Water and Power Associates Informing the Public about Critical Water and Energy Issues facing Los Angeles and California

Historical Notes

The beautiful 'French Norman revival' building was located on the southeast corner of Sunset Blvd. and Crescent Heights Blvd., just east of the Garden of Allah apartments. The structure faced Sunset Blvd.

Historical Notes

Today, the 8000 Sunset Strip Shopping Center stands at the southeast corner of Sunset and Crescent Heights. The center includes Trader Joe's, CB2 (Crate & Barrel), Sundance Cinema, Crunch Fitness, Subway and several offices.

Historical Notes

Schwab's Pharmacy was a popular hangout for movie actors and movie industry dealmakers from the 1930s through the 1950s. Like many drug stores in the United States throughout the mid-twentieth century, Schwab's sold medicines and had a counter serving ice cream dishes and light meals.

Historical Notes

Schwab's opened in 1932 when Philadelphia natives and brothers, Jack, Leon, Bernard and Martin Schwab, bought a failing pharmacy on the corner of Sunset and Crescent Heights boulevards. The pharmacy was located just around the corner from several studios and the brothers set up their pharmacy to cater to the Hollywood crowd. Schwab's was more than just a place to fill prescriptions: there was a grocery store, a make-up counter (Gloria Swanson bought all her cosmetics there) and a restaurant that served all-American fare like hamburgers and meatloaf (Marlon Brando and Orson Welles were fans).*

Historical Notes

1938 - Harold Arlen was working on a movie score for an upcoming film, The Wizard of Oz. He was having a difficult time composing a ballad for one particular scene. Ballads were usually love songs, but this scene was about a lonely farm girl longing for "a place where there isn't any trouble," and it had him stumped. He decided to take a break from writing and catch a movie at Grauman's Theater with his wife, Anya. He sat in the passenger seat with Anya at the wheel. They turned onto Sunset Blvd, heading East, when suddenly he touched her arm and asked her to pull over. Anya parked the car under the neon sign of Schwab's Pharmacy, as Harold scribbled the melody that just came to him. He rushed inside to call his writing partner, Yip Harburg, from the Schwab's payphone.

"Yippers, can you meet me at my house in 10 minutes? I think I got a nugget."

Historical Notes

Sidney Skolsky, a syndicated Hollywood gossip columnist for the New York Daily News who was the first journalist to use the nickname "Oscar" for the Academy Award in print, made Schwab's famous in the 1930s. He used the drugstore as his office, and called his column in Photoplay, the premiere movie magazine in the U.S. at the time, "From A Stool At Schwab's".

Historical Notes

A persistent Hollywood legend has it that actress Lana Turner was "discovered" by director Mervyn LeRoy while at the soda counter at Schwab's. While the 16-year-old Turner was indeed discovered at a soda counter, the actual location was not Schwab's but another Sunset Boulevard establishment, the Top Hat Cafe, and the person who discovered her was not LeRoy but Hollywood Reporter publisher William Wilkerson.^

Historical Notes

Schwab’s became an essential piece not only of Hollywood day-to-day living but of Hollywood lore.  Open from early in the morning until past midnight, the place was a clubhouse, a headquarters, and a hearth fro up-and-comers, never-quite-ever-beens, rubberneckers, and strivers and schemers trying to pry a way into (sometimes back into) the movie business.*

Historical Notes

The 1950 film, Sunset Boulevard, stars William Holden as Joe Gillis, a struggling screenwriter, and Gloria Swanson as Norma Desmond, a former silent-film star who draws him into her demented fantasy world, where she dreams of making a triumphant return to the screen. Erich von Stroheim plays Max von Mayerling, her devoted butler, and Nancy Olson, Jack Webb, Lloyd Gough, and Fred Clark appear in supporting roles. Director Cecil B. DeMille and gossip columnist Hedda Hopper play themselves, and the film includes cameo appearances by leading silent-film actors Buster Keaton, H. B. Warner, and Anna Q. Nilsson.^

Historical Notes

Over the years, Schwab’s became a popular local mini-chain, with locations at 6255 Hollywood Boulevard, 430 N. Roxbury Boulevard and 401 N. Bedford Drive. The Bedford Drive location, which had a special department and phone number reserved for the famous, was where Marilyn Monroe filled her prescriptions. One of her prescription bottles sold for $3,200 in 2014.*

Historical Notes

Schwab's continued to be a popular hang-out well into the 1970s with luminaries like Cher, Linda Ronstadt and Diane Keaton frequenting the Hollywood hot spot.

Historical Notes

In the 1970s and early ’80s, a new set of celebrities began gracing the fountain with their presence, including Eric Estrada, Al Pacino, Sylvester Stallone, Goldie Hawn and Jerry Brown. In 1980, Jack Schwab passed away at age 75, and after five decades of service, the Schwab’s on Sunset Boulevard closed down. Leon Schwab stated that the closure was due to family reasons, but the truth was that the company was in financial distress. In 1983, everything that was not bolted down, from the stools and counters to the pharmacy’s famous Rolodex, was auctioned off to the highest bidder. The large red-and-blue neon sign that hung over the front door sold for $650.*

It took the wrecking ball a couple of more years to knock down Schwab's, but in 1988 the building came down, making way for a large retail complex. 

Historical Notes

The origin of the name Googie dates to 1949, when architect John Lautner designed the West Hollywood coffee shop Googies, which had distinct architectural characteristics.  The name "Googie" had been a family nickname of Lillian K. Burton, the wife of the original owner, Mortimer C. Burton.*

The Origins of Googie Architectrure

Alan Hess, the author of Googie: Fifties Coffeeshop Architecture, traces Googie back to three Coffee Dan's restaurants designed by John Lautner in the early forties.

"He selected the vaults and glass walls and trusses and angles of his buildings to fit the original, often unusual, concepts of space he favored," writes Hess.

Lautner originated the style that would be refined and reinterpreted by many others. Unintentionally, he also gave the style a name when, in 1949, he designed Googie's Coffee Shop at the corner of Sunset Boulevard and Crescent Heights in Los Angeles.

Professor Douglas Haskell of Yale was driving through Los Angeles when he and architectural photographer Julius Shulman came upon Googie's. "Stop the car!" Haskell yelled. "This is Googie architecture." While Haskell was dubious about the style, he made the name "Googie architecture" stick by using it in a 1952 article in House and Home magazine.*

The Googie Look

Although Googie buildings were often quite different from one another, Douglas Haskell noted that the style had certain rules:

1. It can look organic, but it must be abstract. "If it looks like a bird, it must be a geometric bird. It's better yet if the house had more than one theme: like an abstract mushroom surmounted by an abstract bird."

2. Ignore gravity altogether. "Whenever possible, the building must hang from the sky."

3. Multiple structural elements. Inclusion is the rule, rather than minimalism. New materials, including sheet glass, glass blocks, asbestos, plywood and plastic gave the architect a whole new palette to work with. Other innovations allowed steel and cement to be used in new ways. Suddenly, architects had more elbowroom for their dreams. A room made of plastic could look like a log cabin, a space ship, or almost anything.*

Googie Architectrure

Googie was about the past, the present and the future -- But mostly the future. It was part of the popular culture, which reinforced a unified vision of a utopian future built on mankind's work and ingenuity.

Historical Notes

Googie’s Coffee Shop was located next door to celebrated Schwab’s drug store, on the corner of Sunset and Crescent Heights Boulevards. It was all the rage among young, up and coming stars in 1950s Hollywood who went to table hop, not necessarily to eat.

Historical Notes

Googie captured the post-war high that made people feel that the future was now and they were living in it. As time passed, Googie came to reflect a very 1950s and ’60s view of what “the future” meant.*

Historical Notes

Like most art forms that told a story or inspired with optimism, Googie went out of fashion in the mid-1960s.*

Historical Notes

West Hollywood, colloquially referred to as WeHo, was incorporated in 1984 and is home to the famous Sunset Strip.  The irregular boundary of the town is featured in the city logo, and was largely formed from the unincorporated area that had not become part of the surrounding cities (Los Angeles and Beverly Hills).*^

West Hollywood owes its existence to one of Southern California's first interurban electric railways, the Pasadena and Pacific. Assembled by Moses H. Sherman and his brother-in-law Eli P. Clark from failed and fragmentary predecessors, the Pasadena and Pacific connected the booming city of Los Angeles with the beach town of Santa Monica. Along the way, it crossed a sprawling coastal plain dotted with marshes, tar pits, and citrus groves. Today's Santa Monica Boulevard traces the railway's route across what was then called the Cahuenga Valley.^

Historical Notes

During the final decade years of the nineteenth century, the first large land development in what would later become West Hollywood—the town of "Sherman"—was established by Moses Sherman and his partners of the Los Angeles Pacific Railroad, an interurban railroad line which later became part of the Pacific Electric Railway system. Sherman became the location of the railroad's main shops, railroad yards, and "car barns". Many working-class employees of the railroad settled in this town.  It was during this time that the city began to earn its reputation as a loosely regulated, liquor-friendly (during Prohibition) place for eccentric people wary of government interference.

For years, farms and open fields separated the town of Sherman from the neighboring communities of Colegrove and Hollywood (an independent city from 1903 to 1910). Though connected by the tracks of the Pasadena and Pacific—later bounded on each side by paved roadways for motor cars and named Santa Monica Boulevard—it was not until the early 1920s that the growing Los Angeles metropolis met the street grid of Sherman. ^

Historical Notes

In 1896, Sherman and Clark built a rail yard and power plant at roughly the midpoint between Los Angeles and Santa Monica, where today's Santa Monica and San Vicente boulevards intersect.

Historical Notes

For many years, the area that is now the city of West Hollywood was an unincorporated area in the midst of Los Angeles. Because gambling was illegal in the city of Los Angeles, but still legal in Los Angeles County, the 1920s saw the proliferation of many casinos, night clubs, etc., along Sunset Boulevard (which starts in downtown Los Angeles and runs westward). These businesses were immune from the sometimes heavy-handed law-enforcement of the L.A. Police Department.

In 1925, In a controversial decision, Sherman adopted "West Hollywood", "...a moniker pioneered earlier in the decade by the West Hollywood Realty Board" as its informal name, though it remained under the governance of Los Angeles County.*^

Historical Notes

Beginning in 1922, Sherman's population boomed. As the town's development began to merge with that of Hollywood, by then a part of the City of Los Angeles, some in both Sherman and the metropolis began speaking of annexation.

Los Angeles promptly annexed several large but mostly vacant tracts surrounding Sherman; the 1,203-acre Fairfax district became part of Los Angeles with the unanimous approval of its 16 residents, and a 7-0 vote joined the 430-acre Melrose district with L.A.

L.A. easily incorporated these vast tracts into its city limits without contention, but Sherman was an established community with an independent identity, and the issue of annexation divided Sherman's population and business interests. Realtors supported it, arguing that future development depended on access to Los Angeles' sewer and fire protection services. Sherman's Board of Trade and Chamber of Commerce opposed joining the city, however, fearful of increased property taxes.

Ultimately the anti-annexationist forces prevailed. Instead of relying on L.A.'s utility connections and public services, Sherman financed construction of its own sewer system and relied upon the county for police and fire protection services. ^

Historical Notes

The tracks running down the center of Santa Monica Boulevard became part of the Pacific Electric Railway in 1911 and carried red cars until 1954. They then remained largely unused for decades, serving the occasional Southern Pacific freight train through the 1970s. It was not until 1999 that the West Hollywood segment of the tracks were dug up and replaced by a landscaped median.^

Click HERE to see same view in 2016.

