria” not far from Farmers Market where customers saved 5 cents per gallon by filling their own tanks. Those who preferred to have their gas pumped by “professionals” at the gas-a-teria got unusual service for a period of time when young ladies on roller skates would glide to the pumps to gas the cars up.^**# Gilmore Gas Stations were eventually bought out by Mobil Oil Co. Click HERE to see more Early Views of LA Gas Stations. |
Temple Emanu-el
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(ca. 1924)* - Exterior view of Temple Emanu-el, located at 639 S. Manhattan Place near Wilshire Boulevard. |
Historcial Notes Designed by Russel and Alpaugh, Temple Emanu-el opened in 1923 and was occupied by the first "traditional reform" congregation. In 1929, the congregation was dissolved and the building was sold to become Christ Church. In the late 1930s, the congregation of Temple Emanu-el reappeared in Westwood where it was located until a large temple was built at 8844 Burton Way in Beverly Hills. The home on the left was later demolished and the English style residence on the right later became the parsonage for Christ Church.* |
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(2015)#^** - Google street view showing Christ Church at 639 S. Manhattan Place (original location of Temple Emanu-el). |
Jonathan Club
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(1924)* - Postcard view of the construction of the Jonathan Club building, with open steel frame. Date built: 1924. Architects: Schultze & Weaver. The new building is located at 545 S. Figueroa Street (NW corner of Figueroa and Sixth streets) where the Belleview Terrace Hotel once stood. |
Historical Notes In 1905, the club was headquartered in the monumental new Pacific Electric Building at 610 S. Main Street, which was the transportation hub for Southern California. According to the National Trust for Historic Preservation, "the top three floors of the building housed the exclusive and lavishly adorned Jonathan Club, one of the city’s most exclusive private clubs. In 1924 a contract was let for what Southwest Builder called a "magnificent new home" for the club — its present brick-faced structure at 545 S. Figueroa Street, one block west of the Los Angeles Central Library. In 1927 a second club, The Jonathan Beach Club, opened in Santa Monica at 850 Palisades Beach Road.^* |
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(ca. 1925)* - Exterior view of the Jonathan Club building at Figueroa and 6th Streets. |
Historical Notes Established in 1894 as a political group Jonathan Club segued into a purely social club shortly after. The Club originally afforded an outlet through which members hosted political candidates, participated in political rallies and gathered for social activities. In 1895, Jonathan Club members determined that the social bond, and not the political one, was what interconnected its members. Jonathan Club was chartered as a “purely social club” by the State of California on September 23, 1895. +** |
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(ca. 1937)* – View across a parking lot showing the Jonathan Club in the background. |
Historical Notes For most of its history, the club admitted only men, but since 1987 the club enjoys a diversified membership. When the Jonathan Club originated, only white, Anglo-Saxon, Protestant men were able to join. The club was alleged to have maintained discriminatory admission and access policies based on race and sex throughout the 20th century and into the 21st. The club admitted its first African-American and female members in 1987.^* |
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(1960)* - View looking northwest showing the Jonathan Club at 545 S. Figueroa Street. Dawson's Book Shop can be seen across the street. |
Historical Notes The building was designed in a Beaux Arts version of early l6th Century Italian. Architects: Schultze & Weaver.* |
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(2015)#^^* – Google street view looking northwest toward the Jonathan Club from the intersection of Figueroa and 6th Street. |
Historical Notes Membership in the club is by invitation. For most of its history, the club admitted only white men, but since 1987 it has also admitted women and minorities.^* |
Montmarte Cafe
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(1924)* - The Montmartre name is on the top and the corner of the building, and over the doorway on the right. To the left are the doorways of a hair store, and of the C.E. Toberman Co. Six windows across on the second floor each have individual shade awnings. |
Historical Notes Eddie Brandstatter was one of Hollywood's greatest early restaurateurs. A native of France, he worked in Paris, London and New York restaurants before moving to Los Angeles in the 1910s. In 1923 he built the famous Cafe Montmartre, designed by Meyer and Holler, at a cost of $150,000. This establishment was described as "the center of Hollywood life", where stars usually frequented, and which was the place to see and be seen. |
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(ca. 1928)* - Exterior view of the Montmartre Cafe, located at on Hollywood Blvd. between Highland and McCadden. It has a large lighted sign on top, and another which features Roy Fox's Orchestra. Crowds of people are waiting in line to get into the Cafe. |
Historical Notes Eddie Brandstatter was "Host of Hollywood" and catered to Hollywood stars in the 1920s and 1930s. He was owner and manager of the fashionable Montmartre Cafe, Embassy Club and Sardi's.* |
Click HERE to see more in Early Views of the Hollywood (1920 +) |
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Hellman Commercial Trust and Savings
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(ca. 1924)* - Exterior view of Hellman Commercial Trust and Savings Bank in the original financial district of Los Angeles, on the northeast corner of South Spring and West 7th streets. |
Historical Notes Built in 1924, the Beaux Arts office building was designed by architects Schultze and Weaver. The bank later became the Bank of America.* |
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ca. 1928)* - An interior view of the Merchants Trust and Savings Bank, located on the NE corner of So. Spring St. & W. 7th St. This was formerly the Hellman Commercial Trust & Savings, which later became Bank of America. On view here is the lobby with tables, counters and benches, with a stairway on the far left leading to the 2nd floor. The many arches emphasis the 2nd floor and the decorated ceiling with hanging chandeliers. |
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(ca. 1924)* - Street level view of Hellman Commercial Trust and Savings Bank. The street scene shows people, cars, and a streetcar all going about their way in the busy Los Angeles' financial district. |
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Elks Club (Bunker Hill)
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(ca. 1920)* - The old Elks Club building on Olive and 3rd Street on Bunker Hill. The lookout tower to the left is that which overlooks Angels Flight. Elk antlers are at the entrance. |
Historical Notes The Elks had modest beginnings in 1868 as a social club (then called the "Jolly Corks") established as a private club to elude New York City laws governing the opening hours of public taverns. After the death of a member left his wife and children without income, the club took up additional service roles, rituals and a new name. Desiring to adopt "a readily identifiable creature of stature, indigenous to America," fifteen members voted 8-7 in favor of the elk above the buffalo. The name Elks is short for The Benevolent and Protective Order of Elks (BPOE; also often known as the Elks Lodge).^* In 1924, the Elks moved to a new building built for them at 607 Park View St. across from MacArthur Park (now the Park Plaza Hotel).^* |
Elks Club (MacArthur Park - today, Park Plaza Hotel)
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(ca. 1924)* - Exterior view of the Elks Club building at 607 South Park View Street. Searchlights beam into the sky, illuminating the building at night. The outline of parked cars may be seen in front of the building. |
Historical Notes The Elks Club Building was originally designed for the Benevolent and Protective Order of Elks (B.P.O.E). by renowned Art Deco architect Claud Beelman, during the time he was a Senior Partner at the prestigious firm he co-owned in the 1920s, Curlett and Beelman. The building was constructed between 1923-1924.^* |
