The Addressograph Section
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| (July 1906)* - Stencil Room - Jack E. White and R. E. Outcalt. | 
September, 1930 - Overview of the Addressograph Section**
 An index to the growth of Los Angeles is the change in totals   of services. In 1906, for example, when Los Angeles barely had reached the   200,000 mark, there were slightly over 52,000 water services. At the close of the   fiscal year last June, there were more than 315,000 water services and the   population of the City now had brought this western metropolis to fifth place in   the Nation.
          
          Fourteen men and women work daily (and rapidly, too) turning   out the required quantity of stencils for the addressograph work. This efficient   staff is under the direction of Miss Florence Hannibal who, in turn, looks for   responsibility to Franklin Roberts, in charge of the Commercial Bookkeeping   Section.
          
          IN 1906 – Things were different in 1906. The entire   Addressograph Section occupied one average size office room. Two men, using   foot-power machines, were able to transact all of the business of the   Addressograph Section. The office contained not only the two men, one hidden   safely under a heavy growth of black beard, the other supporting a black   moustache worthy of a Trampas – but it housed the machines, two odd waste   baskets, two swivel chairs, a brass cuspidor, a rack containing the stencils and   a free calendar from the railroad company.
          
          C. E. Outcalt, now manager of   the San Pedro Commercial Office, was in charge of the Addressograph Section   nearly a quarter of a century ago. His staff consisted of Jack White, now on the   Reserve List of the Department.
          
          In the old days bill collections were   made from door to door. The collectors made their notations and checked against   the stencils before they left each morning. Nowadays, all bills are   mailed.
          
          Coming down to the present, it is enlightening to note a few   figures pertaining to the operation of the Addressograph Section which occupies   almost half of the large room on the second floor of the Broadway   building.
          
          HOW IT’S DONE – The Addressograph Section embosses new   installations, new contracts and closing bills for Los Angeles and all of the   branch offices, Miss Hannibal explained. This work is being done by three   Graphotype operators who complete approximately 480,000 stencils a year. The   Graphotype machine must be seen to be appreciated. It is a large contrivance   that should frighten most women out of their wits but those who sit all day and   make the stencils are quite expert at their work.
          
          Reading sheets on all   new service installations, which become a meter reading record, are   addressographed by this Section. These records are replaced every third year and   average about 200,000 per year or 400,000 impressions.
          
          Miss Hannibal said   that ledger cards are addressographed, dated and numbered. The bill number is   punched during the same operation by a specially designed and constructed   machine developed by the Department of Water and Power. The number of ledger   cards completed in the past fiscal year was considerably over six   million.
          
          The consumers’ bills are addressographed and dated by an   automatic machine, the date being printed on the reverse side of the bill. Both   impressions are made in one operation of the machine and during the past fiscal   year 5,989,648 bills were printed.
          
          One F-1 addressing machine is used in   listing index cards for the addressograph record frames. Two F-2 addressing   machines are used for the courtesy notices sent out each month to various   consumers, reading sheets, field collection copies, closing bills, envelopes,   statements and other miscellaneous forms.
          
          Three small hand-operated   machines are placed at strategic points to handle miscellaneous requests for   stenciled forms. The machines do not require the use of power for their   operation and permit a more rapid completion of small operations due to their   accessibility. Approximately 3,500,000 miscellaneous forms are addressographed   each year by this section.
          
          The personnel of the addressograph section   consists of the following besides Miss Hannibal: Emogene Downs, Delores Guizar,   Mrs. Beulah Tobey, Mrs. Ruth Lee, Wilhelmina Postma, Mrs. Alice M. Watson, Julia   Gurske, Clarence M. Matson, Samuel Munster and Elsie Shearer.
          
          FAR CRY –   It certainly is a far cry to the days of the beard and the moustachio – the days   of Outcalt and White. We hear talk now and again of “those good old days.” They   were all right if you like novelties, say the modern office   workers.
          
          Those who had a gay old time in the “old days” are among the   snappy and efficient ones of today and glad of the chance to pitch in and help   increase the Service to our Public.
          
          If the outsider had any doubt of the   activity of the modern Addressograph Section this doubt would quickly be   dissipated by a visit to the Section where the wheels go around, the stencils   clatter, everything moves with workmanlike precision so that the countless tasks   which fall to the lost of the Addressograph may be completed in the required   time and with the ultimate degree of satisfaction to all concerned.
          
          NIGHT   WORK – After the noises of the day have died down and Miss Hannibal’s staff   “clears out” for the day that is, not the end of the story by any manner of   means.
          
          Miss Hannibal assures us that is only about the half of it. A   night crew comes into the picture and prepares the postings down to the last   minute so that when the wheels begin turning in the morning, thus taking up the   slack of the midnight hours and then – as our movie title writers used to   say:
          Came the Dawn!
          
        
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| (1930)* - Addressograph Section - pictured are: Julia Gurske, Clarence M. Matson, Samuel Munster and Elsi Shearer. The Addressograph Section embosses new installations, new contracts and closing bills for Los Angeles and all of the branch offices. | 
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| (1941)* - Shown grouped about a new attachment for an automatic fee addressograph machine are (left to right) Frank Tennant, who designed the device; Christian E. Jensen, maintenance man for Commercial Division addressographing machines; and Florence Hannibal, supervisor of the Addressographing unit. | 
LADWP Historic Archive
August 1941 – Elimination of an operation on tabulating cards formerly performed   on a different type of machine, by another division, is the achievement of an   attachment recently installed on one of addressograph machines of the Commercial   Division.
          
          Believed to be the only device of its kind in the entire United   States, it was designed by Frank Tennant, from suggestions made by Commercial   Division employees. It was fabricated in the machine shop at 1630 North Main   Street where Mr. Tennant is a foreman. The attachment enables the addressograph   machine to perform more operations faster, more efficiently and more quietly, it   was stated by Homer White, commercial director.
          
          Tabulating cards formerly   were progressed through a slower addressing machine which printed on each card   the date, consumer address and bill number and also punched in the bill   number.
          
          With the new attachment installed on an automatic feed type   addressing machine, not only are all the above mentioned operations performed,   but in addition, the machine also “gang” punches the meter book number, serial   number and debit symbol as the cards pass through the machine. This eliminates   one complete operation formerly done by the Tabulating section of the Accounting   Division. Production has been stepped up to approximately 5,000 cards per hour,   compared with a rate of less then 4,000 cards by the old method.**
          
        
References and Credits
* DWP - LA Public Library Image Archive
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