Historical Notes

The building on the NW corner of Santa Monica and Westbourne Drive (8701 Santa Monica Blvd) has some interesting arhitecutral features and history. Click HERE to see more.

Historical Notes

The huge tank seen above was installed by LA Gas and Electric Company which later evolved into Southern California Gas Company. These large tanks were known as "gas holders" (aka gasometers), and helped supply natural gas to the city. They rose or sank in height depending on the amount of gas being stored.

Historical Notes

The above Gasometer was dismantled in the mid-1970s. Click HERE to see more in Gasometers of Early Los Angeles.

Historical Notes

The building at top center-right in the contemporary view is covered in blue. It is the Formosa Cafe during a remodel located on SE corner of Santa Monica and Formosa. Click HERE to see more.

Historical Notes

When United Artists was formed in 1919 by  Charlie Chaplin,  Mary Pickford, Douglas Fairbanks, and  D. W. Griffith, the founders never intended the company to be like a regular Hollywood studio. It started solely as a distribution company. Its mission was to release films made by independent producers, therefore it had no studio lot. However, many of the independent producers owned their own property, like the  Charlie Chaplin Studio on Sunset Boulevard.  The closest thing to a studio lot was the property owned by Pickford and Fairbanks on the corner of Santa Monica Boulevard and Formosa Avenue in Hollywood. The studio lot's address is now 1041 North Formosa Avenue.

Historical Notes

The 18-acre property on the corner of Santa Monica Boulevard and Formosa Avenue was originally owned by Jesse Durham Hampton, and then became known as the Pickford-Fairbanks Studio. As United Artists began to lure independent producers away from the major studios, many of the producers like Samuel Goldwyn and Joseph Schenck rented offices and stages on the property. In the early 1920s, the lot was renamed the United Artists Studio, though it was operated as a separate entity from United Artists the distribution company.*

Historical Notes

Goldwyn and Schenck financed the expansion of the studio, creating an awkward ownership structure. Pickford and Fairbanks controlled the deed to the land, but Goldwyn and Schenck owned the actual facilities on the lot. In 1935 when Scheck left United Artists, Goldwyn took over his share.

Historical Notes

After Douglas Fairbanks died in 1939, leaving his share of the deed to Mary Pickford, Goldwyn sought to rename the lot "Samuel Goldwyn Studio." Pickford and Goldwyn fought over the name and ownership of the property until a court ordered that the lot be auctioned in 1955.

James Mulvey, Goldwyn's most trusted business confidant and president of Samuel Goldwyn Inc., outbid Pickford for the property. The lot officially became Samuel Goldwyn Studio and remained so until Warner Brothers purchased the site in 1980.^

Warner Bros. sold the studio lot in 1999 and the name of this studio lot was changed to "The Lot."

Across the street is the Formosa Cafe, a legendary Hollywood hangout.

Historical Notes

Gas Stations used to be called service stations ... they would rush to your car, check the water and oil, put air in your tires, wash your windows, and pump your gas.

Click HERE to see more Early Views of LA Gas Stations.

Historical Notes

In Feb , 2022 the iconic Tower Records building was demolished.

Here's the Tower building (8801 Sunset Blvd) history timeline
• 1928 - 1935 Magnetic Service Station (Venetian Studio - antique furniture adjacent on west side at 8811 Sunset)
• 1935: Simon’s Drive-in opens
• 1945: Dolores Drive-In opens
• 1952: Jack’s on the Strip drive-in opens. Parking lot shared with Budget Rent-A-Car. Office on the corner across Horn
• 1961: Shoreham Apt sales model unit built in front
• 1962?-1965: Budget Rent-A-Car. Takes over Shoreham unit
• 1964?: Madman Muntz. Possibly moves into the diner buidings behind the Budget/Shoreham building
•  1966: Muntz takes over Budget building. Framing added on west side. 4/8-track car stereo installations done in diner bldg
• 1969: Muntz and Diner buildings all demolished
• 1970: Tower Records opens that September
• 1971: Howard Krumholz is hired!
• 1987: Gary Helsinger is hired in July!
• 2006: Tower files bankruptcy and closes
• 2007-2012: “Live! On Sunset” clothing & gift retail store.
• 2013: Spirit Halloween pop up store
•  Events: Rock of Ages movie set; White Stripes promo; Stranger Things Mall promo; Pam and Tommy movie
• 2016: Colin Hanks repaints store signs and colors for his Tower documentary “All Things Must Pass” premiere after party
• 2019: Gibson Guitars relinquishes its lease
• 2021: Supreme clothing takes over lease
• 2022 (Feb): Supreme demolishes building except for the frame*

Historical Notes

Designed in 1929 by architect Leland A. Bryant, opened in 1931, the Sunset Tower  is considered one of the finest examples of Art Deco architecture in the Los Angeles area. In its early years, it was the residence of many Hollywood celebrities, including John Wayne and Howard Hughes.^

Historical Notes

The building was renamed the Sunset Tower Hotel in 2004, after going through several incarnations as the infamous St. James’s Club and The Argyle. Its dramatic setting and elegant Art Deco architecture, along with its proximity to famous restaurants and nightclubs of the 1930s and 1940s, contributed to its landmark status.

Historical Notes

Originally operated as a luxury apartment hotel, it was one of the first high-rise reinforced concrete buildings in California. When it was completed in August 1931 at a cost of $750,000, the Los Angeles Times reported: "What is described to be the tallest apartment-house in Los Angeles County, rising 15 stories or 195 feet, was completed last week at Kings Road and Sunset Boulevard by W.I. Moffett, general contractor, for E.M. Fleming, owner."^

Historical Notes

In 1933, the Los Angeles Times ran an article about the trend toward luxurious penthouse apartments in the city and noted that Sunset Tower boasted the city's highest penthouse: "It is the highest in the city and due to the location of the fifteen-story structure that supports it, its tenants live on a level with the tower of the Los Angeles City Hall. Imagine the view!" ^

Historical Notes

Marketing the building to Hollywood celebrities, an advertisement in the February 1938 issue of the Screen Actors Guild magazine read: "Faultless in Appointment-The Ultimate in Privacy . . . Hollywood's Most Distinguished Address."

Historical Notes

John Wayne, Howard Hughes, Frank Sinatra, Jerry Buss and novelist James Wohl lived in the penthouse at different times, and Hughes reportedly also rented some of the lower apartments for his girlfriends or mistresses. Other former residents include Clark Gable, Errol Flynn, Marilyn Monroe, Michael Caine, Quincy Jones, Roger Moore, Zsa Zsa Gabor, Billie Burke, Joseph Schenck, Paulette Goddard, Zasu Pitts, George Stevens, Preston Sturges, and Carol Kane.^

Historical Notes

In their guide to Los Angeles architecture, David Gebhard and Robert Winter wrote that "this tower is a first class monument of the Zig Zag Moderne and as much an emblem of Hollywood as the Hollywood sign."  It is situated in a commanding location on the Sunset Strip with views of the city and is decorated with plaster friezes of plants, animals, zeppelins, legendary creatures and Adam and Eve.^

Historical Notes

The building is decorated with plaster friezes of plants, animals, zeppelins, mythological creatures and Adam and Eve.

Historical Notes

Architect Leland Bryant specialized in luxury apartments, but the Sunset Tower was his crowning achievement. His work was predominantly in Period Revival, but with this building he proved that he was equally adept with the then contemporary Deco style.*

Historical Notes

To attract a demanding clientele, the Sunset Tower incorporated the latest in both technology and design. There were modern conveniences, like outlets in every bathroom for electric shavers, and the windows were made larger to take advantage of the spectacular views.*

Historical Notes

After a period of decline in the early 1980s, the building was renovated and has been operated as a luxury hotel under the names The St. James's Club, The Argyle, and most recently the Sunset Tower Hotel.

Historical Notes

The building was saved from deterioration and possible demolition when it was purchased in 1985 from architect David Lawrence Gray, FAIA by Peter de Savary who promised to "lovingly restore" the building to its former glory by spending $25 million to convert the building into the first American branch of his luxury hotel chain, the St. James's Club.

The Lancaster Group purchased the hotel from de Savary in 1992, renaming it the Argyle.

In 2004, Jeff Klein purchased the hotel.  Klein hired designer Paul Fortune to renovate the hotel, adding more modern amenities, and restored its original name.^

Historical Notes

The Sunset Tower building was listed on the National Register of Historic Places in 1980.

In the 1990's the Sunset Tower Hotel was known as the Argyle Hotel. Before that it was known as the St. James Club and Hotel, a grand 13 story, the Strip's 1st high-rise (built in 1931), and one of Hollywood 's best examples of Art Deco design. Virtually every star in Hollywood stayed here at one time or another. It was a favorite of Howard Hughes, who kept a number of suites here fore his various girlfriends; other guest included Clark Gable, Jean Harlow, Marilyn Monroe, Frank Sinatra and John Wayne (who is said to have kept a cow on the balcony outside his penthouse suite for fresh milk).

Historical Notes

Sunset Boulevard, a long winding thoroughfare that begins in downtown Los Angeles and runs westward over 20 miles, ends at the Pacific Ocean near Malibu. The best-known portion of the boulevard is the mile and a half stretch between Hollywood and Beverly Hills, known as "The Sunset Strip".*

The Chateau Marmont Hotel was a great castle on the hill inspired by the architecture of the Loire Valley in France was built in 1927, opened in 1929 as an apartment house, and was changed to a hotel in 1931, becoming the "Hotel to the Stars".*

Historical Notes

The Club Casanova opened in August 1936 and lasted only 16 months.  In 1937, it became U-Gene’s Bagdad Café, then two years later, Bow’s Inn.

Today, the Saddle Ranch Chop House stands at this location, on the N/E corner of Sunset and N. Kings Rd.

Historical Notes

In 1940 Preston Sturges, successful Hollywood writer and director, opened Players Nightclub. Stars and writers made it their home base. Humphrey Bogart, Dorothy Parker, Robert Benchley, George S. Kaufman (writer of several Marx Brothers movies), and Donald Ogden Stewart (screenwriter of 1938’s Marie Antoinette and 1940’s The Philadelphia Story) all got smashed on The Players’ drinks, which were said to be the most potent in town.

Barbara Stanwyck (Sturges’ leading lady in The Lady Eve), Orson Welles (who stayed next door at the Chateau Marmont when he first came to Hollywood), Joel McCrea (who starred in three of Sturges’ pictures), Rudy Vallee, director William Wyler, and writer William Faulkner were all regulars at their friend’s establishment. Multi-millionaire Howard Hughes became a regular guest. He often dined on the top floor, frequently preferring to eat alone.*

Historical Notes

At its peak during WWII, The Players was a three-level extravaganza with a restaurant on each floor. There was a barbershop on the mezzanine level. Sturges also built a dinner theatre/dance floor with a revolving, hydraulic stage. Later still, he added a burger stand  for the tourist trade.*

Historical Notes

The Players never broke even and, by 1953, the burger stand was the only part of The Players still open for business.*

Historical Notes

Player’s Club didn't make it past the late 1950s. It later became the Imperial Gardens, the Roxbury and Miyagi's. In 2012 Harry Morton, oil-slick heir of Hard Rock Café founder Peter Morgan, chose the site for the second location of his Mexican restaurant chain The Pink Taco. During renovations his work crews discovered the revolving stage, the dance floor and the infamous secret tunnel connecting to the Chateau Marmont.^

Historical Notes

In 1926 Fred Horowitz, a prominent Los Angeles attorney, chose the site at Marmont Lane and Sunset Boulevard to construct an apartment building. Horowitz had recently traveled to Europe for inspiration and returned to California with photos of a Gothic Chateau along the Loire River. In 1927 Horowitz commissioned his brother-in-law, European-trained architect Arnold A. Weitzman, to design the seven-story, L-shaped building based on his French photos. When deciding upon a name for the building, Chateau Sunset and Chateau Hollywood were rejected in favor of Chateau Marmont, a name conceived by the small street running across the front of the property.*

Historical Notes

On February 1, 1929, Chateau Marmont opened its doors to the public as the newest residence of Hollywood. Local newspapers described the Chateau as “Los Angeles’s newest, finest and most exclusive apartment house ... superbly situated, close enough to active businesses to be accessible and far enough away to insure quiet and privacy.”