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(1925)* - Interior view of the Lodge Room at the Elks Club on 607 South Park View Street. |
Historical Notes The elaborate interior murals and decorative paintings were designed and executed by Anthony Heinsbergen and Co, noted painter of many Los Angeles cultural landmarks. The central design of the lobby ceiling is based on the Villa Madama, a Renaissance era project by Raphael and Giulio Romano.^* |
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(ca. 1924)* - Exterior view of the Elks Club as seen from the park. View shows the architectural designs and statues at the top of the building, the corners and at the very top corners of the building. |
Historical Notes Eventually, the Elks sold the building due to shrinking attendance in their ranks, and the building ended up being transformed into a luxury hotel (Park Plaza Hotel), set perfectly then on the shores of what was once a very glamorous MacArthur Park.^* |
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(ca. 2011)**# - Exterior view of the Park Plaza Hotel located at 607 Park View Street just off Wilshire Boulevard. |
Historical Notes Though the neighborhood has gone through a period of urban decay and now urban renewal, the building, replete with angels at every corner, has lost none of its ethereal beauty, making it truly one of the classic examples of Beelman's architecture left standing in the modern world.^* In 1983, the Plaza Hotel Building (Elks Club Building) was designated Los Angeles Historic-Cultural Monument No. 267 (Click HERE to see complete listing). |
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(ca. 2011)**# - Exterior view of the grand entry to the Plaza Hotel Building. |
Historical Notes Done in the Gothic Revival architecture style (Neo-Gothic), the building still sports a brass sculpture of a set of elk antlers embedded in the clock above the grand entry to the building. The building is now vacant and is mainly used as a rental for movie shoots and special events.^* |
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Garden Court Apartments
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(1924)* - Aerial view of the Garden Court Apartments located at 7021 Hollywood Blvd. |
Historical Notes Built in 1919, the Garden Court Apartments were designed by architect Frank S. Meline in Beaux Arts style. They were built to accommodate the movie industry.* |
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(ca. 1934)* - View of the northeast corner of Sycamore Avenue and Hollywood Boulevard showing the western side of the Garden Court Apartments. |
Historical Notes The Garden Court Apartments was the home of a number of celebrities in the first forty or so years of its existence, including Clara Bow, Louis B. Mayer and Mack Sennett.*^ |
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(n.d.)**# - View of the front entrance to the Garden Court Apartments. A beautiful staircase leads to a fountain containing two figures holding up a bowl. |
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(1976)^*# - View of the Garden Court Apartments (Hotel) on Hollywood Blvd. Sign in front of building reads Motor Hotel. |
Historical Notes The Garden Court Apartments’ fortunes declined in the 1960s and 1970s along with those of Hollywood Boulevard in general. After being vacated in 1980, it was inhabited by homeless squatters and nicknamed "Hotel Hell". The building was noted in the National Register of Historic Places in 1982, however, that did not prevent it from being razed in 1984.*^ |
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(ca. 1924)* - View of the Garden Court Apartments on Hollywood Blvd. (foreground) and the residential neighborhood behind it, including the hilltop Japanese estate and gardens of brothers Charles and Adolph Bernheimer, located at 1999 N. Sycamore Avenue. |
Historical Notes This 1914 hilltop estate was built to house the Bernheimers' priceless collection of Asian treasures. In order to have an authentic Japanese design, hundreds of skilled craftsmen were brought from Asia to recreate an exact replica of a palace located in the Yamashiro mountains near Kyoto, Japan.* |
Bernheimer Japanese Palace
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(ca. 1924)* - Aerial postcard view of the Japanese estate and gardens of brothers Charles and Adolph Bernheimer located in the Hollywood Hills. |
Historical Notes In an act of bad timing, Adolph Bernheimer, a multi-millionaire silk importer, and his brother built a replica of a Japanese palace and garden on a hill overlooking Hollywood. Not only was the Bernheimer’s Teutonic name very suspicious, but so was their fluency in foreign languages. The new home’s large concrete retaining walls led some locals to suspect an armory or wireless station in the bowels. Under constant observation from a group of patriotic citizens, the brothers pacified neighbors by buying a $5,000 war bond. They spent little time in Hollywood after that.*### |
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(ca. 1920s)* - Postcard view of the hilltop Japanese estate and gardens of brothers Charles and Adolph Bernheimer. |
Historical Notes The hillside terraces included 30,000 varieties of trees, shrubs, waterfalls, hundreds of goldfish, and even exotic birds and monkeys.* |
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(1914)**^# - Close-up view of the Bernheimer Brother's Japanese Palace the year it was built. |
Historical Notes The original Bernheimer structure included a 10-room teak and cedar mansion, where carved rafters were lacquered in gold and tipped with bronze dragons.* |
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(ca. 1920s)* - Front view of the Japanese estate and gardens of brothers Charles and Adolph Bernheimer. |
Historical Notes After the death of one of the brothers in 1922, the art collections were auctioned off. A few years later, the estate served as headquarters for the exclusive Hollywood "400 Club," an organization for the elite of the motion picture industry. After WWII, the home was remodeled and converted into apartments. Soon thereafter, Thomas O. Glover purchased the property and began the restoration of what was to become the Yamashiro restaurant.* |
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Hollywood Athletic Club
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(ca. 1925)* - Exterior corner view of the Hollywood Athletic Club building, with 1920s-era cars on the street. |
Historical Notes The Hollywood Athletic Club was built in 1924 by Meyer & Holler, the same architectural firm that built the Grauman's Chinese Theatre and the Egyptian Theatre. At the time is was the tallest building in Hollywood. The building at 6525 Sunset Blvd has been known as the Hollywood Athletic Club, University of Judaism, Berwin Entertainment Complex, and Hollywood Landmark.^* |
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(1929)* - Street view of the Hollywood Athletic Club, located at 6525 Sunset Blvd.^* |
Historical Notes When the Hollywood Athletic Club was first built in 1924, Hollywood was entering its greatest and most productive period. The building was the tallest building in Hollywood and loomed above Sunset Boulevard. Membership was originally $150 for initiation fees and $10 for monthly dues. During its early years as a health club, its membership included Johnny Weissmuller, Errol Flynn, Charlie Chaplin, John Wayne, Walt Disney, John Ford, Douglas Fairbanks Sr., Mary Pickford, Cecil B de Mille, Cornel Wilde, Humphrey Bogart, Clark Gable, Jean Harlow, Frances X. Bushman, Howard Hughes, Joan Crawford and Rudolph Valentino, Mae West, Walt Disney, and Buster Crabbe.^* |
Click HERE to see more in Early Views of Hollywood (1920 +) |
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Women's Athletic Club
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(1925)* - Exterior view of the Women's Athletic Club of Los Angeles at 829 South Flower Street on October 9, 1925. On the right is the Hotel Ritz. |
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(ca. 1925)* - Interior view on a postcard of the Women's Athletic Club of Los Angeles at 829 South Flower Street, showing the living room. |
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Hollingsworth Building
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(ca. 1925)* - View of buildings on the east side of Hill at 6th. On the left is the Hollingsworth Building with its ad of "absolutely fireproof" painted on the side. Next to it is Palais de Dance, a dance studio for ballroom, completed in 1925 at a cost of $800,000. The site was formerly occupied by the Rendezvous Cafe. On the right is the Continental Hotel. |