Due to the high rents and inability to keep tenants for long-term commitments during the depression, Fred Horowitz chose to sell the apartment building to Albert E. Smith for $750,000 in cash. The following year, Chateau Marmont was converted into a hotel. The apartments became suites with kitchens and living rooms. The property was also refurbished with antiques from depression-era estate sales.*

Historical Notes

There existed a secret tunnel connecting the Players Club to the Chateau Marmont.

Historical Notes

Designed and constructed to be earthquake proof, Chateau Marmont survived major earthquakes in 1933, 1953, 1971, 1987 and 1994 without sustaining any major structural damage. Nine Spanish cottages were built next to the hotel in the 1930s and were acquired by the hotel in the 1940s. Craig Ellwood designed two of the four bungalows in 1956, after he completed Case Study Houses.*

Historical Notes

With its external appearance of a castle or Gothic fort, combined with its residential past, incredibly thick walls, discreet entry, and highly protective staff who treated guests like members of the family, the Chateau Marmont became the ideal hideout.

European guests found the architecture familiar and comforting, sexual outsiders felt accepted, the emotionally shy were shielded, and anyone else with a reason to hide simply blended into the woodwork—from the start there was the feeling of a shared sensibility. Greta Garbo felt comfortable here, as did Howard Hughes.^

Historical Notes

Members of Led Zeppelin rode their motorcycles through the lobby in the 1960s.

On March 5, 1982, comedian John Belushi died from a speedball injection in Bungalow No. 3.

On January 23, 2004, photographer Helmut Newton, who lived at the hotel, lost control of his Cadillac and crashed into the driveway wall. He was killed.

There is a commonly-denied and non-denied story that Benicio Del Toro and Scarlett Johansson hooked up in the elevator the night before the 2004 Oscars.^

Historical Notes

Lindsay Lohan shacked up at the Chateau in the midst of her (first) drunk driving scandal.

During her public meltdown phase, in September 2007, Britney Spears was temporarily banned from the Chateau for smearing her face with food, disgusting fellow diners.

Historical Notes

When celebrities visiting Los Angeles want to be seen, they often go to the Beverly Hills Hotel. When they wish to keep out of the limelight they often stay at the Marmont.

Historical Notes

In 1976, Chateau Marmont was dedicated LA Historic-Cultural Monument No. 151 (Click HERE to see complete listing).

Historical Notes

The Club Seville opened New Year’s Eve 1935 and featured a crystal dance floor with subsurface fish, fountains and colored lights in its Crystal Marine Room.  In 1940, the building got a face-lift and became known as Ciro’s Nightclub (1940 – 1957).  Click HERE for contemporary view.

Historical Notes

Ciro's (later known as Ciro's Le Disc) was a nightclub in West Hollywood located at 8433 Sunset Boulevard, on the Sunset Strip. It opened in January 1940 by entrepreneur William Wilkerson. Herman Hover took over management of Ciro's in 1942 until it closed its doors in 1957.

Co-founder Wilkerson also opened Cafe Trocadero, in 1934, and the restaurant La Rue, both on the Strip, and later originated The Flamingo in Las Vegas, only to have control of the resort wrested from his control by mobster Benjamin "Bugsy" Siegel.*^

Historical Notes

Ciro's combined a luxe baroque interior and an unadorned exterior and became a famous hangout for movie people of the 1940s and, 1950s. It was one of "the" places to be seen and guaranteed being written about in the gossip columns of Hedda Hopper, Louella Parsons and Florabel Muir.*^

Historical Notes

Among the galaxy of celebrities who frequented Ciro's were Marilyn Monroe, Humphrey Bogart and Lauren Bacall, Frank Sinatra, Ava Gardner, Sidney Poitier, Anita Ekberg, Lucille Ball and Desi Arnaz, Joan Crawford, Betty Grable, Marlene Dietrich, Ginger Rogers, Ronald Reagan, Dean Martin, Mickey Rooney, Cary Grant, George Raft, George Burns and Gracie Allen, Judy Garland, June Allyson and Dick Powell, Mamie Van Doren, Jimmy Stewart, Jack Benny, Peter Lawford, and Lana Turner (who often said Ciro's was her favorite nightspot) among many others. During his first visit to Hollywood in the late 1940s, future President John F. Kennedy dined at Ciro's.*^

Historical Notes

In the 1960s, Ciro's became a Sunset Strip rock and roll club, and was the only major venue on the Strip to make such a transition while keeping its original name. The Byrds got their start there in 1964. Accounts of the period (reproduced in the sleeve notes to The Preflyte Sessions box set) describe a "church-like" atmosphere, with interpretive dancing. The club also served as the host during the recording of the 1965 Dick Dale album "Rock Out With Dick Dale: Live At Ciro's"

The site of Ciro's became Art Laboe's circa 1970 and the The Comedy Store in 1972.*^

Historical Notes

The Comedy Store was opened in April 1972 by comedians Sammy Shore and Rudy DeLuca. The building was formerly the home of Ciro's, a popular Hollywood nightclub owned by William Wilkerson, and later a rock and roll venue, where The Byrds were discovered in 1964.

When the venue reopened as The Comedy Store in 1972, it included a 99-seat theatre, where Johnny Carson was one of the first comics to perform. As a result of a divorce settlement, Sammy Shore's ex-wife Mitzi Shore began operating the club in 1973, and she was able to buy the building in 1976. She immediately renovated and expanded the club to include a 450-seat main room.*^

Historical Notes

The Comedy Store has featured performances from every important comedian. The names of its headliners are vaunted on its outside walls.

This was once the site of Ciro’s, one of Hollywood’s most popular nightclubs during the 1940s and 1950s.

The building is supposedly haunted. TV’s “Access Hollywood” once brought in a psychic, billed her as a “spiritual journalist,” and had her talk about angry mobsters still supposedly trapped in the building’s basement. ^^+

Historical Notes

The Mocambo opened on January 3, 1941, and became an immediate success. It was owned by Charlie Morrison and Felix Young.  The club's Latin American-themed decor designed by Tony Duquette cost $100,000 (equivalent to $1,663,801 in 2017). Along the walls were glass cages holding live cockatoos, macaws, seagulls, pigeons, and parrots. With big band music, the club became one of the most popular dance-till-dawn spots in town. On any given night, one might find the room filled with the leading men and women of the motion picture industry.

In 1943, when Frank Sinatra became a solo act, he made his Los Angeles debut at the Mocambo.

On March 15, 1955 Ella Fitzgerald opened at the Mocambo, after Marilyn Monroe lobbied the owner for the booking. The booking was instrumental in Fitzgerald's career. The incident was turned into a play by Bonnie Greer in 2005.*^

Historical Notes

Among the many celebrities who frequented the Mocambo were Clark Gable and Carole Lombard, Humphrey Bogart and Lauren Bacall, Errol Flynn, Charlie Chaplin, Elizabeth Taylor, Judy Garland, Henry Fonda, Lana Turner, Ava Gardner, Bob Hope, James Cagney, Sophia Loren, Janet Leigh and Tony Curtis, Natalie Wood and Robert Wagner, Grace Kelly, Debbie Reynolds and Eddie Fisher, Howard Hughes, Kay Francis, Marlene Dietrich, Theda Bara, Tyrone Power, Jayne Mansfield, John Wayne, Ben Blue, Ann Sothern, and Louis B. Mayer. Myrna Loy and Arthur Hornblow, Jr. celebrated their divorce there.

The club's main stage was replicated on the TV series I Love Lucy as the "Tropicana" Club. Lucille Ball and Desi Arnaz were frequent guests at the Mocambo and were close friends of Charlie Morrison.

Early in 1957, club operator and co-owner Charlie Morrison died at his Beverly Hills home. The Mocambo remained in business for one final year, before closing its doors on June 30, 1958. The building was then sold, reopened as a supper club called The Cloister, and eventually demolished.*^

Historical Notes

*Eddie Cantor, born Edward Israel Iskowitz, was a comedian, dancer, singer, actor, and songwriter.  He is also known for being the second president of the Screen Actors Guild, serving from 1933 to 1935. He invented the title "The March of Dimes" for the donation campaigns of the National Foundation for Infantile Paralysis, which was organized to combat polio. It was a play on the The March of Time newsreels popular at the time. He began the first campaign on his radio show in January 1938, asking listeners to mail a dime to President Franklin D. Roosevelt. At that time, Roosevelt was the most notable American victim of polio. Other entertainers joined in the appeal via their own shows, and the White House mail room was deluged with 2,680,000 dimes—a large sum at the time.*^

Historical Notes

The Hacienda Park Apartments (renamed Coronet Apartments in late 1930s) was built in 1927 and operated initially as a luxury apartment building catering to the entertainment business. In the 1930s, it became the "most famous brothel in California."  The building declined in prestige in the 1950s and 1960 and was acquired by rock star Rod Stewart in the 1970s. After Stewart's plans to redevelop the building as a luxury hotel ended in a legal dispute, the building was nearly destroyed in a 1983 fire that was found to be of suspicious origin. Since 1986, it has been known as the Piazza del Sol, and it now houses the offices of several production companies, including Miramax Films. The restaurant Katana, co-owned by Ryan Seacrest and Tori Spelling and described by Newsweek as "so hip it hurts," also operates at the building.*^

A check of the Piazza del Sol’s listing in the National Register reveals a quirk in the record. The Register shows its original name as Hacienda Arms Apartments, not the Hacienda Park Apartments – a name that in 1927 connected the building to the neighborhood around it, Hacienda Park. It’s by no means a fatal error, and the rest of the information appears to be correct, but this small mistake has been magnified over the years – picked up and repeated in dozens of articles and books, including, for example, the headline of the building’s Wikipedia page.*

Historical Notes

The Cafe Trocadero was the center of jitterbug in the 1930s. A black tie French-inspired supper club, the original Trocadero, now demolished, was considered the jewel of the Strip in the 1930s and became synonymous with stars, starlets, movie producers, and fun.*^

Historical Notes

Originally known as the La Boheme from 1929 to 1933, the Café Trocadero was opened by William R. Wilkerson in 1934. Wilkerson was the successful publisher of The Hollywood Reporter who also owned other nightclubs nearby on the Sunset Strip like Ciro's and LaRue.*^

Historical Notes

Among the celebrities who frequented the Trocadero were Fred Astaire, Bing Crosby, Cary Grant, Myrna Loy, Jackie Gleason, Henry Fonda, Judy Garland, Lucille Ball, Desi Arnaz, Jean Harlow, and Norma Shearer. The Trocadero was featured in the 1937 movie A Star is Born starring Janet Gaynor and Fredric March.*^

Historical Notes

The streetlights seen above are known as 'Metropolitan Streetlights', predominately found in Hollywood. Click HERE to see more in Early Views of LA Streetlights.

Historical Notes

The building was remodeled in 1938 by new owners Bugsy Siegel and Mickey Cohen.

Historical Notes

After years of serving as one of Hollywood's best evening destinations, the "Troc" closed in 1946.*

Today, a "new" Trocadero stands as a nightclub at 8610 Sunset Boulevard on the Sunset Strip.

Historical Notes

Opened in 1924, Sunset Plaza was the first commercial development on the Sunset Strip.

Today it is an exclusive shopping complex that draws an A-list clientele to its designer boutiques and chic sidewalk cafes and restaurants. The Sunset Plaza is located on both sides of Sunset Boulevard between La Cienega and San Vicente at Sunset Plaza Drive.

Historical Notes

Wil Wright’s was a chain of ice cream parlors that dotted the Southern California landscape up until the mid-seventies.  In addition to the West Hollywood location, they could be found in Beverly Hills (corner of Beverly Drive and Charleville), Westwood Village (corner of Glendon and Lindbrook), Pacific Palisades (San Vicente), Sherman Oaks (corner of Ventura and Van Nuys Blvd). They were the perfect place to take a date after the movie.  The delicate pink and red decor and little marble tables and wire-frame chairs made you feel like you were seated inside a Valentine’s Day card.

Historical Notes

Florence Nightingale Graham (1878 – 1966), who went by the business name Elizabeth Arden, was a Canadian American businesswoman who founded what is now Elizabeth Arden, Inc., and built a cosmetics empire in the United States. By 1929 she owned 150 upscale salons across the United States and Europe. Her 1000 products were found in the luxury market in 22 countries. She was the sole owner, and at the peak of her career, she was one of the wealthiest women in the world.*^

Historical Notes

Pupi’s, which opened in the mid- to late 1950s, sat on the south side of the Sunset Strip, in the historically upscale portion known as Sunset Plaza. It had a striped awning over sidewalk tables, but the little flagstone patio was the real attraction, along with some Perspex that blocked the wind coming up from the great sweep that separated its patrons from the wider Los Angeles Basin below.^

Historical Notes

Nothing like sitting at the outside tables and wathcing everyone walk by including some famous movie stars.

Historical Notes

Pupi’s is where Jack Nicholson flew into one of his storied rages one night, quarreling with a waitress and threatening to kick in a pastry cart. That is the incident Carole Eastman said she drew on when she wrote the famous “no substitutions” scene for Bobby Dupea (Jack’s character) in Five Easy Pieces.^

Historical Notes

Today, the Sunset Plaza is a two-block cluster of hip outdoor cafes, boutiques, hair salons, and other stores whose prices rival those of Rodeo Drive’s. It is one of the best people watching places in West Hollywood. ^^+

Historical Notes

This restaurant was originally called the Mermaid Cafe built in the late 1920's. In 1933 it premiered as The Villa Nova and taken over by film director Vincente Minnelli and silent film actor-director Allen Dale.

Marilyn Monroe went on her first blind date with Joe DiMaggio here in 1953 and Vincent proposed to Judy Garland at the Villa Nova in 1945. When Elmer Valentine, Lou Adler and Mario Maglieri took it over in 1972, they originally wanted to call it "Over The Rainbow" in their honor - but the city would not allow the sign to reach a certain height, so they shortened it to, "The Rainbow".*^^*

Historical Notes

The Rainbow Bar and Grill was founded in early 1972 by Elmer Valentine, Lou Adler, Mario Maglieri and others, opening on April 16, 1972, with a party for Elton John.  At the time, the word "rainbow" signified peace and freedom. It quickly became known as a hangout for celebrities of all types. John Belushi ate his last meal (lentil soup) at table No. 16.^

Historical Notes

The Rainbow became known as a hangout for rock musicians and their groupies. Notable regulars at the Rainbow in this period include Keith Moon, Alice Cooper, Micky Dolenz, Harry Nilsson, John Lennon, Ringo Starr, and Neil Diamond. Elvis Presley was known to have occasionally visited the Rainbow. The group of musicians calling themselves the Hollywood Vampires made the Rainbow their home away from home in the mid-1970s. In the last two decades of his life, Motörhead frontman Lemmy was a daily fixture at the Rainbow whenever the band was not on tour, and often played a video poker machine at the end of the bar table.^

Historical Notes

Los Angeles songwriter Warren Zevon referenced the scene at the Rainbow in the last verse of his 1976 song "Poor Poor Pitiful Me".

The musical group Rainbow was named after this club.^

Historical Notes

The Roxy was opened on September 23, 1973, by Elmer Valentine and Lou Adler, along with original partners David Geffen, Elliot Roberts and Peter Asher. They took over the building previously occupied by a strip club owned by Chuck Landis called the Largo. (Adler was also responsible for bringing the stage play The Rocky Horror Show to the United States, and it opened its first American run at The Roxy Theatre in 1974, before it was made into the movie The Rocky Horror Picture Show the next year. *^

Historical Notes

Neil Young and his band The Santa Monica Flyers played the Roxy for the first week it was open. Only three months later, the original Genesis lineup with Peter Gabriel played several consecutive days at the Roxy, a run that some band members and many fans consider to be amongst their finest performances (due partially to the intimate atmosphere and good acoustics of the venue, as well as the legendary reputation of "Hollywood" amongst performers around the world).

Paul Reubens, then a struggling comedian, introduced his Pee-wee Herman character in a raunchy revue here in 1981 that included other aspiring comics including Phil Hartman and Elayne Boosler. *^

Historical Notes

The small On the Rox bar above the club has hosted a wide variety of debauchery in its history. The bar was a regular hangout for John Lennon, Harry Nilsson, Alice Cooper and Keith Moon during Lennon's "lost weekend" in 1973-74 and hosted parties arranged by Heidi Fleiss in the 1980s. *^

Historical Notes

The Roxy Theatre/Nightclub with a capacity of 500 is owned by Lou Adler and Nic Adler. *^

Historical Notes

Doheny Road and Doheny Drive, named after the early 20th Century oil tycoon – Edward L. Doheny, is a north–south thoroughfare mostly through Beverly Hills and West Hollywood.  It starts a few blocks south of Pico Boulevard in the city of Los Angeles, and travels northwards, crossing Wilshire Boulevard, Santa Monica Boulevard, and other east/west streets, and ends after crossing Sunset Boulevard.

Historical Notes

This streamline-moderne/classical building was designed by architect Paul Williams for the Berman Fur Company in 1936. Filmaker Hal Roach briefly had a jewelry business on the ground floor. It later housed the offices of agent Paul Kohner.

Historical Notes

The word “smorgasbord” is something we take for granted these days, but back in 1936 when a Swedish restaurant called ‘Bit of Sweden’ opened at the corner of Sunset Boulevard and Doheny Drive, it introduced the concept of the smorgasbord to curious Angelinos.

Historical Notes

This was a Simon’s Drive-in from 1935 until 1945 when Dolores Drive-in took over.  It became Jack’s on the Strip Drive-in sometime in the 1950s.  The building stood until the mid-1960s when it was demolished to make way for a succession of music stores, Muntz Stereo and then Tower Records (1971).

Click HERE to see more Early Views of LA Drive-in Restaurants.

Historical Notes

The Strip’s lone drive-in restaurant at the time, it was originally occupied by a branch of the Simon’s chain. The understated colonial-style building was markedly different that the orbit-shaped, neon-ringed Art Deco Simon’s further east at 6760 Sunset Blvd. near Hollywood High School. It opened as Dolores Drive-in here about 1945, its first Los Angeles location.

Historical Notes

Dolores would only last until the 1950s when it became Jack’s on the Strip Drive-in. The building stood until the mid-1960s when it was demolished to make way for a succession of music stores, Muntz Stereo and then Tower Records (1971).

Click HERE to see more Early Views of LA Drive-in Restaurants.

Historical Notes

The original Dolores Diner is behind the building. Muntz used that space for his car stereo installations. This building was originally built as a model used to sell the condos in the Shoreham building in 1961. Budget Rent-A-Car took it over, and then Muntz added that framing extenstion on the west side of the building.

The above building was a music store and showroom for "Madman" Muntz's Stereo Paks, the first successful car stereo system "and a popular hangout for teenagers in the '60s." (In addition to inventing 4-tracks, Muntz popularized the nickname "TV" for television.

Tower Records moved into the building in 1971.

Historical Notes

In 1935, Marcel Lamaze, founded the original Café La Maze on Sunset Boulevard.  Marcel was a legendary and influential Restaurateur & Maître D in the Los Angeles area during the Golden Age of Hollywood. The Hollywood location was a Movie Star Hangout, where Marcel was well connected with the movie star crowd. Marcel was known to be a good friend of Jimmy Durante and loved to Play Poker with the Marx Brothers.^**^

Historical Notes

In the 1940s the Café La Maze would become Sherry's Restaurant.

Historical Notes

During the 1940s Sherry’s was popular with L.A.’s mafia element. On July 20, 1949 gangster Mickey Cohen and 3 others were ambushed at 3:45 a.m. in front of the restaurant on the Sunset Strip. Mickey's car drove up to the curb and gunmen (hiding across the street under an advertising sign – out of view) opened fire with shotguns. The gunmen then sped away in a gray auto, tossing out the guns a block away. Mickey was the least seriously wounded.*#

Sherry’s later became the famous rock club Gazzari’s on the Strip.

Historical Notes

Mickey Cohen was a well-known mobster with close ties to the Mafia (circa 1940s.) As a front, Cohen operated a men’s clothing store at 8804 Sunset Blvd (on the Strip). His office was in the back of the store where he took care of…ahem…“business.” Cohen always insisted he was simply a small businessman selling men’s clothes. Apparently even Cohen gave up pretending when he closed his store in January 1950.

Historical Notes

Gazzarri's nightclub on the Sunset Strip was most notable as the location where The Doors and Van Halen were featured house bands for long stretches before being discovered. It was also the LA club featured in Huey Lewis and the News MTV video for their hit "The Heart of Rock and Roll."

Historical Notes

Gazzarri's reached its peak of popularity in the late 1960s, featuring Jim Morrison's young new group, along with other LA talent such as The Bobby Fuller Four, Buffalo Springfield, and The Walker Brothers. It then achieved major LA relevance again in the late 70's, featuring the David Lee Roth-led Van Halen nightly for months on end, and then into the 1980s thru the early 90's as one of the top LA glam metal nightclubs. It was owned and operated by the "Godfather of Rock and Roll", Bill Gazzarri. Gazzarri himself was known for dressing up as a Chicago-style gangster and frequenting the club on performance nights. Located near the corner of Doheny and Sunset Boulevard in West Hollywood, and just several dozen yards from both the Rainbow Bar and Grill and The Roxy Theatre, Gazzarri's became famous as a launching pad for future rock and roll stars.*

Historical Notes

Bill Gazzarri died in 1991 and the club closed down in 1993. In 1994, the building suffered irreparable damage from the Northridge earthquake. It was torn down in 1995 and a new club called Billboard Live was built on the former Gazzarri's site. It opened in 1996. Billboard Live became The Key Club in 1998 (which was the lounge name of the original Café La Maze).*

Historical Notes

The restaurant was run by a black woman named Louise Brooks but owned by Phil Selznick, who was David O. Selznick’s uncle. He also took over the It Café on Vine Street from Clara Bow, and Club Versailles at 8590 Sunset, which was rumored to be a front for Bugsy Siegel and later became Mocambo. Something dodgy was going on because Mammy Louise’s Bayou was raided in the fall of 1938 and subsequently went under. Its next incarnation was an upscale lesbian bar called Cafe Internationale. 