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Wrigley Field
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(1925)* - Aerial view of Wrigley Field, Opening Day, September 29, 1925. |
Historical Notes For 33 seasons (1925-1957) Wrigley Field was home to the Angels, and for 11 of those seasons (1926-1935 and 1938) it had a second home team in the rival Hollywood Stars. The Stars eventually moved to their own new ballpark, Gilmore Field. Prior to 1925, the Angels played at their former home at Washington Park, and before that, at Chutes Park.* |
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(Early 1930s)* - Partial view of the "first" Wrigley Field - home for the Los Angeles Angels of the Pacific Coast League. The bleachers are practically bursting at the seams with eager spectators cheering on their favorite teams. |
Click HERE to see more Baseball in Early LA |
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Grand Olympic Auditorium
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(ca. 1925)* - View looking at the southwest corner of S. Grand Avenue and W. 18th Street showing the newly constructed Grand Olympic Auditorium. Architect G.S. Underwood |
Historical Notes The Grand Olympic Auditorium was built in 1924 by Jack Doyle, with the help of the Los Angeles Olympic committee for the 1932 Games. The grand opening of the Auditorium was on August 5, 1925, and was a major media event, attended by such celebrities as Jack Dempsey and Rudolph Valentino.*# |
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(1932)* – Wide angle view of the Grand Olympic Auditorium filled to capacity. Spectators await the start of the Olympic wrestling competitions to be held on dual platforms in the center of auditorium. |
Historical Notes The Olympic Auditorium was leased by the 1932 Olympic organizing Committee for a very nominal sum sufficient to cover expenses, for the purpose of conducting the training and competitions of the boxing, wrestling and weightlifting events of the Games. At the time it was the largest indoor venue in the U.S., originally seating 15,300.^* |
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(1932)* - Spectators have nearly filled the Olympic Auditorium to watch boxing, one of three events held at the venue during the 1932 Olympic Games. |
Historical Notes The building was the site of the boxing and Greco-Roman wrestling competitions for the Games. American Edward Flynn won the welterweight gold medal in boxing.*# |
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(1932)* – Canada's gold medalist in boxing was Horace "Lefty" Gwynne who survived a fierce battle against Germany's Hans Ziglarski (right) in the bantamweight final during the 1932 Olympic Games. |
Historical Notes The 1932 Summer Olympics was celebrated in Los Angeles. No other cities made a bid to host these Olympics. Held during the worldwide Great Depression, many nations and athletes were unable to pay for the trip to Los Angeles. Fewer than half the participants of the 1928 Summer Olympics in Amsterdam returned to compete in 1932. Even U.S. President Herbert Hoover skipped the event.^* |
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(1938)* - View showing the Olympic Auditorium located at 1801 S. Grand Avenue. |
Historical Notes Throughout the 1930s, 1940s and 1950s it was home to some of the biggest boxing, wrestling and roller derby events and has become somewhat of a landmark for boxing history.^* |
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(ca. 1970)^^+ - Freddie Blassie, Olympic Auditorium. Photo by Theo Ehret |
Historical Notes The 1960s and 1970s were a major boom period for the Olympic, as major wrestling events were held at the arena every other Friday night, as well as being the home to the Roller Games Los Angeles T-Birds. Wrestling legends such as Freddie Blassie, John Tolos, Buddy Roberts (as Dale Valentine), The Sheik, Fritz Von Erich, Gorgeous George, The Great Goliath, Black Gordman, Bobo Brazil, Buddy Rogers, Roddy Piper and Chris Adams competed in the arena at one point in their careers, along with the legendary Lou Thesz, Mil Mascaras and André the Giant.^* |
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(1976)^*^# - Andre the Giant, Roddy Piper, Porkchop Cash and approximately 17 other well-known Los Angeles wrestlers are competing for a $30,000 cash prize at the Olympic Auditorium in May of 1976 in an event called the Battle Royal. |
Historical Notes In January 1970, the Olympic began its annual 22-wrestlers-in-the-ring "Battle Royale." The goal was to not be thrown out of the ring. Chris Adams was one of the last big draws at the Olympic before promoters Mike Le Bell and Gene LeBell ended its wrestling cards in 1982. Adams went to Portland afterwards and eventually to Dallas to join Fritz Von Erich's World Class Championship Wrestling, as the sport's top wrestling city shifted from Los Angeles to Dallas and Atlanta before Vince McMahon's WWF reached national prominence. Some scenes in the 1976 film Rocky were filmed at the venue.^* |
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(ca. 2014)^++ – View showing the Olympic Auditorium as it appears today, now a church. |
Historical Notes In June 2005, the Glory Church of Jesus Christ, a Korean-American Christian church, purchased the entire property, thus the name Grand Olympic Auditorium ceased to exist. In 2007, the arena was given a new facelift back to its original brown coat of paint that was abandoned in 1993 when the arena reopened.^* |
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St. Vincent Catholic Church
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(ca. 1924)* - A construction fence and temporary buildings surround the St. Vincent Catholic Church, 621 W. Adams Blvd., as it is being built. Scaffolding is on the dome and sides. Limestone blocks for the facade lie on the ground in front of the entrance. The surrounding neighborhood has stately homes with extensive grounds. |
Historical Notes The St. Vincent Catholic Church was built in the 1920s and designed by architect Albert C. Martin, Sr. Dedicated in 1925, it was located in what was then one of the wealthiest sections of the city, on land adjacent to the Edward Doheny Mansion and Stimson House. It was the second Roman Catholic church in Los Angeles to be consecrated.^* |
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(ca. 1925)* - View of a newly completed St. Vincent Catholic Church located at the northwest corner of Adams and Figueroa St. |
Historical Notes The Spanish Colonial Revival style St. Vincent Church was built in 1923-25. The decorative entrance is of Indiana limestone and brightly colored tile covers the 45 foot diameter dome. The interior ceiling decoration is by John B. Smeraldi.* |
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(1925)* - View of the newly constructed St. Vincent Catholic Church on northwest corner of Adams and Figueroa. |
Historical Notes St. Vincent de Paul Roman Catholic Church was a gift from oil magnate and benefactor Edward Laurence Doheny I, who drilled Los Angeles' first oil well in 1892.* |
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(n.d.)**# – Close-up view of the Saint Vincent de Paul Church dome. |
Historical Notes The Wurster Construction Company’s E.M. Lukens reported the strength of the 44-foot concrete dome was tested by hanging sand bags from “the entire circumference of the dome to the weight of thirty pounds per square foot and an additional thirty pounds per square foot over one-half the circumference.” After two days, an additional ten tons was suspended from the center with no deflection noted. The underside of the dome features eight paintings of Matthew, Mark, Luke, and John and their symbols: man; lion; ox; and eagle. ***# |
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(1930s)* - Exterior view of the main facade of St. Vincent de Paul Roman Catholic Church, located on the northwest corner of S. Figueroa and W. Adams, at 621 W. Adams Blvd. |
Historical Notes In 1971, Saint Vincent de Paul Church was dedicated Los Angeles Historic-Cultural Monument No. 90 (Click HERE for complete listing). |
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St. Vincent's Hospital
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(ca. 1925)* - Exterior view of St. Vincent's Hospital, located on 3rd and Alvarado Streets. Built in 1924, it was designed by architects Austin and Ashley. |