Today the building, after a major renovation, has been converted into a furniture store.  Click HERE for contemporary view.

Historical Notes

In the 80s and 90s these buildings (as well as the office buildings on the east side up to Doheny) all comprised the headquarters of Geffen Records.  

Historical Notes

The Finlandia Baths were downstairs in the basement of the Crosby Building where a virtual who's who of closeted gay and straight male stars went for a bake or to rub the kinks out or have them rubbed out, as the case may be. Regulars apparently included Kirk Douglas, Cornel Wilde, Humphrey Bogart, Tony Curtis, Hugh O'Brien, Rock Hudson and the Crosby brothers and many others. The building is still there albeit somewhat folded, spindled and mutilated but the bones are still good and still visible. Finlandia Baths have predictably morphed into a tattoo parlor.

Historical Notes

The tracks running down the center of Santa Monica Boulevard were part of the Pacific Electric Railway since 1911 and carried red cars until the 1950s. They then remained largely unused for decades, serving the occasional Southern Pacific freight train through the 1970s. It was not until 1999 that the West Hollywood segment of the tracks were dug up and replaced by a landscaped median.^

Historical Notes

That brick building on the left is still there and billboards STILL advertise on top of it. The Troubadour would eventually become that second white building. And check out the railroad tracks in the middle of the road!

Historical Notes

The tracks were used by the old Red Line cars. They ran from Gardner up Santa Monica Boulevard through West Hollywood, Beverly Hills, and Los Angeles to the city of Santa Monica. After the demise of the Red Cars, Southern Pacific continued to run a short train to maintain its claim to the right of way, even after it stopped transporting wheat and other supplies to the former Wonder Bread Bakery in Beverly Hills. (On warm summer evenings, the aroma of baking bread would waft over the area.) After West Hollywood incorporated in 1984, one of the first improvement projects the new city planned was removal of the tracks, narrowing of the median, extensive landscaping, and widening of the sidewalks along the length of the boulevard within its limits.

Historical Notes

The building on the corner has stood empty for nearly 40 years. The billboard remains atop, and provides the owner tens of thousands of dollars in revenue each month. The billboard is grandfathered, and cannot be modernized. In addition, any modification to or construction in the building require the billboard to be taken down.

So there it stands...

Historical Notes

The second white building on the left would become the Troubadour Nightclub in 1957.

Historical Notes

In 1946, radio and television personality Art Linkletter and his associates acquired the bowling alley on the northeast corner of Santa Monica Blvd and La Cienega Blvd and called it Art Linkletter’s La Cienega Lanes. In the 1970s, it became a roller disco called “Flippers”.

Historical Notes

Art Linkletter was a radio and television personality who hosted several TV and radio shows for over 25 years (House Party, People Are Funny, and Kids Say the Darndest Thigs).  He was famous for interviewing children on his shows, which led to a series of books quoting children.*^

Historical Notes

La Cienega Lanes lived during a popular time for bowling, when the LA Times even had a regular bowling column.

The lanes survived into the 1970s, but bowling began to lose its popularity.  Adapting with the times, the building transformed into the next hottest thing: a late-70s roller disco. +++

Historical Notes

Flipper's Roller Boogie Palace opened up in July 1979.  The owners were Denny Cordell, Nicholas Cowan and Flipper (a mysterious Englishman named Flipper). The property was partly owned by Berry Gordy, Motown's head man.

Flipper's was a posh and exclusive nightclub for skaters. It was also a private club. However, one didn't have to be rich and famous to join. Membership was limited to 1,000. A 5-man membership committee chose the members who paid $200 annually plus a $7 entrance fee. It was open 8pm  'til late. +++#

Historical Notes

Flipper's had a bar, restaurant and a custom skate shop. It was decorated to look like a plush exotic tropical fantasy paradise. It had mirrors, disco balls, mural and private booths. Rather than wood, the skating floor was made of polyurethane.

Historical Notes

In 1983 the site became a Esprit De Corps. - a woman's apparel retail shop.

Today a CVS drug store occupies the site.

Historical Notes

The Players Ring Theatre was a live stage theatre which opened by 1949. By the mid-1960s, this theatre was twinned and renamed Gary Theatre I & II. It ran gay porn movies during the 1970’s, and revival shows through the 1980’s.

Since at least the mid-1980’s it has operated as a live theatre, known as the Coast Playhouse, it often presents plays with a gay theme, complementing its West Hollywood location.*

Historical Notes

Opened in 1957 by Doug Weston, the Troubadour was originally a coffee house located on La Cienega Boulevard. It then moved to its current location shortly after opening and has remained open continuously since. It was a major center for folk music in the 1960s, and subsequently for singer-songwriters and rock.*^

Historical Notes

The Troubadour played an important role in the careers of Elton John, Linda Ronstadt, James Taylor, the Eagles, The Byrds, Love, Joni Mitchell, Hoyt Axton, Carole King, Bonnie Raitt, J.D. Souther, Jackson Browne, Van Morrison, Buffalo Springfield and other prominent and successful performers, who played performances there establishing their future fame.*

Historical Notes

In 1962, comedian Lenny Bruce was arrested on obscenity charges for using the word "schmuck" on stage; one of the arresting officers was Sherman Block, who would later become Los Angeles County Sheriff. On August 25, 1970, Neil Diamond (who had just recorded his first live album at the Troubadour) introduced Elton John, who performed his first show in the United States at the Troubadour. In 1974, John Lennon and his friend Harry Nilsson were ejected from the club for drunkenly heckling the Smothers Brothers. Randy Newman started out at the club and comics Cheech & Chong and Steve Martin were discovered there. In 1975, Elton John returned to do a series of special anniversary concerts. In November 2007, James Taylor and Carole King played a series of concerts commemorating the nightclub's 50th anniversary and reuniting the two from their 1970 performance.*

Click HERE for a contemporary street view.

Historical Notes

In 2020, like many small businesses & music venues, the Troubadour has struggled during the pandemic, and launched a GoFundMe page in May, which raised $70,000. In August, Elton John celebrated his 50th anniversary of playing the venue, and expressed his concern about the survival of the iconic nightclub. Comedian Bill Burr has also hosted 2 of his Monday Morning Podcasts from the venue to raise money during the Pandemic.^

Historical Notes

The Streamline Moderne Jones Dog & Cat Hospital building was designed by the prominent architecture firm of Wurdeman and Becket. Two other examples of the work of Wurdeman & Becket include the former Mobil Oil/General Petroleum Building, now Pegasus Apartments, and Bullock's Pasadena, now Macy's. As Welton Becket & Associates, the firm went on to design many of L.A.'s iconic landmarks, including Capitol Records Tower, the Music Center of Los Angeles County, and the Cinerama Dome.

The redesigned structure, completed in 1938, is an excellent example of the Streamline Moderne architectural style that emerged in the 1930s. It features smooth wall surfaces, curved corners and volumes, and an emphasized horizontal design.

The windows are arranged in continuous ribbons across the façade, with extensive use of glass block. Accentuating the building’s sleek lines, polished stainless steel is used for the entrance canopy and vertical fins rising above the main door.

Taking its name from the curved form of a teardrop, which was the most efficient shape in lowering the wind resistance of an object placed in the stream lines of a wind tunnel, the Streamline Moderne evoked a sense of modern efficiency with curved surfaces, sleek finishes, and a spare use of detailing which often included pronounced horizontal banding and, in some cases, contrasting vertical accents.*

Historical Notes

Dr. Eugene C. Jones, a progressive veterinarian whose clients included the likes of Charlie Chaplin, Gloria Swanson and Rudolph Valentino, commissioned Wurdeman and Becket to expand and remodel his original 1928 animal hospital, transforming it into a sleek and modern facility.

Dr. Jones’ animal hospital, which specialized in dogs and cats, was considered one of the first in Southern California. Its location at the western edge of West Hollywood near the border with Beverly Hills put it within short distance of the homes of wealthy clientele and their pets.*

Historical Notes

The building operated as an animal hospital for several decades. Between 1951 and 1981, the building was owned and operated by R. Nichol Smith, D.V.M. as a dog hospital.

This historic West Hollywood building was demolished in 2021 to make way for a mixed-use development.*

Historical Notes

Doheny Drive forms the western end of the Strip, which ends at Crescent Heights Boulevard to the east.  It is named for Edward L. Doheny, a Los Angeles oil tycoon.

Historical Notes

Gene Norman owned the Crescendo Nightclub (also the Interlude) on the Sunset Strip during the 1950s and 1960s featuring popular music and jazz. He also formed the GNP label which used many live recordings directly from the Crescendo Club.

Norman featured virtually every record and cabaret star such as Johnny Mathis, Duke Ellington, Louis Armstrong, Count Basie, Bob Newhart an Ella Fitzgerald. The typical Crescendo show was Mort Sahl, The Dave Brubeck Quarter, June Christy and the Stan Kenton Band. During all that time he was producing jazz albums, both in clubs and in the studio.*^*^^

(1961)#^#* - Chubby Checker, originator of 'The Twist', dancing with audience member at the Crescendo Nightclub, Hollywood.

Historical Notes

Chubby Checker (born Ernest Evans) is widely known for popularizing the twist dance style, with his 1960 hit cover of Hank Ballard's R&B hit "The Twist". In September 2008 "The Twist" topped Billboard's list of the most popular singles to have appeared in the Hot 100 since its debut in 1958, an honor it maintained for an August 2013 update of the list. He also popularized the Limbo Rock and its trademark limbo dance, as well as various dance styles such as the fly.*^

Historical Notes

The address of 8532 Sunset had been home to an auction house in the nineteen forties, one that specialized in wooden furniture. By the early fifties the space had been renamed, remodeled and opened as a dining spot called the Alpine Lodge. The family restaurant had a loosely defined wooden shoe concept and was not particularly successful. Described as "an attractive Swiss restaurant which fell on hard times," the owners soon dropped the word Alpine and replaced it with the name Dino, while leaving much of its decor intact.

Dino's Lodge had its grand opening in the spring of 1958. When the strange sketch that became the memorable sign was raised to the sky, its base cemented to the ground and the switch turned on, most assumed this meant it was Dean Martin's restaurant. Of course, this is exactly what the owners of the former Alpine wanted. "Contrary to report," explained an April 1958 edition of the Los Angeles Times, "Dean Martin does not own the restaurant on the Strip ... They just use his name and give him a percentage." It was a large percentage. Fifty percent. *

(1960s)* - View showing Dean Martin and 'Kookie' (Ed Byrnes), one of the stars of the TV show 77 Sunset Strip, in front of Dino's Lodge.

Historical Notes

Dino's Lodge restaurant lasted twenty years. It is primarily remembered by fans of the television series 77 Sunset Strip. By the early seventies, this restaurant that had once hosted parties for Frank Sinatra, was part of a cornball travel agency package that advertised a two-hundred and forty-dollar "guided tour of a motion picture studio, a full day at Disneyland and dinner at Dino's Lodge."*

Historical Notes

The Sea Witch was designed all out of raw wood and was supposed to look like a ship.  Size wise, it was a very small club when compared to others on the Strip and always crowded. It had a capacity of maybe 60-70 people.