Historical Notes The Daughters of Charity of St. Vincent de Paul established the first hospital in Los Angeles - the Los Angeles Infirmary, in 1856. It was located in the Sonora Town adobe owned by then-Mayor of Los Angeles, Don Cristóbal Aguilar. Four years later, in 1860, the hospital relocated to 1416 Naud Street, between Ann (named for Sister Ann) and Sotillo Street (though other data indicates the location was 1414 Naud Street, between N. Main and San Fernando Road). In 1869, Daughters incorporated the Los Angeles Infirmary under their own ownership, the first women in the region to do so. In 1883 they purchased six and a half acres of land at Beaudry Park at a cost of $10,000, and a new hospital building was erected a year later at Beaudry and Sunset, on a hillside overlooking Sonora Town. By 1898, Los Angeles Infirmary had come to be known as Sisters Hospital, but both names were used interchangeably in reference to the same hospital; in 1918, the name was officially changed to St. Vincent's Hospital.* |
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(1933)* - View of the St. Vincent's Hospital, located at 2131 West Third Street. |
Historical Notes In 1924, the Italianate style St. Vincent's Hospital building was erected on 3rd and Alvarado. It was desinged by Architects John C. Austin and Frederick M. Ashley. |
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(1964)* - Exterior view of a portion of St. Vincent's Hospital as seen in 1964. |
Historical Notes For 47 years, the hospital had such a steady growth that they were forced to expand yet again, and groundbreaking for a newer, larger building took place in 1971 - this time, located at 2131 W. 3rd Street. With a "new" hospital came a new name, and in 1974, it changed again, this time becoming St. Vincent Medical Center.* In 1995, the Daughters of Charity National Healthcare System sold SVMC to Catholic Healthcare West. In 2002, CHW sold the hospital to the newly established Daughters of Charity Health System.^* |
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Pacific Electric Hill Street Station
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(ca. 1920)^^## - Pacific Electric Hill Street Station & Masonic Bldg. West side of Hill St between 4th & 5th Streets. Mt. Lowe Resort is advertised on the side face of the Masonic Building. Click HERE to see more in Early Views of Mt. Lowe Railway. |
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(ca. 1920's)* - The Pacific Electric Hill Street station, located at 427 South Hill Street, |
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(ca. 1924)* - The Hill Street station for electric cars during 1922 to 1925, before the Subway Terminal Building was built, looking west toward Bunker Hill. |
Historical Notes As street traffic increased in downtown Los Angeles, the Pacific Electric Railway undertook its most ambitious project, a dedicated right of way into downtown through a subway - the existing terminal in the Pacific Electric Building at Sixth and Main was reached by shared street running. Responding to the traffic congestion that clogged the streets, the California Railroad Commission in 1922 issued Order No. 9928, which called for the Pacific Electric to construct a subway to bypass downtown's busy streets.^* |
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Subway Terminal Building
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(ca. 1925)* - Subway Terminal Building and the Pacific Electric Railway Passenger Station in 1925, the year they were built. View is of the Hill Street side south of 4th Street. |
Historical Notes The Subway Terminal Building, now Metro 417, is an Italian Renaissance Revival building in Downtown Los Angeles at 417 South Hill Street. It was designed by architects Schultze and Weaver and was built in 1925. It was the downtown terminus for the "Hollywood Subway" branch of the Pacific Electric Railway Interurban rail line. Currently it is a luxury apartment building. It is located near Pershing Square. The Subway Terminal Building was built to conform to the 150 foot height limit imposed on all downtown construction. The other end of the subway line emerged at the surface at the Belmont Tunnel / Toluca Substation and Yard.^* |
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(ca. 1925)^^## - View of the Subway Terminal main hall. |
Historical Notes After 18 months of construction and $1.25 million in expenditures, the Subway officially opened to the public on December 1, 1925. The trains, which traveled a distance of slightly over one mile, transported passengers between the tunnel's mouth near the intersection of Beverly and Glendale Boulevards in Westlake, and the Subway Terminal Building.^* |
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(ca. 1925)* - Interior view of the Subway Terminal Building in downtown Los Angeles, showing Pacific Electric car tracks running in various directions in the subway. |
Historical Notes The early years of the Subway were widely met with success, as the Hollywood Subway emerged as one of Los Angeles's most popular modes of public transit throughout the 1920s and 1930s. Ridership hit an all-time high during the World War II-era; in 1944 – considered to have been the Subway's peak – trains carried an estimated 65,000 passengers through the tunnel each day.^* |
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(n.d.)^^## - View of the symmetry in the tracks within the Pacific Electric Subway Building. The subway was in operation from 1925 to 1955. |
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(ca. 1925)* - A look down upon Seventh Street (running across in the foreground) and Grand Avenue reveals a busy intersection in this business corridor. The white building in the background is occupied by two businesses, a branch of Security Trust and Savings Bank (right) and Lyric Piano Co. |
Figueroa Theatre
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(ca. 1925)* - Exterior view of the Figueroa Theatre, located on the corner of Figueroa and York Boulevard in Highland Park. The corner entrance is for McColloch Drug Co., offering perfumes, prescriptions, stationary, cigars, candy, and an array of goods. Two entrances for the theater are visible on either side of the building, each with a box office and marquees advertising Cecil B. DeMille's 1925 drama film, "The Road to Yesterday", starring Joseph Schildkraut. |
Central Library
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(1925)* - Photograph shows the construction of the Los Angeles Public Library, located at 630 W. Fifth Street; view is of the southeast corner. The structure, which appears to be almost complete, is completely covered in scaffolding. Numerous vehicles are parked in the lot at the foreground, which has a sign at the entrance that reads "Savoy" (not visible in this angle). More automobiles are parked along Grand Avenue. |
Historical Notes Central Library, located at 630 W. 5th Street in downtown Los Angeles, was designed by architects Bertram G. Goodhue and Carlton M. Winslow. Constructed between 1924-1926, it was designed to mimic the architecture of ancient Egypt, complete with a tiled mosaic pyramid tower and many beautiful murals throughout.* |
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(1925)* - Photograph shows construction of the Los Angeles Public Library, located at 630 W. Fifth Street; view is looking north on Hope Street. The structure, which is almost complete, shows scaffolding along the entire south side as well as surrounding the tower at the top. A sign posted above the tunnel entrance, at the end of this street reads: "Weymouth Crowell Co. - General Contractors". The Wayland Apts. offering "low rates" is visible on the left corner next to Savoy Auto Park, whose rates are .25 cents all day, or $5.00 per month. The large white building on the right is the Bible Institute, later to become Church of the Open Door/Biola Institute. |
Historical Notes The Central Library Goodhue building was constructed between 1924 and 1926 on the site once occupied by the State Normal School (later to evolve into UCLA). |
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(1926)*##^ – Closer view looking north on Hope Street showing the Central Library Goodhue building in its final stages of construction. |
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(ca. 1935)* - Walkway and front facade of Los Angeles Public Library's Central Library, located at 630 W. 5th Street. View is looking east from Flower Street with the Church of the Open Door (Bible Institute) to the right. |
Historical Notes On March 1, 1967 the Central Library Building was designated Los Angeles Historic-Cultural Monument No. 46 (Click HERE to see listing). It is also listed on the National Register of Historic Places. |