Historical Notes

On December 9th and 10th, 1966, a new band called “The Doors” played to a packed audience at this now defunct venue. Unfortunately, the entire block of buildings which included the Sea Witch, Dino’s Lodge and the Tiffany Theater was torn down in 2013. Today the location that all three occupied is a multi-story parking garage.*

Historical Notes

Chasen’s opened in 1936 by owner Dave Chasen at the suggestion of director Frank Capra.  It was just a humble shack named "Chasen's Southern Pit " (because of a barbecue pit in the back).  It chili quickly became popular with the show biz crowd, and Chasen's rapidly grew into Hollywood's premier restaurant. Chasen's stuck with the American/Continental fare that brought it success, serving it in a warm, clubby atmosphere of heavy wood paneling and red leather booths. They still served the chili that made them famous (although it wasn't listed on the menu anymore), as well as their hobo steak and deviled beef bones. When Elizabeth Taylor was making "Cleopatra " in Rome, she had their chili flown out to her.

Historical Notes

The restaurant, which was run by Maude Chasen and her husband Dave until his death in 1973, focused on hearty American/Continental cuisine and became as famous for its colossal seafood platters, hobo steak, a buffet that offered beluga caviar, and delicious cheese toast appetizers as its clientele.*

Historical Notes

Chasen’s became the culinary hangout of Frank Sinatra, Cary Grant, Clark Gable, Lana Turner, and Groucho Marx. Jimmy Stewart held his bachelor party here, Howard Hughes was seen constantly on the house phone, Alfred Hitchcock routinely fell asleep at his table. After Johnny Carson won his third Emmy in as many years, he took all of the show’s insiders for a celebratory dinner at Chasen’s. Donna Summer wrote her hit “She Works Hard For the Money” on toilet paper in the bathroom—that was Chasen’s for you.*

Historical Notes

After the restaurant closed in 1995 after a nearly 60 year run, Bristol Farms tore down most of the building but preserving the Beverly Blvd side. Inside, there's a chili station set up for the market, but it's unclear whether that chili is in fact the one that made this place famous. More than any other long lost restaurant in Los Angeles, this one, the site of many a drunken night of revelry for Tinseltown A-listers, has the most intrigue.^

Historical Notes

Now all that's left of the glorious edifice founded by comedian Dave Chasen is a Bristol Farms super market, though there's one last remnant located near the cafe that still contains original booths, paneling, and some vintage photographs from the iconic restaurant.

There's also a plaque near the original entrance that tells of this legendary eatery, which entertained everyone from James Cagney and Clark Cable to Warren Beatty and Shirley Temple.*

Historical Notes

The Sunset Strip Whisky was founded by Elmer Valentine, Phil Tanzini, Shelly Davis, and attorney Theodore Flier and opened on January 16, 1964.  Though the club was billed as a discothèque, suggesting that it offered only recorded music, the Whisky a Go-Go opened with a live band led by Johnny Rivers and a short-skirted female DJ Rhonda Lane, spinning records between sets from a suspended cage at the right of the stage.^

The Doors were the nightclub's house band in the years after the Whisky made discotheque and go-go dancers a national craze.

Historical Notes

The Turtles performed there when their newest (and biggest-selling) single "Happy Together" was becoming a hit, only to lose their new bassist, Chip Douglas (who had arranged the song), to the Monkees; guitarist Michael Nesmith invited him to become their producer. (He returned to the Turtles a year later, to produce them.) Neil Diamond also played at the Whisky on occasion.^

Historical Notes

The Whisky played an important role in many musical careers, especially for bands based in Southern California. The Byrds, Alice Cooper, Buffalo Springfield, Smokestack Lightning and Love were regulars, and The Doors were the house band for a while—until the debut of the "Oedipal section" of "The End" got them fired. Van Morrison's band Them had a two-week residency in June 1966, with The Doors as the opening act. On the last night they all jammed together on "Gloria". Frank Zappa's Mothers of Invention got their record contract based on a performance at the Whisky.^

Historical Notes

The blacked-out "Y" on the sign at The Whisky was when the county revoked the club's dance permit around the time of the Sunset Strip Curfew Riots, stating that its name was a "bad influence" that promoted underage drinking. The Whisky responded by removing the "Y" from their sign and legally renaming themselves the "Whisk-A-Go-Go" and then obtaining a new permit.*

Historical Notes

In the mid-1970s, the Whisky hosted stage presentations, including the long-running show The Cycle Sluts. During the early 1990s, the Whisky hosted a number of Seattle-based musicians who would be a part of the grunge movement, including Soundgarden, Mudhoney, Melvins, Fitz of Depression and 7 Year Bitch. In 1994 Oasis played a controversial set at the Whisky, with frontman Liam Gallagher visibly intoxicated. Immediately following the gig, lead songwriter Noel Gallagher temporarily left the group out of frustration, fleeing to San Francisco, where he penned the song Talk Tonight. In 1997, DownSet Headlining followed by Lambs Bread and System of a Down played at the Whisky. The band were unsigned at the time, and played songs from their early demo tapes, in particular containing the band's only live performance of the song "Blue".^

Historical Notes

On September 12, 2016, the Whisky a Go Go launched an official TV channel on the Roku Connected TV platform. The Whisky a Go Go channel opens the Whisky's doors to a global audience with live music videos, full concerts and related content spanning its 52-year history.^

Historical Notes

After a bit of a slump in the 1950's, the Sunset Strip was revived in the 1960s with the opening of teen clubs Pandora's Box in 1962, Whisky A-Go-Go in 1964, modeled after the Chicago club of the same name, and Rose Deitch's Galaxy the same year. The Roxy Theatre and The London Fog opened in 1966. ###*

This one block (seen above) was the throbbing heart of it all in the 1960s. Here, in between Clark and Hilldale, people were openly selling grass and acid. Love, on the Forever Changes album, have a song called, "Between Clark and Hilldale."

Historical Notes

On the far right, the building with the striped square awning is the Whisky A-Go-Go on the northwest corner of Sunset and Clark. The building with the arched awning to its left was Sneeky Pete's Night Club. The London Fog was the next building over (the Doors played there too). The next building over was the Galaxy with large sign and then on the next building, corner of Sunset and HIldale, stood the original Hamburger Hamlet. Further up the block you can see a sign for the Largo which is now The Roxy Theatre! Behind that was the Villa Nova - today The Rainbow.^#^^

By 1966, there were over a dozen music clubs on the Sunset Strip. The density of clubs on this short stretch of Sunset Boulevard resulted in late night crowds of young people that disturbed the neighbors and backed up traffic resulting in LA County Sheriffs enforcing a long-ignored 10 pm curfew for teens under 18, which had been on the books since 1939. ###*

Historical Notes

PJ's opened in 1961 as a late night hot spot that nightclub performers and other Hollywood celebrity types went to after the other clubs closed down.  It hosted such acts as The Bobby Fuller Four, The Standells, Rufus Thomas, and Trini Lopez who recorded live albums there. The manager was Elmer Valentine before he left to found the Whisky A-Go-Go.

Historical Notes

Les Poupées de Paris (The Dolls of Paris) was a musical puppet show created, produced and directed by Sid and Marty Krofft, that toured the United States throughout the 1960s.

By 1966 PJ's had been bought by an organized crime figure, Eddie Nash and reputed organized crime figure Dominic Lucci, and was managed by Gary Fontenot (not an organized crime figure) for many years. In 1973, after Nash bought out Lucci's ownership interest in the club, it became The Starwood. It closed in 1981, torn down by the City, after too many citations for underage drinking and noise abatement issues. Before it was demolished it caught fire, though not burning totally. This occurred while unexplained fires befell other Nash-owned properties at the time.

Subsequently the structure was torn down, and a mini-mall (Crescent Heights Plaza) was built on the site. Click HERE for contemporary view.

Historical Notes

The tracks running down the center of Santa Monica Boulevard were part of the Pacific Electric Railway since 1911 and carried red cars until the 1950s. They then remained largely unused for decades, serving the occasional Southern Pacific freight train through the 1970s. It was not until 1999 that the West Hollywood segment of the tracks were dug up and replaced by a landscaped median.

Historical Notes

This was the last regular midnight run of a freight train down Route 66 (Santa Monica Blvd., West Hollywood), in May, 1972.

Historical Notes

In the late 1950s Pandora's Box was a popular coffeehouse located at 8118 Sunset Boulevard, on the corner of Sunset Boulevard and Crescent Heights Boulevard. Home to some of the more adventurous artists in town, Pandora's Box hosted up-and-coming jazz musicians such as Les McCann and Carla Bley, while artist Burt Shonberg adorned the interior of the club with a mural similar to his works in the famous Cafe Frankenstein and The Purple Onion.

Historical Notes

In 1966, annoyed residents and business owners in the district had encouraged the passage of a strict 10:00 pm curfew and loitering law to reduce the traffic congestion resulting from crowds of young club patrons. This was perceived by young, local rock music fans as an infringement on their civil rights, and on Saturday, November 12, 1966, fliers were distributed along the Strip inviting people to demonstrate later that day.

Hours before the protest, one of L.A's rock 'n' roll radio stations announced there would be a rally at Pandora's Box. The Los Angeles Times reported that as many as 1,000 youthful demonstrators, including such celebrities as Frank Zappa, Sonny and Cher, Jack Nicholson and Peter Fonda (who was afterward handcuffed by police), erupted in protest against the perceived repressive enforcement of these recently invoked curfew laws.

Historical Notes

In November 1966, the Los Angeles City Council voted to acquire and demolish the club. The club was demolished in early August 1967 and today, the site exists as a traffic island.

The 1967 film Riot on Sunset Strip is a fictionalized depiction of the events. Buffalo Springfield's 1967 hit single, "For What It's Worth (Stop, Hey, What's That Sound)," was written by group member Stephen Stills in response to the riot.

Historical Notes

The Canyon Country Store has been the makeshift cultural center of Laurel Canyon for a full century. Immortalized in the Doors song "Love Street," this deli-market is not a venue, but it's got historical music importance to spare, and continues to be -- as Jim Morrison put it -- the "store where the creatures meet."

Known for its winding narrow streets and terrifying mudslides, Laurel Canyon became a part of the city of Los Angeles in 1923. Its close proximity to Hollywood and ample unused hillside attracted the film industry's elite "photoplayers" including Clara Bow, Errol Flynn and Harry Houdini.

Historical Notes

Throughout the '60s and '70s, the Laurel Canyon Country Store acted as a meeting place for musicians to write songs together and jam on the market's front patio. Joni Mitchell wrote Ladies of the Canyon and Nash wrote CSNY's "Our House" about the neighborhood.

Historical Notes

On what was the main connecting road between the San Fernando Valley and Hollywood, the artists hung out in the open. Mama Cass Elliot of the Mamas and the Papas lived in the shop's basement (now a fancy wine cellar) for a spell, where she penned "Twelve Thirty," better known by its chorus "Young girls are coming to the Canyon."

Historical Notes

The Canyon Country Store, located at 2108 Laurel Canyon Boulevard in Los Angeles, is a historic landmark with deep ties to the area's music scene. Originally built in 1919 and rebuilt in 1930, the store became a key gathering spot during the 1960s and 70s, attracting legendary artists like The Doors, The Byrds, Crosby, Stills & Nash, and Joni Mitchell. Jim Morrison referred to it as "the store where the creatures meet" in The Doors' song "Love Street," and Mama Cass briefly lived in its basement. Today, the store operates as a grocery, deli, and coffee shop, while also showcasing photos of its famous patrons. It hosts an annual "Love Street Festival," celebrating Laurel Canyon’s musical legacy​.

Historical Notes

The Yellow Submarine was a favorite hangout for Fairfax High School kids in the 1970s. Also known for its Avacado sandwiches.

Historical Notes

'Alpha Beta' 1970s & 80s, became 'Boys' and then 'Ralphs' 1990s, turning-into 'Whole Foods' this millennium...

Historical Notes

Designated a local cultural resource by the City of West Hollywood, the Formosa had the good fortune of being located just steps from the Pickford-Fairbanks Studios, which was founded in 1919 and was later known as United Artists Studio, Samuel Goldwyn Studio, Warner Hollywood Studios, and currently The Lot since 1999.

Historical Notes

The Formosa was founded in 1925 by 1920s prize-fighter Jimmy Bernstein. Bernstein operated his establishment initially in a Red Car trolley located just east of The Lot Studios. In 1945, Lem Quon went into partnership with Bernstein, taking full ownership in 1976 when Berstein died. The restaurant remains in the family with Quom's grandson, Vince Jung, managing it.^

Historical Notes

Icons like Frank Sinatra, Marilyn Monroe, Humphrey Bogart, James Dean, and Elvis Presley would pop into the Formosa, adding to its reputation as one of Hollywood's most infamous and longest-running celebrity hangouts.

Historical Notes

During the filming of Some Like it Hot, Marilyn Monroe frequented the legendary haunt and her photo still graces the restaurant's walls.

In 2015, the restaurant's original red-and-black 1940s interiors were gutted and a "modern" interior was installed, despite clientele who enjoyed the nostalgic ambience.  After negative reactions to the change, much of the original interior was rebuilt. Less than 18 months after the gutting, just before Christmas of 2016, the Formosa Cafe closed without advance notice.^

Historical Notes

Located just beyond the main bar, the fully revealed and restored Pacific Electric Red Car trolley dates to 1904 and is confirmed to be the oldest surviving Red Car in existence. Like the main bar, the 36-seat trolley is lined with celebrity photos installed above two- and four-seat banquettes.

Historical Notes

A discreet VIP room at the rear of the Red Car can host an additional 20 guests. Mickey Cohen reportedly ran his operations and called bookies from this back room, which has its own entrance. As an homage, Green installed a vintage rotary phone for guests to call in drink orders, which are served through a private window.

Historical Notes

The Formosa is a star in its own right - in a memorable scene from L.A. Confidential (1997) set inside the Formosa, Ed Exley (Guy Pearce) mistakenly accuses actress Lana Turner (Brenda Bakke) of being a prostitute “cut to look like Lana Turner.” The Formosa has also appeared in Swingers (1996) and more recently, the Season 3 episode of Bosch, "Blood Under the Bridge."

In 2019, the Formosa Café underwent extensive rehabilitation. That same year, the City of West Hollywood designated the Formosa as a local cultural resource/landmark. The rehabilitation project earned a Conservancy Preservation Award in 2020.

Historical Notes

Ben Frank’s was designed by architects Lane and Schlick and built in 1962. In form it follows neither the standard Googie formal language of Armét and Davis’s coffee shops, nor the traditional feel of the A-frame International House of Pancake restaurants, but rather exhibits a kind of kinky Googiefication of the A-frame.

(1967)* – Andy Worhol on Sunset Strip with Ben Frank's Coffee Shop in the background.

Historical Notes

For many years, Ben Frank's was an 'in' dining spot on the Sunset Strip in West Hollywood. It was casual and comfortable. It had a great location with plenty of parking. It was close to the clubs on the Sunset Strip where people were always milling about all hours of the day and night. And Ben Frank's was open 24 hours 7.

It's rumored that musicians Stephen Stills and Richie Furay were driving down Sunset Blvd with producer Barry Friedmen when they spotted Neil Young's Pontiac hearse driving the other direction. They flagged him down and they all pulled into the parking lot of Ben Frank's where they discussed forming the band that was to become Buffalo Springfield.

Historical Notes

Ben Frank's was founded by Arthur Simms and his son Thomas Simms. Arthur Simms moved to Los Angeles after serving in WW2. For a time Simms ran the commissary at MGM Studios. Simms was a dashing and flamboyant man, given to wearing pink sport coats. He opened his first restaurant in 1952 with partner Bob Ehrman, a coffee shop called Ben Frank's. Two more Ben Frank's would open in the Los Angeles area. Frank Zappa would often hang out at Ben Frank's.

Ben Frank's would become Mel's Drive-in in 1997.

Historical Notes

Mel's Drive-Ins were born in the San Francisco Bay Area in 1947, created by Mel Weiss and Harold Dobbs, who at one time ran 11 drive-ins. In 1972 the craze had died out and George Lucas used the last remaining original Mel's Drive-In as the set for American Grafitti, after which it was demolished. In 1985 Mel's son Steven resurrected the nostalgic diners, now operating four in the Bay Area and four in the Los Angeles area, including this one on the Sunset Strip in West Hollywood.

Mel’s remodeled the original Ben Frank’s building.  Alterations included the addition of the awning in the front, extending the window openings at the parking-lot side of the A-frame, and the addition of an attached outbuilding in back. The pylon-shaped sign standard with its radiator-like fins is original.

Historical Notes

The 50s-feel diner sports table-side jukeboxes and a traditional burger and fries menu in a "Googie"-style building that was once Ben Frank's restaurant, a popular 24-hour coffee shop where rockers frequently gathered after gigs on the Strip.

Click HERE to see more Early Views of LA Drive-in Restaurants.

Historical Notes

In 1960 a group of actors announced plans to open a theatre in a storefront one door west of the Players Ring. The actors renovated the building into the same theatre-in-the-round format as the Players Ring.

A review of their first production, “Sabrina Fair,” complained about the small space, but audiences didn’t seem to mind. The next shows, “Grand Prize“ in July and “Heaven Can Wait” in August, were hits. In November 1961 a musical written by Jesse Lasky Jr., the son of one of the founders of Paramount Studios, opened at the Cameo. Described as a robust serio-comic epic of the old Nevada mining and gambling town of Virginia City, “Ghost Town” played for more than two months.

One of the Cameo’s biggest hits was “The Man in the Dog Suit” (1962), which played for eight months. It starred former contract starlet at RKO and Columbia Pictures Arline Judge and Ty Hardin – born Orison Whipple Hungerford Jr., and rechristened Ty Hardin by Henry Willson, the agent who discovered Rock Hudson – who was starring at the time in the hit television series “Bronco.”

In October 1963 the Cameo hosted an arts seminar “for anyone interested in acting, directing, producing or writing for the stage.” Lecturers included Richard Boone, Richard Chamberlain, Raymond Massey, Jose Ferrer and Loretta Young.

Historical Notes

The Garden of Allah was a famous hotel in Hollywood at 8152 Sunset Boulevard between Crescent Heights and Havenhurst, at the east end of the Sunset Strip. It was originally a 2.5 acre estate called Hayvenhurst^ that was built in 1913 by real estate developer William H. Hay as his private residence. *^

^Originally named Hayvenhurst, it was built for $30,000 in 1913 by William H. Hay, developer of the Crescent Heights neighborhood, which was bounded by Sunset and Santa Monica blvds, to the north and south, Fairfax (then called Crescent Ave.) to the east and Havenhurst (originally spelled "Hayvenhurst") to the west. Hay and his second wife lived in Hayvenhurst briefly before building an even grander home down the street (where the Directors Guild building is now) and then finally retiring to a large house at 4400 Hayvenhurst Avenue in Encino, another neighborhood Hay owned and developed. After the Hays moved out, Hayvenhurst stood empty for a few years before Alla Nazimova acquired it, including during World War I, when the Hays allowed the Red Cross to use it as its Westside headquarters. Nazimova ... leased Hayvenhurst in November 1917.... She purchased it outright for $65,000 in August 1918.

Historical Notes

Silent screen star Alla Nazimova acquired the property in 1918 and then, in 1926, converted it into a residential hotel by adding 25 villas around the residence. The hotel opened in January 1927 as the Garden of Alla Hotel (no final "h" on Alla). By 1930, new owners had changed the name to the Garden of Allah Hotel. Over the next two decades, the property went through a succession of owners, the last of whom was Bart Lytton, owner of Lytton Savings & Loan, who demolished the hotel in 1959 and replaced it with his bank's main branch.*^

Historical Notes

In the mid-1920s owner Alla Nazimova proceeded to spend a small fortune, adding 25 two-story bungalows built throughout the grounds. Known initially as “The Garden of Alla” (no final “h”). Unfortunately for Nazimova, the investment proved to be her financial undoing. Within a year of the opening she was bankrupt and in 1928 she sold her shares in the property. The hotel however was a huge and instant success. It attracted many people lured by Hollywood’s promise of fame and fortune and quickly became one of the places people stayed when they first arrived in Hollywood before making their way up the ladder.*^^

Historical Notes

The 'Hotel / Main House,' frequently described as the "big house," contained eight guest rooms a restaurant, the kitchen and staff quarters ... and the bar, where even during the War years one could get a drink.*^^

Within walking distance from The Garden were; Ciro's, the Mocambo, the Trocadero, La Rue, the Players, and of course Schwab's Drugstore, just across Crescent Heights.

Historical Notes

For sometime, this was the largest swimming pool in town. It was built to remind Nazimova of her home in Yalta. Paramount Studios had bestowed Nazimova with the home and grounds when the star was at her apex so that she could enjoy a glamorous retreat in the burgeoning Hollywood community. A 1959 LA Times article discusses those early years: To garnish the gift, Nazimova built Hollywood’s largest swimming pool—65 x 45 ft.—and had it shaped like the Black Sea of her girlhood. The pool hung like a dewy sapphire around the heart of her garden.+#+#+

Historical Notes

For decades, the Garden of Allah was not so much a hotel as one very long house party — one where every vice was allowed to flower. And it's easier to say who didn't check in at the Garden rather than who did. Humphrey Bogart, Frank Sinatra, Laurence Olivier, Greta Garbo and Orson Welles were among the actors who lived there. Writers included F. Scott Fitzgerald, W. Somerset Maugham, Dorothy Parker and Ernest Hemingway. Marlene Dietrich liked to swim naked in the pool, while Errol Flynn would pounce on every beauty who so much as dipped her toe in it. ##^

Historical Notes

As Hollywood grew, the studio era began to wane and the city eventually surrounded the Garden of Allah. The real estate it was built on became more valuable as commercial property than the hotel itself. The hotel became seedier and the new stars, such as Montgomery Clift and James Dean, stayed at the nearby Chateau Marmont, which afforded more privacy and less chance of encounters with the less stylish transients who increasingly occupied the neglected villas at the Garden of Allah.

In 1959, the Garden of Allah came to its official end.  Lytton Savings and Loan had bought the property, and had plans to turn the corner of Sunset and Crescent Heights into a business center, anchored by a bank. +#+#+

Historical Notes

Lytton Savings occupied the former site of the Garden of Allah. The storied Hollywood inn with surrounding villas was purchased by Lytton Savings in 1959 and razed to make way for the firm’s new home office. *^

Historical Notes

This was the original Spago, located at 8795 Sunset Boulevard (entrance at 1114 Horn Avenue) on the Sunset Strip in West Hollywood.  It opened in 1982, and closed in 1997 when the Beverly Hills location opened. *^

The original Spago attracted almost everyone who was anyone in Hollywood, from producers to politicians to major movie stars.

In 1975, Wolfgang came to Los Angeles and very quickly garnered the attention of the Hollywood elite as chef of Ma Maison in West Hollywood.  From Ma Maison, Wolfgang went on to create his first flagship restaurant, Spago, in West Hollywood on the Sunset Strip.