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(1926)* - Interior view of the History Department, at Los Angeles Central Library; view is looking toward the Travel and Biography section. The reference desk is visible mid-way on the left, and long wooden tables can be seen throughout the department - all have tall lamps illuminating each area. Note the colorful ceiling beams and checkerboard floor. |
Historical Notes The History Department was previously known as the Reference Room - which was the largest reading room of the library.* |
Click HERE to see more Early Views of the Los Angeles Central Library |
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Million Dollar Theatre Building
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(1925)* - Exterior view of a building on the corner of Third Street and Broadway. It was the home of the Edison Company offices, the Million Dollar Theatre (formerly Gruman’s Theater), and the Owl Drug Company. The marquee indicates that Charlie Chaplin's 1925 film Gold Rush is playing at the theater. |
Historical Notes Albert G. Martin and William Lee Woollett designed the building, constructed in 1918. The exterior, in the "Churrigueresque" style, was designed by A.C. Martin Sr., while the baroque interior was designed by W.L. Woolett. The interior includes the mural 'The Witch Scene from Macbeth' and a sculpture by Joe Morra. Click HERE to see more early views of the Million Dollar Theatre Building. |
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Metropolitan Theatre (later Paramount Theatre)
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(ca. 1925)* - View of the Grauman's Metropolitan Theater Building (later the Paramount Theater) located on the northeast corner of 6th and Hill streets across from Pershing Square. |
Historical Notes The Grauman’s Metropolitan opened in January 1923. It was designed by Architect William Lee Woollett, who had previously designed the Million Dollar Theatre for Sid Grauman. The Metropolitan opened with an air conditioning system -- one of the Carrier Corporation's first big commercial jobs.**^ |
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(1926)* - View looking at the Metropolitan Theatre on the NE corner of 6th and Hill with Pershing Square at lower-left. |
Historical Notes The building extended 155 feet along 6th and 247 feet along Hill. The main entrance was on 6th while Hill got a much smaller marquee and a miniscule lobby. Those two entrances weren't enough. For a Broadway entrance an existing retail space was re-purposed for a lobby. You went up the stairs (or escalator) and across the alley, entering the theatre building at balcony lobby level. **^ |
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(1923)* - Interior view of the Metropolitan Theater as seen from the stage. |
Historical Notes With over 3,600 seats, the Metropolitan/Paramount was the largest movie theater in Los Angeles for many years. Not only did it have one of the largest balconies ever built, its projector had the longest projection throw in the city.^^^* |
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(n.d.)* - View of the proscenium from the balcony of the Metropolitan Theatre (Paramount Theatre after 1928). |
Historical Notes The orchestra wasn't in a pit but on a big stage elevator. The screen and prologue action was behind.**^ |
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(1928)* – Close-up view of the Metropolitan Hotel façade with early model cars parked at the curb. |
Historical Notes In July 1924 Grauman sold his downtown holdings to Paramount Publix. Like other west coast Publix theatres, the Metropolitan was actually operated by Fox West Coast for Paramount. Publix continued to use the Grauman name in advertising although he no longer participated in the theatre's operation. The Metropolitan name came off the building in 1928 and the theatre became the Paramount.**^ |
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(1929)#^*^ - A look at the NE corner of 6th and Hill with the new Paramount signage. The theatre is running "The Canary Murder Case" (a February 1929 release) with William Powell and Louise Brooks. |
Historical Notes The Metropolitan name came off the building in 1928 and the theatre became the Paramount.**^ |
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(1931)*# – View showing the Los Angeles Times--Richfield “Electric Newspaper” during its preview at the NE corner of 6th and Hill streets on the Paramount Theatre Building (previously the Metropolitan Theatre Building). |
Historical Notes It was apparently thought that the flashing bulletins would stimulate Los Angeles residents to buy the paper the next day to read details behind the headlines. The Times faced stiff competition from several metropolitan papers during the ’30s, and having control of the bulletins read by thousands of people downtown was considered something of a coup. *# |
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(1942)**^ – View showing a beauty pageant in process in Pershing Square with the Paramount Theatre in the background. Photo by Ralph Morris |
Historical Notes In 1963, the Paramount was torn down to make way for a parking lot. In the early 1980’s, a bank was built on this same lot.^^^* |
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Desmond's Building
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(ca. 1925)^*# - View showing the Art Deco style Desmond’s Department Store located at 616 South Broadway. The Walter P. Story Building is on the left; and the Platt Music Company (later Schaber's Cafeteria, 1928) and Orpheum Theatre on the right. |
Historical Notes In 1869, Daniel Desmond Arrived in Los Angeles and opened a hat store on Los Angeles Street near Commercial Street. His business expanded and he relocated into the more fashionable Broadway mercantile district at 612-616 South Broadway. In 1924, A. C. Martin designed the six-story convrete building in the Spanish Baroque Revival style featuring a terra cotta façade with twisting columns, balconies and an ornamental pediment. In 1933, the façade was redone in the Beaux Arts style (probably as a result of the Long Beach earthquake). ###+ |
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(ca. 1929)* - Closer view showing the beautiful Desmond's Clothing Store at 616 South Broadway in Downtown Los Angeles. Schaber's Cafeteria is to the right. Click HERE to see contemporary view of the Desmond's Building. |
Historical Notes Previously on this site was the Symphony Theatre which opened in the 1910's and was demolished in 1923. |
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(ca. 1930s)^*# - Night view showing the front entrance and window displays of the Desmond’s Department Store on Broadway. |
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Cocoanut Grove
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(ca. 1920s)^*# - Postcard view of he Ambassador Hotel and the Cocoanut Grove. Ben Bernie and his orchestra are featured at the Grove. |
Historical Notes The Ambassador Hotel and the Cocoanut Grove began operation formally on January 1, 1921, and were located at 3400 Wilshire Boulevard, between Catalina Street and Mariposa Avenue.^* In 1925 Ben Bernie and his orchestra did the first recording of Sweet Georgia Brown. Bernie was the co-composer of this jazz standard (also Maceo Pinkard), which became the theme song of the Harlem Globetrotters.^* |
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(ca. 1938)* - A view across the dining room of the nightclub. Tables and the dance floor are filled with customers. A waiter stands in front. A large number of cocoaut trees spread throughout the room, plus the ornate decorations of ceilings and walls give the room an exotic look. |
Historical Notes For decades, the the Ambassador Hotel's famed Cocoanut Grove nightclub hosted well-known entertainers, such as Frank Sinatra, Barbra Streisand, Judy Garland, Lena Horne, Bing Crosby, Nat King Cole, Liza Minnelli, Martin and Lewis, The Supremes, Merv Griffin, Dorothy Dandridge, Vikki Carr, Evelyn Knight, Vivian Vance, Dick Haymes, Sergio Franchi, Perry Como, Dizzy Gillespie, Benny Goodman, Sammy Davis Jr., Little Richard, Liberace, Natalie Cole, and Richard Pryor.^* On February 29, 1940, the 1939 Academy Awards Ceremony was held in the Cocoanut Grove, with Bob Hope hosting.* |
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(2005)* - View of Cocoanut Grove entrance, facing south. For decades this was "the" hot spot for live entertainment on the West Coast, where people like Bing Crosby and Barbra Streisand got their start, and Frank Sinatra, Sammy Davis Jr. and many others came to perform. |
Historical Notes In 2005, most of the Ambassador Hotel was demolished leaving only the annex that housed the hotel entrance, a shopping arcade, the coffee shop, and the Cocoanut Grove, all of which were promised to be preserved in some manner and used in a new LAUSD school to be built on the site. Due to poor structural integrity, however, the LAUSD decided to demolish most of the Cocoanut Grove, retaining only the hotel entrance and east wall of the Grove.^* |
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Asbury Apartments
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(ca. 1925)* - View looking southwest showing the Asbury Apartments, located at 2505 W. 6th Street. Note the canopy above the sidewalk at the entrance. |
Historical Notes The Asbury Apartments was designed by Norman W. Alpaugh & Clarence H. Russel and built in 1924. Originally to be named the San Jacinto Dwellings, these luxury residences with commanding views of Westlake (now MacArthur) Park were regarded as ultra-exclusive when the building opened in 1925. #^*# |
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(1929)^ – Ground view of the Asbury Apartments as seen from across the street, located on the southeasst corner of 6th Street and S. Carondelet Street. |
Historical Notes Units were sold individually in what was termed the "own-your-own" plan, the building was electrically operated throughout, and it contained a parking garage accessible by elevator -- quite rare at the time. A balcony extends along the fourth floor of the building, and the upper portion of the fire escape shaft facing Sixth Street is embellished with a semi-circular balcony and elaborate Churrigueresque detailing. #^*# |
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(1940s)^* - Postcard view showing the Asbury Apartment - Hotel on 6th Street. |
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(2009)^^ – Looking up toward the top of the Asbury Apartments as it appears today. View is looking southeast. Click HERE for contemporary close-up view. |
Historical Notes The two rooftop signs, advertising "Asbury" in neon, are visible for several blocks and were restored by the city's LUMENS program (Living Urban Museum of Electric and Neon Signs). |
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Talmadge Apartments
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(1924)* – Aerial view looking southeast showing The Talmadge Apartments located at 3278 Wilshire Boulevard. |
Historical Notes The Renaissance Revival-style building was designed by Architects Curlett and Beelman and completed in 1923. The building rose on the site of a Craftsman mansion designed for automobile dealer Earle C. Anthony in 1909 by legendary Pasadena architects Charles and Henry Greene. In 1923, the home was sold to actor Norman Kerry, who had it moved to North Bedford Drive in Beverly Hills. #^*# |
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(ca. 1930s)* – Street view looking across Wilshire Boulevard showing the Talmadge Apartments on the southeast corner of Wilshire and Berendo Street. |
Historical Notes The elegant brick apartment tower bears the name of silent film actress Norma Talmadge. She and her husband, Hollywood producer Joseph Schenk, owned the building when it opened in 1924. The Talmadge opened with a summer garden party attended by socialites and business leaders. The Schenks lived for a time on the tenth floor. It remained an upscale address through the heyday of Wilshire Boulevard, attracting celebrities and dowagers who enjoyed attentive service. #^*# |
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(ca. 1940s)* – Close-up view showing the entrance to The Talmadge Apartments. Two men are seen standing in front of the building, one of which appears to be the doorman. |
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(1952)^ - View of the Talmadge Apartments, southeast corner of Wilshire and Berendo. To the right can be seen the Immanuel Presbyterian Church (built in 1928). Note the height of the palm trees when compared to previous photos. |
Historical Notes Click HERE to see a contemporary view of the Talmadge Apartments. |
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George L. Crenshaw Residence
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(ca. 1924)* - Exterior view of the home once owned by George L. Crenshaw, located at 1419 S. Wilton Place. The roof and eaves are adorned with tiles, there is a slightly rounded dome on the left of the house, and arches on the second floor balcony. Above that, a dormer with three windows. The home became the Philanthropy and Civics Club clubhouse in 1924. A sign next to a flagpole on the front lawn reads, "Philanthropy and Civics Club". |
Historical Notes George L. Crenshaw was a banker and real estate developer who built several upscale residential developments in mid-city Los Angeles in the early 1900s. Among these was Lafayette Square and Wellington Square. The Crenshaw district of Los Angeles and its principal thoroughfare, Crenshaw Boulevard, bear his name.^* |
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First Church of Christ
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(ca. 1920)* - View of the First Church of Christ from Hoover Street. Alvarado Street is on the left and Alvarado Terrace is on the right. |
Historical Notes Designed by architect Elmer Grey in the Beaux Arts/Italian/Spanish Romanesque style, the First Church of Christ, Scientist was constructed in 1912. It later became the Central Spanish Seventh-Day Adventist Church. It is Los Angeles Historic-Cultural Monument No. 89.* Click HERE to see the complete list of the LA Historic-Cultural Monuments. |
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(ca. 1925)* - Exterior view of First Church of Christ, Scientist, located at 1366 So. Alvarado Street. |
Historical Notes Now the Iglesia Adventista Central. For a time in the 1970s it served as the Los Angeles branch of the ill-fated Peoples Temple led by the Rev. Jim Jones. |
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B'nai B'rith Temple
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(1926)* - Exterior view of the second B'nai B'rith Temple on the corner of 9th and Hope streets. Neighboring businesses, hotels and apartment buildings are visible all along Hope Street, which runs from the foreground to the left side of the image. |
Historical Notes Architect Abraham M. Edelman designed this synagogue, the second building for the congregation of B'nai B'rith. The cornerstone was laid on March 15, 1896 and it was dedicated on September 5th of the same year. The synagogue, which had seating for 600 people, was built of red brick with twin towers and pomegranate domes, its floors were carpeted in deep red with plush-cushioned pews and had a chandelier containing 60 bulbs, which made it the largest in the city. H.W. Hellman, Harris Newmark, Kaspare Cohn, and Mrs. J.P. Newmark presented the beautiful stained glass windows. This grand edifice was replaced in 1929 when Wilshire Boulevard Temple opened.* Congregation B'nai B'rith occupied its first building at Temple and Broadway in Downtown from 1862 until 1895.* Click HERE to see first location of B'nai B'rith Temple. |
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Wilshire Congregational Church (now Wilshire United Methodist Church)
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(1925)*^*^ – View showing the Wilshire Boulevard Congregational Church still under construction, located at 4350 Wilshire Boulevard. |
Historical Notes Designed by Allison & Allison and built in 1924-1925, the church was promoted by Portland Cement Association as being "all-concrete." The exterior has a Romanesque revival appearance, while the interior is reminiscent of the Gothic revival style.* |
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(ca. 1925)*^*^ – View showing the Wilshire Boulevard Congregational Church shortly after its completion, located on the southwest corner of Plymouth and Wilshire Boulevards. |
Historical Notes The architects, Allison and Allison, who also designed First Congregational Church (540 S. Commonwealth), Janss Dome Building (1099 Westwood Blvd.), and buildings at UCLA, were known for their masterful use of concrete and fusion of Italian, Spanish, and Gothic styles, all in evidence here. #^*# |