From its opening day in 1982, Spago was an instant success and culinary phenomenon. Wolfgang and Spago earned many accolades during its popular eighteen years in West Hollywood, including winning the prestigious James Beard Foundation Award for Outstanding Chef of the Year, twice, in 1991 and 1998, and the James Beard Foundation Award for Restaurant of the Year in 1994. Wolfgang is the only chef to have won the Outstanding Chef of the Year Award multiple times.

After 15 successful years in West Hollywood, Wolfgang moved Spago to Canon Drive in Beverly Hills.^*

Historical Notes

Little known fact: That unassuming building that was occupied by Spago once housed the legendary Café Gala which was significant for its association with the history of the LGBTQ community in West Hollywood. It was one of the first supper clubs with an openly gay clientele. Run by the eccentric Baroness Catherine d’Erlanger and Johnny Walsh, the Venetian-themed club saw a co-mingling of straight and gay patrons. At Café Gala, gay and lesbian stars did not have to worry about being caught up in a police raid. Regular guests included Cole Porter, Judy Garland, and Lena Horne. Pianist Bobby Short started out here, and when Dorothy Dandridge made her debut performance, it was one of the hottest tickets in town. By the 1960s, the property was occupied by Russian-Armenian restaurant. From 1982 to 2001, it was the home of Spago.^*

Historical Notes

Scandia wasn’t just high-end—it was happening. In its heyday, customers would beg, borrow, and steal for a reservation before 11 p.m. It’s where Frank Sinatra kept an office upstairs complete with a personal shower; Jack Webb held his wedding reception in the main dining room in 1958; and James Garner ate brunch on Sundays while filming The Rockford Files. The restaurant was even name-dropped in American Gigolo, and visited by five American presidents.*

Historical Notes

Opened in 1957, Scandia was originally owned by Ken Hansen. Along with his wife, Tova, he turned the restaurant into a culinary landmark with elegant decor, impeccable service, and delectable Scandinavian and French cuisine. Ken’s sister-in-law, Teddy, served as hostess.

Scandia was a popular destination for members of the entertainment industry for decades. Inside, it included theme rooms: the Skal Room, which included a large copper bar, the Danish Room, full of Danish memorabilia, and the Terrace Room, fashioned after the Belle Terrace at Copenhagen's Tivoli Gardens. The restaurant offered a late-night dinner starting at 10:30 p.m. for the after-theatre crowd and had an award-winning wine cellar containing thirty thousand bottles.

It closed its doors in 1989.

Historical Notes

In 2019 the West Hollywood EDITION Hotel was completed on the site where Scandia Restaurant once stood.

(ca.1975)##^* – Rocky and Bullwinkle on the Sunset Strip, 8200 W. Sunset Boulevard.

Historical Notes

From 1961 to 2013, this 15-foot-tall cartoon statue stood beside the former home of Jay Ward Productions, the company that created Rocky the Flying Squirrel and his pal Bullwinkle. The erstwhile squirrel and moose once faced a billboard ad for a Las Vegas hotel featuring a bathing-suit-clad showgirl, and every time her suit changed, Bullwinkle's shirt got painted to match. #++

Historical Notes

In April 2020 the iconic Rocky and Bullwinkle statue found a permanent new home in the triangle at the intersection of Holloway Drive and Sunset Boulevard.*

Historical Notes

The hotel opened in 1963 as the Gene Autry Hotel. Sold in 1967, it was renamed the Continental Hyatt House. In 1976 it became the Hyatt on Sunset until February 1997 when the hotel was renamed the Hyatt West Hollywood. In January 2009 the hotel was renovated and renamed the Andaz West Hollywood.*^

Click HERE to see contemporary view.

Historical Notes

Originally developed in 1963 as The Gene Autry Hotel Continental, it later become known as The Continental Hyatt House, and the Riot Hyatt as a reflection of its guests' propensity for partying. The hallowed halls have seen everything from Richard Cole (Led Zeppelin’s tour manager) riding his motorcycle through the hotel, to Keith Richards of the Rolling Stones (allegedly) tossing a television off of the balcony of room 1015. “We’ve since learned a few lessons and now the TVs are bolted to the walls and the balconies have been converted into sleek sunrooms,” noted Henning Nopper, the general manager at the Andaz West Hollywood. “Our history is one of Andaz West Hollywood's differentiating factors and is something we’re extremely proud of, so we definitely try and pay homage to that when we can.”*

Historical Notes

In the late 1960s and 1970s the hotel's proximity to popular clubs such as the Whisky a Go Go made it the preferred Los Angeles accommodation for touring rock groups, notably English bands Led Zeppelin, The Who and the Rolling Stones. It was often referred to at the time as the Riot House, a play on the name Hyatt House. 

In 1976 the hotel became the Hyatt on Sunset. In February 1997, the hotel was renamed the Hyatt West Hollywood. The hotel was renovated in 2008 and reopened on January 8, 2009 as the Andaz West Hollywood, the second Andaz hotel in the new brand by Hyatt Hotels and Resorts. The 14-story Andaz West Hollywood has 239 rooms, including 20 suites and a restaurant called RH (“Riot House”).  The renovation was completed by New York-based architecture and interior design firm Janson Goldstein LLP and includes a hand-painted metal disk 11-foot sculpture by renowned New York-based artist Jacob Hashimoto. The balconies made famous by stories of rock stars throwing televisions from them are now glass-enclosed sunrooms that overlook Sunset Boulevard.

Historical Notes

After a period of decline in the early 1980s, the building was renovated and has been operated as a luxury hotel under the names The St. James's Club, The Argyle, and most recently the Sunset Tower Hotel.

Historical Notes

The building was saved from deterioration and possible demolition when it was purchased in 1985 from architect David Lawrence Gray, FAIA by Peter de Savary who promised to "lovingly restore" the building to its former glory by spending $25 million to convert the building into the first American branch of his luxury hotel chain, the St. James's Club.

The Lancaster Group purchased the hotel from de Savary in 1992, renaming it the Argyle.

In 2004, Jeff Klein purchased the hotel.  Klein hired designer Paul Fortune to renovate the hotel, adding more modern amenities, and restored its original name.^

Historical Notes

The Sunset Tower building was listed on the National Register of Historic Places in 1980.

In the 1990's the Sunset Tower Hotel was known as the Argyle Hotel. Before that it was known as the St. James Club and Hotel, a grand 13 story, the Strip's 1st high-rise (built in 1931), and one of Hollywood 's best examples of Art Deco design. Virtually every star in Hollywood stayed here at one time or another. It was a favorite of Howard Hughes, who kept a number of suites here fore his various girlfriends; other guest included Clark Gable, Jean Harlow, Marilyn Monroe, Frank Sinatra and John Wayne (who is said to have kept a cow on the balcony outside his penthouse suite for fresh milk).

Historical Notes

The Strip has a long tradition of innovative and memorable signage. In the 1960s and ‘70s making it “big” for musical artists meant a custom-painted billboard on Sunset Strip.

Historical Notes

In the 1970s, the Sunset Strip became known for its prolific billboard advertising, especially by musicians and record companies promoting new albums, according to Robert Landau’s “Rock ‘n’ Roll Billboards of the Sunset Strip.”

Historical Notes

The Strip has a long tradition of innovative and memorable signage. It wasn't until the 1960s and ‘70s that musical artists started to appear "big" along the Sunset Strip.

Historical Notes

Author Andrew Greeley, in his book God in Popular Culture, described Ronstadt as "the most successful and certainly the most durable and most gifted woman Rock singer of her era." Signaling her wide popularity as a concert artist, outside of the singles charts and the recording studio, Dirty Linen magazine describes her as the "first true woman rock 'n' roll superstar ... (selling) out stadiums with a string of mega-successful albums."  Amazon.com defines her as the American female rock superstar of the decade. Cashbox gave Ronstadt a Special Decade Award, as the top-selling female singer of the 1970s.

By the end of 1978, Ronstadt had solidified her role as one of rock and pop's most successful solo female acts, and owing to her consistent platinum album success, and her ability as the first woman to sell out concerts in arenas and stadiums hosting tens of thousands of fans, Ronstadt became the "highest paid woman in rock".  She had six platinum-certified albums, three of which were number 1 on the Billboard album chart, and numerous charted pop singles. In 1978 alone, she made over $12 million (equivalent to $44,000,000 in 2016 dollars) and in the same year her albums sales were reported to be 17 million – grossing over $60 million (equivalent to a gross of over $220,000,000, in 2016 dollars).*

Historical Notes

KHJ (AM) was a nationally noted Top 40 station from 1965 to 1980.

In 1965, programming consultant Bill Drake crafted KHJ's top-40 format. Drake hired program director Ron Jacobs, who had created formats in Hawaii and California. The format featured a restricted playlist and restrained commentary by announcers (although a few, such as Robert W. Morgan, Charlie Tuna, Humble Harve Miller, and The Real Don Steele, were allowed to develop on-air personalities). Other DJs from 1965-68 included Roger Christian, Gary Mack, Dave Diamond, Sam Riddle, Johnny Williams, Frank Terry, Johnny Mitchell, Tommy Vance, Scotty Brink, Steve Clark, Bobby Tripp, Tom Maule and Bill Wade. Part of the format, known as "Boss Radio", were jingles by the Johnny Mann Singers.*

Historical Notes

Parking lot and billboard are still there. Click HERE for contemporary view.

The billboard was advertising the movie Superman II (Released in 1980) starring Christopher Reeve, Gene Hackman, and Margot Kidder.

Christopher Reeve's last Superman movie was "Superman IV: The Quest for Peace" released in 1987. It was the final installment of the original Superman film series starring Reeve as the iconic superhero.

Historical Notes

Carneys first opened its doors in 1968. John Wolfe Sr., a local radio executive, decided to build his burger joint from two aging Union Pacific rail cars. Carneys quickly became a landmark on the Sunset Strip, specializing in Hot Dogs and Hamburgers.

Historical Notes

In Feb , 2022 the iconic Tower Records building was demolished.

Here's the Tower building (8801 Sunset Blvd) history timeline
• 1928 - 1935 Magnetic Service Station (Venetian Studio - antique furniture adjacent on west side at 8811 Sunset)
• 1935: Simon’s Drive-in opens
• 1945: Dolores Drive-In opens
• 1952: Jack’s on the Strip drive-in opens. Parking lot shared with Budget Rent-A-Car. Office on the corner across Horn
• 1961: Shoreham Apt sales model unit built in front
• 1962?-1965: Budget Rent-A-Car. Takes over Shoreham unit
• 1964?: Madman Muntz. Possibly moves into the diner buidings behind the Budget/Shoreham building
•  1966: Muntz takes over Budget building. Framing added on west side. 4/8-track car stereo installations done in diner bldg
• 1969: Muntz and Diner buildings all demolished
• 1970: Tower Records opens that September
• 1971: Howard Krumholz is hired!
• 1987: Gary Helsinger is hired in July!
• 2006: Tower files bankruptcy and closes
• 2007-2012: “Live! On Sunset” clothing & gift retail store.
• 2013: Spirit Halloween pop up store
•  Events: Rock of Ages movie set; White Stripes promo; Stranger Things Mall promo; Pam and Tommy movie
• 2016: Colin Hanks repaints store signs and colors for his Tower documentary “All Things Must Pass” premiere after party
• 2019: Gibson Guitars relinquishes its lease
• 2021: Supreme clothing takes over lease
• 2022 (Feb): Supreme demolishes building except for the frame*

Historical Notes

Southern California is renowned for its many celebrity estates, and driving through Hollywood, West Hollywood, and Beverly Hills looking for the stars' homes is now a time-honored tradition and a favorite pastime of tourists.

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