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(1925)* - Close up view of the Wilshire Boulevard Congregational Church (later Wilshire United Methodist Church). It was designed by Allison and Allison to have a Romanesque exterior with a Gothic interior. |
Historical Notes In its early years, the church's founding pastor, Frank Dyer, engendered great controversy by holding a jazz concert in the sanctuary and by staging a church fundraiser at the Olympic Auditorium that was to include prizefighter Jack Dempsey. #^*# |
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(ca. 1939)* - A car is parked and crowds gather in front of the community hall of the Wilshire United Methodist Church, during what appears to be a wedding. |
Historical Notes In the 1930s and 1940s, the church became known for its celebrity contingent, hosting the weddings of Jeannette MacDonald in 1937 and seventeen-year-old Shirley Temple in 1945. #^*# |
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(2010)^^** – View showing the Wilshire United Methodist Church as it appears today, SW corner of Wilshire and Plymouth Blvds. |
Historical Notes The church was designated a Los Angeles Historic-Cultural Monument in 1973 (No. 114). Located at 4350 Wilshire Blvd. in the Hancock Park neighborhood of Los Angeles. |
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Wilshire Christian Church
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(ca. 1927)* - Exterior view of the Romanesque Revival style Wilshire Christian Church during its construction, as seen from the western side of Normandie Avenue. The church's large rose window designed by Judson Studios has yet to be installed, but the window opening has been covered to protect the interior of the structure. |
Historical Notes After land was donated by Charles Chapman in 1911, a small bungalow style church was built at this corner of Wilshire Boulevard and Normandie Avenue. In 1927 the original church was replaced by this Northern Italian Romanesque style structure with a 200-foot tower, designed by Robert H. Orr.* Charles Clarke Chapman (1853–1944) was the first mayor of Fullerton, California and a relative of John Chapman, the legendary "Johnny Appleseed." He was a native of Illinois who had been a Chicago publisher before settling in Southern California. Chapman was a supporter of the Disciples of Christ, who was a primary donor and fundraiser for California Christian College, which in 1934 changed its name to Chapman College, and is now Chapman University, in his honor.^* |
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(ca. 1927)* - Exterior view of the Romanesque Revival style Wilshire Christian Church, as seen from the southwest corner of the intersection of Normandie Avenue and Wilshire Boulevard not long after it was constructed in 1927. |
Historical Notes Located at 634 S. Normandie Avenue, the church was designated Los Angeles Historic-Cultural Monument No. 209 (Click HERE to see complete listing). |
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(ca. 1930)* - Exterior view of the Wilshire Boulevard Christian Church taken from across Wilshire Boulevard. Located at 634 S. Normandie Avenue. The two towers for KFAC, a radio station next door, are visible. |
Historical Notes On May 19, 1940, First Christian Church of Los Angeles merged with Wilshire Boulevard Christian Church to become Wilshire Christian Church, which is of the Disciples of Christ denomination.* |
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Los Angeles Stock Exchange
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(ca. 1927)^ - View of the Yosemite Building located at 115 South Broadway. This was the first home of the Los Angeles Stock Exchange in 1900. |
Historical Notes On December 7, 1899, a group of oil men lead by Wallace Libby Hardison met to organize the Los Angeles Oil Exchange to promote their industry, figure out how to get more investments, and set up a marketplace for related securities. The Exchange’s first trading session was on February 1, 1900, in the Yosemite Building on South Broadway, with seats selling for fifty bucks. At the end of the year, on December 23, the powers-that-be broadened the market’s services and renamed it the Los Angeles Stock Exchange.***# |
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(1930s)^ - View looking east on First Street showing the second home of the Los Angeles Stock Exchange. It was located on the second floor of the Tajo building, 307 West First Street. The LA Times building is seen at right on the corner of First and Broadway. |
Historical Notes The Exchange had relocated to half a dozen different locations in the city (including the Buildings Tajo, Hellman, and Chamber of Commerce) when, in early May 1929, the market bought the Strong & Dickinson (formerly Meredith) Building at 618 South Spring.***# |
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(1939)* - Exterior view of the Los Angeles Stock Exchange Building at 618 South Spring Street on May 5, 1939, ten years after it was built. |
Historical Notes Built in 1929, the eleven-story exchange building was designed by Samuel Lunden in the Moderne style. Ground was broken in October 1929, just as the Great Depression hit, and when the Los Angeles Stock Exchange opened its doors there in 1931, the country was deep into the Depression. The Stock Exchange would stay in this building until 1986.^* On January 3, 1979, the Los Angeles Stock Exchange Building was designated LA Historic-Cultural Monument No. 205 (Click HERE to see complete listing). |
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(1938)^ - Stock brokers on the floor of the Los Angeles Stock Exchange at 618 S. Spring Street. |
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Temple Block to City Hall
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(ca. 1926)* - Temple Block as it appeared just one year before construction of today's City Hall. |
Historical Notes This site, at the intersection of Spring, Main and Temple, is where John Temple built his original two-story adbobe two-story adobe in the early 1800s. Jonathan Temple was one of Los Angeles’ first developers, constructing the original Temple Block and the Market House, which later served as city and county administrative headquarters, contained the county courthouse, and featured the first true theater in southern California. Temple Street carries his name.^* The Old Courthouse occupied Temple Block between 1861 and 1891.* |
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(1927)^*^* - The last stand of the historic Temple Block. As the steel frame of the new City Hall neared completion the proud building, once dominant in the business and professional life of the city, was razed. |
Click HERE to see more of Construction of Today's City Hall |
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LA Evening Express and Everning Herald Building (later LA Herald-Express Building)
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(1925)* – View showing the Los Angeles Evening Express and Evening Herald Building, later the Los Angeles Herald-Express Building, located at 1243 Trenton Street. Photo dated July 21, 1926. |
Historical Notes The Mediterranean/Churrigueresque structure was designed by Morgan, Walls & Clements and built in 1925. When the Los Angeles Evening Herald and Express merged, it became the Herald-Express Building. |
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(1926)*- Looking across the street towards the Los Angeles Evening Express and Evening Herald Building showing dozens of people by the front entrance. |
Historical Notes Established in 1873, the Los Angeles Herald represented the largely Democratic views of the city and focused primarily on issues local to Los Angeles and Southern California. Appealing to a mostly working-class audience during its 116 years of publication, the Herald evolved from a primary focus on agriculture to reporting extensively on Hollywood gossip and local scandal, reflecting the transformation of Los Angeles itself during the twentieth century. ^* |
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(1931)* - Photograph caption dated November 5, 1931 reads, "Photo shows the Goodyear blimp 'Volunteer' soaring over The Evening Herald building today and picking up a bundle of Twentieth Birthday editions for delivery to civic officials at the city hall. The blimp dropped a rope weighed with a sandbag to the roof of the Evening Herald building. While the ship slowly passed over, two men running across the roof unhooked the sandbag and hooked on a bag containing the papers. The blimp then hauled the bag aboard, roared away and on reaching the city hall let the bag down on the end of the rope."
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Historical Notes In 1922, the Herald officially joined the Hearst News empire, although several sources suggest that Hearst had secretly purchased the paper in 1911. In 1931, Hearst merged the Los Angeles Daily Herald with the Los Angeles Evening Express to form the Los Angeles Evening Herald and Express, which was then the largest circulating evening newspaper west of the Mississippi. |
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(1937)* - View showing the Mediterranean style (with Churrigueresque detailing) Herald-Express Building. |
Historical Notes The Los Angeles Herald-Express was one of Los Angeles' oldest newspapers, formed after a combination of the Los Angeles Herald and the Los Angeles Express. After a 1962 combination with Hearst Corporation's Los Angeles Examiner, the paper became the Los Angeles Herald-Examiner. All operations were moved to the 1914-built Examiner Building located at 1111 S. Broadway. The Herald-Express Building used to stand on Georgia St, in downtown Los Angeles, between 12th and Pico (behind where the Staples Center is now). It was demolished in the mid-to-late 1960s. |
Patriotic Hall
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(ca. 1927)^ - View looking north on Figueroa from just south of Washington Boulevard. A paperboy dressed in light-colored clothing stands at the center of the street to the right hawking papers while cars pass him on either side. The large building in the background is the Patriotic Hall. |
Historical Notes The Allied Architects Association of Los Angeles designed Patriotic Hall in the Italian Renaissance Revival style. When completed in 1926, the building was the tallest in all of Los Angeles, at the equivalent of twelve stories. #^*# |
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(1937)* – View showing the front entrance to the Patriotic Hall located at 1816 S. Figueroa Street. |
Historical Notes Patriotic Hall housed service members on leave during World War II. It also hosted top performers who entertained the troops, including Bob Hope, Bing Crosby, and Dorothy Lamour. The building also housed the City’s municipal courts in the 1940s, as new ones were being constructed. During the Korean War, it served as a processing center for the Army and Air Force. #^*# |
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(1985)*++ - View looking up towards the top of Patriotic Hall. Photo by Julius Shulman |
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(ca. 2012)^+^ – View showing the Bob Hope Patriotic Hall grand lobby after renovation. |
Historical Notes On November 12, 2004, the building was renamed “Bob Hope Patriotic Hall” in honor of Bob Hope an honorary veteran of the U.S. Armed Forces. Over the years, Bob Hope Patriotic Hall fell into disrepair. Its infrastructure and systems were sorely out of date, and it suffered from deferred maintenance. In 2006, the County of Los Angeles fundraised for the rehabilitation of the facility, a project with a budget of over $75 million. The project entailed a large-scale, comprehensive interior and exterior rehabilitation. Internally, the project team restored wood doors and hardware, marble finishes, ceramic tile, decorative plaster and painting, murals, and auditorium and gymnasium seats. Externally, the team restored and repaired all historic features, including cast stone, granite, brick masonry, terrazzo, steel windows and hardware, metal skylights, wrought iron doors, metal fire escapes and railings, decorative metal louvers and grilles, copper cornice and gutters, clay tile roof, plaster, decorative painting and stenciling, stained glass, and light fixtures. #^*# |
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(2015)#^** – Google street view showing the Patriotic Hall located where 18th Street meets Figueroa Street.. |
Historical Notes The building’s restoration project preserved one of Los Angeles’ most prominent, highly visible historical facilities, earning a Conservancy Preservation Award in 2014. Bob Hope patriotic Hall now enjoys new life as a multipurpose facility, with ample meeting and conference space for veterans and others in the community to meet and recreate.#^*# |
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(2013)*# - Close-up detailed view showing the ceiling of Bob Hope Patriotic Hall's arched entrance. |
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Barker Brothers
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(1926)* - Barker Brothers furniture store building, located at 818 W. 7th St. Cars are moving along Seventh St. and Pacific Electric streetcar tracks are visible in the foreground. A policeman is seen standing on a box in the middle of the intersection directing traffic. |
Historical Notes The 1925 building, designed in the Renaissance Revival style by Curlett and Beelman, was said to have been inspired by the Strozzi Palace in Florence. The symmetrically developed twelve-story structure is faced in terra cotta and brick, with a monumental three-story round arched center entry. Inside there is a forty-foot-high lobby court with beamed and vaulted ceilings.* |
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(1930s)^ - View of the Barker Brothers building on the southeast corner of 7th & Figueroa. The M & H Cut Rate Luncheonette sits on the opposite corner adjacent to a parking lot. Sign on the mini-diner reads: “Optimo Cigars” |
Historical Notes Obadiah J. Barker was a Los Angeles business man and the founder and president of the furniture company, Barker Brothers. Born in Bloomfield, Indiana, Barker moved with his family to Colorado Springs, Colorado as a young man. He attended Colorado College and also attended dental school in St. Louis. However, he did not complete dental school and moved to Los Angeles with his parents and brothers in 1880. The family began a successful furniture business on Spring Street in Los Angeles. The company became one of the world's biggest house-furnishing stores.^* |
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(1930s)* - Another look at the Barker Brothers building with a better view of its grand 3-story arched entryway. |
Historical Notes Barker Brothers' fine furnishings was a Los Angeles upscale furniture chain that closed in 1992 after operating for more than 110 years.^* |
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(1930s)* - Exterior view of the Barker Brothers furniture store building, located at 818 W. 7th St. Pedestrians can be seen walking in front of the over-sized display windows. |
Historical Notes In 1988, the Barker Brothers Building on the southeast corner of 7th Street and Figueroa was dedicated LA Historic-Cultural Monument No. 356 (Click HERE to see complete listing). |
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Coffee Cup Cafe
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(1920s)* - View of the Coffee Cup Cafe located at 8901 Pico Boulevard. A giant coffe cup and saucer sit on top of the cafe structure. |
Historical Notes In the 1920s and 1930s, more and more business catered to the Los Angeles automobile culture. Buildings and structures became more unique, often resembling the merchandise or services they hawked. Giant sized version of objects (Giant Hat – Brown Derby, Giant Dog - Pup Café, Giant Coffee Cup – Coffee Cup Café, etc.) began to pop up everywhere. #^#^ These “hey-you-can’t miss-me!” buildings (referred to as Novelty or Programmatic Architecture) were made to pull automobile drivers right off the road. Click HERE to see more examples of Programmatic Architecture. |
Wilshire Coffee Pot Restaurant
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(ca. 1925)#*#^ - View showing a car in the parking lot of the Wilshire Coffee Pot restaurant. The restaurant and coffee shop was located at 8601 Wilshire Boulevard, on the northwest corner of Stanley Drive and Wilshire Blvd. A giant coffee pot sits on top of the building. Ben-Hur Coffee is featured. |
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(ca. 1930s)* - Close-up view of the Wilshire Coffee Pot restaurant, located at 8601 Wilshire Boulevard in Beverly Hills. The building has a coffee pot on the roof with advertisement for: Ben-Hur Delicious Drip Coffee. |
Click HERE to see more examples of Programmatic Architecture. |
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Hollyhock House
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(1920s)* – Aerial view looking north showing the Hollyhock House on top of Olive Hill. The estate is bounded by Hollywood Blvd (North), Sunset Blvd(South), Edgemont St (West), and Vermont Ave (East). |
Historical Notes Originally designed by Frank Lloyd Wright as a residence for oil heiress Aline Barnsdall, The Hollyhock House was built in 1919–1921. Barnsdall originally intended the house to be part of an arts and theater complex on a property known as Olive Hill, but the larger project was never completed.*^ |
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(ca. 1927)* - Aerial view showing Barnsdall Art Park and the Frank Lloyd Wright designed Hollyhock House. At upper center-left is Los Feliz Elementary School. At upper-right corner is the intersection of Hollywood Boulevard and Vermont Ave. |
Historical Notes Disillusioned by the costs of construction and maintenance, Barnsdall donated the house to the city of Los Angeles in 1927 under the stipulation that a fifteen-year lease be given to the California Art Club for its headquarters, which it maintained until 1942. The house has been used as an art gallery and as a United Service Organizations (USO) facility over the years. Beginning in 1974, the city sponsored a series of restorations, but the structure was damaged in the 1994 Northridge earthquake. It was again restored, and was open to the public as of June 2005.*^ |
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(1939)* - View of archway and greenery, Hollyhock House located at 4808 Hollywood Boulevard in Barnsdall Park. The home was built between 1919-1921. Architect: Frank Lloyd Wright. Home has a "pre-Columbian air and stylized hollyhock ornamentation" - Gebhard & Winter, restored by Lloyd Wright (his son). |
Historical Notes Like many houses designed by Wright, it proved to be better as an aesthetic work than as a livable dwelling. Water tended to flow over the central lawn and into the living room, and the flat roof terraces were conceived without an understanding of Los Angeles' rains. The cantilevered concrete also has not stood up well to the area's earthquakes.*^ |
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(2005)*^ – Close-up view of Frank Lloyd Wright's Hollyhock House, located at 4808 Hollywood Boulevard. |